Interviews
Interview with Moon Tooth

Long Island natives have had quite a ride over the last few years. My first introduction to their music was after Tim Howley of Fit for an Autopsy, posted the video for ‘Igneous.’ The first guitar riff got me hooked, the band took elements of Metal, Prog, playing technique, and fused them with Rock to put together something original sounding. The band released earlier this year Crux, a follow up to 2016’s Chromoparagon. Crux is a polished and more refined Moon Tooth, the songs still have that hard rock edge but seem to of had more attention in the approach than the previous album. I was able to speak with Nick Lee, and Ray Marte to learn more about the band.

GA: Can you tell me how the band started?
RM: To go back in history, Nick and I were in a bandExemption, back in middle school. We had a small career; did some tours and after that, the band broke up. The singer left to pursue other musical endeavors. We started Moon Tooth right after that, that was late 2012. We met John and Vin early on, we knew John for a while but never had a chance to play with him. Vin was playing in another band during the 2008/2009 era and we met him through that. Vin’s first show ever was when we were opening for the Misfits and he saw us. Ever since then, he had to meet us, and play with us. Eventually that came to fruition which is cool.
NL: John also played drums in a band I was in (prior to Moon Tooth), and he gave me a solo ep of him singing, which I didn’t know he could sing. It had these layered vocals, and it was well done; I was blown away. He was coming to our old band’s shows, and when that broke up, he was the first person to hit me up. He was like, ‘I know you are going to want to take your time with looking for someone, but I am your guy.’
GA: The band recently released Crux the follow up to Chromaparagon, what was the process like writing this album?
NM: The writing process for Chromoparagon was a lot of Nick and I in the beginning trying to get guitar and drums together. We would write parts here and there, and jam on them. We already had some songs written, then everyone else joined, then tried to piece things together where they would fit. At the time we were impatient to get a full record out, because we already had the Freaks ep out. We started recording music before it was completed and able to be performed in a room.
Crux is the opposite of that, where we did a lot of work together in the jam room. Songs were pieced together beforehand, put together as whole before the recording process. We did a lot of demoes and restructured things around vocals, which is something we didn’t do for Chromoparagon. We basically just wrote crazy music, then gave it to John for him to fit vocals in. Crux is a bit more vocal centric, and we put in more work on the songwriting for this album. We worked with Machine and Mark Morton for production. We already had that mindset before working with them.
GA: The band is known for throwing in several elements of music into your songs, from rock to metal to even prog. When writing for a song, do you have a road map of where you want to go when writing or is it more about the feel?

NL: It can go either way. We usually start off writing riffs, sometimes that riff will develop into a song quickly, or I will give that part to John to get a vocal melody which will help shape where we go from there. Sometimes the music is just there, and John will write to it, other times we are piecing things together. That is what has been happening more over the recent years. I have found it is more fun to piece things together, rather than be like my music, ray’s music, everyone has their own distinct music. Our music is becoming more of a group effort from the ground up, then saying hey I have this song put your parts on it. We ask more questions now, like what do you want here, or how long should we do this before the chords change. Even for John, we can say things like, I love these lines you wrote but what if the last line did this instead? We became very open to each other’s creative criticism. I think this makes everyone happy; instead of it being one guy does the lion’s share of the writing, and everyone else can kind of do a bit. Those kinds of bands tend to go through multiple lineup changes. At a certain point if you are not having fun and don’t get to express yourself; you got to dig down for a reason to stay, especiallysince we don’t make a lot of money doing this.
RM: The whole point is to get what you think is in your soul out to the world.
GA: The band also has a knack for balancing aggression and emotion, when you write how do you find this balance? Is it something that comes naturally or is there someone in the band who is like hey we must ring that back a bit or push harder here? How does that work for you all?

RM: I think it comes naturally for us. Everyone in this band likes the juxtaposition of heavy and beautiful together in our songwriting. We play a lot of with the dynamics, but never go to far one way or the other.
NL: I look at it like this: when you listen to old Sabbath records, there is always one or two songs that Tony will do this cool instrumental. I remember sometimes those songs would become my favorite songs on the record. It would be that one weird clean song on an otherwise heavy record. Mastodon is a big influence on me, they kind of took from Neurosis, that clean but heavy writing style. Emotion wise it is very heavy, but guitar tone wise it is just clean guitar. You can make an acoustic guitar sound heavy in that style of writing.
GA: One of my favorite songs off the album is ‘Through Ash’, it has a very prog feel to it with a bit of an 80’s metal feel to me, the song just flows throughout. What would you say is your favorite song off the album to perform?

