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Black Wizard; A Modern Twist on A Classic Sound An Interview with Eugene Parkomenko & Daniel Stokes

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Black Wizard

A Modern Twist on A Classic Sound

An Interview with Eugene Parkomenko & Daniel Stokes of Black Wizard

Interviewed by George Archibald & Josh Drespling

 

Canadian heavy metal group Black Wizard, are on tour currently with Volbeat, and Killswitch Engaged. Earlier this year the band released New Waste, a collective of heavy metal originals that are reminiscent of the glory days of the genre.  This band is almost chameleon-like with its sound, having emulated that of Black Sabbath, King Diamond, and early Metallica to name just a few. They are undoubtedly wizards of heavy guitar and bass tone along with power driven drumming. Black Wizard had a few moments to sit down with myself and Josh, to talk about the tour and their newest album.

 

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Adam Grant of Black Wizard photo by Josh Drespling

JD: I am personally a big fan of noise used to build feeling and emotion. I like the dissonance, ambiance and the way it can build aggression. That’s the way your album starts out, and I was in love with you after the first 30 seconds. So how do you get that sound, or what helped developed that sound?

BW: (Dan) We have always been huge fans of Doom metal stuff, and that’s how we have been starting our sets. It has been sounding awesome, it builds up really nice.

JD: So the album sound and music is built out of your live sound?

BW: (Dan) Yea, we tend to use it (those sounds) between songs in our set. It was very appropriate for when we actually got in to record the record, that’s kind of how the idea came about.

BW: (Eugene) Those transitions work so well. It was very natural for us, and also as you said, it sounds suitable.

GA: You have a classic and iconic heavy metal sound. Having that iconic sound do you find it hard to write parts and maintain separate you out from other bands that are using those same phrasings and tones?

BW: (Dan) Yes, obviously there are a lot of bands in the group or genre we are in. Keeping it simple I think is important, just leaving it to heavy metal or thrash metal or whatever.

BW: (Eugene) The genre is definitely saturated, but we work really hard, tour a lot, and hope people like it a lot. It’s real, we aren’t trying to do something we’re not. The music just comes out naturally, whatever happens.

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Eugene Parkomenko of Black Wizard photo by Josh Drespling

GA: I love that classic metal sound, and you guys do it so well.

BW: (Dan) Thank you, we are all definitely influenced, and inspired by older records. I think listening to those groups, and also listening to what those groups listen to, helps to kind of have us stick out a bit. Also, by not listening to your new favorite record that just came out and trying to do just that. Staying true to what we love personally, taking that and putting it into what we do musically. So I think that is maybe what you are hearing when you listen to us.

GA: You guys have a modern take on a classic sound.

BW: (Dan) Its great cause, when you listen to any heavy metal band, all their records, they have been around for decades you listen to their first three records, and then their last two and it’s completely different. It’s like well fuck the variety …

GA: I think when bands start changing with the times they lose a little of what they began with.

BW: (Dan) Yea man.

JD: On the track “Unnecessary Evil”, to me you sound a bit like Ghost, especially with the vocals? Take that good or bad, but with the way you guys are utilizing it, it works really well.

BW: (Eugene) I think I know what you mean, when we do those harmonies they kind of sound like that. We are huge King Diamond fans, from the beginning Ghost follows kind of down that path. The song was inspired by Trouble.  It has those really slow single notes. So I appreciate the Ghost/King Diamond reference.

GA: I heard you guys started off doing construction before the band formed, how much of that do you think influenced the music? I know from me personally having done restoration for several years, you get a lot of pent up anger and frustration. Then when it came to writing music by then, I just had to get it all out.

BW: (Dan) The guys still do it. Our singer worked up until this tour, but people are starting to quit those jobs now. He was still working up till about 4 weeks ago, and he just quit being we were able to do this way more now. Evan the bass player, Adam and Eugene have that experience with construction.

BW: (Eugene) A lot of really bad years of doing that with winter.  I’m so happy to say that, that is behind me and I hope to never have to do that again. Even if this whole music thing tumbles, never again.

GA: I can relate. I did fire and water restoration, so it was in and out of wet charred up houses all day.

BW: (Dan) Out of the group I’m a warehouse guy. It’s hard work, but I can’t say It’s like what the other guys had to go through.

Daniel Stokes of Black Wizard photo by Josh Drespling

Daniel Stokes of Black Wizard photo by Josh Drespling

JD: So how is it stepping up from home crowds and small clubs, to these bigger venues? (Black Wizard at this time just begun their tour with Killswitch Engaged a week prior)

BW: (Eugene) It’s been crazy; we are still in awe. It hasn’t sunk in yet honestly. We did sound check today and we are like ‘Ok, getting the hang of it.’

