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Interview with John “The Butcher” Robert Centorrino of Crystal Lake

George Archibald

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​Earlier this year Japan’s Crystal Lake announces that their vocalist is stepping down and that an open audition would be held for one participant to win a spot in the band. Since leaving The Last Ten Seconds of Life, John ‘The Butcher’ Robert Centorrino was toying around with the thoughts of doing band life again until this opportunity came into his life. John recorded a video and entered the contest. John having been picked to audition for the band, would have to perform through a series of live shows with the band in Japan. I was fortunate to speak to John about his musical journey towards becoming Crystal Lake’s newest vocalist and performing with the band on Knotfest and on a large-scale Japanese tour. Also while discovering where his perseverance and self-motivation came from to go through such a journey. 

GA: Lets look back over the last year. Crystal Lake’s vocalist Ryo Kinoshita steps down, and the band is faced with looking for a replacement. How did you get involved with the band?

JC: I can’t remember if I came across it (the news) on Instagram or someone sent it to me, and they were like, “yo, Crystal Lake lost their singer.” People just telling me to look at this, and because I was such a fan of the band, one of the first things that pops into my head is: I could do that.  I could definitely DO that. I initially kind of didn’t try, even though I felt confident. I didn’t know if I wanted to tour anymore. I just went through this entire experience. I’m really learning how to love my life and myself, and I’m finding myself appreciating the things that are around me. Then one morning I woke up, and started scrolling the gram as many do, and I forget his name but a Gary something, kind of an abrasive dude but he is really cool to talk to.  He said something like; If you are fucking good at something, do it. What the fuck are you doing just sitting around? Most people aren’t good at anything. If you are good at something and people want you to do it, and like what you do, go ahead and do it. I just remember watching that and it made me feel like,’ yea what the fuck am I doing? Alright I’m going to do this.’ Then I was like; alright here we go, foot to the floor type shit. 

GA: The band held a contest for participants to audition for the vacant vocalist position, what was that period like for you? 

JC: Yes, they had an open audition on their website setup, where they had all the stipulations and rules, they wanted you to follow for your audition. The things they were looking for in a singer. I kind of had a half and half of what they were looking for, and me being the New York guy that I am saw a couple things that they wanted that I didn’t have. So, I figured if they liked my voice none of this is going to matter. This isn’t high school; this is a band. For instance, I can’t speak Japanese, but I will go learn Japanese. If they like my voice, they are going to take me. So even though I didn’t know anything Japanese other than how to say konnichiwa at the time. I don’t care, I don’t know Japanese; I will learn Japanese and show these guys how much I want to be a part of their band. I just entered the competition. I went to Austin Coope from Prison Lives, and he helped me do the first video. We did it really raw. I sang it through maybe twice; and he kept the first take and that was the first audition they got.  We didn’t do a lot of editing to the video either, because we wanted it to be super raw and super live, so that they could judge the character of the voice. A couple day later I got an email from them, and I was like, hell yea let’s fucking go!Then the panic started. 

GA: Having been well seasoned in traveling from your former touring bands and seen a lot of the world, what was your first impression of Japan when you first arrived for the contest? 

JC: I couldn’t believe how clean everything was. I stepped out of the airport into the subway, and I was like the floor wasn’t black. The yellow lines are still bright yellow. Everything looked brand new, but it wasn’t. I was also very impressed with the level of organization. In New York, when you go to get on the train for instance, no one stands in a single filed line. People just crowd the door and get on. In Japan, the first thing I noticed was everyone was standing in lines outside of the train. They were standing in these specific marked areas. People would stick to one side when using an escalator and use the open side for people to be able to walk past if someone was in a rush, which is not a thing in America, you would get stuck on that escalator, or like twenty people will bumrush to get in front of you to board a train. That kind of behavior isn’t a thing over here. The first things I noticed were: the organization, how on point everybody is, how courteous everyone is, and how clean everything was. Even, the white floor in the airport was white, there wasn’t even any shoe marks on the floor. They are like a very thoughtful society over there. 

GA: During the contest, you looked and performed like the professional you are. In what ways did you prepare to be onstage with the band? What were some of your favorite parts of that process? 

