Interviews
Interview with Justin and Danny of Through the Eyes of The Dead
An interview with Justin Longshore and Danny Rodriguez of Through the Eyes of The Dead
Interview by: George Archibald
Photos by: Andrew Bastion
Through the Eyes of the Dead have been forging the way with their own brand of death metal meets deathcore since 2003. The band has dropped three major albums during their tenure, with the latest Disomus, dropping in 2017. The band has been sporadic with its shows playing throughout 2018, with Pittsburgh being the last stop of 2018. I got to speak with guitarist and founder Justin Longshore, and vocalist Danny Rodriguez, at the Pittsburgh Brewtal Beerfest; to find out more on what the band has been up to.
GA: Let’s start with a small introduction, can tell me a little about the band, a brief summary of its beginnings, current lineup, what the band has been doing currently?
JL: TTEOTD started in 2003, out of Florence, South Carolina. We started with an Ep and a split album around 2003… 2004. In 2005, we signed to Prosthetic Records and did three full length albums with them. After extensive touring and several member changes here we are now, signed to eOne Music and Good Fight Music.
GA: Your last album release was 2017’s Disomus, this album is nasty as all hell, just plain out angry. What are your favorite songs to perform live from the album?
JL: I like playing Hate the Living, and Obitual, those are my two favorites for performing live.
DR: I really like Vortices in the Stygian Maelstrom, because it’s a stupid name. Personally, I do like doing that song.
GA: The last album, Disomus, was fucking amazing. I feel like it came out at a time where it was a low point for metal, when things were stagnant with new releases.
DR: I am really proud of that album, we wrote it in different states.
JL: We recorded it in different states as well. It was crazy with all the different studios.
DR: My schedule was crazy when I had to record. I was at it for sixteen hours a day for an entire week, with work and then recording. At the time, I really hoped it was going to come out good, because there was a lot of effort put into that album.
GA: Is the band currently working on any follow up material to Disomus?
JL: We have been talking about it. I have some riffs here and there. Steven (Funderbunk), our other guitar player is in another band, Wretched. He started touring with us in 2014, and he has some stuff on the last record, so we want to get him more involved on the new record for song writing.
GA: When you are writing material what do you look to for inspiration for songs, this can be lyrics, moods, tones?
DR: Lyrically, I like shit that has to do with the paranormal, ghosts, and stuff that we don’t see. I draw most of my inspiration from movies, and stuff. That is where most of my lyrics come from. Also, I will write about real life experiences.
GA: How did you guys get to be a part of today’s BrewtalBeerfest, and are there any beers you look forward to sampling while here?
JL: I want to sample as many as I can. We also have our own collaboration with Spoonwood Brewing, the Annihilation of Expectation – Hazy Mango IPA (7.1%). So, I am very excited to try that.
DR: So far, I tried one of the beers, it had blood orange in it. It’s called the Falling Void, it is really good, and I have had about 6 of them already.
JL: As for getting on the show, I think our booking agent got us hooked up with it. We got asked to do the show and we looked at the line up, and being it was a beer fest we were all about it. Death metal and beer what more can you ask for?
GA: Having been around for 15 years, what do you think of the newer metal bands that are emerging? Do you have any opinions about the newer genres that have been popping up such as Slam, and downtempo/beatdown?
DR: It seems like these genres are becoming a bit more popular. We played with this band called Bodysnatcher when we were in Austin. I didn’t know what they were about, I didn’t know what they sounded like or anything. I watched them and thought it was awesome. I thought they pulled it off well.
JL: There are so many different genres and variations from over the years it is so hard to keep up. We just do our own thing but, with any new group there is some really good stuff that comes out of it, and then there is some really bad stuff that comes out too.
GA: I spoke to Matt Harvey of Exhumed, last weekend and asked him this question. His response was,” I am starting to have old man syndrome. I like what I like, but I understand that it may not be for me but at least the genre keeps going. “
JL: That is definitely true. We started somewhere, and old heads were probably like these guys suck. We are like the old guys now, so now we do what we do.
DR: I was nineteen when I joined the band, and now I am about to turn thirty. I am starting to get the old man syndrome as well. I still swear by a lot of albums that came out around 2004/2005.
GA: What do you guys enjoy doing in your downtime?
JL: Drinking beer.
DR: A lot of beer drinking, I also like sports. I do a lot of fantasy stuff, so fantasy football, and fantasy basketball. It’s sad but very fun.
GA: What gear is the band currently using for their live set up?
JL: TTEOTD uses Mesa Boogie, Steven is using a Dual Rectifier and both of us are using Mesa Cabinets. I am using some Positive Grid stuff, and some Fractal Audio stuff. We also use Keisel and Ibanez Guitars.
GA: What is next for the band after this show?
JL: We don’t have anything lined up right now, which is very odd because throughout this whole year we had something to plan for. We are taking the rest of the year off, this is the last show of 2018, so we will see what happens in 2019.
DR: We get to be home for Thanksgiving dinner and to celebrate the holidays.
GA: Where can people go to keep up to date on the band and if they want to support you by buying merch where is your online store located?
JL: Our online store is through Benchmark. We are on Facebook, Instagram, and all that good stuff.
DR: We mostly use Instagram these days, our guitarist Steven is always active on there.
JL: We try to post as much as possible, because we are not as active as we used to be. It is kind of hard to get us all together because the band is scattered across the US. Dan is in Chicago, I am in New Jersey, Mike is in New York, Jake is in Virginia, and Steven is in North Carolina.
GA: So how do you guys make that all work? Use a lot of Dropbox and Youtube?
JL: We will send videos of riffs before we are going to get together. As far as writing, I have a recording set up at home, and the band will share ideas that way. Once we get something together that sounds cool, we will send it over to Danny. It has to be somewhat complete for him to write lyrics to the music.
GA: Since it is close to Halloween, if you and your bandmates were stuck in a horror movie, what movie would it be, and who would live and die from the band?
DR: Personally, I am not a huge slasher film kind of guy, this is more up our bassist Jacob’s alley. I did just see the movie Hereditary, and that was pretty cool. I think the last person to survive if we were in that movie would probably be me, because I am all about ghosts and the paranormal. I think the first person that would die would probably be Steve, for no particular reason.
GA: Anything else you would like to add?
DR: Thankyou to all the fans that have stuck around, we haven’t been to active the last eight years, but to those who still give a shit it is greatly appreciated.
(Merchandise):https://www.shopbenchmark.com/tteotd
Facebook: https://www.facebook.com/tteotd/
Instagram: @TTEOTD
Twitter: @TTEOTD
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Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
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Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
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