Concert Reviews
COLD: 25 YEARS OF 13 WAYS TO BLEED ON STAGE/20 YEARS OF A DIFFERENT KIND OF PAIN TOUR

COLD came back into Baltimore to bring us an anniversary of 2 amazing albums, “13 ways to bleed” and “a different kind of pain. Bringing along with them Thrower, University Drive, and September Mourning.




Thrower opened up and this was my first time seeing this band from Texas. The best way I can describe them is a good mix of 90s grunge with a little modern rock. They had a really cool sound and had a great vibe on stage. The band did a really cool eerie rendition of Blue Oyster Cults “Don’t Fear the Reaper”.






University Drive was up next and this was also my first time seeing the band, even though they have toured with Cold a few times, I just haven’t got the chance to see them. UD has 3 members of Cold in the band making them have double duty on tour. I thought UD were really great, I loved the sound and the stage energy. The music is also different from Cold, so it makes a good combo with the band. Having 3 guitarists was crazy on stage but seemed to work so perfectly.




September Mourning was up next, and after an early van issue on tour, they were able to come back and rock out for the crowd. September knows how to get the fans ready and eager to have some fun and listen to some theatrical metal. I loved the tv screens on each side showing you some art and lyrics and all things September Mourning while the band played .



Cold was up next and everyone in the house was ready to sing, to laugh, to cry, to remember when and where these songs were a huge part of our lives. It’s crazy that 13 ways to bleed is 25 years old and Different kind of pain is 20, where does the time go? Cold always takes us on an emotional rollercoaster when they come to play, but this time it was different. We got to hear 25 songs from both albums that both played a huge role in my life and the lives of the fans at the show. I love seeing Cold play, and seeing the crowd cause everyone knows the lyrics, sings to the top of their lungs and show so much emotion for a rock/metal concert.



I love the combo of both these albums. They both take you on a journey of life, with all kinds of feelings along the way. Feelings of hope, depression, fear, pain, sadness, anger , having no faith to having faith again, to drug use and suicide. Ya that sounds a lot like Emo music, but Cold was this way before Emo was a thing, plus the music is way better. I love that Scooter takes times to tell the fans about certain songs and the meaning and inspirations around the lyrics, I also love that everyone has their own opinion about the lyrics and how they mean to them. It was great to hear these albums in full because normally you may hear a few of the tracks but it’s great to hear songs you haven’t heard Live in years or ever.

Cold just doesn’t compare to any other bands out there. Not only is Scooter one of the best lyricists and poets of the 90s-2000s but also is such a great man, loving father and truly a gem within the world of musicians that let their ego take control. Scooter and the band are truly for the fans, they always make sure to take time to meet the fans, take photos, sign autographs and talk about how the songs of the band have impacted them personally. I’ve got to hang out with my friends with the Kid Dreadful camp and got to see how excited and truly interested that the band are into her life and her art. It’s just makes you love this band anymore.

I can’t wait till they come back again and maybe in 2028 we can get the 30 year anniversary of the “Self Titled” album and get to hear the songs that first got me into the band. It’s crazy that I’ve been going to see Cold for 25 years. The one thing that’s been the same in those 25 years is my love of this band. This band has honestly saved my life many times and helped many others too.
THANK YOU COLD.
About Author
Concert Reviews
THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

It has been nine years since Stabbing Westward played in Baltimore, and I was thrilled to see them return to perform my favorite album. They brought along Acumen Nation and Priest as supporting acts. Both Acumen Nation and Priest put on an incredible show, and I loved how they energized the crowd. It’s fantastic to have a band like Acumen Nation, which has been around since 1988, alongside Priest, a newer band, and the fans truly enjoyed both sets.







Stabbing Westward is one of those bands that really resonated with me at a pivotal time in my life. This album was released during my junior year and fit my experiences perfectly. It’s one of those albums I would listen to from start to finish, and then I would just start it over again. I’m excited that the band is releasing a new version of this album, reflecting how they would have approached it if they had the freedom to mix it and create without outside interference.









What we got to hear was amazing. I loved the fresh sound to it but still keeping the core of what that album meant to them and to the fans. Coming out on stage with my 3 favorite songs on the album, “I Don’t Believe,” “What Do I Have To Do,” and “Falls Apart.” But hearing some of the other tracks on that album brought back so many memories of the past, like “Shame,” “So Wrong,” and even hearing the cure cover “Burn” and “Dawn” from the Escape From LA Soundtrack.
The concert was amazing. We were supposed to have an interview with Chris, but because of the Canadian fires, he was saving his voice for the show and meet ‘n greets, but we will have that interview soon for you.
About Author
Concert Reviews
THE EX-FACES ROCKED THE REVERB STAGE

I’ve been incredibly excited about the Ex-Faces show since it was first announced. I’m a huge Mushroomhead fan and love that the members of this group have come together to enjoy the music.





It was incredible to see J-Man, Waylon, Stitch, and Lil Dan together again. Adding Gravy and Mr. Murdernickel to the mix—especially since I never got to see him play live despite being a Mushroomhead fan near Cleveland since ’96—made it even better. I love that the guys genuinely looked like they were enjoying being on stage together, celebrating their time in this band and their experiences with Mushroomhead.





Hearing classic songs like “Bwomp,” “These Filthy Hands,” and “Sun Doesn’t Rise” was fantastic, but getting to experience deep cuts like “Eternal,” “1200,” and even the cover of “Crazy” was incredible. The Ex-Faces played 16 songs and could have kept going; the crowd definitely wouldn’t have minded.





