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Interview with album cover artists Paul Stier

Paul Stier is a very talented and accomplished graphic artist who has done some amazing album cover artwork in the last few years. Check it out!

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Paul Stier

Paul Stier

Interview with album cover artists Paul Stier

by Josh Drespling

In an effort to give you, the readers of Empire Extreme a peek behind the curtain of the music industry we have been cultivating interviews with the people who you don’t see on stage and receiving the adulation of the fans. These are all people who are integral parts of the music industry and often have very unique perspectives on the things you and I take for granted as a casual listener.

For this installment we caught up with Paul Stier, a very talented and accomplished graphic artist who has done some amazing album cover artwork in the last few years. Check it out!

You do a lot of work for Rottweiler Records. How did you get involved with Shawn Browning and Rottweiler?
Well, Shawn and I have been great friends since 2000, and we live in the same town, so when he decided to start Rottweiler Records, he asked if I would do the cover art for their bands, and of course, I said I would. I had already been doing quite a bit of work for his former band The Migraines, and also for Grave Robber. Grave Robber’s second record “Inner Sanctum” was the very first album cover art I ever made, and was released on Retroactive Records. Once Rottweiler got underway, I had the opportunity to create the label’s logo and the art for their very first release, Behold The Kingdom’s “The Eyes Of The Wicked Will Fail.” Shawn has since used other graphic artists, but anytime I want to do a project, he usually gives me first crack at it, and I am very thankful for that.

Grave Robber - You Are All Gonna Die cover by Paul Stier

Grave Robber – You Are All Gonna Die cover by Paul Stier

When you are asked to do an album cover and/or entire package how do you attack it? What is your process? Do you start out sketching with pencil and paper or do you dive right into the digital world?
I attack it with full brute force, like any good metalhead would do! Seriously though, the first thing I do is pray and ask God to make the project what He wants it to be. I pray for creativity and imagination; I’m not stupid, I know where the gifts come from. I will start talking with the band I’m working with, and ask what they see the art looking like in their head, and take clues from what they tell me. I like to put those elements in the art if possible, because the band is as much a part of the creative process as anyone or anything else. I look for outside inspiration, which could be music, movies, art galleries, anything really. I will share my thoughts with my wife, Angie, and she will throw out ideas I never thought of. She is a huge inspiration. I will sit and ponder what I have absorbed, get excited about it and then jump right in on the computer and start working, but then there are times when I get a project, and I’m just pumped to get started. The ideas are there at that very moment, and I go with it. Every project is different on that level.

Grave Robber - Inter Sanctum cover by Paul Stier

Grave Robber – Inner Sanctum cover by Paul Stier

I know I use a mix of both Photoshop and Illustrator when I design things. Some things work better with one rather than the other. With that being said, what is your software of choice or at least what is your starting point?
I would have to say my software of choice is definitely Photoshop. It allows me to manipulate photos and textures better than any other program that I have tried, but yes, I do use Illustrator for CD package layout and also for text. Using the layout templates in Illustrator is more accurate and the text is much smoother and prints better because it is vector based. However, if you are incorporating a band logo and album title into the art, I recommend doing that in Photoshop while you are creating the art so it has a balanced feel and looks like it belongs there. That is what I like to do. I will add dimension, texture and lighting from the art on the logo and the title, but I have to play with it a little to make it pop visually. Contrast is key. I use text only in Illustrator for the lyrics, liner notes, catalog number and
legal jargon most of the time.

Ultrasound Festival poster illustration by Paul Stier

Ultrasound Festival poster

Your style has an aura of shall we say “grungy-realism”. How has that developed and/or changed over the years.
I’ve always been drawn to grungy art. Even as a kid, I found beauty in the imperfect. Through the years, it is something that I had to learn slowly. I absolutely loved the work of the Clark brothers at Invisible Creature (then Asterik Studio) and the art of Travis Smith, but had no idea how to create it. I remember sending Don Clark an email asking him how they achieve that grungy look, but he didn’t exactly tell me, he just told me to look into Photoshop brushes and textures, and that’s all the advice I got. But that’s all it took. I just ran with it and studied everything I could get my hands on that would teach me. What I soon realized was that it is all experimentation, trial and error. There are no hard fast rules, just try stuff and have fun with it. The only thing that I would say has changed, is that I have learned to balance the grunginess in my work. To tweak it so it’s noticeable and obviously there, but not go overboard and have too much dirt that the contrast overpowers the piece. I strive to create a clean grungy look. Dirty and professional, if that makes sense.

