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Interview with Matt Zane of Society 1

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During this pandemic Empire Extreme has been able to connect with some amazing artists and just recently added another name to that list. Lord Matt Zane of Society 1. 

EE: I know you’re out in California, are you safe from the fires?

MZ: Ya I live in the west end of the valley. Where I live the fires never came this close before. The worst we get is the smoke. 

EE: So Society 1 has a new album coming out called Black Level 6?

MZ: Yeah not sure if the album will be coming out this year. We have been releasing videos for the album. Most of the videos we  release are from that album or just stuff that we made during this pandemic. It’s looking like we are going to release it next year backing it with a tour. 

EE: Is there a tour planned for next year?

MZ: I talked to my manager. He has the tour already thought of, and told me the name of the band it will be with, but since we don’t know what’s going to happen next year so we don’t want to let that out yet. 

EE: How was it like doing that last little leg of the Static X tour?

MZ: It was really emotional, I knew Wayne and worked with him many times. I’ve hung out with the guys a few times before the shows. I directed five music videos for the project and did some photo shoots as well. Seeing them play and was amazing. I’ve known them for over 20 years. The fact that Wayne wasn’t there was difficult. I was grateful for it. A lot of people don’t know but the last time Wayne played in the states I opened up for that show. It was weird It was weird I played his last show and it was the last time I seen him in person and got to talk to him, and then here I am on the memorial tour. The way that they did it was amazing and I would say it was the best rock tribute to anyone. I know that’s a bold statement. But have you ever seen anything that paid tribute to Anyone like that before. 

EE: I got to see the first tour with Gwar after ODERUS died and that was a great tribute, but yeah this one with the album and the memorial show, I have to agree with you. 

EE: I know that you’ve never been to shy to voice your opinion and tell it like it is. Did you want to talk about the whole Tripp debacle with static x project regeneration?

MZ: I don’t care you can ask me anything, is there something in particular you want to know?

EE: Just the whole thing with him saying that the whole idea for that project was his idea and bringing everyone back together to the whole Mask idea being his. 

MZ: I’ll tell you this first and foremost he didn’t come up with idea. I know that for the fact. The guy who produced the album Zero, I talked to him before it was made public and years before and even before Tony was called. I’m sure Tripp doesn’t know that I was there from the beginning sitting in a studio talking about this possible project. The mask being his idea was total bullshit. I was on the music video set when we were discussing what to do and there was multiple things we were going to do. At one point they were talking about a robot and another time was a mask that had Wayne face projected onto it, and the mask with the hair. So there was many routes they were going to go. For the music part he repeatedly tried to say that he wrote music for the album, the only thing he did rightfully so was 3 songs that they pulled Wayne’s vocals off of wrapped around Tripp’s guitars. They took Tripp’s guitars off and just used Wayne’s vocals. The guitar parts on any of those songs, they trashed all that music, so he never had anything what so ever on the album that was his. I was there in the studio and with the band since day one and I never seen Tripp once. 

EE: How was it like working with DMC of Run-DMC?

MZ: The first time I heard his voice in the studio on the tracks he did why the Society 1 album, I swear  to you I almost cried. I loved Run-DMC when I was growing up even more that Michael Jackson and had all the records, and out of the band DMC was my favorite guy. Then I got to work on a song with him was just unreal. 

EE: How was it like recording that first album Slacker Jesus?

MZ: I’m not sure I remember it was so long ago (laughs) it was made on tape, it was recorded analog. Not like how it is now with copy and pasting it was all done live. 

EE: I love that album and was lucky enough to see you guys play on the early 2000’s. You guys were crazy and fun. 

MZ: I’m glad you got to see me when I was young and absolutely crazy that’s awesome. 

EE: The main thing I always remember from those shows when I first seen you was that Cock Mic stand (laugh) How did you come up with the idea for that?

MZ: It’s a long story, so you can edit around me since it’s very in-depth. (Laughs) I love the band The Doors. They were in the 60s and 70s they haven’t quite figured out the PA systems and the microphone stands. There was a famous concert with the Doors at the Hollywood Bowl and for some reason they didn’t give him a proper mic stand they gave him a drum mic stand that has a little hook on it so you can wrap the cord up. During the peak of the concert he was doing the song “ This is the end” and in the middle of the song he jumps up and the microphone straddled his leg right underneath his crotch and so happed that the hook came out and at the angle they showed look just like a phallus. I thought I’m going to make a mic stand with an actual dick on it, so I contracted a guy for a couple thousand dollars and made the mic stand. 

EE: That mic stand was iconic like Steven Tyler’s mic stand with all the scarves on it. Then now you see lots of bands with custom mic stands. 

MZ: Yeah people seem to forget that I was doing that way back in 2001 when they see bands doing it now. 

EE: How was it like doing that LA suspension show?

MZ: The crazy suspension show was the one in Europe with like 80,000 people and I stayed suspended the full set. I was only hooked up with 4 hooks and did a full set which had never been done in rock history before. We played with Slayer, Slipknot and System of a Down. Society 1 even in its best days was never as big as those bands so it was crazy just sharing the same stage as them. 

EE: What got you into the suspension stuff?

MZ: Originally there was a guy Joey Strange. He was one of the original forefront guys in suspension. He was a performing artist. He was mostly known for being suspended to a helicopter and flown over the Hollywood sign. Criss Angel Ripped him off. I just happened to meet him and talked to about integrating into a band. 

EE: Yeah seeing someone do that while a band plays would be so amazing and shocking to see. 

MZ: At the time yes it was, Dave Navarro did it and he openly said that he was influenced by me doing it. But now it’s not a much of a shock now people are used to it, when I would do it most people in the crowd would pass out or puke from it. 

EE: What’s been your favorite music video you ever directed?

MZ: That’s tough I’ve done so many. I could tell you a couple. I liked the John 5 video “ Here’s to the crazy ones” where we did the makeup like the original planet of the apes. I love Blood Sick by Wednesday 13. Assassin of youth by Wayne Static was fun. 

EE: Was there a band that you worked with that you like but hated directing the video for them?

MZ: Yeah, let me start off by saying that I love Jay Gordon and the guys from Orgy, I’ve known Jay for years. Directing a video for them was difficult. I don’t completely blame Jay, he sold millions amid records and we had to do a lower budget video and what he wanted to do more than what we had a budget for, so it wasn’t on a personal level more of a creative one. 

EE: Since we have been talking about Wayne Static and I’ve done a few recent interviews with the guys and asked them too, is there a story or a funny moment you like to share about Wayne?

MZ: I have a bunch of them. If I had to boil down to the best memory or the best time that I had with him. It was one year before pighammer came out and he invited me and my girlfriend at the time to his house in the desert up in Joshua Tree and we barbecued and watched the fireworks on the Fourth of July. It was great and amazing day we talked and listened to the album before it came out. It was a great day and night to just spend with friends.

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EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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