Connect with us

Interviews

Interview with album cover artists Paul Stier

Paul Stier is a very talented and accomplished graphic artist who has done some amazing album cover artwork in the last few years. Check it out!

Published

on

Paul Stier

Paul Stier

Interview with album cover artists Paul Stier

by Josh Drespling

In an effort to give you, the readers of Empire Extreme a peek behind the curtain of the music industry we have been cultivating interviews with the people who you don’t see on stage and receiving the adulation of the fans. These are all people who are integral parts of the music industry and often have very unique perspectives on the things you and I take for granted as a casual listener.

For this installment we caught up with Paul Stier, a very talented and accomplished graphic artist who has done some amazing album cover artwork in the last few years. Check it out!

You do a lot of work for Rottweiler Records. How did you get involved with Shawn Browning and Rottweiler?
Well, Shawn and I have been great friends since 2000, and we live in the same town, so when he decided to start Rottweiler Records, he asked if I would do the cover art for their bands, and of course, I said I would. I had already been doing quite a bit of work for his former band The Migraines, and also for Grave Robber. Grave Robber’s second record “Inner Sanctum” was the very first album cover art I ever made, and was released on Retroactive Records. Once Rottweiler got underway, I had the opportunity to create the label’s logo and the art for their very first release, Behold The Kingdom’s “The Eyes Of The Wicked Will Fail.” Shawn has since used other graphic artists, but anytime I want to do a project, he usually gives me first crack at it, and I am very thankful for that.

Grave Robber - You Are All Gonna Die cover by Paul Stier

Grave Robber – You Are All Gonna Die cover by Paul Stier

When you are asked to do an album cover and/or entire package how do you attack it? What is your process? Do you start out sketching with pencil and paper or do you dive right into the digital world?
I attack it with full brute force, like any good metalhead would do! Seriously though, the first thing I do is pray and ask God to make the project what He wants it to be. I pray for creativity and imagination; I’m not stupid, I know where the gifts come from. I will start talking with the band I’m working with, and ask what they see the art looking like in their head, and take clues from what they tell me. I like to put those elements in the art if possible, because the band is as much a part of the creative process as anyone or anything else. I look for outside inspiration, which could be music, movies, art galleries, anything really. I will share my thoughts with my wife, Angie, and she will throw out ideas I never thought of. She is a huge inspiration. I will sit and ponder what I have absorbed, get excited about it and then jump right in on the computer and start working, but then there are times when I get a project, and I’m just pumped to get started. The ideas are there at that very moment, and I go with it. Every project is different on that level.

Grave Robber - Inter Sanctum cover by Paul Stier

Grave Robber – Inner Sanctum cover by Paul Stier

I know I use a mix of both Photoshop and Illustrator when I design things. Some things work better with one rather than the other. With that being said, what is your software of choice or at least what is your starting point?
I would have to say my software of choice is definitely Photoshop. It allows me to manipulate photos and textures better than any other program that I have tried, but yes, I do use Illustrator for CD package layout and also for text. Using the layout templates in Illustrator is more accurate and the text is much smoother and prints better because it is vector based. However, if you are incorporating a band logo and album title into the art, I recommend doing that in Photoshop while you are creating the art so it has a balanced feel and looks like it belongs there. That is what I like to do. I will add dimension, texture and lighting from the art on the logo and the title, but I have to play with it a little to make it pop visually. Contrast is key. I use text only in Illustrator for the lyrics, liner notes, catalog number and
legal jargon most of the time.

