Interviews
Fear Factory, Soilwork, Spades & Blades – Demanufacture 20th Anniversary Tour
-by JJ Ulizio
Photos by: Jason L Nelson
On 04/12/16 Fear Factory came through Pittsburgh’s Altar Bar on tour with Swedish label mates Soilwork in celebration of the fan favorite album “Demanufacture” turning 20 years old. Joining them on the tour as opening acts were Martyrd from New York City and Spades & Blades from Los Angeles California.
Starting off the evening the line for entry stretched the length of the block as the Altar Bar opened its doors for a sold out evening of metal music. Martyrd and Spades & Blades had a few fans sprinkled through the crowd but it was obvious who the majority of the crowd was there to see.
Martyrd was up first and played a tight but solid set, followed quickly by the LA metal-core quintet Spades & Blades whose vocalist was honest about having issues with his voice but that didn’t stop them from powering through their set and visibly winning over some fans in the process. After the conclusion of their set their merch booth promptly appeared to be bombarded with concert goers picking up shirts and CDs.

Björn “Speed” Strid of Soilwork
Next in the lineup came the “Swedish melodic death metal” powerhouse known as Soilwork, led by founding member and lead vocalist Björn Strid. They began their set with the title track from their newest album “The Ride Majestic” and flowed right into fan favorites like “Nerve”, “Let This River Flow” & “Bastard Chain” amongst other songs spanning their 18 year career. Through the course of their set they relentlessly pummeled the crowd, as the crowd erupted and pummeled each other, with song after song. You could see the intensity they were giving through the sweat that seemed to consistently pouring off of them. They gave it their all, and the crowd gave it right back. They closed their set with the title track from their 2005 album “Stabbing the Drama”. The band tore their way through the thrashy grooves of the song as the crowd sang the chorus loud enough that you could not hear Björn belting out the lyrics. Once the song finished it was almost an eerie silence for a second or two before the house music came on. Björn promised that they would be back this fall, I recommend anyone who missed them to keep an eye out for that date.

Tony Campos of Fear Factory
To close out the night Fear Factory took the stage and in celebration of their sophomore album, Demanufacture, turning 20 years old they started their set with the title track and played every song as it appears in order from the album including the 1995 single “Replica” which from my perspective was the peak of the performance, after that it seemed that the majority of the crowd started losing their energy, I felt it too. The fans didn’t appear to have the same kind of engagement or participation like they did for replica until they completed the “Demanufacture” set and came back for the encore. This had included other fan favorites such as “Archetype” & “Soul Hacker”. I saw some of their energy spark back up during their performance of “Edgecrusher” when a few of the members from Spades & Blades came out to do backup vocals on it which had gotten the crowd singing along and amping them back up for their closeout with the 1992 song “Martyr.”

Burton C. Bell of Fear Factory
Burton C. Bell and Dino Cazares of Fear Factory have done well over the years; the fact that Demanufacture is as popular as it is to this day is a testament to that. They played a solid set, not a technical or musical fault that I could see and still a lot of fun but in this fans opinion Soilwork stole the show that night with an energy and intensity that could not be matched.
This tour runs through May 7th where they’ll finish up in Los Angeles. Fear Factory will begin touring internationally beginning in June and they will be out on the road until the end of the year. Soilwork will embark on their own tour of Europe and Asia that will carry them through until mid-August. Spades & Blades and Martyrd wrap up with the end of this tour with nothing currently announced as of press time but I’m sure neither band will sit still for long.

Dino Cazares of Fear Factory
Overall if you have an opportunity to attend one of the dates on this tour then I recommend you do, it was a great time with some great performances.

Soilwork

Burton C Bell-Fear Factory
This set was shot one night before the Pittsburgh Date
A pro shot Fear Factory show from Resurrection Fest 2015 (Viveiro, Spain)
Much better quality that the fan shot video above, but this one has a completely different set list.
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Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
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Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
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ween
April 26, 2016 at 7:37 pm
Great Article