RM: For me it would be the song ‘Trust.’
NL: For me this is a hard one, I have had a lot of fun playing ‘Rhythm and Roar’ lately. We have been fitting it into our set more. It is one of our more rock songs, and I love playing the solo in it. I also have to say the title song ‘Crux’ has been a challenge. I go from super quiet finger picking to aggressive playing along with the scream at the end of the song; I got topull it off every night. We have been closing with it every night, so after an hour set it makes it challenging. It is a song that I look forward to playing during the set, but it is also the most intimidating as well. When you play slow and quiet, if you make a mistake it is very noticeable, as opposed to playing distorted heavy guitar where if you hit an off note it can sometimes be hidden in the mix,
GA: I first heard about the band through Tim of Fit for an Autopsy, which you also toured with, can you tell me more about how that relationship began with FFAA?
RM: We have known Tim for a very long time.
NL: We met him when were fifteen. He is from Long Island where we are from. He had a metal band before FFAA at the same time as our former band, so we did a lot of shows together. This was the old Myspace days, of house parties and DIY shows. We stayed close this whole time, also Joe their singer, is from Long Island as well. When Tim joined FFAA we were all very excited for him. It has been amazing to watch how far they have come. They took a heavy style of music and are doing some serious shit with it. Traveling the world and playing with some very notable bands.
RM: We are making a pastime of smelling their old unshowered butts. We have their old van.
NL: We got the offer for that tour, Fit for An Autopsy and Tombs, which is a heavy tour for us. We can get heavy, but it is not the same crowd. I was super excited for the challenge of that. To be like we are kind of the weirdos opening the show, we wanted to see how many people we could convert by the end of the show.
RM: We were ready for people to not accept us. Maybe I was, I was prepared for people to not dig it at all.
GA: Those are the types of shows I enjoy. It is refreshing to see a band play on a bill where they may not actually fit with the other acts.
RM: I feel that people tend to like shows that are more diverse in their line ups. I don’t want to see five death metal bands in a row, mix it up; throw in a grind band, or a thrash band. Those usually make for the best shows.
GA: What equipment are you using for your live set up, if you have any endorsements please mention.

RM: I have an endorsement through Sabian cymbals. I play with Vic Firth sticks. I also use Remo, and Acrylic Drums.
NL: I use Vigier Guitars, I have been with them a couple of years now. I also use Ernie Ball strings, and Empress Effects, I have a huge board with a bunch of effects. I also use Electro – Harmonix. I use the Freidman overdrive through an old 1974 Hiwatt DR103. Fryette just lent me an attenuator, the Powerstation 2, which is my newest toy. For years I have been to loud on stage, because it is an all tube head, so working with Fryette they lent me the attenuator. This is the first tour with it. It is making playing fun because sometimes I use it to make myself sound even louder. It sweetens up the saturation in a way that sounds really cool. I am still dialing it in. When we were out with Animals as Leaders, you would think you would want to be louder for a bigger room, nope. The sound guys were like let the PA do the work. Now I can turn down my volume without sacrificing the tone.
RM: Our bassist is with Spector Basses, Ernie Ball strings, and he is using an Aguilar Tone Hammer for his amp.
GA: So, what was your inspiration for learning how to play music, what got you into wanting to play instruments?
RM: My parents were very musical. My mom played guitar and piano, my dad and sister also played guitar. When I was younger, I wanted to be able to jam with my sister, and there were enough guitar players in the house. I picked up the guitar a little bit, but mostly started on drums when I was about 8 years old. I started dabbling with guitar and bass when I was around 14, but mainly stuck with drums. My early influences were Weird Al, Led Zeppelin, Pantera, System of a Down, Slayer and many more.
NL: My direct family didn’t play music, but a bunch of their friends played in cover bands. So, I was always around music when I was young. When I was 6, I heard ‘Enter Sandman’, and was obsessed with metal ever since. I asked for a guitar, and my parents were very into it, they have been very supportive. I remember trying to choose another instrument in school, in 4thgrade and my mom was like, ‘nope you stick with guitar.’ At the time I didn’t understand because all the other kids were picking instruments to learn.
RM: She was like ‘don’t be a loser, fuck trombone’.
NL: She pushed me to practice and I got really into metal. I got into all the classics at first then, worked myself to a point where I was trying to find the most extreme and grossest thing I can find. Then I went the other direction, getting into The Allman Brothers Band, The Beatles, Bob Dylan and Jeff Buckley, everything but metal. I just circle through all of it now.
GA: What is next for Moon Tooth after this show?

