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Interview with Michael Ranne of Leylines, Through the Eyes of the Dead

George Archibald

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The modern age metal drummer is a different breed. Good drummers are in high demand, so much so that many balance several projects at one time. One such gifted drummer is Mike Ranne, a seasoned veteran of the death metal and deathcore scene having performed with Through the Eyes of the Dead, My Bitter End, Circuit of Suns, Coma Cluster Void, Proceed on Your Way to Oblivion, and Leylines as well as contributing sessions to many other projects. To aid in keeping up with the recording duties for these projects Mike partnered with Mike Monocker to open Backyard Boogie Recordings a few years ago, which he owns and operates. I sat down with Mike to learn more about his vast projects and his newest one, Leylines. 

GA: From My Bitter End, to Through the Eyes of the Dead, on to Circuits of Sun, Coma Cluster Void, and Proceed on Your Way to Oblivion, and now Leylines you have been a very active drummer in the metal community with many projects. Are there any projects I am leaving out, or that you’d like to touch upon more? 

MR: I recorded an album about a year ago with some of the guys from Aronious, and with Kyle of Aethereus, a lot of bands that start with the letter A. We are calling that band Aeonoesis. There is still some stuff that is left to do on the album, some vocals and stuff. With this album I’m looking forward to getting to officially announce that project soon. I’m not sure what the plan is, I haven’t talked to those guys in a while. I do know the drums I tracked for that album are really cool, so hopefully it will come out soon. There is one song released so far and there is a Facebook page as well.  Its dissonant death metal type stuff which I think you’ll dig. 

GA: You are here tonight performing with Leylines that’s on tour with Born A New and Crystal Lake. How did you get involved with the guys from Leylines

MR: A couple years ago I was going to do a project and I had written a few songs myself before anything else. That project didn’t end up materializing into anything and I had these tracks,so I made a post asking if anyone wanted to take a stab at writing guitars for these tracks, to go ahead. Jesse hit me up and I sent him the tracks, thinking he would hit me up in a month or two later. He hit me up like twenty-three hours later with both songs written, and I listened to them and was like ‘God, I guess I have another band.’ The band is only a year and a half old now. We have sixteen songs written. A six song EP that we are going to drop through Silent Pendulum. Then we have a ten-song full length, that has the drums tracked already, but there is still a lot of work left for the guitars and everyone. Jonathan is still working on the writing on his end. The songs are fleshed out,and I think are way cooler than the EP stuff which is what we are playing tonight. 

That’s how the band came to be. Jonathan and I share a hobby of RC cars, building them and stuff. I just asked him if he would ever want to do a music project sometime, and when I sent him the Leylines stuff he was into it. Our bassist is Dan, who plays in Pathogenic, is filling in for us tonight but picked up the material super quick. He has been awesome to play shows and practice with.

GA: Man, drummers these days, if you aren’t in three to four projects you aren’t doing it right, I guess.

MR: I’m at home most of the time, a lot of my projects are studio based. Through the Eyes of the Dead plays sporadically these days, we have been playing four to five shows a year. Last year was the first tour we’ve done in years. We keep going even if it’s not as much. 

GA: After all these years of drumming what keeps you motivated and playing? 

MR: I just like playing. I still love playing drums, and I’m still able physically do it I might as well do it. I still enjoy creating music all the time. 

GA: You built a studio a few years ago, do you still have it and how is the studio doing these days?

MR: I still have it, lately we haven’t recorded anything outside of my own stuff, because I have been busy with session work. We do occasionally get guys to come and use our space. It has been super beneficial for me personally, I used to dump thousands into going to studios which I don’t have to do anymore. Mike Monocker is my partner with the studio, he engineers everything while I’m more of an owner of the place and play the drums. The studio is called Backyard Boogie Recordings out of Phillipsport, Ny. 

GA: What gear are you using for your live rig and what’s your home recording set up like? I am constantly watching your clips from the studio and the drums are always on point. 

MR: It’s the same kit I am using tonight, I also use at home. I have a lot of kits at home, but this black Pearl kit I use for pretty much everything. I’m using it live tonight, and it’s my kit when filming at home and tracking all my sessions. I use a Mapex Sledgehammer for my snare. I have been using it lately and it’s a firecracker, super loud and cuts through in the mix especially for blast beats. I got into Trick Pedals a few years back, and honestly, I won’t use anything else anymore. I also have a couple different types of cymbals I’m using for my live run. 

GA: You mentioned earlier you have a few upcoming albumsyou are a part of, do you have any other soon to be released or recently released music that we should check out that you appear on? 

MR: Right now, just the stuff I mentioned that has yet to come out. I am working on the new Anomalous album, so I am really excited to do that. I’m working on a third song for them right now learning it. I’ve tracked two songs already and both of themare insane. I am also working on an album with this band called Hypaethral from Missouri. Their music is like Spawn of Possession and Gorod, it’s really cool. I think they will be debuting one of the songs I tracked for them either this week or next so that will be something to check out. 

GA: Do you have any more plans to do anymore Proceed on Your Way to Oblivion? 

MR: We’ll see, Shane has been busy with Cognitive. They just released a new album on Metal Blade, so he is going to be busy for a while being on the road. Steve and I have spoken on fleshing out some ideas in the meantime. We do have one new song tracked, but it’s not finished yet. 

GA: What do you have lined up after this? I see you have a few dates with mutual friends of mine From A Second Story Window on the Through the Eyes of the Dead run. 

MR: Yea, a week from today we (TTEOTD) will be at the Kingsland, with them and On Broken Wings, it’s going to be a sick one. Then the next day we will be playing with From A Second Story Window and The Red Chord outside of Boston. My Bitter End used to play with FASSW all the time back in the day. I remember playing in Lancaster with them, Remembering Never and August Burns Red, which led to us going out with August Burns Red on tour. That was the first big US tour we ever did at that time. 

GA: Anything else you would like to add or promote? 

MR: Just want to make a special mention to my wife and my daughter. My wife Neha, and my daughter Flora are my world outside of all of this. They take a huge priority over everything else.

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Interviews

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

Ron

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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