Behold The Kingdom cover by Paul Stier

Behold The Kingdom cover by Paul Stier


Some of your work looks like it incorporates photographic images, for example the woman in the “Behold the Kingdom” piece and the Grave Robber “You’re All Gonna Die” album cover. Is that a correct assessment and if so how did that process work?

You are correct. It’s all about thinking ahead. To set everything up as much as possible so it looks more realistic and you have less to do in Photoshop. The woman on the Behold The Kingdom album cover is a friend, and I snapped some shots of her standing on a ladder in her parents house. I think they thought I was crazy, but it all worked out ok. The Final Surrender cover featured Shawn’s son, Jesse. The Grave Robber one was a lot of fun to photograph; that is my son on the cover. The shed, the shovel, the rope, and him were all purposely staged and photographed, just as it looks. Everything else was done in Photoshop. 

Grave Robber - Be Afraid Cover by Paul Stier

Grave Robber – Be Afraid Cover by Paul Stier

When given a project, how much freedom do you usually have?
When I first started working with Shawn and Rottweiler, I honestly didn’t have a lot of freedom. Shawn knew what he wanted and I complied, but as time went on, I wanted more creative freedom, so I had to prove myself. I had to convince him and the bands that if they wanted better, more eye catching art, that they would have to give me more freedom. They finally agreed, and they loved the results. Now, I have plenty of freedom and it’s been great.

Describe the feeling you get when a client asks for revisions the first time, second time, third… fourth…
I’ve been very lucky; I don’t have that very much. If I have revisions, it’s usually only one or two small things that need changed or deleted, but that’s about it.

Fear Mountain book cover by Paul Stier

Fear Mountain book cover by Paul Stier

What made you first want to get into illustration and design?
As a teenager, I would sit and listen to records and study the details of the cover art. I would wonder, who did this amazing work? It was part of the listening experience for me, a very important part. I always thought it would be cool to make album cover art, but didn’t know how, or even the first steps to learn. Later on in my late twenties, I worked at a Kinko’s and I saw my manager designing a poster for an event, and I asked him how he did that. He gave me a copy of CorelDRAW/CorelPAINT and told me to install it on my computer at home and just start playing with it. So, that’s exactly what I did, and I have to admit, my early designs were horrible. I got some pointers from people in the business, and eventually purchased Photoshop. That’s pretty much how it started, and now I’m doing what I love as a self taught, freelance artist.

You recently did the cover for the book Fear Mountain, can you tell us what went into that project and the concept for the cover.
Yeah, the author or Fear Mountain, Mike Dellosso put out a request for art on Facebook, so I contacted him, and he was very interested in my work. He asked designers to donate their time and talent to this project because the proceeds from the book were going to help him and his wife adopt a child. I just couldn’t say no to that. It was a special edition ebook, and he used work from four different artists. I am so humbled to be a part of that project. The concept for the cover is a surreal interpretation of
the story line.

Lust Control cover by Paul Stier

Lust Control cover by Paul Stier

You also did the album cover Lust Control’s second album in 30 some years. That artwork differs from a lot of your other material. Can you explain why and tell us a little how that project came together along with what it was like working with the infamous Doug VanPelt?
Doug wasn’t completely sure I was the man for the job at first. I called him one evening to discuss the art, and he asked me to describe what I would create for the cover. He wanted to see if we were on the same page. He told me the title was “Tiny Little Dots,” so being that I already knew what Lust Control was about and what their message was, I described to him what ended up being the cover. He loved the concept and let me know that I was the guy to create it. Doug is awesome! I can’t say much more than that…I love that dude!