RM: We have Chicago tomorrow; we are in the middle of the Light the Torch run which is spread out different kind of tour. Where we are doing a few dates with them, then go off on our own and do a few head liner shows, then link back up with them. After that we will be writing again. We are always trying to come up with new music when we can. We are also going to get some touring plans set up for the fall.
NL: We haven’t gotten the packages together yet for fall, but we are hoping to get back out to the west coast and possibly head to Europe for the first time.
GA: If someone was to want to follow the band online or purchase merch where can they find the band and your merch store?
NL: Moontooth.org, which will direct you to our Bandcamp and you can get merch through there. We are on all the major social media platforms; Facebook, Instagram, Twitter etc. Our music is available on Spotify and Apple Music.
RM: We still do everything by hand, so when you order something; it is the band members packaging the items and shipping them to you.
GA: Anything else you would like to add?
NL: Come on out to a show, the music is better live.
For all things Moon Tooth related please visit Moontooth.org
About Author
Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

About Author
Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
About Author
Empire Interviews
Resistor Interview
Interview with Peter Smith, drummer for Resistor
Live photos by: Ron S. of Empire Extreme
Band promo photo credit: Sean Raynor

Long Island’s Resistor have never been content to simply exist within genre lines—they’d rather bulldoze them entirely. The self-described purveyors of “knuckle dragging wika wika core” are poised to unleash their full-length debut BITE THIS on March 27 via Paid Vacation, and if the advance copies circulating are any indication, the 29-minute assault is exactly the kind of no-skip, leave-them-wanting-more experience the quintet has been perfecting since their 2023 So It Begins EP. Built from the ground up with producer Randy LeBoeuf (Kublai Khan TX, The Acacia Strain) and featuring the turntable wizardry of Manhattan’s own Anthony Arce, the album channels the cocky swagger of nu-metal’s heyday through a hardcore filter that’s equal parts brutal and self-aware—a balance that’s become the band’s signature.
Empire Extreme recently caught up with drummer Pete Smith ahead of the album’s release and the band’s upcoming Northeast run with Filth, including a April 30 stop at Pittsburgh’s Preserving Underground. Over the course of the conversation, Smith dove into the story behind the album’s striking clay sculpture artwork, the reality of playing the Gathering of the Juggalos, why cassettes hold a special place in his heart, and how a wrestling ring full of real blood became the setting for one of the band’s most memorable music videos. He also addressed the obvious elephant in the room: whether those Islander jerseys are going to cause problems when the band hits Penguin and Steeler territory.

Empire Extreme – First off to jump right into it. The new album is coming out March 27, and my first question has to be, what is the album artwork?
Pete – Long story short, we’ve been following this theme with our last couple of records. We started with our EPs, so it all began a couple of years ago. We found this cool clown design that just resonated with us. For the last couple of records, we’ve been doing different versions of this clown. For this last one we found a random clown sculpture on Instagram by a local artist. We all saw it, and we fell in love. It’s so cool, it’s off-putting, but like in the best way. We all like it and fit with the music, so we hit the guy up. Initially it wasn’t available, then came to find out he likes our music, and he’s already a fan. Then he was like, “Yeah, you guys can just totally use the artwork” He was super stoked about it. So yeah, it makes a fun story.
Empire Extreme – That’s awesome, I was going to ask you about who the artist was. Can you give us his name, and give him some props?
Pete – Yeah, I believe on Instagram it’s Clay for Brains. His name is Tim. He makes these really cool clay sculptures.
Empire Extreme – Oh, so it’s like a three-dimensional kind of art?
Pete – Yeah, it’s a real sculpture. Our singer [Anthony Grambo] does a lot of graphic design work, so he took the sculpture and made into it what it is on the record.
Empire Extreme – That’s awesome that you are hands-on with that, and plus you got a local guy.

