Interviews
Interview with Rob Brown of Slaughter to Prevail

Slaughter to Prevail are known as one of the hardest hitting bands in deathcore today. Vocalist Alex Terrible has an original style of vocals which cuts through the sea of bands in this genre. The band has seen its ups and downs over the last few years with member changes and difficulty traveling to America due to an international travel ban. During that time the band began a restructuring phase as guitarist Jared Delgado and drummer Anton Poddyachy left the band. STP returned to the states late last year and recruited drummer Evgeny Nivikov and guitarist Rob Brown (former So This is Suffering guitarist) to join the band. Slaughter to Prevail is out on the road currently supporting Chelsea Grin as part of the Eternal Nightmare North American Tour, alongside Enterprise Earth, Traitors and Bodysnatcher. I was fortunate enough to speak with guitarist Rob Brown, to learn more about how he came to join the band and his position with Slaughter to Prevail.
GA: Last time we spoke you were in So This Is Suffering, Then I saw you during the Whitechapel tour where it was announced you would be a full-time member of STP. How were you approached about the gig, or was this something you inquired about?
RB: I was on tour with, So This is Suffering when the Jack Simmons, guitar player for Slaughter to Prevail friended me on Facebook. When I seen it, I thought it was a little weird and wondered why he added me. Most of the time with the metal community, you don’t see a bigger band adding someone from a smaller band to their friends to often, it is usually the other way around. I clicked accept and didn’t think to much more into it, even though we have never conversed before. During the tour I saw his name pop up in my messenger, and at first, I didn’t read his message and I just left it unread for 2 days. I finally got some down time and went through my messages and I clicked his message. In the message he said he had an opportunity for me, and I immediately was like, ‘shit I should have read this days ago.’ I messaged him back, and he told me about the upcoming STP/ Whitechapel tour and asked if I wanted to be apart of it. I told him, ‘hell yea I will do it.’ He asked for some video of my playing, so I immediately went into the back room and recorded some parts to send over to him. From there we continued talking, and that is when Alex and I started talking.

GA: When you first were approached by the band, was there anything that surprised you when joining or you weren’t expecting when joining the band?
RB: No not really, one thing everyone was asking me is; ‘The band is primarily from Russia isn’t that going to be weird, like how is that going to work out?’ I’ll be honest with me being a black dude, a lot of people were wondering how this was going to work out. It was fine, when we first met it was our first show together. We never practiced together before, or even had time to rehearse prior to playing. So that first show we all met up to play together, it was packed, and everyone was just sweating bullets. We all went out there and just killed it. As far as weird things with the band, no I can’t say anything honestly. There are no weird quirks, no one is a dick anyone, it’s a cool environment. The only thing we may disagree on is our gear and sound, like the sound is not right, but we are not sitting there talking shit to each other.
GA: Now with you in the band what is the music writing dynamic like? By this I mean do you speak with Jack Simmons and how does that work.
RB: Jack does much of the song writing for Slaughter to Prevail, I do have a say with throwing in an idea to see how it fits. I showed Alex a video of some riffs I had, but the new album is already completed. The next album there is a possibility I will have more input on. This is their band and I am here to help; I am not expecting to come in and take over. I don’t want to come in and run the band, I’d rather come in and can throw in some ideas here and there. Now with the internet it is easy to share files back and forth, it makes it easy to learn the new material.
GA: I seen Alex threw a sample of a new Slaughter song on his IG account a few weeks ago, can you tell me anything about the new album?

