Interviews
Interview with Missy Suicide
Suicide Girls have always had an out of the box approach to every facet they touch. This years Black Heart Burlesqueshow is celebrating its fifth year of touring and is making its way currently across the United States. The show features several numbers which span the themes of horror and comics, to movies and popular tv shows, with everything else imaginable in between. Suicide Girls has always been proud to promote body acceptance, and overall to be happy to be yourself, because everyone is unique. I was able to speak with Suicide Girls cofounder Selena Mooney also known as Missy Suicide, to learn more about Black Heart Burlesque and Suicide Girls.
GA: Thank you for allowing me to interview you. You are the co-founder of Suicide Girls and oversee many of the daily activities of SG. It’s been 17 years since the inception of Suicide Girls, looking back, could you tell me a little bit about how SG came to be?
MS: Suicide Girls was formed to show the confidence a person can have. So much of our society and world is advertising and corporations across all forms of media, that could make people feel insecure about their bodies. So, I wanted to create a place where we could love our bodies and ourselves and feel appreciative towards them.
GA: Suicide Girls is seen as an all-inclusive group that sheds a positive outlook of beauty on to women who challenge what the standard definition of what beauty is. Now it appears this shift has occurred somewhat in society, as tattoos and piercings are becoming more of a social norm. What do you think the next evolution of standing out is, in a beauty sense? By this I mean if everyone was to do the same trends, these things would cease to be unique.
MS: I feel like appreciating our own unique style as opposed to trying to emulate others is the next cultural evolution in standing out. I feel like tattoos are meant to reflect what is going on inside our bodies, onto the outside of our bodies, in ways of marking a time, or marking something that has happened to us. I feel that in that same sense, while tattooing is more popular, every person is uniquely tattooed. While tattoos are accepted more now, it is a way that our society is telling their own story. Society is now accepting that we each tell our own story through our bodies. Every tattoo means something, from the smiley face you got on your bum when you were drunk with your friends, reminding you of that time in your life; to a memorial tattoo, I have a tattoo of my grandmother. I feel like each tattoo means something, even the silly ones.
GA: The Black Heart Burlesque show is now in its 5th year of touring, which has many choreographed themes that span from science fiction, to horror, to comics and beyond, who picks these themes for the show?
MS: We have an ongoing list, close to 300 at this point, of themes or ideas that people think would be interesting. Lyric, who is our creative director will sit down with me, and we go through the list and try to pair up songs with the themes. She will take the songs we have paired up, and turn it into a performance routine for the show. It is a bit of a collaborative effort.
GA: How many women do you have working the Burlesque show this year?
MS: There are six dancers, and four support staff, who are all Suicide Girls on tour.
GA: What can people expect on this year’s Black Heart Burlesque tour? More attractions or any stand out Numbers?
MS: I am super excited about the Deadpool number we are doing this year. We have also reinvented our Westworld number which is very exciting. There are a lot of new numbers and exciting new takes on this tour. Even if you have attended the show in the past, I recommend coming back for this year, as things have changed and it is pretty special.
GA: What is one thing you would like aspiring models to know before approaching SG? Any tips or experience they should seek out prior to trying to join?
MS: I feel like with the process of joining the site, you don’t have to be a certain thing before joining the site. I think you should just be yourself and have the confidence to be yourself.
GA: SG has been involved in many facets of media, from movies to your live show, and even with the SG website, books, apparel, and a thriving social media interest, are there any places you are hoping to expand into or even further with, in the future for the SG brand?
MS: We did a comic book series about three or four years ago, I am hoping that we can get a comic book reboot this year. We also have another movie we are working on. I also would like to have a tour throughout Europe this year. There is so much to expand into, with the way Suicide Girls continues to grow.
GA: SG incorporates models throughout the world, and the Burlesque show is expanding every year with touring. With that much exposure, how does SG continue to produce a tasteful and entertaining product while expanding into areas that may not be accepting to your style (because of social or moral consciousness)? There had to of been some resistance in the beginning when trying to push out into certain markets or am I wrong to assume this?
MS: We have been around for seventeen years, and this year I feel like people are starting to embrace the message we have been sending out. We have stayed true to our original message since the beginning: that women’s bodies should be something that we are proud of, not something we are embarrassed or ashamed of, or insecure about. Also, that everybody is uniquely beautiful, and that they should be proud of the things that make them unique.
GA: That is a strong message to have, I have several friends that are involved with the website and it makes them happy. They are happy to be involved, and it has brought them out of their shell by making them feel more accepting of their bodies.
MS: It is remarkable to see someone on their journey. Advertising only works because it’s aim is to make us feel insecure about something in our lives. They want us to buy their products to make ourselves feel good. So, we are constantly imbedded with these messages that there is something that we must fix with ourselves or our lives, that we are not good enough. So, I think Suicide Girls is a bit of an antidote to that. We try to tell the girls that they are beautiful the way they are;that their ideas and minds are just as interesting and beautiful, as much as their bodies, which they should be proud of. To know what they are, and who they are. I think that if everyone in the world could feel that little bit of encouragement through their day, the world would be a better place.
GA: It seems like you have an all-inclusive home there with Suicide Girls. What would you want people who may be new to SG/Blackheart Burlesque show, to know or take from experiencing one of the shows?
MS: I hope that they take away from the website, or the show; that it is ok to be yourself. That they should be proud of who they are. Going to a show can be an experience that can literally change your life. Sunni, who hosted the show for several years, she started out as an audience member. She came to the show and was called up onstage during the dance portion of the show. She loved the energy and excitement of the show so much. She was working a government job in New York and was really close on giving up on her dreams. She has now travelled the world with us, and is an exceptionally talented singer, and is now pursuing her dreams as a performer. There is also an audience member from Oklahoma, who had come to a show, and they met a girl at the show and fell in love with her. He purposed to her at this year’s show. So, you never know what is going to happen.
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Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
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Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
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