Empire Extreme – Speaking local, you guys are from New York, whereabouts?
Pete – Yeah, so we’re pretty much all based on Long Island, New York, but our DJ [Anthony Arce] lives in Manhattan. We’re all from more western Long Island, and you know. We definitely claim New York. You’ll see us wearing New York stuff, pretty much everywhere you see us. We’re not shy about it, but yeah, Long Island boys for sure.
Empire Extreme – As you know Empire is based in Pittsburgh, and I’ve seen a couple photos of you guys wearing an Islander’s jersey. That’s just not going to go well when the tour hits Pittsburgh. This is deep Penguin and Steelers territory. LOL!
Pete – You know, good thing our singer is not here. He would have a lot of things to say about the Islander’s. For me, it’s the Mets.
Empire Extreme – How about the Jets? We stole Aaron Rodgers now, so…
Pete – Oh, God. Yeah, honestly, my whole family is Jets fans, I haven’t paid attention to football for a long time. It’s very hard as a Jets fan, so you don’t want to pay attention. It’s pretty depressing.

Empire Extreme – All right, back to music stuff. You guys are doing a handful of shows with Filth. Resistor has done some shows with them before, but you seem like kind of buddies. How did that all develop, and are you looking forward to this next handful of shows with them?
Pete – We are all super excited about these shows. We met the guys in Filth. I believe it was summer 2024. That was when we were first gaining any bit of traction. We had finally released our new EP. We were really stoked when we got the first offer with them and it was like an instant connection. We became great friends, and since then, it’s history.
This is going to be our third run together, and this one might be the best one. It has so many good bands on it, a lot of good shows. It’s going to be really awesome.
Empire Extreme – Filth has been one of my favorites in the last couple years. Resistor kind of came onto my radar because of them, plus you were all over my socials. I think it was because of Filth or whatever, but yeah.
Pete – On our second tour together, I actually filled in with Filth on drums, so there’s a bit of it. We’re connected in more ways than one, for sure.


Empire Extreme – Well, your singer, Grambo is a big Limp Bizkit fan. With Filth redoing “Rolling”, is there any chance that you might knock out some type of collaboration or do something silly live?
Pete – We’ve always thrown up the idea of doing some kind of collab, but I’ll leave it at that. I won’t spoil it if we will or we won’t. If it happens, if it happens.
Empire Extreme – All right. Please explain “knuckle dragging wika wika core”.
Pete – “Knuckle dragging wika wika core” at its core, no pun intended is the best way that we can describe what we do. We feel like we’re doing something familiar, but it’s also something that is hard to place into a specific genre because we feel like it can kind of fall under a couple of things. So, we’re like, we got to start thinking of our own thing to call it. And what we landed on was “knuckle dragging wika wika core”. It’s just about crazy, heavy riffs. You know, stuff that makes you want to drag your knuckles across the ground and then you hear the wika, wika, wika, in the background. So, we just put them together.
Empire Extreme – When I first saw that, I just kind of laughed inside. I was like, that nails it right there.
Pete – Yeah, exactly. You know, we’re like, while we are super heavy, with a the “fuck you” [attitude] we also try to be a little goofy and self-aware of where we are. And we’re not taking ourselves too seriously. We are having fun.

