Interviews
The Foundation of Summer Slaughter
The Foundation of Summer Slaughter
A Look at the Supporting Local Acts
Summer Slaughter in Cleveland 7/31/2016
By: George Archibald
Ahhh… it’s that that time again where metal enthusiasts from Cleveland and the surrounding areas make their way to the Agora Ballroom to attend Summer Slaughter. This year played hosts to the likes of Cannibal Corpse, Nile, Suffocation, After The Burial, Carnifex and many more.
However, this story isn’t about the main stage acts, but more about the guys who are still in the trenches , hoping one day for the main stage and all the glory that comes along with increased fame and touring as national acts.
This is about the local supporting talent, the guys who sweat and work their asses off selling tickets, putting in hours practicing just to have the perfect set. The guys doing tons and tons of face to face meet and greets with people, just to get them interested in seeing their bands.
The first band I met up with to interview were Youngstown, Ohio natives Trephine. They are a new rendition of an older band, who just recently changed their name and are working on a new album. I opened the interview by letting the band members know how I appreciated and saluted their efforts for putting on a great show.
I started our conversation by telling them that every band starts from the bottom at one time or another and have been in their situation…. 2nd stage purgatory.
George Archibald: Hey guys how’s it going? Do you want to introduce yourselves?
Andrew Lenhart: Andrew Lenhart, I sing for Trephine.
Rickie Palmer: Rickie Palmer, I play guitar for Trephine, from good ‘ole Youngstown Ohio.
George Archibald: I saw online that you are working on a new album. What is the title of the album and when can people check it out?
Andrew Lenhart: It’s going to be called ‘Nightcap of Endless Suffering.’ I am going in for vocals at the end of August. About a month afterwards we should have everything pressed and ready to release.
Rickie Palmer: We are looking to do a November release with our friends in KPhit.
George Archibald: How was the recording process? Also, what was your favorite part of recording?
Andrew Lenhart: The recording process was absolutely incredible, we worked with Noah at Brainchild. Noah is the man, he knows his shit. Working with him was very painless. My favorite part has to be the drum tracking, drums can make or break an album. We went with a completely natural drum sound that we all are really stoked about. Everything sounds killer, even though we are still in the mid-stages of recording. I highly recommend working with him.
George Archibald: Where do you guys draw your inspiration for the themes and/or lyrics of your music?
Andrew Lenhart: Lyrically, I draw from movies that have really inspired me and also current events that have pissed me off. Pretty much every day shit.
George Archibald: So who are you guys excited to see and/or support on Summer Slaughter?
Andrew Lenhart: I am a big fan of Carnifex and can’t wait to see them. Rickie and the other guys are all about Suffocation.
Rickie Palmer: We are here for Cannibal Corpse, Nile, Suffocation and Revocation. There is an incredible amount of local support this year. From top to bottom, it’s just a stacked bill. I am looking forward to seeing everybody.
George Archibald: What’s next for Trephine after Summer Slaughter?
Andrew Lenhart: Right now we are finishing up the album and working on getting it out. As well as getting new merch and just trying to expand the band. We just changed the name a few months ago so it’s like a rebirth. We are just looking to get a whole new fresh start, get out there and get to as many people as possible.
George Archibald: Anything I’m leaving out?
Trephine: Come to a local show and support your local music scene.
The next band I got to meet up with was the band that hails from Columbus, Ohio, Bless the Child. This seasoned band was asked to return to support Summer Slaughter, this is their third time being on the festival line-up.
George Archibald: Hey what’s up guys, why don’t you introduce yourselves?
Bless the Child: Mark Evans, bass player and Jordan Slack, guitar player for Bless the Child.
George Archibald: So what brings you guys to Summer Slaughter?
Bless the Child: This is the third year we have been asked to come back to play Summer Slaughter. Being from Columbus, it is super awesome to be asked to come back and play with everybody here. It’s always a good time up here in Cleveland.
George Archibald: Having played Summer Slaughter 3 times, what is your favorite show out of the three shows you have played?
Bless the Child: Two years ago we got to play with Morbid Angel which was awesome, but this year is like the bucket list for the band. Suffocation and Cannibal Corpse are like the legendary bands. This is definitely the year we are most excited about, we’re really pumped about this show.
George Archibald: Why don’t you let everyone know a bit about the band?
Bless the Child: Bless the Child is a death metal, deathcore outfit. We are going on our eighth year as a band. We have two records and multiple music videos out. We also have several tours under our belt. Our newr EP is about ready to go. Currently we are searching for a full time vocalist. We are having a hard time finding someone who can commit to touring. The members of Bless the Child are fans of heavy music and we try to have fun writing. Hopefully people will enjoy it as much as we do.