Some people draw and create for fun, what do you do?
All kinds of things. I love going to concerts, watching movies, listening to music, reading, and creating. Sometimes, my wife and I will snag a photo of each other and try to create the goofiest designs of each other. The last time we did this, she ended up with a mop head for hair, and I ended up with a ramen
noodle afro. She definitely won that round. It was awesome!

hand-of-fire

Hand of Fire cover illustration by Paul Stier

Any new and exciting projects on the horizon you would like to mention?
I just finished the album cover for an amazing thrash metal band called Hand Of Fire on Rottweiler Records, and I am also getting ready to start working on art for the new Grave Robber record. I want to make this one is very different from the previous work I’ve done for them. I can’t wait for you all to see it.

If I’m a band or business looking for some stunning artwork, how can I get a hold of you?
You can contact me on Facebook at www.facebook.com/thesavageyard, or email me at thesavageyard@gmail.com

[Best_Wordpress_Gallery id=”30″ gal_title=”Paul Stier Artwork”]

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Interviews

INTERVIEW WITH KURT DEIMER

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews

Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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Empire Interviews

Resistor Interview

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Interview with Peter Smith, drummer for Resistor

Live photos by: Ron S. of Empire Extreme
Band promo photo credit: Sean Raynor

Long Island’s Resistor have never been content to simply exist within genre lines—they’d rather bulldoze them entirely. The self-described purveyors of “knuckle dragging wika wika core” are poised to unleash their full-length debut BITE THIS on March 27 via Paid Vacation, and if the advance copies circulating are any indication, the 29-minute assault is exactly the kind of no-skip, leave-them-wanting-more experience the quintet has been perfecting since their 2023 So It Begins EP. Built from the ground up with producer Randy LeBoeuf (Kublai Khan TX, The Acacia Strain) and featuring the turntable wizardry of Manhattan’s own Anthony Arce, the album channels the cocky swagger of nu-metal’s heyday through a hardcore filter that’s equal parts brutal and self-aware—a balance that’s become the band’s signature.

Empire Extreme recently caught up with drummer Pete Smith ahead of the album’s release and the band’s upcoming Northeast run with Filth, including a April 30 stop at Pittsburgh’s Preserving Underground. Over the course of the conversation, Smith dove into the story behind the album’s striking clay sculpture artwork, the reality of playing the Gathering of the Juggalos, why cassettes hold a special place in his heart, and how a wrestling ring full of real blood became the setting for one of the band’s most memorable music videos. He also addressed the obvious elephant in the room: whether those Islander jerseys are going to cause problems when the band hits Penguin and Steeler territory.

Resistor Bite This! Album Cover 2026

Empire Extreme – First off to jump right into it. The new album is coming out March 27, and my first question has to be, what is the album artwork?

Pete – Long story short, we’ve been following this theme with our last couple of records. We started with our EPs, so it all began a couple of years ago. We found this cool clown design that just resonated with us. For the last couple of records, we’ve been doing different versions of this clown. For this last one we found a random clown sculpture on Instagram by a local artist. We all saw it, and we fell in love. It’s so cool, it’s off-putting, but like in the best way. We all like it and fit with the music, so we hit the guy up. Initially it wasn’t available, then came to find out he likes our music, and he’s already a fan. Then he was like, “Yeah, you guys can just totally use the artwork” He was super stoked about it. So yeah, it makes a fun story.

Empire Extreme – That’s awesome, I was going to ask you about who the artist was. Can you give us his name, and give him some props?

Pete – Yeah, I believe on Instagram it’s Clay for Brains. His name is Tim. He makes these really cool clay sculptures.

Empire Extreme – Oh, so it’s like a three-dimensional kind of art?

Pete – Yeah, it’s a real sculpture. Our singer [Anthony Grambo] does a lot of graphic design work, so he took the sculpture and made into it what it is on the record.

Empire Extreme – That’s awesome that you are hands-on with that, and plus you got a local guy.

Empire Extreme – Speaking local, you guys are from New York, whereabouts?

Pete – Yeah, so we’re pretty much all based on Long Island, New York, but our DJ [Anthony Arce] lives in Manhattan. We’re all from more western Long Island, and you know. We definitely claim New York. You’ll see us wearing New York stuff, pretty much everywhere you see us. We’re not shy about it, but yeah, Long Island boys for sure.

Empire Extreme – As you know Empire is based in Pittsburgh, and I’ve seen a couple photos of you guys wearing an Islander’s jersey. That’s just not going to go well when the tour hits Pittsburgh. This is deep Penguin and Steelers territory. LOL!