Empire Extreme – Can you tell us about working with Randy LeBoeuf (Acacia Stain, Misery Signals, Counterparts, Thy Art is Murder, Every Time I Die, Unity TX, Kublai Khan TX)?
Pete – Randy, I cannot say enough positive things about him? Because he truly is like one of the best at what he does. But yeah, we went to the studio around mid-August last year. And I think up until November, we were writing and recording. We did have a month-long tour in between. But otherwise, we were literally at the studio writing, recording, almost the whole second half of last year. We feel like once it comes out, this record is really going to let people see why we’re taking so long.
Empire Extreme – We got an advance copy here at Empire and I have listened to it probably, I don’t know maybe 10 or 12 times. Just the heaviness of the whole album and it has that groove and a real hip-hop sensibility to it.
Pete – That’s awesome. Do you have a favorite song by any chance? Not to you on the spot first. The one that sticks out to you.
Empire Extreme – I don’t know the names off the top of my head. They all kind of still blend together in my head. But obviously the two singles you put out the videos for. I mean, both of those are slammin’.
Pete – I’m only asking because we are at a weird point where the album’s coming out in two weeks and obviously, we’re going to start playing live and we’re going to start releasing more music videos. So, I just wanted to kind-of get a vibe of what people are enjoying right off the bat.
Empire Extreme – I know exactly what you mean. Let me say this, you know, people say back in the day it used to be albums. How it is now with singles and streaming. We would listen to the whole album without skipping a single track.
Pete – Exactly. That was our main goal with this for sure. We wanted a no skip album. You know, a full listening experience.
Empire Extreme – Yes, it is. Plus, with the entire album clocking in at 29 or 30 minutes long? It’s like, oh, it’s over already.
Pete – Exactly. That’s another thing that we always preached that you never want to overstay your welcome. When it comes to live sets, but also with albums too. We very much want to leave them wanting more. You don’t want to get to the end of an album or a live set and be like, all right, we’ll I wish they were done 10 minutes ago. So, yeah, that’s like our number one thing. We always want to leave people wanting more. That’s a big thing for us.
Empire Extreme – I’ve been in lots of different bands in my life and that was always one of my things. Leave them wanting more because then they’re going to buy the CD, then they’re going to check us out online and even come to another show. We didn’t want to go there and play for an hour and bore them after half an hour.
Pete – I can’t tell you how many bands I’ve watched for the first 20 minutes of the show. Like, this is awesome. I’m so stoked. Even though it could be my favorite band on the planet, I’m watching it for 20, 30 minutes. This is awesome. This rules. And then, you know, minute by minute, you start to feel like, ah, I just wanna go home, this going to go all night.
Empire Extreme – Yeah, you’re looking at your phone and your watch.
Pete – Yes, exactly. I’ve got to speak about it from a showgoer’s perspective or a listener’s perspective, you know? Yeah, that’s a thing that is important to us.

Empire Extreme – You mentioned the videos. Currently there’s the “Dead Soul” and “Petty Fuck” videos. You kind of mentioned there’s more in the works. What’s the story?
Pete – Yeah, I won’t spoil what song it’s for. We did just shoot a video yesterday. That should be coming out the day of the record. It’s going to be really cool. It’s a really funny video. It’s not like the ones we’ve done before. It’s pretty much all a story. It’s very juicy. It’s so ridiculous that you’ll laugh when you see it. It’s not like any video you’ve ever seen before. I can promise you that.
Empire Extreme – I’m looking forward to it.

You guys played the Gathering of the Juggalos this past summer. I’m very familiar with the Juggalo family and have been involved with Psychopathic off and on over the year. It can be intimidating going in knowing that some bands get up there and they are pelted with bottles and booed off stage.
Pete – I want to be as positive as possible, but I’m not going to lie. It wasn’t a great experience. It’s one of those things where I’m happy, we did it. I’m glad to say that we did it. The community, we love the community. The people that were there to see us were super stoked. We love the community and the fans. The time was just weird. We just had to play early, and we also were in the middle of the studio. So, we had to drive from New York to Ohio for one day at a festival and then we drove right back. And things just didn’t line up for us.
Empire Extreme – So it was more of a logistics thing?
Pete – Yeah, I don’t want to say it was a totally bad experience. Just walking around the festival was crazy. You know what I mean? It is certainly site to see. It was a lot of fun. Everybody there was super cool and super nice. I love all the fans. Everyone who we talked to were the coolest people ever. I highly recommend that if you could go you should go once in your life. I would recommend going because it’s so ridiculous. It’s awesome.
Empire Extreme – That moment you walk in the gates of the Gathering. You’re just like, Oh my.
Pete – You know, it’s unlike anything you could truly do on the planet. So, in that sense, it rules. Our guitar player [Anthony Conti] did a Faygo launch competition, which is pretty funny. That probably was the highlight for me. I wish I could say it was like the best thing ever. And there were 5,000 people watching us, but yeah, we can’t win them all.
Empire Extreme – Well, the way they have it set up with the multiple stages and some of them are playing at four o’clock in the morning or whatever.
Pete – That’s the thing. The stage that we played was the second stage out of three. We thought it was like it’s like this big stage near everybody. It was a pretty big stage, but the problem is it’s not near anybody or anything. It was a 10-minute walk away from the main stage and then down a huge hill. If you weren’t near the hill, you couldn’t even see the stage at all. So, no one even knew where we were playing.
Empire Extreme – How was the load into that stage?
Pete – Surprisingly that was the easiest part. I think the only real issue was how early we had to play. Our set time was around four o’clock. We were like “Oh, that’s perfect.” We are right in the middle of day, everyone’s going to be like hanging out. But I think the reality is with the Gathering people aren’t really getting active until a bit later, you know what I mean? It takes until six or seven o’clock and then people start to come out and party. We realized that after the fact, but you know, you live and learn.
That’s why I said it’s like a lot of, a lot of little things. But overall, it was a fun experience, something I’m glad that we did for sure. We just had a couple little of hiccups.