I know this band and project are more than likely temporary, but I’m fully down for a few more tours and maybe even some more ex-members joining the trek. Even though I was sad that our stop didn’t have Pig Benis, I was super stoked that we had his OG brother Murdernickel. Go out and see this tour while you can, and let’s all get a little crazy and never let it go.
About Author
Concert Reviews
ICP’s Dark Carnival Brings A Night of Faygo, Fireworks, and Family to Pittsburgh

Whoop Whoop, Pittsburgh! The long-awaited day arrived on June 27th, 2026, when the Dark Carnival made its way to Stage AE on Pittsburgh’s North Shore. And let me tell you, not even a rainy Pittsburgh afternoon could dampen the spirits of the Juggalo faithful. The skies may have been grey, but inside that venue, it was a pure, unadulterated party for the entire gambit of the Juggalo family. There were guys like Butch Shipton (seen in the photo to the right) who is anticipating attending his 25th Gathering of the Juggalos this summer. Alongside him were fresh-faced fans who have become the next generation of Juggalos thanks to outlets like TikTok and Instagram. I witnessed grandparents enjoying the time of their lives with their children and grandchildren.



The weather didn’t matter one bit to the night of chaos and celebration. Neither did the fact that the city was absolutely buzzing with activity. While we were getting down with the clowns, the Pittsburgh Pirates were battling the Reds just down the road, Nelly and Three Doors Down were rocking Point State Park, and drone shows were lighting up the sky over the Point. But for the Juggalos packed into Stage AE, there was only one show that really mattered.
As the rain subsided and the Faygo began flying, they kicked off the evening with “The Show Must Go On”, setting the tone for a night that would feature a near-perfect mix of old-school Juggalo flavor.


Violent J and Shaggy wasted no time diving into the classics. Hitting hard with “Hokus Pokus” from their 1997 platinum album The Great Milenko. They had the crowd losing their minds and soaked with Faygo after just a few notes. That track actually went gold in 2022, selling over 500,000 units, and it was easy to hear why: that infectious “Streets of Cairo” melody had everyone bouncing from the front barricade to the fence at the back of the lawn.
“Birthday Bitches” and “My Axe” kept the energy sky-high before they dropped “Fuck the World”. There was not a person in the crowd who was not singing along to every word of the classic tracks. After a quick Faygo break (because you’ve got to stay hydrated for the mayhem), they launched into “Tilt-A-Whirl”, followed by “The Neden Game”, a notorious gameshow track that’s become a fan favorite. Then came “Boogie Woogie Wu”, a dark classic from The Great Milenko that describes multiple murders over a creepy, slick beat. It’s horrorcore at its finest, childishly describing mayhem in a way that only ICP can pull off.




DJ Clay took center stage for a solo to give J and Shaggy a breather before they brought back the wickedness with “Play With Me” and “Stomp” along with another Faygo break (the crowd was getting thirsty), and then they hit us with “Let’s Go All the Way” and “In My Room”.
One of the highest energy moments came when they did their version of the Geto Boys’ classic “Assassins”, a nod to the horrorcore roots that run deep in hip-hop history.
“Down With the Clown” brought the energy to a fever pitch before they closed with the epic “Pass Me By”. This track, also from The Great Milenko, is one of the more thoughtful Joker’s Card closers. It paints a picture of what it’s like to make it to the Carnival after death, hanging with Jimi Hendrix, Selena, and Eazy-E, with Faygo on tap and no more worries. It’s a song about finding peace, and the message of the Dark Carnival shines through lyrics like “We all gonna die, but I’m not gonna fry.” The crowd filled the stage and commenced drowning Pittsburgh in its own Faygo Armageddon. As the Faygo flew from the front to the back of the venue, fireworks exploded overhead, welcoming the Juggalos to Shangri La.

It was a glorious, sticky, sugary mess that you had to see to believe. The wicked clowns brought it proper to the Steel City and showed fans, both young and old, why they have remained a main stage in the music industry for decades. They delivered a fun-filled night of great music and excitement.
Here’s the best part, ninjas. The Carnival keeps rolling; the Pittsburgh show was just one stop on the Clowns’ massive 2026 tour, and the insanity is far from over. The boys are hitting cities coast to coast, so if you missed this one, you’ve still got plenty of chances to get down with the clown.
Not to mention the 26th Annual Gathering of the Juggalos is just around the corner. August 19th through 22nd will see the Gathering moving to a brand-new “river-infused realm of dopeness” at Mother Nature’s Riverfront Retreat in Macks Creek, Missouri. That’s right, after years in Thornville, Ohio, the family reunion is heading to the Lake of the Ozarks area for a four-day epic festival with music, wrestling, and enough Faygo to fill the Mississippi.








There are several dates remaining on the current tour until the group veer off course for the Gathering and multiple festival shows, and then they hit the road again for a slew of dates leading up to the infamous hometown Hallowicked show in Detroit.
So what are you waiting for, ninja? Grab your tickets, grab your hatchet, and get your face paint ready for the Gathering. The Dark Carnival never stops—it evolves, changes shape, and reconfigures into something so unexpectedly dope that it’ll blast the ghost right out of your body. This is the sign you’ve been waiting for.
See you in the pit, Juggalos. Whoop Whoop!



















































About Author
-
Concert Reviews1 year agoSHINEDOWN: DANCE,KID,DANCE TOUR:PITTSBURGH REVIEW
-
Concert Reviews12 months agoNew Castle Music Festival 2025
-
Concert Reviews10 months agoMarc Rebillet Baltimore 2025 Show Review
-
Concert Reviews2 weeks agoTHE EX-FACES ROCKED THE REVERB STAGE
-
Concert Reviews10 months agoGeoff Tate blows the roof off XL Live in Harrisburg PA