Pete – You know, good thing our singer is not here. He would have a lot of things to say about the Islander’s. For me, it’s the Mets.

Empire Extreme – How about the Jets? We stole Aaron Rodgers now, so…

Pete – Oh, God. Yeah, honestly, my whole family is Jets fans, I haven’t paid attention to football for a long time. It’s very hard as a Jets fan, so you don’t want to pay attention. It’s pretty depressing.

Empire Extreme – All right, back to music stuff. You guys are doing a handful of shows with Filth. Resistor has done some shows with them before, but you seem like kind of buddies. How did that all develop, and are you looking forward to this next handful of shows with them?

Pete – We are all super excited about these shows. We met the guys in Filth. I believe it was summer 2024. That was when we were first gaining any bit of traction. We had finally released our new EP. We were really stoked when we got the first offer with them and it was like an instant connection. We became great friends, and since then, it’s history.

This is going to be our third run together, and this one might be the best one. It has so many good bands on it, a lot of good shows. It’s going to be really awesome.

Empire Extreme – Filth has been one of my favorites in the last couple years. Resistor kind of came onto my radar because of them, plus you were all over my socials. I think it was because of Filth or whatever, but yeah.

Pete – On our second tour together, I actually filled in with Filth on drums, so there’s a bit of it. We’re connected in more ways than one, for sure.

Empire Extreme – Well, your singer, Grambo is a big Limp Bizkit fan. With Filth redoing “Rolling”, is there any chance that you might knock out some type of collaboration or do something silly live?

Pete – We’ve always thrown up the idea of doing some kind of collab, but I’ll leave it at that. I won’t spoil it if we will or we won’t. If it happens, if it happens.

Empire Extreme – All right. Please explain “knuckle dragging wika wika core”.

Pete – Knuckle dragging wika wika core” at its core, no pun intended is the best way that we can describe what we do. We feel like we’re doing something familiar, but it’s also something that is hard to place into a specific genre because we feel like it can kind of fall under a couple of things. So, we’re like, we got to start thinking of our own thing to call it. And what we landed on was “knuckle dragging wika wika core”. It’s just about crazy, heavy riffs. You know, stuff that makes you want to drag your knuckles across the ground and then you hear the wika, wika, wika, in the background. So, we just put them together.

Empire Extreme – When I first saw that, I just kind of laughed inside. I was like, that nails it right there.

Pete – Yeah, exactly. You know, we’re like, while we are super heavy, with a the “fuck you” [attitude] we also try to be a little goofy and self-aware of where we are. And we’re not taking ourselves too seriously. We are having fun.

Empire Extreme – Can you tell us about working with Randy LeBoeuf (Acacia Stain, Misery Signals, Counterparts, Thy Art is Murder, Every Time I Die, Unity TX, Kublai Khan TX)?

Pete – Randy, I cannot say enough positive things about him? Because he truly is like one of the best at what he does. But yeah, we went to the studio around mid-August last year. And I think up until November, we were writing and recording. We did have a month-long tour in between. But otherwise, we were literally at the studio writing, recording, almost the whole second half of last year. We feel like once it comes out, this record is really going to let people see why we’re taking so long.

Empire Extreme – We got an advance copy here at Empire and I have listened to it probably, I don’t know maybe 10 or 12 times. Just the heaviness of the whole album and it has that groove and a real hip-hop sensibility to it.

Pete – That’s awesome. Do you have a favorite song by any chance? Not to you on the spot first. The one that sticks out to you.

Empire Extreme – I don’t know the names off the top of my head. They all kind of still blend together in my head. But obviously the two singles you put out the videos for. I mean, both of those are slammin’.

Pete – I’m only asking because we are at a weird point where the album’s coming out in two weeks and obviously, we’re going to start playing live and we’re going to start releasing more music videos. So, I just wanted to kind-of get a vibe of what people are enjoying right off the bat.

Empire Extreme – I know exactly what you mean. Let me say this, you know, people say back in the day it used to be albums. How it is now with singles and streaming. We would listen to the whole album without skipping a single track.