Empire Extreme – To rewind back to the album, I forgot to ask you about the blue vinyl version coming out.
Pete – Yeah, this is our first time doing a vinyl for a full record. We have vinyl up for pre-order now on our website; weareresistor.com. If anyone wants a pre-order vinyl, we got them there. It’s a pretty short run. I think it’s only 300 copies. Once they’re gone, they’re gone. And we will also have them on tour too.
If anyone sees us in person, we’ll have tour vinyls as well.
Empire Extreme – You guys have a date here in Pittsburgh, I think it’s at the end of April or something like that? (Thursday, April 30 at Preserving Underground with Filth, Monochromatic Black, and Inferious)
Pete – Yeah. We’re hitting the Northeast towards the end of the month.
Empire Extreme – What does this band mean to you? I mean, is it a release or therapy, an escape, or a way to pick up chicks or an attempt to get rich?
Pete – Well, I would say if getting rich was my main priority I would have been out of this a long, long time ago. The real reason I’m here is just to make really, really cool music.
My parents are musicians. They’re lifelong musicians. So, it’s something I felt that I was meant to do from a very young age. It’s literally in my blood. My dad is a drummer and my mom’s a singer. That happens to be the two things that I do. You know, it’s a predictable path I went down. I wouldn’t have it any other way.
Empire Extreme – Did you start out playing drums when you were a kid or did you start out on another instrument?
Pete – My first real instrument was upright bass. I played that all through elementary, middle, and high school. I played drums here and there as a kid, but I didn’t really have a passion for it. Until maybe when I was starting high school. I joined the band. Well, the original reason was because of this girl. I guess you could say that. It was like she was in the band, and I liked her, so I started playing drums more, and then it all went from there.
Empire Extreme – That’s funny and cool. So, who was your drum idol?
Pete – That’s a tough one. I have a few of them. Do you know the band called Periphery?
Empire Extreme – Yeah, I’m familiar with them.
Pete – Their drummer, his name is Matt Halpern. He was a big, big inspiration. I mean, just his style of playing. It’s a very progressive, very smooth style, very loose, and a lot of ghost notes and cymbals. You know cool little flourishes here and there. I really love that. And the obvious one Joey Jordison of Slipknot. They are one of my favorite bands of all time and hearing his drumming in the band. He had some of the first crazy drumming I’ve heard in my life. That’s an easy one. So, yeah, those two would be the ones if I had to [give] credit to me starting
Empire Extreme – Those are two very prolific drummers. You mentioned Slipknot, and I can hear some of that influence in the new album. The Slipknot rhythm kind of thing. I have it right here in my notes. Limp Bizkit mixed with Slipknot and some punk rock and some newer bands too.
Pete – Yeah, I kind of bring a modern style mixed with some old school style, you know what I mean?
Empire Extreme – Yeah, not to say that it’s all over the place, but it’s pulling from lots of different areas.
Pete – For what it’s worth, it is kind of is all over the place, but in a good way. We wanted it to be a little all over the place. We wanted to be something that, while it’s familiar, it’s something that people haven’t heard before.

Empire Extreme – I have kind of a handful of oddball weird questions, and you can answer them as you like.
Pete – Yeah, sure.
Empire Extreme – When you guys are driving in the van from show to show, who controls the music in the vehicle?
Pete – My personal rule is whoever is driving. When I’m driving, I will not break that rule. Otherwise, it depends on who’s driving. Some of the people in the van are more anal about their music being played. For me I won’t have it any other way. I gotta focus, you know what I mean? I need to have my own music or a podcast or something like that to keep me focused on the road, you know.
Empire Extreme – OK next one. Are you prepared for a zombie apocalypse or AI becoming aware? And is there a difference between the two?
Pete – I think I would take a zombie apocalypse over AI to be honest. But I think the second one is unfortunately way more likely one that happens. I’m probably not prepared for that. I don’t think any of us are. I think I’m probably completely fucked when that drops. At least with AI, I’m kind of already mentally prepared for that one.


