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Interview with The Last Ten Seconds Of Life

Ron

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​Photos by: Andrew Bastion

Angrier than ever The Last Ten Seconds of Life are marching towards 2019 with a new banger of an album set to release January 11thMachina Non Grata will be the follow up to2016’s The Violent Sound. With 14 new songs in the chamber, this album is promised to be an angrier. and heavier record than its predecessor. The Last Ten Seconds of Life crew are currently on tour with The Faceless, Rings of Saturn, Vale of Pnath, andInterloper only to pick up another tour going into January 2019 with Filth, Born A New, Boundaries, and Grievance. I was able to speak with vocalist John R Centorrino about the new album, and what the band has in store for 2019.

GAHow about we start with introductions, and a brief history of the band?

JC: My name is John and I sing for The Last Ten Seconds of Life. I am originally from New York but now I live in Florida. I used to sing for a band called, My Bitter End before joining Last Ten, and I fucking loved that band. 

DB: I am David, and I am LTSTL’s drummer. This is my third tour with the band, and it has been a blast. 

GAI saw the band dropped a new single, “Psychophrenia” for your upcoming album Machina Non Grata, can you tell me more about the song and album, like the themes behind them?

JCPsychophrenia is about… well, the whole album is about things we dislike. Psychophrenia is about how the universe continues to press on it, people no longer give a fuck, and people are just whores about it. They are begging for the negative, it’s like they are asking for the pain. 

GA: Sounds like a society that thrives on misery. 

JC: Yes, that’s literally what it is. I could elaborate more if Wyatt was here. This new album was written mainly by he and I lyrically. There are songs that we collaborated on, and then there are songs where we each went off by ourselves and wrote. Back to the album, the album encompasses that whole idea, that we hate ourselves and you. 

GA: With this new album what was the writing process behind it? Like, how does song get birthed by the band?

JC: Usually what will happen is, Wyatt will start out with the guitar, then he will send it over to Mike and me. We will all listen to it, and then it is an open forum for ideas to be thrown out there. Everything is a scratch track and we will roll from there. As for our inspirations, we pull from our emotions and our daily lives. It could be arguments we have with our families, or arguments we have with strangers or with each other, and all of that just rolls into a ball for us to pull from. Our emotions are how our writing take place. Everything we write is how we feel. So, when you hear a heavy part that is how we feel inside of us, and we try to portray those emotions in our songs. 

GAWhat can listeners expect on this new album, will it be an extension of what the band did on The Violent Sound or did the band decide to take another route. By this, The Violent Soundhad some killer rhythms paired with the addition of clean vocal hooks that really caught my ear, an example of this is ‘The Drip’. Will the band be playing with this aesthetic more, or will this be another in your face release?

JC: This new album will definitely be the opposite direction of The Violent Sound. This is not because have a problem with what we did; because we absolutely adore that album. We were all so proud in the studio during its recording process, and nobody can fuck with that. When that album was finished, I was so in awe with what we accomplished. So, this time around though, we have gone through a lot of negative shit, especially since that album. This new album is geared to showing you all that. We wanted to show you we could write music (with the last album), and it turns out you want to just hear how mad we are. We don’t pretend to be pissed, some bands are just mad onstage but not us, we are pissed. We are just mad always and I don’t know why. We like to jump around and have fun, but when something goes down, we are right on it. 

GA:  Who did you work with to put the album together?

JC: We worked with the same producers and engineers that we have worked with in the past, Grant and Carson from it is Now Think Studios formerly Atrium Audio. So, it’s the same stuff, but it is like they are a part of the family now. They have so many ideas that are on the same level with us, and they are great at what they do. I love recording vocals with Grant. It is fucking amazing, and he is so funny; he is a super intelligent dude and very articulate, but when you get him alone in a room, he is just like everyone else. They are great dudes to record with, and their studio now is amazing. It is three floors; the governor has a room in the building they use I believe. It is sick, everyone has their own room, they have their own shower and bathroom. I got to shit with my pants off and it was great. They have three kitchens and a grill onsite as well. 