JC: Back then I didn’t have a set up at my house (I do now), so practicing was super frustrating and annoying because I like to play live. So, you don’t have all the MO of the adrenaline and the crowd flipping out. I started singing a full set every single day to prepare. I would put on a set of headphones in my bathroom, and scream into an unplugged microphone to get the general feeling. I would do it in my bathtub naked so I could just sweat out into the tub and not my clothes; then just turn on the shower. Every single day I would sing the entire set. Even if I didn’t sing, I would still do my warmups. I put a lot more thought into the preparation and care of everything I do.  I guess what I did was, I did all the tour stuff off of tour, at home to get myself as prepared as possible. I have been listening to Crystal Lake songs… when I say repeat, I mean on repeat. I haven’t listened to any other music in a while. Very rarely now do I get a chance to put on someone else’s band and take a moment to listen to something, because I am constantly learning new songs. The band changes the set up almost every other show, so we are always adding in new music, and trying to do something different. So, I’m taking the OCD of tour and implementing it into my daily life. 

GA: In what ways was this different from any of the bands you worked with in the past? Was there a language barrier or having to work out things with the band prior to performing? 

JC: For language we have a slight barrier. It was a little more when I first showed up compared to now. They not only stepped up their language game as well as myself, but we have also gotten used to the words each of us say. We understand what we are all talking about now. Crystal Lake records every performance we do. If we are in the studio or on stage, there is a camera rolling. At the end of that session, everyone sits to watch the video. Everyone will dissect the video and nitpick parts of the performance. Some people will find that frustrating, but me being the ocd guy that I am, and always wanting to put on my best, I am always striving to get better. They are super professional, and on point with noticing everything that is going on. They want to make sure every set is just as good if not better than the last. They are not about back tracking their performances. There is a lot of preparation in the live set. In America, a lot of bands have this improvised take on their set where they will randomly stop and take a break and the band kind of waits. We all know every single point of when we are going to talk, what we are going to say. We know where everyone is on stage throughout the set. I know when YD is going to jump off stage, so we are never in each other’s way. 

GA: It’s not like a show, but more of a production. 

JC: Yes, that’s a great way of putting it. It’s more like a play and less like a random rock show. Everything you see on stage is preconceived; some stuff is still random. We assume that the crowd is going to be giving a lot of reactions, so we want to give them as big as a reaction during our planning. That way it feels natural when we go out there, but for the most part we know what each other is going to do. 

GA: Jumping ahead, you are announced as the new vocalist of Crystal Lake, I think by this point everyone in the metal community has been following your journey and rooting for you along the way, what are your first thoughts now that you have the gig? 

JC: My first thought when I got the gig was, I wanted to look at all the things I used to do in Last 10 and I dissected those moments in this way. What was I doing in Last 10 that was a little extra that I don’t really have to do here? What was I compensating for, doing those extra things? How can I gain more fans on my side or accept me? I didn’t always feel like a super fan favorite when I was in Last 10. I always felt like someone always had something to say about anything I was trying to do. I tried to get rid of all of that, in the sense that I want to take your ammunition, not that I don’t want to be me. I want to give you excuses to talk shit, not that I want to give you reasons. I dissected myself as a musician and looked at where I could trim the fat. I feel like I didn’t have to do too much of that.

To be honest, (Crystal Lake) they are pushing to have me go crazier and be more of an animal. To be more of a psycho on stage. In my other bands I was told: ‘maybe don’t be so crazy, don’t do something like that, people might not like it.’ Crystal Lake is like hey if that looks cool then do it. Crystal Lake’s image is to be out of their minds. Their stage presence is wild.  They don’t want you to be reserved, they want you to let go. I got to come out of my shell more and more being around those guys. I loved being in my other band. I have no disrespect forthose guys, I still love all those dudes. The new members are my friends, I only don’t talk to one person. I still really respect that band, it’s just a different MO being in a metalcore band as opposed to being in a deathcore band. Deathcore is a little more aggressive and like stern face. While Metalcore is a little more party. I love deathcore, but I am a metalcore kid at heart. 

GA: After the announcement of you getting the vocalist position, Crystal Lake got you started off quite quickly with a trial by fire playing Knotfest and following that up with a tour of big shows throughout Japan. What was it like to perform for such large foreign crowds overseas? 

JC: There is so much to say that performing over in Japan and their crowd and just playing in the East. Knotfest was twenty-some thousand people, something insane like that. When the band stops and is just talking the crowd is dead silent. People aren’t on their phones, no one is scrolling social media, it’s weird and I’m still getting used to it. In America, when people talk it’s kind of a good thing, and when the crowd gets quiet, it’s like oh shit something is wrong. Over here though everyone gets super quiet. I’ve played bigger shows before but never stadium shows, and when they do yell, your bones shake, it’s a lot of people. Those aspects were really different but super fun. When you watch thousands of people jump up and down with you, the adrenaline is unreal. These shows have crazy energetic fans, they are open to having fun, which has made it super fun for me. 

GA: How are you adjusting to the Japanese lifestyle? Any plans to relocate to Japan or have the band transplant to America in the future? 

JC: I don’t know about moving but I am adjusting very well. I like it out here, and I have learned a lot of Japanese as well. I can read the language, but I am still working on reading Kanji, which is the super complicated symbols that are shared with China. I love the food; the food here is so delicious. Asian food is some of my favorite to eat. I live at the Asian restaurants, you can guarantee I’m coming back to the venue with won ton soup, pho, or ramen. I’m really in my glory when it comes to the food. I have noticed that eating American food, that if I eat on military base where everything is coming from America my stomach hates it. I also love how everyone is super courteous, and polite. Everything is clean, and that things are relatively cheap except for the train. The hardest thing must be when the sun comes up, by about 3:15 am the sun is rising. The sky is blue, and the streetlights are still on, and the sun is coming up, it’s nuts. So, if you wake up at 4 am it’s bright as fuck out. You think it must be 7 am, then look at your phone and see 4:30 am and it’s like what the fuck. The world is awake, and it’s insane. That must be the hardest part for me.  

GA: You just announced that Crystal Lake is dropping a new music on June 23rd ‘Denial // Rebirth.’ What was it like working YD and crew on new material? 

JC: It’s awesome! It’s like working with myself, we are all on the same page with the ideas we have. They are all very open to discussing every little bit. It has been rare for me to be in a bandand pitching an idea and be like let’s try it. As opposed to you tell someone, and their first reaction is nah I don’t like it, but in CL I can be like I have an idea, and I’ll tell them about it, and they tell me to show them. They want to hear what it would sound like. Sometimes they will be like that’s good, but I don’t know if I like that for this part here, and other times they are like that’s great, I love it. Writing with them has been very smooth, stress free and a lot of fun, because we are all on the same page. We also record a lot of our own stuff so (when presented to the group) we know what we are going to do, and when we are going to do it. That process has helped quite a bit. Also, Denial// Rebirth is two songs, Denial is a short intro song which feeds into the longer Rebirth. 

GA: What can listeners expect from the Butcher era of Crystal Lake? Any new tricks in the bag we haven’t seen on previous recordings? 

JC: More clean singing, and more of the highs that I used to do in My Bitter End. I brought back more of my metal screams. It’s less focus on gutturals and more on aggressive catchiness, while being epic as fuck. I’m singing like me over Crystal Lake, its not as thuggish as per say when I was with Last 10, it’s a bit more calculated. The lyrics have more meaning this time around. Denial//Rebirth is about me denying how angry I was as a human and realizing that I need to get over this and around it. When you act like a piece of shit, you deserve all the bad shit that happens to you. There’s a line in the song,’ I deserve pain, I deserve nothing. I deserve the blame on me. ‘It’s about when you are being an asshole, you deserve for asshole things to go down. If you can turn that around, you will have good things happen to you. I accepted the fact that the universe has more power in it than what I give it credit for. If you open yourself up to the fact that there is more power beyond your physical realm, and you understand that it has peace and power for you; you talk to it and live for it, things happen. I literally asked the universe for this. I was watching all the celebrities at home, and they are constantly, ‘I thank God, I thank God.’ But none of these people are religious. They aren’t talking about God; they are talking about the universe. I was like listen to me: I want this, I need this, I need you to help me do this with me. Let’s fucking do this. It gave me such peace and energy, and it allowed me to feel like I could get on top of it and make it a reality. The new era of me in Crystal Lake is me using my anger as a positive weapon. I’m not angry needlessly. I’m like George Carlin. I’m angry because I’m fucking disappointed in how we act as humans. I see so much more potential in us as a species than what we give ourselves credit for. We treat each other like absolute shit. So, I am trying to tap into that part of my personality now, but not in such a malicious way. I don’t look for a reason to be pissed off anymore, I let it come find me. 

GA: What is something you’d want Crystal Lake fans to know about you? 

JC: I don’t know… maybe that I am not trying to replace Ryo, and not trying to be Ryo, and I don’t say that in any way of disrespect. I have so much respect for that dude, not only as a performer but as a vocalist and as a person. I want people to understand that when they hear Crystal Lake; This is not me trying to put on someone else’s shoes, I came to the game with my own set of cleats. I’m going to play the game, the way I play the game. I’m here to be me, that is why I am in the band. 

GA: What do you look forward to with your future in Crystal Lake? Any shows or goals you all are trying to achieve? 

JC: We want to win a Grammy. We are constantly thinking about that, we want to win a Grammy. Our aim is to write music that makes everyone say, oh shit this is the best band ever. We are looking forward to writing more catchy songs, writing more heavy riffs, playing as awesome as possible, making as many people happy as we possibly can with what we are doing, and we want it all. Give us the gold. That’s what you can expect. 

GA: What’s next for you? I seen that My Bitter End is reforming for a show, what brought that to light?

JC: Unfortunately, what happened was, our original guitarist Stretch passed away. It was really shot for all of us. Some of us were closer to him than others in the band, Stretch was our family. There have been tons of members in MBE, but we are a team. We are a family. All the members talk to one and other. We all hang out, we all are friends, there is not this separation of generations of the band. When we play a show, the whole band is there regardless of if the members are playing or not. When Stretch died, it was terrible for the original guys. It’s been a couple of years since we played, let’s do a reunion. Let’s have a reunion for Stretch. We hit up Mike Ranne, who is kind of the main organizer of MBE. He’s basically the boss. He’s a very good boss and welcomes all our opinions. He got everyone together to do this for Stretch. We are all so excited for this show that we have been talking about possibly writing new material. It is an idea we have been toying around with, maybe we will, maybe we won’t. 

GA: Anything else you’d like to say? 

JC: I’m so excited that everyone is so hyped on what we are doing with Crystal Lake. I can’t wait for these new songs to come out. I am confident people are going to go crazy over it. CL is going to keep writing, besides these two songs there is a handful of other ones we are playing with and working on. Expect new music from us. We are pushing to get back on tour full time. 

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Empire Interviews

Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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Resistor Interview

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Interview with Peter Smith, drummer for Resistor

Live photos by: Ron S. of Empire Extreme
Band promo photo credit: Sean Raynor

Long Island’s Resistor have never been content to simply exist within genre lines—they’d rather bulldoze them entirely. The self-described purveyors of “knuckle dragging wika wika core” are poised to unleash their full-length debut BITE THIS on March 27 via Paid Vacation, and if the advance copies circulating are any indication, the 29-minute assault is exactly the kind of no-skip, leave-them-wanting-more experience the quintet has been perfecting since their 2023 So It Begins EP. Built from the ground up with producer Randy LeBoeuf (Kublai Khan TX, The Acacia Strain) and featuring the turntable wizardry of Manhattan’s own Anthony Arce, the album channels the cocky swagger of nu-metal’s heyday through a hardcore filter that’s equal parts brutal and self-aware—a balance that’s become the band’s signature.

Empire Extreme recently caught up with drummer Pete Smith ahead of the album’s release and the band’s upcoming Northeast run with Filth, including a April 30 stop at Pittsburgh’s Preserving Underground. Over the course of the conversation, Smith dove into the story behind the album’s striking clay sculpture artwork, the reality of playing the Gathering of the Juggalos, why cassettes hold a special place in his heart, and how a wrestling ring full of real blood became the setting for one of the band’s most memorable music videos. He also addressed the obvious elephant in the room: whether those Islander jerseys are going to cause problems when the band hits Penguin and Steeler territory.

Resistor Bite This! Album Cover 2026

Empire Extreme – First off to jump right into it. The new album is coming out March 27, and my first question has to be, what is the album artwork?

Pete – Long story short, we’ve been following this theme with our last couple of records. We started with our EPs, so it all began a couple of years ago. We found this cool clown design that just resonated with us. For the last couple of records, we’ve been doing different versions of this clown. For this last one we found a random clown sculpture on Instagram by a local artist. We all saw it, and we fell in love. It’s so cool, it’s off-putting, but like in the best way. We all like it and fit with the music, so we hit the guy up. Initially it wasn’t available, then came to find out he likes our music, and he’s already a fan. Then he was like, “Yeah, you guys can just totally use the artwork” He was super stoked about it. So yeah, it makes a fun story.

Empire Extreme – That’s awesome, I was going to ask you about who the artist was. Can you give us his name, and give him some props?

Pete – Yeah, I believe on Instagram it’s Clay for Brains. His name is Tim. He makes these really cool clay sculptures.

Empire Extreme – Oh, so it’s like a three-dimensional kind of art?

Pete – Yeah, it’s a real sculpture. Our singer [Anthony Grambo] does a lot of graphic design work, so he took the sculpture and made into it what it is on the record.

Empire Extreme – That’s awesome that you are hands-on with that, and plus you got a local guy.

Empire Extreme – Speaking local, you guys are from New York, whereabouts?

Pete – Yeah, so we’re pretty much all based on Long Island, New York, but our DJ [Anthony Arce] lives in Manhattan. We’re all from more western Long Island, and you know. We definitely claim New York. You’ll see us wearing New York stuff, pretty much everywhere you see us. We’re not shy about it, but yeah, Long Island boys for sure.

Empire Extreme – As you know Empire is based in Pittsburgh, and I’ve seen a couple photos of you guys wearing an Islander’s jersey. That’s just not going to go well when the tour hits Pittsburgh. This is deep Penguin and Steelers territory. LOL!

Pete – You know, good thing our singer is not here. He would have a lot of things to say about the Islander’s. For me, it’s the Mets.

Empire Extreme – How about the Jets? We stole Aaron Rodgers now, so…

Pete – Oh, God. Yeah, honestly, my whole family is Jets fans, I haven’t paid attention to football for a long time. It’s very hard as a Jets fan, so you don’t want to pay attention. It’s pretty depressing.

Empire Extreme – All right, back to music stuff. You guys are doing a handful of shows with Filth. Resistor has done some shows with them before, but you seem like kind of buddies. How did that all develop, and are you looking forward to this next handful of shows with them?

Pete – We are all super excited about these shows. We met the guys in Filth. I believe it was summer 2024. That was when we were first gaining any bit of traction. We had finally released our new EP. We were really stoked when we got the first offer with them and it was like an instant connection. We became great friends, and since then, it’s history.

This is going to be our third run together, and this one might be the best one. It has so many good bands on it, a lot of good shows. It’s going to be really awesome.

Empire Extreme – Filth has been one of my favorites in the last couple years. Resistor kind of came onto my radar because of them, plus you were all over my socials. I think it was because of Filth or whatever, but yeah.

Pete – On our second tour together, I actually filled in with Filth on drums, so there’s a bit of it. We’re connected in more ways than one, for sure.

Empire Extreme – Well, your singer, Grambo is a big Limp Bizkit fan. With Filth redoing “Rolling”, is there any chance that you might knock out some type of collaboration or do something silly live?

Pete – We’ve always thrown up the idea of doing some kind of collab, but I’ll leave it at that. I won’t spoil it if we will or we won’t. If it happens, if it happens.

Empire Extreme – All right. Please explain “knuckle dragging wika wika core”.

Pete – Knuckle dragging wika wika core” at its core, no pun intended is the best way that we can describe what we do. We feel like we’re doing something familiar, but it’s also something that is hard to place into a specific genre because we feel like it can kind of fall under a couple of things. So, we’re like, we got to start thinking of our own thing to call it. And what we landed on was “knuckle dragging wika wika core”. It’s just about crazy, heavy riffs. You know, stuff that makes you want to drag your knuckles across the ground and then you hear the wika, wika, wika, in the background. So, we just put them together.

Empire Extreme – When I first saw that, I just kind of laughed inside. I was like, that nails it right there.

Pete – Yeah, exactly. You know, we’re like, while we are super heavy, with a the “fuck you” [attitude] we also try to be a little goofy and self-aware of where we are. And we’re not taking ourselves too seriously. We are having fun.

Empire Extreme – Can you tell us about working with Randy LeBoeuf (Acacia Stain, Misery Signals, Counterparts, Thy Art is Murder, Every Time I Die, Unity TX, Kublai Khan TX)?

Pete – Randy, I cannot say enough positive things about him? Because he truly is like one of the best at what he does. But yeah, we went to the studio around mid-August last year. And I think up until November, we were writing and recording. We did have a month-long tour in between. But otherwise, we were literally at the studio writing, recording, almost the whole second half of last year. We feel like once it comes out, this record is really going to let people see why we’re taking so long.

Empire Extreme – We got an advance copy here at Empire and I have listened to it probably, I don’t know maybe 10 or 12 times. Just the heaviness of the whole album and it has that groove and a real hip-hop sensibility to it.

Pete – That’s awesome. Do you have a favorite song by any chance? Not to you on the spot first. The one that sticks out to you.

Empire Extreme – I don’t know the names off the top of my head. They all kind of still blend together in my head. But obviously the two singles you put out the videos for. I mean, both of those are slammin’.

Pete – I’m only asking because we are at a weird point where the album’s coming out in two weeks and obviously, we’re going to start playing live and we’re going to start releasing more music videos. So, I just wanted to kind-of get a vibe of what people are enjoying right off the bat.

Empire Extreme – I know exactly what you mean. Let me say this, you know, people say back in the day it used to be albums. How it is now with singles and streaming. We would listen to the whole album without skipping a single track.

Pete – Exactly. That was our main goal with this for sure. We wanted a no skip album. You know, a full listening experience.

Empire Extreme – Yes, it is. Plus, with the entire album clocking in at 29 or 30 minutes long? It’s like, oh, it’s over already.

Pete – Exactly. That’s another thing that we always preached that you never want to overstay your welcome. When it comes to live sets, but also with albums too. We very much want to leave them wanting more. You don’t want to get to the end of an album or a live set and be like, all right, we’ll I wish they were done 10 minutes ago. So, yeah, that’s like our number one thing. We always want to leave people wanting more. That’s a big thing for us.

Empire Extreme – I’ve been in lots of different bands in my life and that was always one of my things. Leave them wanting more because then they’re going to buy the CD, then they’re going to check us out online and even come to another show. We didn’t want to go there and play for an hour and bore them after half an hour.

Pete – I can’t tell you how many bands I’ve watched for the first 20 minutes of the show. Like, this is awesome. I’m so stoked. Even though it could be my favorite band on the planet, I’m watching it for 20, 30 minutes. This is awesome. This rules. And then, you know, minute by minute, you start to feel like, ah, I just wanna go home, this going to go all night.
Empire Extreme – Yeah, you’re looking at your phone and your watch.

Pete – Yes, exactly. I’ve got to speak about it from a showgoer’s perspective or a listener’s perspective, you know? Yeah, that’s a thing that is important to us.

Empire Extreme – You mentioned the videos. Currently there’s the “Dead Soul” and “Petty Fuck” videos. You kind of mentioned there’s more in the works. What’s the story?

Pete – Yeah, I won’t spoil what song it’s for. We did just shoot a video yesterday. That should be coming out the day of the record. It’s going to be really cool. It’s a really funny video. It’s not like the ones we’ve done before. It’s pretty much all a story. It’s very juicy. It’s so ridiculous that you’ll laugh when you see it. It’s not like any video you’ve ever seen before. I can promise you that.

Empire Extreme – I’m looking forward to it.

You guys played the Gathering of the Juggalos this past summer. I’m very familiar with the Juggalo family and have been involved with Psychopathic off and on over the year. It can be intimidating going in knowing that some bands get up there and they are pelted with bottles and booed off stage.

Pete – I want to be as positive as possible, but I’m not going to lie. It wasn’t a great experience. It’s one of those things where I’m happy, we did it. I’m glad to say that we did it. The community, we love the community. The people that were there to see us were super stoked. We love the community and the fans. The time was just weird. We just had to play early, and we also were in the middle of the studio. So, we had to drive from New York to Ohio for one day at a festival and then we drove right back. And things just didn’t line up for us.

Empire Extreme – So it was more of a logistics thing?

Pete – Yeah, I don’t want to say it was a totally bad experience. Just walking around the festival was crazy. You know what I mean? It is certainly site to see. It was a lot of fun. Everybody there was super cool and super nice. I love all the fans. Everyone who we talked to were the coolest people ever. I highly recommend that if you could go you should go once in your life. I would recommend going because it’s so ridiculous. It’s awesome.

Empire ExtremeThat moment you walk in the gates of the Gathering. You’re just like, Oh my.

Pete – You know, it’s unlike anything you could truly do on the planet. So, in that sense, it rules. Our guitar player [Anthony Conti] did a Faygo launch competition, which is pretty funny. That probably was the highlight for me. I wish I could say it was like the best thing ever. And there were 5,000 people watching us, but yeah, we can’t win them all.

Empire ExtremeWell, the way they have it set up with the multiple stages and some of them are playing at four o’clock in the morning or whatever.

Pete – That’s the thing. The stage that we played was the second stage out of three. We thought it was like it’s like this big stage near everybody. It was a pretty big stage, but the problem is it’s not near anybody or anything. It was a 10-minute walk away from the main stage and then down a huge hill. If you weren’t near the hill, you couldn’t even see the stage at all. So, no one even knew where we were playing.

Empire ExtremeHow was the load into that stage?

Pete – Surprisingly that was the easiest part. I think the only real issue was how early we had to play. Our set time was around four o’clock. We were like “Oh, that’s perfect.” We are right in the middle of day, everyone’s going to be like hanging out. But I think the reality is with the Gathering people aren’t really getting active until a bit later, you know what I mean? It takes until six or seven o’clock and then people start to come out and party. We realized that after the fact, but you know, you live and learn.

That’s why I said it’s like a lot of, a lot of little things. But overall, it was a fun experience, something I’m glad that we did for sure. We just had a couple little of hiccups.

Empire ExtremeTo rewind back to the album, I forgot to ask you about the blue vinyl version coming out.

Pete – Yeah, this is our first time doing a vinyl for a full record. We have vinyl up for pre-order now on our website; weareresistor.com. If anyone wants a pre-order vinyl, we got them there. It’s a pretty short run. I think it’s only 300 copies. Once they’re gone, they’re gone. And we will also have them on tour too.

If anyone sees us in person, we’ll have tour vinyls as well.

Empire Extreme – You guys have a date here in Pittsburgh, I think it’s at the end of April or something like that? (Thursday, April 30 at Preserving Underground with Filth, Monochromatic Black, and Inferious)

Pete – Yeah. We’re hitting the Northeast towards the end of the month.

Empire Extreme – What does this band mean to you? I mean, is it a release or therapy, an escape, or a way to pick up chicks or an attempt to get rich?

Pete – Well, I would say if getting rich was my main priority I would have been out of this a long, long time ago. The real reason I’m here is just to make really, really cool music.

My parents are musicians. They’re lifelong musicians. So, it’s something I felt that I was meant to do from a very young age. It’s literally in my blood. My dad is a drummer and my mom’s a singer. That happens to be the two things that I do. You know, it’s a predictable path I went down. I wouldn’t have it any other way.

Empire Extreme – Did you start out playing drums when you were a kid or did you start out on another instrument?

Pete – My first real instrument was upright bass. I played that all through elementary, middle, and high school. I played drums here and there as a kid, but I didn’t really have a passion for it. Until maybe when I was starting high school. I joined the band. Well, the original reason was because of this girl. I guess you could say that. It was like she was in the band, and I liked her, so I started playing drums more, and then it all went from there.

Empire Extreme – That’s funny and cool. So, who was your drum idol?

Pete – That’s a tough one. I have a few of them. Do you know the band called Periphery?

Empire Extreme – Yeah, I’m familiar with them.

Pete – Their drummer, his name is Matt Halpern. He was a big, big inspiration. I mean, just his style of playing. It’s a very progressive, very smooth style, very loose, and a lot of ghost notes and cymbals. You know cool little flourishes here and there. I really love that. And the obvious one Joey Jordison of Slipknot. They are one of my favorite bands of all time and hearing his drumming in the band. He had some of the first crazy drumming I’ve heard in my life. That’s an easy one. So, yeah, those two would be the ones if I had to [give] credit to me starting

Empire Extreme – Those are two very prolific drummers. You mentioned Slipknot, and I can hear some of that influence in the new album. The Slipknot rhythm kind of thing. I have it right here in my notes. Limp Bizkit mixed with Slipknot and some punk rock and some newer bands too.

Pete – Yeah, I kind of bring a modern style mixed with some old school style, you know what I mean?

Empire Extreme – Yeah, not to say that it’s all over the place, but it’s pulling from lots of different areas.

Pete – For what it’s worth, it is kind of is all over the place, but in a good way. We wanted it to be a little all over the place. We wanted to be something that, while it’s familiar, it’s something that people haven’t heard before.

Empire ExtremeI have kind of a handful of oddball weird questions, and you can answer them as you like.

Pete – Yeah, sure.

Empire ExtremeWhen you guys are driving in the van from show to show, who controls the music in the vehicle?

Pete – My personal rule is whoever is driving. When I’m driving, I will not break that rule. Otherwise, it depends on who’s driving. Some of the people in the van are more anal about their music being played. For me I won’t have it any other way. I gotta focus, you know what I mean? I need to have my own music or a podcast or something like that to keep me focused on the road, you know.

Empire ExtremeOK next one. Are you prepared for a zombie apocalypse or AI becoming aware? And is there a difference between the two?

Pete – I think I would take a zombie apocalypse over AI to be honest. But I think the second one is unfortunately way more likely one that happens. I’m probably not prepared for that. I don’t think any of us are. I think I’m probably completely fucked when that drops. At least with AI, I’m kind of already mentally prepared for that one.

Empire Extreme – Here is another silly one. If a cartoon character was to join Resistor, what cartoon character would it be?

Pete – Oh, that’s, a really good question. Mm-hmm. Maybe Beavis and Butt-Head, well one of those two.

Empire Extreme – That’s a great answer.

Pete – I feel like they would like sitting in our van, I feel like it would work. You know? The conversations are all over the place.

Empire ExtremeThey’d fit right in, is what you’re saying?

Pete – Yeah, exactly.

Empire ExtremeHere’s another stupid one. Every time you walk into a room and a song plays, what would that song be?

Pete – It’s probably The Rock theme song. That is completely it. Or something really goofy or cheesy. I can’t take myself too seriously, to be honest, something along those lines.

Empire ExtremeYou mentioned The Rock. One of my questions that I kind of skipped over was I’ve seen several of your social media posts and whoever is responding from your band has used wrestler memes several times. There was Stone Cold one and a Rock one. So, are you guys wrestling fans and who, what, why, where?

Pete – I would say our singer. He was the most into it out of any of us. I know he was into the old-school early 2000s era. We have a Resistor 3:16 shirt, like the classic Stone Cold shirt. I don’t know if you’ve seen the Come Mierda video, but we literally did it inside a wrestling ring with the real wrestlers. They were just beating the shit out of each other while we’re playing. There is a scene where one of the guys breaks a full light tube over to the other guy’s head and there’s blood everywhere. It’s all real. Nothing was faked. Its all real blood. We had to tarp off the whole thing, it was ridiculous, but a lot of fun. It is my favorite music video we have shot. The actual act of shooting it was so fun because we had a bunch of people literally pretending it was an actual wrestling event. The wrestlers had to do their walk-ins while we were playing and beat the shit out of each other. I also didn’t realize how bouncy a wrestling ring is. When you’re trying to play drums, you bounce and it is all over the place while smashing each other on the floor. It’s no wonder they are jumping from 10 feet off the ground. Makes sense. It was literally like going into a bounce house, but it had a metal floor.

Empire Extreme – I got a couple more stupid ones here. Have you ever gone to spring break?

Pete – No no. I’m not a party person. I’m very much more of a sit at home and play video games guy.

Empire ExtremeLast one, and I’ll get out of here and let you get back to your life. What is your preference. Vinyl, cassette, CDs, 8-tracks, download, stream?

Pete – Okay, so for obvious convenience’s sake streaming is great. But I don’t think it’s the best way to listen to music by any means. Nor do I think it’s good for artists, you know, Spotify and all that. You know the problems in the streaming industry. But honestly, I would love to go back to more cassettes. There’s a certain nostalgia that comes with listening to a tape. Listening to a CD still feels modern. But there is just something I like about it. I remember riding around in the car with my dad as a kid, and he’d always listen to cassettes, and he’d put me onto different bands. He had Rage Against The Machine tapes, and all these different bands. So, I think cassettes would probably be my number one, just for nostalgia purposes.

Empire Extreme – With the cassettes it kind of forces you to listen to the whole album. Skipping was kinda difficult trying to figure out where the next song starts.

Pete – Yeah, exactly. And similar, at least with vinyl you can lift it, but you’re more encouraged to listen to it from front to back, rather than just skipping through.

Empire ExtremeTo wrap up is there anything you want to add? Any self-promotion?

Pete – Well, I’ll just end it by shouting out the band.

WeAreResistor on all platforms. Our new album, Bite This, drops on March 27, which I believe is less than two weeks away now, so that’s pretty crazy. But yeah, we’re streaming on all the platforms. We’ve got pre-orders on our website, weareresistor.com.

Empire Extreme – Awesome, great. Thank you for your time. Hopefully I get to check you guys out when you come through Pittsburgh here next month.

Pete – Yeah, I’m so looking forward to it.

Resistor is:
Anthony Grambo [vocals]

Anthony Conti [guitar]

Ian Schneider [bass]

Anthony Arce [turntables]

Peter Smith [drums]

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INTERVIEW WITH T BEAR

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Empire Extreme got to sit down and talk to singer/songwriter/keyboardist Richard T Bear aka T Bear.

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