Empire Extreme – Here is another silly one. If a cartoon character was to join Resistor, what cartoon character would it be?
Pete – Oh, that’s, a really good question. Mm-hmm. Maybe Beavis and Butt-Head, well one of those two.
Empire Extreme – That’s a great answer.
Pete – I feel like they would like sitting in our van, I feel like it would work. You know? The conversations are all over the place.
Empire Extreme – They’d fit right in, is what you’re saying?
Pete – Yeah, exactly.

Empire Extreme – Here’s another stupid one. Every time you walk into a room and a song plays, what would that song be?
Pete – It’s probably The Rock theme song. That is completely it. Or something really goofy or cheesy. I can’t take myself too seriously, to be honest, something along those lines.
Empire Extreme – You mentioned The Rock. One of my questions that I kind of skipped over was I’ve seen several of your social media posts and whoever is responding from your band has used wrestler memes several times. There was Stone Cold one and a Rock one. So, are you guys wrestling fans and who, what, why, where?
Pete – I would say our singer. He was the most into it out of any of us. I know he was into the old-school early 2000s era. We have a Resistor 3:16 shirt, like the classic Stone Cold shirt. I don’t know if you’ve seen the Come Mierda video, but we literally did it inside a wrestling ring with the real wrestlers. They were just beating the shit out of each other while we’re playing. There is a scene where one of the guys breaks a full light tube over to the other guy’s head and there’s blood everywhere. It’s all real. Nothing was faked. Its all real blood. We had to tarp off the whole thing, it was ridiculous, but a lot of fun. It is my favorite music video we have shot. The actual act of shooting it was so fun because we had a bunch of people literally pretending it was an actual wrestling event. The wrestlers had to do their walk-ins while we were playing and beat the shit out of each other. I also didn’t realize how bouncy a wrestling ring is. When you’re trying to play drums, you bounce and it is all over the place while smashing each other on the floor. It’s no wonder they are jumping from 10 feet off the ground. Makes sense. It was literally like going into a bounce house, but it had a metal floor.
Empire Extreme – I got a couple more stupid ones here. Have you ever gone to spring break?
Pete – No no. I’m not a party person. I’m very much more of a sit at home and play video games guy.
Empire Extreme – Last one, and I’ll get out of here and let you get back to your life. What is your preference. Vinyl, cassette, CDs, 8-tracks, download, stream?
Pete – Okay, so for obvious convenience’s sake streaming is great. But I don’t think it’s the best way to listen to music by any means. Nor do I think it’s good for artists, you know, Spotify and all that. You know the problems in the streaming industry. But honestly, I would love to go back to more cassettes. There’s a certain nostalgia that comes with listening to a tape. Listening to a CD still feels modern. But there is just something I like about it. I remember riding around in the car with my dad as a kid, and he’d always listen to cassettes, and he’d put me onto different bands. He had Rage Against The Machine tapes, and all these different bands. So, I think cassettes would probably be my number one, just for nostalgia purposes.
Empire Extreme – With the cassettes it kind of forces you to listen to the whole album. Skipping was kinda difficult trying to figure out where the next song starts.
Pete – Yeah, exactly. And similar, at least with vinyl you can lift it, but you’re more encouraged to listen to it from front to back, rather than just skipping through.
Empire Extreme – To wrap up is there anything you want to add? Any self-promotion?
Pete – Well, I’ll just end it by shouting out the band.
WeAreResistor on all platforms. Our new album, Bite This, drops on March 27, which I believe is less than two weeks away now, so that’s pretty crazy. But yeah, we’re streaming on all the platforms. We’ve got pre-orders on our website, weareresistor.com.
Empire Extreme – Awesome, great. Thank you for your time. Hopefully I get to check you guys out when you come through Pittsburgh here next month.
Pete – Yeah, I’m so looking forward to it.
Resistor is:
Anthony Grambo [vocals]
Anthony Conti [guitar]
Ian Schneider [bass]
Anthony Arce [turntables]
Peter Smith [drums]

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