Ultrasound Festival poster illustration by Paul Stier

Ultrasound Festival poster

Your style has an aura of shall we say “grungy-realism”. How has that developed and/or changed over the years.
I’ve always been drawn to grungy art. Even as a kid, I found beauty in the imperfect. Through the years, it is something that I had to learn slowly. I absolutely loved the work of the Clark brothers at Invisible Creature (then Asterik Studio) and the art of Travis Smith, but had no idea how to create it. I remember sending Don Clark an email asking him how they achieve that grungy look, but he didn’t exactly tell me, he just told me to look into Photoshop brushes and textures, and that’s all the advice I got. But that’s all it took. I just ran with it and studied everything I could get my hands on that would teach me. What I soon realized was that it is all experimentation, trial and error. There are no hard fast rules, just try stuff and have fun with it. The only thing that I would say has changed, is that I have learned to balance the grunginess in my work. To tweak it so it’s noticeable and obviously there, but not go overboard and have too much dirt that the contrast overpowers the piece. I strive to create a clean grungy look. Dirty and professional, if that makes sense.

Behold The Kingdom cover by Paul Stier

Behold The Kingdom cover by Paul Stier


Some of your work looks like it incorporates photographic images, for example the woman in the “Behold the Kingdom” piece and the Grave Robber “You’re All Gonna Die” album cover. Is that a correct assessment and if so how did that process work?

You are correct. It’s all about thinking ahead. To set everything up as much as possible so it looks more realistic and you have less to do in Photoshop. The woman on the Behold The Kingdom album cover is a friend, and I snapped some shots of her standing on a ladder in her parents house. I think they thought I was crazy, but it all worked out ok. The Final Surrender cover featured Shawn’s son, Jesse. The Grave Robber one was a lot of fun to photograph; that is my son on the cover. The shed, the shovel, the rope, and him were all purposely staged and photographed, just as it looks. Everything else was done in Photoshop. 

Grave Robber - Be Afraid Cover by Paul Stier

Grave Robber – Be Afraid Cover by Paul Stier

When given a project, how much freedom do you usually have?
When I first started working with Shawn and Rottweiler, I honestly didn’t have a lot of freedom. Shawn knew what he wanted and I complied, but as time went on, I wanted more creative freedom, so I had to prove myself. I had to convince him and the bands that if they wanted better, more eye catching art, that they would have to give me more freedom. They finally agreed, and they loved the results. Now, I have plenty of freedom and it’s been great.

Describe the feeling you get when a client asks for revisions the first time, second time, third… fourth…
I’ve been very lucky; I don’t have that very much. If I have revisions, it’s usually only one or two small things that need changed or deleted, but that’s about it.

Fear Mountain book cover by Paul Stier

Fear Mountain book cover by Paul Stier

What made you first want to get into illustration and design?
As a teenager, I would sit and listen to records and study the details of the cover art. I would wonder, who did this amazing work? It was part of the listening experience for me, a very important part. I always thought it would be cool to make album cover art, but didn’t know how, or even the first steps to learn. Later on in my late twenties, I worked at a Kinko’s and I saw my manager designing a poster for an event, and I asked him how he did that. He gave me a copy of CorelDRAW/CorelPAINT and told me to install it on my computer at home and just start playing with it. So, that’s exactly what I did, and I have to admit, my early designs were horrible. I got some pointers from people in the business, and eventually purchased Photoshop. That’s pretty much how it started, and now I’m doing what I love as a self taught, freelance artist.

You recently did the cover for the book Fear Mountain, can you tell us what went into that project and the concept for the cover.
Yeah, the author or Fear Mountain, Mike Dellosso put out a request for art on Facebook, so I contacted him, and he was very interested in my work. He asked designers to donate their time and talent to this project because the proceeds from the book were going to help him and his wife adopt a child. I just couldn’t say no to that. It was a special edition ebook, and he used work from four different artists. I am so humbled to be a part of that project. The concept for the cover is a surreal interpretation of
the story line.

Lust Control cover by Paul Stier

Lust Control cover by Paul Stier

You also did the album cover Lust Control’s second album in 30 some years. That artwork differs from a lot of your other material. Can you explain why and tell us a little how that project came together along with what it was like working with the infamous Doug VanPelt?
Doug wasn’t completely sure I was the man for the job at first. I called him one evening to discuss the art, and he asked me to describe what I would create for the cover. He wanted to see if we were on the same page. He told me the title was “Tiny Little Dots,” so being that I already knew what Lust Control was about and what their message was, I described to him what ended up being the cover. He loved the concept and let me know that I was the guy to create it. Doug is awesome! I can’t say much more than that…I love that dude!