GA: What gear is the band currently using for your live setup? Any endorsements please mention.

DB: I am proudly endorsed by Vratim Drum Shoes and Click Track Mixer, they have been hooking me up since I joined this band. Vratim makes the best drum shoes I have found. Click Track Mixer helps all of us do our live sound, and our backing tracks. For other gear I use Meinl cymbals, Vic Firth sticks, Evans heads, Tama drums and pedals. 

MM: I rep Legator basses, they have been taking care of me for several months now. I also use Darkglass amplifications, I am not endorsed by them but would love to work with them. 

JC: I use Sennheiser, I would love to work with them as well!

GA: As the vocalist, do you have any preshow warms ups or rituals you do to prepare to go on stage?

JC: I am a fanatic, I have a preshow and post show ritual. Usually when I arrive to the venue, I have a licorice root tea that I will make and drink prior to sound check. It is delicious and beautiful for your vocal chords. I will take a little ibuprofen, then before we go onstage, I will do the Lisa Cross warm ups. They are super soothing for me, they might sound really annoying, but I love how it feels and I am like religious with doing them. I don’t feel comfortable going onstage without doing them. After I get off stage, I drink another tea or two, and take another ibuprofen to keep the swelling down, because sometimes we get a little crazy onstage. Oh, and I forgot, I will do a shot of whiskey before going onstage, Ian Bearer from Rings of Saturn got me into doing that. If you are a vocalist; if you do anything before your set, take a little whiskey. It isn’t even about the alcohol or buzz; it helps with the throat. 

GABeing from the Northeast; do you think that our winter seasons have an effect on writing heavy music? It seems some of the heaviest shit comes out when a band from this region writes during the fall/winter portion of the year. I know personally some of the songs my band wrote, the heaviest shit was done in winter. It is something about it being gray all day, wet and cold. It just makes people pissed. What are your thoughts?

JC: I completely agree with you, that is a real thing. It is the same thing with places that are really nice all year. It’s more upbeat and happier, makes me want to smack someone. It’s like, I know you are miserable too. I have to agree and think it is 100% accurate. The winter just makes you pissed. You are cold and shivering. want the car to start to go to work, but you can’t because you have to sit and wait 15 minutes for it to warm up. It makes you pissed. 

GAWhat is next for the band after this tour, and what are you looking forward to going into 2019?

JC: We are totally looking forward to 2019 and we going to keep trucking along. We have a headliner tour happening in America in early January with Filth, Born A New, Boundaries, and Grievance. They are all great bands make sure to check them out. After that we are heading to the UK for a tour with Lotus Eater which will be super sick. That is going to be fucking cold and heavy too, the UK in February. 

GAIf someone wanted to keep up to date with the band online, and support the band by purchasing merch, where can they find the band?

JC: This is great, we just recently launched out website, so you can go to thelasttensecondsoflife.com. On the site you can find every link for what you are looking for from there. If you prefer social media, we are on Facebook, and Instagram. We have been using Instagram more than Facebook due to the algorithms and having to spend money to reach our fans. As for merchandise, we have Cold Cuts Merch we also have a store through Big Cartel. You can also use our website to purchase merchandise directly, also to preorder our new record Machina Non Grata our January 11th. It is going to be around $10 for an album that is 14 songs. 

GA: Anything else you would like to add?

JC: We love all you guys. This is going to be sick, we cannot wait to release this album for you all. We want you to be pissed with us. 

Official website: Thelasttensecondsoflife.com

Facebook: https://www.facebook.com/thelasttensecondsoflife/

Instagram: @TLTSOL

Twitter: @TLTSOL

Big Cartel (merchandise): https://thelasttensecondsoflife.bigcartel.com/Cold Cuts Merch: https://www.coldcutsmerch.com/collections/the-last-ten-seconds-of-life

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EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

Ron

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews

Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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