Interviews
Interview with Angel Vivaldi
Guitar instrumentalist Angel Vivaldi can be
marked as one of the top guitar virtuosos of this generation. This guitarist has made quite an impact with his craft which has seen his name thrown into conversations with the names of Joe Satriani, Steve Vai, Jason Becker, Marty Friedman and many other guitar shredders, as to who is the best of the best. Vivaldi is celebrating fifteen years doing professional music this year. He is not only an amazing guitar player, but also an advocate for many social and environmental causes. I was fortunate to get to talk to Angel while he is currently out on the Melodic Decadence tour.
GA: Can you start off with telling me a little about yourself, and your band?
AV: I am a touring guitar instrumentalist celebrating fifteen years of doing professional music this year. During this time, I have released four albums, and I’m on the road touring now.
GA: How has the Melodic Decadence tour been for you so far? Is there anything you look forward to when you go out on the road?
AV: Yes, it has been absolutely incredible. I look forward to meeting people and hanging out. To listen to their stories about how they heard about my music and what ever impact I have had in their lives, is very humbling and reminds me not to take anything for granted.
GA: What got you into playing guitar? I
see you were self-taught, who did you look to for inspiration and to learn from to expand on your craft?
AV: Kurt Cobain was the first guy that made me want to pick up a guitar and start writing music. I don’t really look at outside sources, but more inwards as far as trying to find my own max potential trying to push myself further.
GA: I did a little digging and seen you have worked with Will Putney on several occasions for albums, how is it to work with him?
AV: He is incredible to work with. He has worked on like ninety percent of my records since 2010. We have a beautiful working relationship, the chemistry is great; he knows how to get the best performance out of me, and my guys. His production is incredible and bar none.
GA: When composing a song, what sparks your imagination to write the riffs? Do you have a particular way you go about making new music?
AV: The last record was a concept album. I love doing concept records. It is a concept record based on neurotransmitters, one song is serotonin, one song is adrenaline, dopamine, and it goes from there. For the album I painted my studio nine times for each song, and I wrote every song based off the mood I was getting from the room. It worked out because I am sensitive to my environments. I notice when I get writers block and I get frustrated, so I wanted to give myself something that will keep me constantly inspired; being in a new room in a sense kind of helped do that.
GA: You are one of the best virtuosos of this generation of guitar players, do you sometimes feel like it is difficult to live up to this mantle, or do you embrace the challenge of outdoing yourself on each new recording?
AV: I definitely do the latter a lot. I always write one or two songs that are a little bit out of my ability, only because I am spread quite thin doing everything else. Doing this helps me from being complacent with my playing. I mean this is king of subjective, but I do my own thing and have my own voice. I just try to reach my max potential; the word ceiling isn’t in my vocabulary for playing.
GA: I also seen you are quite a humanitarian with doing a lot of awareness and aid shows for various groups, can you tell me a little more about these groups you are involved with?
AV: MY approach to doing these events is from a visceral stand point, of being in that group. I was homeless for two years, from age seventeen to nineteen. I am also gay and an advocate for that. As far as charities, my best friend had ALS and passed away from it a few years ago. Now that I am in a place where I can give back, and even when I wasn’t I would find a way to donate to these causes because it is incredibly important to me. I think that it is a privilege to know why you are here, and I know that I am here to make music and make art. I think that even that, as a vessel to do something beyond is an optional responsibility, but I like to take that on for sure.
GA: You were an Ibanez artist for a long time before announcing that you were moving to Charvel, can you expand on why the move?
AV: I was with Ibanez for close to eight years. I love everyone over there, they make great guitars. When it came down to it, I felt like it was time for a change. Its kind of like being with a partner; where you grow, and they stay the same. You don’t necessarily grow together but kind of grow apart. I got to a point where I was like it’s time. I started really pushing my playing and noticing there were things that I couldn’t do comfortably on that guitar, that I can do on my signature. Luckily the guys at Charvel trusted me. We have a very beautiful and close relationship, they believe in what I do, and I believe in them.
GA: Well there is a lot of history associated with the Charvel brand, from the Van Halen days to Grover Jackson. It’s a historical brand to be a part of.
AV: Mike Shannon built my guitars along with Joe Williams, the one was mainly Joe, but Chip Ellis had some ideas on it as well. He has done work with Van Halen, and it is such an honor to work with all of them.
GA: Can you tell me what you are using for your live set up, any endorsements please mention?
AV: I am religious about two things; Charvel guitars and Mesa Boogie amps. I use the JP 2 C plus, the John Petrucci model, I love it. I am using that with the four-cable method through my Fractal Ax FX. For tonight since I am going solo without the band, I am just running DI straight through the Fractal Ax FX down to the house. Its is just easier and streamlined for tonight’s show, and makes it simple for the sound guy, since we are not loading all that other stuff in.
GA: Do you use any external effects?
AV: My signal chain is really simple. I use a gate, delay and reverb; the reverb is for the wet tones. The AX FX’s built in effects are just superb and paired with the Mesa I can’t really beat the feel and sound.
GA: When you are not playing guitar what do you enjoy doing in your free time?
AV: I am big on meditating, yoga, and fitness. I am also and environmentalist as well. I also enjoy doing cinematography and videography. I think if I wasn’t a musician I would be an interior designer for sure. I like to keep myself busy.
GA: Where can people keep up to date with you and the band online, and if they want to purchase merchandise where can they go to find your store?
AV: They can find pretty much everything through my website, Angelvivaldi.com.https://www.angelvivaldiofficial.com
I want to thank Angel for speaking with me, it was quite a pleasure. I wish you well out on tour and hope to see you come back through the area again. You can currently catch Angel Vivaldi out on the Melodic Decadence tour. For more information on Angel Vivaldi please visit his website.
About Author
Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
About Author
Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

About Author
Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
About Author
-
Concert Reviews1 year agoSHINEDOWN: DANCE,KID,DANCE TOUR:PITTSBURGH REVIEW
-
Concert Reviews1 year agoNew Castle Music Festival 2025
-
Concert Reviews11 months agoMarc Rebillet Baltimore 2025 Show Review
-
Concert Reviews1 month agoTHE EX-FACES ROCKED THE REVERB STAGE
-
Concert Reviews11 months agoGeoff Tate blows the roof off XL Live in Harrisburg PA

You must be logged in to post a comment Login