George Archibald: Outside of the album coming out, what is next for Bless the Child?
Bless the Child: There are several mini-tours stacked out till the end of November. So after Summer Slaughter, we will be out with a few other bands and during that time we are hosting tryouts for a new vocalist. Bless the Child will be hitting the road with From Another Planet for five or six dates, then hooking up with Under the Combine and doing a short tour with them as well. Then we will be going up the East coast hitting Maryland, New York City and Richmond, Virginia.
George Archibald: Anything you guys would like to add?
Bless the Child: We appreciate everybody who has come out to a show, throwing up the horns and saying hello. Stay metal and look out for our new shit coming out. Check out all of our social media stuff. Also, if you are an awesome singer and want a job, please contact us and we will set up an audition.
After talking to Bless the Child, I got to talk briefly with From the Hellmouth, a band based in Cleveland, Ohio. The members of From the Hellmouth are all experienced musicians who have frequented the Cleveland music scene. From the Hellmouth aspire to move out from the local scene and be more of a touring fixture throughout the United States and Europe.
George Archibald: Hi, let’s start out by everyone introducing themselves.
From the Hellmouth: I am Noah from From the Hellmouth.
George Archibald: Who are you here to support and/or see on the Summer Slaughter line-up today?
From the Hellmouth: We came out to play and this is actually our second show with this line-up. I came to see Cannibal Corpse, Suffocation and I like Krisiun.
George Archibald: Tell me a little about From the Hellmouth.
From the Hellmouth: The band started last year and we released a record on our label, called ‘Redefining Darkness Records.’ It’s a self-titled, five song EP. Alan Cassidy from The Black Dahlia Murder came to play drums on the record and finally I put together a band. I gathered up a couple guys I know from the scene that have been around for a long time and that’s about it.
George Archibald: How was the recording process of the EP?
From the Hellmouth: It went really smoothly. I run the studio, so I recorded everything myself. Alan learned all the songs in a couple of weeks, then came down and tracked it all. I have been slowly putting everything together over the last year. It’s a bit of brutal death metal, as well as some slam elements, but mostly just brutal death metal stuff.
George Archibald: What’s next for From the Hellmouth?
From the Hellmouth: We would like to get out of the country to play, that’s the goal. Right now we are getting warmed up and putting some shows together. Then, we are going to put out another record around the end of this year hopefully. I would like to get down to South America and then move over to Europe sometime next year. We’ve all been in bands for ten plus years and are trying to get away from the local band scene, kind of striving for more.
George Archibald: Anything else you want to add?
From the Hellmouth: Stay metal and hail Satan.
The last band I got to interview are ten-year seasoned veterans to the Cleveland Metal Scene. If there was a huge show going on they were sure to be on the bill. My old band has played with them numerous times over the years, the band is Cleveland’s own Cholera.
George Archibald: Hey guys, let’s start out by introducing yourselves.
Cholera: Jesse Greenfeather, drums, Bill Zakovec, vocals, Andy Evensen, vocals and Matthew Giannakos, guitar.
George Archibald: So who are you guys out here to see and/or support on Summer Slaughter?
Cholera: Suffocation, Cannibal Corpse, Ingested, After the Burial, Carnifex and Revocation, those guys shred.
George Archibald: Tell everyone a little about your band and what you guys have going on.
Cholera: Cholera have been a band since 2006. We have had numerous line-up changes since our beginning, but this current lineup has been together over the last 2 years. We are currently writing a new album now. We put an album out last year, but not a lot of people know about it, because then we went by the band name Cholera AD. We have recently changed our name back to Cholera. We also just had our ten-year anniversary show at The Foundry in Lakewood, Ohio. A lot of people came out to the show to see us. Being ten years strong and still going, it means a lot that people still care.
George Archibald: Tell us about this new album.
Cholera: We have one song tracked so far. We are trying to produce as much solid material as possible. We want to have as few filler tracks as possible on this new album. We are going on ten years and want to come back hitting everything strong and hard. We are also touching on our roots and where we started. Some of the new stuff is fast and heavy, you are going to want to mosh to. Cholera is bringing back the blast beats and the pig squeals as well.
George Archibald: So what’s next for Cholera?
Cholera: Next Friday we are playing The Foundry with Zao. Then after that we will be focused on writing and recording.
These bands were only a portion of the supporting locals acts on Summer Slaughter. Each band is unique in their own way, but collectively important to the show. Without these guys putting in the time and effort, there would be no new generation of music to follow. Good luck to all of you guys and in your endeavors. I hope I get to run into you all again.
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Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
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Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
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