Pete – Exactly. That was our main goal with this for sure. We wanted a no skip album. You know, a full listening experience.

Empire Extreme – Yes, it is. Plus, with the entire album clocking in at 29 or 30 minutes long? It’s like, oh, it’s over already.

Pete – Exactly. That’s another thing that we always preached that you never want to overstay your welcome. When it comes to live sets, but also with albums too. We very much want to leave them wanting more. You don’t want to get to the end of an album or a live set and be like, all right, we’ll I wish they were done 10 minutes ago. So, yeah, that’s like our number one thing. We always want to leave people wanting more. That’s a big thing for us.

Empire Extreme – I’ve been in lots of different bands in my life and that was always one of my things. Leave them wanting more because then they’re going to buy the CD, then they’re going to check us out online and even come to another show. We didn’t want to go there and play for an hour and bore them after half an hour.

Pete – I can’t tell you how many bands I’ve watched for the first 20 minutes of the show. Like, this is awesome. I’m so stoked. Even though it could be my favorite band on the planet, I’m watching it for 20, 30 minutes. This is awesome. This rules. And then, you know, minute by minute, you start to feel like, ah, I just wanna go home, this going to go all night.
Empire Extreme – Yeah, you’re looking at your phone and your watch.

Pete – Yes, exactly. I’ve got to speak about it from a showgoer’s perspective or a listener’s perspective, you know? Yeah, that’s a thing that is important to us.

Empire Extreme – You mentioned the videos. Currently there’s the “Dead Soul” and “Petty Fuck” videos. You kind of mentioned there’s more in the works. What’s the story?

Pete – Yeah, I won’t spoil what song it’s for. We did just shoot a video yesterday. That should be coming out the day of the record. It’s going to be really cool. It’s a really funny video. It’s not like the ones we’ve done before. It’s pretty much all a story. It’s very juicy. It’s so ridiculous that you’ll laugh when you see it. It’s not like any video you’ve ever seen before. I can promise you that.

Empire Extreme – I’m looking forward to it.

You guys played the Gathering of the Juggalos this past summer. I’m very familiar with the Juggalo family and have been involved with Psychopathic off and on over the year. It can be intimidating going in knowing that some bands get up there and they are pelted with bottles and booed off stage.

Pete – I want to be as positive as possible, but I’m not going to lie. It wasn’t a great experience. It’s one of those things where I’m happy, we did it. I’m glad to say that we did it. The community, we love the community. The people that were there to see us were super stoked. We love the community and the fans. The time was just weird. We just had to play early, and we also were in the middle of the studio. So, we had to drive from New York to Ohio for one day at a festival and then we drove right back. And things just didn’t line up for us.

Empire Extreme – So it was more of a logistics thing?

Pete – Yeah, I don’t want to say it was a totally bad experience. Just walking around the festival was crazy. You know what I mean? It is certainly site to see. It was a lot of fun. Everybody there was super cool and super nice. I love all the fans. Everyone who we talked to were the coolest people ever. I highly recommend that if you could go you should go once in your life. I would recommend going because it’s so ridiculous. It’s awesome.

Empire ExtremeThat moment you walk in the gates of the Gathering. You’re just like, Oh my.

Pete – You know, it’s unlike anything you could truly do on the planet. So, in that sense, it rules. Our guitar player [Anthony Conti] did a Faygo launch competition, which is pretty funny. That probably was the highlight for me. I wish I could say it was like the best thing ever. And there were 5,000 people watching us, but yeah, we can’t win them all.

Empire ExtremeWell, the way they have it set up with the multiple stages and some of them are playing at four o’clock in the morning or whatever.

Pete – That’s the thing. The stage that we played was the second stage out of three. We thought it was like it’s like this big stage near everybody. It was a pretty big stage, but the problem is it’s not near anybody or anything. It was a 10-minute walk away from the main stage and then down a huge hill. If you weren’t near the hill, you couldn’t even see the stage at all. So, no one even knew where we were playing.

Empire ExtremeHow was the load into that stage?