JD: Better sound? Better lights?

BW:(Dan) You get thrown into it so quick, as in like whatever the first show was, and you just have to go with it. I think today definitely during sound check, I felt personally that I was like ok and I’m adjusted to things.  I am digging how things sound on our stage, which is great, because the first time you are so used to setting up, and relying on your rig to give you that monitor. This is a whole other ballpark, you actually have the options to rely on what is on front of you, and its overwhelming and exciting. I am learning so much everyday

BW: (Eugene) The crew guys have been incredible too. We pulled up, there was four semi-trucks and four buses with trailers for two bands, and here was are with our 15 seater van with a trailer. Those guys have the buses, and trucks, and a hundred-person crew, and we were just like “Holy shit!” The crew guys start at 8 am, and finish at 2 am every single day. There is no house sound or house lights, those guys bring in, and set up the whole stadium package. It’s absolutely incredible to watch them put it up, and then they tear everything down; in about an hour and half, and have it in the trucks and its crazy!

GA: Eugene you run Bully studios, have you gotten to talk to Adam D of Killswitch or Rob of Volbeat about any tips or tricks for recording?

BW: (Eugene) We have been hanging out with a bunch of the guys, Mike the singer of Volbeat and their drummer, and Jesse from Killswitch. It’s been just some surface stuff, having some drinks, but I haven’t gotten too deep yet, it’s still early on this tour. Bully’s has been my place of business the last 8 years. It’s a jam space, two buildings and a recording studio.

JD: Did you guys record your album there?

BW: (Eugene) Yes we recorded the album there.

JD: Did you engineer the album?

BW: (Eugene) I used to engineer but, my business partner engineered this recording and produced it and everything else. I didn’t have the time in the studio, between touring and taking care of the business paperwork. I have been pretty much booked up.

BW: (Dan) It’s pretty much the coolest place ever to hang out in, especially doing a record.You have the time to spend the whole day there. It’s a great place to be. The vibe, you feel at home and that went miles for me personally. This was the first time doing a record in that place.

Evan Joel of Black Wizard. Photos by Josh Drespling

Evan Joel of Black Wizard. Photos by Josh Drespling

GA: I know from past recording experience that is you don’t feel comfortable somewhere, you are just going have a bad time trying to record.

BW: (Dan) Yea exactly you hit the nail right on the head.

GA: Is there any piece of equipment that you guys personally like to use? Any kind of coveted piece you have to have on tour? That is like your go to, it’s always reliable, and you just love using that piece?

BW: (Eugene) For me it’s my drums. I have these huge bottom style Vista Lite’s. I did a couple tours without them, and it was just shitty and I wasn’t into it. Now I am playing these kind of stages with that kind of monitor sound back, and I am playing these giant drums, I can never go back ever.

BW: (Dan) I stick with this guy right here. My Gibson Les Paul standard. It’s a mid-nineties model so it still has the weight to it. It’s my first Gibson ever. When I got it, it was one of those things like hanging in the jam space and the amp at show volume, and I couldn’t believe the difference. You hear people talk about them, you really got to bend the notes out of it but the resonance and tone is amazing. It was so great and it was like that’s what they are talking about. So I always use that and a Peavey 5150 amp head. It’s the first head I bought when I was 17 years old, its great because you have so much room. There’s more gain than you can ever need or want. You turn it up or dial it back depending which is good. I also think it’s important to keep it simple. There’s just that tube tone nothing else added on.

GA: So you guys run just direct for everything?

BW: (Eugene) Yep, just straight instruments, no triggers no sampler pads, it’s all natural.

BW: (Dan) The only one that has any effects is Adam for some certain signature parts. Some delays and chorus, other than that, its straight from the pickups coming right out of the amp head.

GA: What’s next for you guys after this tour?

BW: (Eugene) We go home for two weeks then we fly out to Europe. We are going to do a month long tour. We are playing Desert Fest in Belgium with a bunch of crazy bands, Red Fang, Pentagram, and a bunch of bands. After that just waiting to find out on other tours, hopefully we will be touring all year till we record the next record.

GA: Anything else you guys would like to add?

BW: (Dan) Mainly thank you, thank you to you guys coming out, thank you to everyone involved. Please come out and say hello to us at the merch table.

 

Black Wizard will be on Tour in the states till September 9th with Killswitch Engaged and Volbeat.   Then they will be back in action, touring Europe kicking off on September 29th through October 10th. Josh and myself were so happy to have talked to both Eugene and Dan, you guys were awesome and so welcoming. We wish you guys good luck on tour and be safe out there. Looking forward to what you guys come up with in the future.

 

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EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews

Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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