Some people draw and create for fun, what do you do?
All kinds of things. I love going to concerts, watching movies, listening to music, reading, and creating. Sometimes, my wife and I will snag a photo of each other and try to create the goofiest designs of each other. The last time we did this, she ended up with a mop head for hair, and I ended up with a ramen
noodle afro. She definitely won that round. It was awesome!

hand-of-fire

Hand of Fire cover illustration by Paul Stier

Any new and exciting projects on the horizon you would like to mention?
I just finished the album cover for an amazing thrash metal band called Hand Of Fire on Rottweiler Records, and I am also getting ready to start working on art for the new Grave Robber record. I want to make this one is very different from the previous work I’ve done for them. I can’t wait for you all to see it.

If I’m a band or business looking for some stunning artwork, how can I get a hold of you?
You can contact me on Facebook at www.facebook.com/thesavageyard, or email me at thesavageyard@gmail.com

[Best_Wordpress_Gallery id=”30″ gal_title=”Paul Stier Artwork”]

About Author

Continue Reading
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Interviews

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

Published

on

By

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

About Author

Continue Reading

Interviews

INTERVIEW WITH KURT DEIMER

Ron

Published

on

By

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

About Author

Continue Reading

Empire Interviews

Inferious—Interview

Published

on

Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




About Author

Continue Reading
Interviews7 days ago

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Concert Reviews3 weeks ago

BRISTOW VIRGINIA TOOK A TRIP ON THE WILD SIDE… SHOUTED AT THE DEVIL. AND ENJOYED THE GIRLS GIRLS GIRLS. 

Concert Reviews1 month ago

THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

Concert Reviews1 month ago

THE EX-FACES ROCKED THE REVERB STAGE

Concert Reviews2 months ago

ICP’s Dark Carnival Brings A Night of Faygo, Fireworks, and Family to Pittsburgh

PGH Pride in the Pit Logo
Concert Reviews2 months ago

PGH Pride in the Pit: A Celebration of Community, Music, and Alt-Queer Culture

Concert Reviews2 months ago

KITTIE 30 YEARS LATER STILL ROCKS BALTIMORE 

Concert Reviews2 months ago

Wicked Clowns Take Over The Steel City

Concert Reviews2 months ago

North American Duel Tour featuring Jinjer w Crystal Lake and Entheos

Concert Reviews2 months ago

COLD WAS BACK IN BALTIMORE BUT THE HEAT HAD OTHER PLANS 

Concert Reviews3 months ago

L.A. GUNS COME BACK TO MARYLAND AND ROCK THE CROWD ONCE AGAIN.

Concert Reviews3 months ago

THE NORWEGIAN WITCHES INVADE BALTIMORE 

Concert Reviews3 months ago

MARYLAND HAS GOT THE MOVES

Concert Reviews3 months ago

Infected Rain brings the fun back into Baltimore 

Interviews4 months ago

INTERVIEW WITH KURT DEIMER

Concert Reviews4 months ago

Resistor – Live Review

Inferious preform live at Preserving Underground April 2026 By Josh Drespling
Empire Interviews4 months ago

Inferious—Interview

Concert Reviews4 months ago

THE MAINE: I LOVE YOU BUT I CHOSE: PITTSBURGH SHOW REVIEW

Announcement/News4 months ago

M3 2026 Preview

Concert Reviews4 months ago

40 YEARS OF HELLOWEEN SILVER SPRING MD SHOW REVIEW 

Interview4 months ago

SUCKERS FOR PUNISHMENT TOUR HARRISBURG PA 

Concert Reviews5 months ago

THE ZENITH TOUR

Things You May Have Missed

%d bloggers like this: