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Interview with Julien-K

George Archibald

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Photos By: Andrew Bastion

JulienK has been rather busy since speaking to them this past summer while they were on tour with Bush, The Cult and Stone Temple Pilots. The band has traveled to Europe and back and is now on tour with Jonathan Davis, and The Birthday Massacre. During this time the band has grown even more, getting bigger shows, and bigger opportunities along the way as everyone waits in anticipation for their latest album Harmonic Disruptor to be released. The new album is still in the works as the band has been constantly touring to finish out the end of 2018. I was able to catch up with the band and discuss touring, and what is to come for the band in 2019.

GA: Last time we spoke the band was working on Harmonic Disruptor, which was set to release in 2019, have you narrowed it down to a release date yet or is the band still developing songs for the album?

AD: We are still in the middle of it, we have written a lot of material for the album already, but we are going to go home and have a lot of work still to do. We probably will end up writing more songs.

BC: Amir and I talked a couple of days ago, that we have been so busy touring, that I just pulled up the folder in the Dropbox and picked one saying I think this is my favorite. He replies, saying I haven’t listened to any of it because I want to go home and listen to the songs with fresh ears. Its kind of producer standpoint, (taking a big break from the music and coming back to hear it again later). You take a break, then come back and now you have fresh ideas. I think we will go back into writing this album with a whole new perspective that will still compliment the album.

GA: Speaking of the album will the band be releasing another single soon?

AD: Not right now, no.

GA: I also remember that the crowdfunding campaign was a big thing for this album, and that you hit your goal pretty early, is the campaign still going?

AD: It is, we left the campaign “in demand.” We have been touring so much, we figured why not leave it open and people can contribute. It has been going great.

GA: The band has been touring quite extensively this year. When I saw the band, you were a part of the Stone Temple Pilots, Bush and Cult tour. Then I see you went to Europe briefly and now are back in the US continuing on. What’s it like for you to wake up in a different place every day for months on end?

AD: That is the easy part, honestly. It is a big blur.

BC: It is the name of the game; it is a part of what we do in our life now. We do get a little homesick, but I really enjoy being up on stage. When I am up onstage I have so much fun.

RS: It’s fucking awesome, but it is a skill set. It is dedication… the thirty to forty-five minutes we get onstage is really fun, and the other fifteen hours are work. You have to understand that when you do this job that it isn’t just drinking whiskey, having a great time, and a ton of hot chicks.  There’s a lot of driving, a lot of hours on the road;there is an incredible amount of work we all have to do during our day. Just to get from point A to point B. For Me, I wrote our day out for our publicist and it was a foot long. There are some spots to take a rest but there are some straight up fifteen hours days.

 GA:  Jonathan Davis has been a close friend with the band, especially Ryan for a long time. What is it like to be able to hit the road with such a good friend?

RS: It is amazing, Jonathan has been fantastic. Nothing has changed in thirty years with that guy in terms of how cool, and consistent, and authentic he is. His talent level has gone up a hundred-fold. He is killing it right now. The emotion he brings to his performances is palpable. He has been so sweet to us everyday of tour. It is like no time has past between us. It really makes me feel awesome.

GA: One of the things that stood out to me from the last interview is the band is very genuine and candid. Ryan spoke of how to be successful in music, and it really hit home to me. With all the success, how do you guys stay grounded through everything and decompress after multiple tours?

RS: I don’t know how to decompress yet, and I also don’t think we are successful. I am not sure that we ever have been. I am not sure I have ever felt like, ‘we are awesome or successful.’ I don’t feel like I’m a badass or I’m fucking great. I just always feel like we have a lot more work to do, and that we can do better, and there is something better coming. I think that if I ever felt like ‘yes we made it, where’s my massage chair.’ That it would be time for the coffin. I don’t feel that cool. I don’t feel that successful. I feel like we are really on the cusp. I have noticed that this band is getting bigger, and we are getting bigger opportunities. That the band is getting better. I do feel that, and I like that. I like the climb, and I love doing that, but I don’t know what it is like at the top. I know we have “been there” because I have the records on my wall, but I don’t really live in it though. I don’t live in success, I live in perseverance.