Pete – Surprisingly that was the easiest part. I think the only real issue was how early we had to play. Our set time was around four o’clock. We were like “Oh, that’s perfect.” We are right in the middle of day, everyone’s going to be like hanging out. But I think the reality is with the Gathering people aren’t really getting active until a bit later, you know what I mean? It takes until six or seven o’clock and then people start to come out and party. We realized that after the fact, but you know, you live and learn.

That’s why I said it’s like a lot of, a lot of little things. But overall, it was a fun experience, something I’m glad that we did for sure. We just had a couple little of hiccups.

Empire ExtremeTo rewind back to the album, I forgot to ask you about the blue vinyl version coming out.

Pete – Yeah, this is our first time doing a vinyl for a full record. We have vinyl up for pre-order now on our website; weareresistor.com. If anyone wants a pre-order vinyl, we got them there. It’s a pretty short run. I think it’s only 300 copies. Once they’re gone, they’re gone. And we will also have them on tour too.

If anyone sees us in person, we’ll have tour vinyls as well.

Empire Extreme – You guys have a date here in Pittsburgh, I think it’s at the end of April or something like that? (Thursday, April 30 at Preserving Underground with Filth, Monochromatic Black, and Inferious)

Pete – Yeah. We’re hitting the Northeast towards the end of the month.

Empire Extreme – What does this band mean to you? I mean, is it a release or therapy, an escape, or a way to pick up chicks or an attempt to get rich?

Pete – Well, I would say if getting rich was my main priority I would have been out of this a long, long time ago. The real reason I’m here is just to make really, really cool music.

My parents are musicians. They’re lifelong musicians. So, it’s something I felt that I was meant to do from a very young age. It’s literally in my blood. My dad is a drummer and my mom’s a singer. That happens to be the two things that I do. You know, it’s a predictable path I went down. I wouldn’t have it any other way.

Empire Extreme – Did you start out playing drums when you were a kid or did you start out on another instrument?

Pete – My first real instrument was upright bass. I played that all through elementary, middle, and high school. I played drums here and there as a kid, but I didn’t really have a passion for it. Until maybe when I was starting high school. I joined the band. Well, the original reason was because of this girl. I guess you could say that. It was like she was in the band, and I liked her, so I started playing drums more, and then it all went from there.

Empire Extreme – That’s funny and cool. So, who was your drum idol?

Pete – That’s a tough one. I have a few of them. Do you know the band called Periphery?

Empire Extreme – Yeah, I’m familiar with them.

Pete – Their drummer, his name is Matt Halpern. He was a big, big inspiration. I mean, just his style of playing. It’s a very progressive, very smooth style, very loose, and a lot of ghost notes and cymbals. You know cool little flourishes here and there. I really love that. And the obvious one Joey Jordison of Slipknot. They are one of my favorite bands of all time and hearing his drumming in the band. He had some of the first crazy drumming I’ve heard in my life. That’s an easy one. So, yeah, those two would be the ones if I had to [give] credit to me starting

Empire Extreme – Those are two very prolific drummers. You mentioned Slipknot, and I can hear some of that influence in the new album. The Slipknot rhythm kind of thing. I have it right here in my notes. Limp Bizkit mixed with Slipknot and some punk rock and some newer bands too.

Pete – Yeah, I kind of bring a modern style mixed with some old school style, you know what I mean?

Empire Extreme – Yeah, not to say that it’s all over the place, but it’s pulling from lots of different areas.

Pete – For what it’s worth, it is kind of is all over the place, but in a good way. We wanted it to be a little all over the place. We wanted to be something that, while it’s familiar, it’s something that people haven’t heard before.

Empire ExtremeI have kind of a handful of oddball weird questions, and you can answer them as you like.

Pete – Yeah, sure.

Empire ExtremeWhen you guys are driving in the van from show to show, who controls the music in the vehicle?

Pete – My personal rule is whoever is driving. When I’m driving, I will not break that rule. Otherwise, it depends on who’s driving. Some of the people in the van are more anal about their music being played. For me I won’t have it any other way. I gotta focus, you know what I mean? I need to have my own music or a podcast or something like that to keep me focused on the road, you know.

Empire ExtremeOK next one. Are you prepared for a zombie apocalypse or AI becoming aware? And is there a difference between the two?