RB: To me for what I have heard of the new songs, there is a little bit of a Slipknot influence. It sounds sick, it is not what many would think though. Many that try to do the nu-metal sound are only trying to do just that. They come out and say the next album is going to be nu-metal, then they just completely rip off Korn. The new album will still sound like deathcore Slaughter to Prevail, but there are some cool nu-metal elements mixed in. It sounds cool, and I think it will make the band bigger, with the expansion of our music stylings.
GA: Since the last time I spoke with you there has been a lot of changes with your gear and sponsors, would like to tell me more about what you are now using?
RB: I have been Legator Guitars now for two years going on three. During the Whitechapel tour the owner of Ladder Cabinets contacted me. He said that he wanted me to use his cabinets on the tour, and he brought them to our show in Ohio. I also am in with Fortin, the guys that did the Meshuggah stuff. I am using Fishman pickups, Ken (Susi) is a cool guy. I also have a tattoo sponsorship, and I am sure Alex does too. We are always trying to get tattooed as much as we can.
GA: I also seen you are offering lessons online, how did you start learning the guitar, and what lead you to wanting to teach?

RB: With learning the guitar, I started out learning Green Day songs. I started out when I was a kid. Back then, I would say this much; there was a huge cultural barrier in the late 90’s and early 2000’s. If you were a black dude, you did not get into metal. That is stuff that you would get made fun of back then, or even vice versa because now there are an abundance of white rappers. Now it doesn’t matter but back then, playing guitar and getting into metal was an interesting journey. Even my own dad roasted me about it, saying things like: “you’re not going to take this seriously, guitar that’s weird.” As it progressed, the more seriousI became. The first thing I learned was power chords, and I thought this sounds cool. Next thing that I know, it developed into playing The Faceless. I jumped from punk rock, to classic rock, to everything in between. I kept playing and my tastes got more extreme.
My teaching began after I played a show in San Diego, this kid approached me and asked if I would give him a guitar lesson. I was like sure, and at the time I charged cheap for lessons. I taught him by the band van, and he kept coming back. Then his friend kept coming back, and then more friends. I would fluctuate up and down, but now I have a pretty solid student base. You have things now like Skype and Instagram, everyone can find out about you and reach you now. If you are a member of a band and complain about being broke, it’s on you bro, now there is no excuse. I see to many people saying they are in a band and struggling. It’s like go learn your instrument, go teach someone, quit being lazy. It started with one kid at a show, and now has progressed into me teaching.
GA: So, when you were learning, were you self-taught or did you have a teacher?
RB: My first teacher was Chris from All Shall Perish; I took lessons from him for three years. Then, I did a few lessons with AJ of The Human Abstract. I also have done lessons with Misha of Periphery. The one of my biggest teachers was a teacher from Texas University who taught jazz guitar.
GA: What is next for you with Slaughter to Prevail after this tour?

RB: The new album is going to be coming out, so we will be putting out material, playthroughs and stuff like that. I know the release is for Summer so we will probably be doing a Fall tour. Sumerian Records is pretty cool, because they will show us a planned schedule of events they have for us, so I am going to say sometime in Fall we will be touring. One thing I will say about touring with Slaughter that is cool, is that being from Russia the band doesn’t get to tour as much as an American band. This however creates a novelty to come out when the band does get to tour. It gives some time for people to want to come back out to see us, instead of over saturating an area. It also helps to keep life from being stagnant for us, as we can go live our lives, then go back out on tour.
GA: Anything you would like to add?
RB: Slaughter to Prevail, check us out. The new album is coming out this summer. Also come on out to a show on this tour, Chelsea Grin Eternal Nightmare American Tour. We are hitting the entire west coast, don’t be whack come out to a show, get out of your house. See you guys soon.
About Author
Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
About Author
Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

About Author
Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
About Author
-
Concert Reviews1 year agoSHINEDOWN: DANCE,KID,DANCE TOUR:PITTSBURGH REVIEW
-
Concert Reviews1 year agoNew Castle Music Festival 2025
-
Concert Reviews11 months agoMarc Rebillet Baltimore 2025 Show Review
-
Concert Reviews1 month agoTHE EX-FACES ROCKED THE REVERB STAGE
-
Concert Reviews11 months agoGeoff Tate blows the roof off XL Live in Harrisburg PA

You must be logged in to post a comment Login