BC: I don’t think we have had any time this year to try to bask in any sort of glory. I feel like with the touring it has been work, work, work. Get shit done and put out good music, perform well. I think as time goes by, we push ourselves to do even better. If I am not trying to perform better or sing better, then I am doing something wrong.

GA: What is next for the band after this tour with Jonathan Davis and the Birthday Massacre wraps?

RS: Harmonic Disruptor.

GA: So, no more touring? (joking)

RS: No, no, no, no more tours for 2018. We are going to finish the album and we will see what happens from there.

At this point in the interview I didn’t want to upset the band with my next question. A few months ago, the band was interviewed in Baltimore and the interview went south very fast. The interviewer had a series of questions that were in my opinion bad taste and irresponsible to ask the band. The interview came off as if the interviewer was trying to bait the band into a negative reaction and to catch it on video. After this event the interview post the video online, where the band and their management tried to have the video taken down. The interviewer refused and made nasty posts about the band. I personally think this was a horrible thing to have happen to a great group of guys, and that none of them deserved to have been treated in this way. With all that being said, on with the rest of the interview…

GA: There was a bit of an issue with an interview that happened in Baltimore, I don’t want to get into details because it was upsetting to watch, but since then has the interview pulled the video and things been resolved? If you want to elaborate on things by all means, you have the forum to speak.

RS: I think the video has been pulled finally. I am still shocked. The guy wrote our publicist and was indignant. He complained, “What the fuck, they didn’t have a proper place for me to interview them.” He made it all about him and the things he was upset about. I have some news for him, don’t try to conduct interviews like that with anyone, you are liable to get knocked the fuck out. Also, we are not rich dudes, with special interview spaces, and private dressing rooms, or a tour bus. We are an indie band, out here sweating. We pulled the only place we could at the time to interview with this guy, but with people who don’t claim responsibility for anything like that guy; they always look to blame everyone else. The reality of the situation was, he had inappropriate, disgusting, TMZ-like questions.

AD: The thing is I have text message conversation threads, just like I have with you this evening. At the end of the night you can make up all these stories, and I can show you the conversation we had, and how everything was arranged. I can show how he fabricated all this stuff after the fact, because he didn’t like the way things went. His questions were way out of line. The way he asked it, he preempted the question that we knew Chester already. If anyone knows anything about us, knows he is one of our best friends. So, for him to say that, then ask the other question it was like wow.

GA: To me, that is irresponsible journalism. It is completely insensitive.

BC: He is a journalist, and you are a journalist, you are to act with a certain level of professionalism. I liked how you approached this question with saying, ‘you don’t have to answer this question we can talk about something else.’ You did it with tact and said it in the right way. This guy was out for some sort of weird reaction. With sensitive questions you have to know how to approach them. That is the job, you are to ask questions but know how to say them the right way.

GA: You have to be respectful, working in media; this is all about artist representation and respecting that. I take an honor in speaking with artists and learning more about their day-to-day lives and the music they create. I look at it like this: follow the golden rule and things should be more than fine. Let’s move along. How did you enjoy playing for the people of Pittsburgh tonight, and also how has been to play for so many people through all your touring this year?

RS: Tonight, and every night has been amazing. It has been a repeat every night.

AD: This tour has been a great pairing with these bands. There are a lot of kindred people on this tour and it seems to click with all of us. We also can’t say enough good things about The Birthday Massacre. We have been friends with them and toured with them years ago here with Mindless Self Indulgence. We have been friends for them a long time, and touring was something we have talked about, and now it is happening which is crazy. They are like family now, it is so good. Great people.

GA: Do you have plans yet for 2019?

AD: Harmonic Disruptor, we still have to fill all the campaign perks and finish the record. We will be having our annual acoustic show coming up, which is a part of everything. That show is always fun, and it is different every year. No other plans outside of that because that is a lot of stuff to get done.

GA: Anything else you would like to add?

RS: Thank you to everyone. Thank you for such an amazing fourth quarter. We did seventy or eighty shows along in the fourth quarter. It is kind of unbelievable for an indie band. So we thank you all

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Interviews

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

Ron

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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