Pete – I think I would take a zombie apocalypse over AI to be honest. But I think the second one is unfortunately way more likely one that happens. I’m probably not prepared for that. I don’t think any of us are. I think I’m probably completely fucked when that drops. At least with AI, I’m kind of already mentally prepared for that one.

Empire Extreme – Here is another silly one. If a cartoon character was to join Resistor, what cartoon character would it be?

Pete – Oh, that’s, a really good question. Mm-hmm. Maybe Beavis and Butt-Head, well one of those two.

Empire Extreme – That’s a great answer.

Pete – I feel like they would like sitting in our van, I feel like it would work. You know? The conversations are all over the place.

Empire ExtremeThey’d fit right in, is what you’re saying?

Pete – Yeah, exactly.

Empire ExtremeHere’s another stupid one. Every time you walk into a room and a song plays, what would that song be?

Pete – It’s probably The Rock theme song. That is completely it. Or something really goofy or cheesy. I can’t take myself too seriously, to be honest, something along those lines.

Empire ExtremeYou mentioned The Rock. One of my questions that I kind of skipped over was I’ve seen several of your social media posts and whoever is responding from your band has used wrestler memes several times. There was Stone Cold one and a Rock one. So, are you guys wrestling fans and who, what, why, where?

Pete – I would say our singer. He was the most into it out of any of us. I know he was into the old-school early 2000s era. We have a Resistor 3:16 shirt, like the classic Stone Cold shirt. I don’t know if you’ve seen the Come Mierda video, but we literally did it inside a wrestling ring with the real wrestlers. They were just beating the shit out of each other while we’re playing. There is a scene where one of the guys breaks a full light tube over to the other guy’s head and there’s blood everywhere. It’s all real. Nothing was faked. Its all real blood. We had to tarp off the whole thing, it was ridiculous, but a lot of fun. It is my favorite music video we have shot. The actual act of shooting it was so fun because we had a bunch of people literally pretending it was an actual wrestling event. The wrestlers had to do their walk-ins while we were playing and beat the shit out of each other. I also didn’t realize how bouncy a wrestling ring is. When you’re trying to play drums, you bounce and it is all over the place while smashing each other on the floor. It’s no wonder they are jumping from 10 feet off the ground. Makes sense. It was literally like going into a bounce house, but it had a metal floor.

Empire Extreme – I got a couple more stupid ones here. Have you ever gone to spring break?

Pete – No no. I’m not a party person. I’m very much more of a sit at home and play video games guy.

Empire ExtremeLast one, and I’ll get out of here and let you get back to your life. What is your preference. Vinyl, cassette, CDs, 8-tracks, download, stream?

Pete – Okay, so for obvious convenience’s sake streaming is great. But I don’t think it’s the best way to listen to music by any means. Nor do I think it’s good for artists, you know, Spotify and all that. You know the problems in the streaming industry. But honestly, I would love to go back to more cassettes. There’s a certain nostalgia that comes with listening to a tape. Listening to a CD still feels modern. But there is just something I like about it. I remember riding around in the car with my dad as a kid, and he’d always listen to cassettes, and he’d put me onto different bands. He had Rage Against The Machine tapes, and all these different bands. So, I think cassettes would probably be my number one, just for nostalgia purposes.

Empire Extreme – With the cassettes it kind of forces you to listen to the whole album. Skipping was kinda difficult trying to figure out where the next song starts.

Pete – Yeah, exactly. And similar, at least with vinyl you can lift it, but you’re more encouraged to listen to it from front to back, rather than just skipping through.

Empire ExtremeTo wrap up is there anything you want to add? Any self-promotion?

Pete – Well, I’ll just end it by shouting out the band.

WeAreResistor on all platforms. Our new album, Bite This, drops on March 27, which I believe is less than two weeks away now, so that’s pretty crazy. But yeah, we’re streaming on all the platforms. We’ve got pre-orders on our website, weareresistor.com.

Empire Extreme – Awesome, great. Thank you for your time. Hopefully I get to check you guys out when you come through Pittsburgh here next month.

Pete – Yeah, I’m so looking forward to it.

Resistor is:
Anthony Grambo [vocals]

Anthony Conti [guitar]

Ian Schneider [bass]

Anthony Arce [turntables]

Peter Smith [drums]

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