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Interview with The Reverend Horton Heat

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So let me ask you all this one question. Do you enjoy Rockabilly? I mean do you like a genre of music that makes you toe tap and funky bass lines with some killer guitar work. Well I am a fan I love the stand up-bass licks and the twangy old school Rock N Roll sound. I am walking into the ballroom in the Historic Ashland Armory I noticed the band getting ready to do sound checks and watched Big Sandy warming up, but where was the Reverend? Out of the corner of my eye I see this man in what looked like a hooded Carhart jacket blue Texas Rangers hat and Red Doc Martens walking in from the side door, there he was the man the legend and the GODFATHER of Rockabilly and Psychobilly the later is my opinion. The Reverend Horton Heat himself. 

EE: Thanks for taking the time out of your busy schedule to chat with us. For me this is another true honor to be sitting in front of you sir. So tell me how has the tour been?

RHH: This tour has really been great we have had a bunch of very memorable shows and memorable residencies, we did two nights in Orange County, we did three nights in Portland, three nights in Seattle and two nights in San Francisco, so that’s kind of nice, it was great to be stationary for more than a day at least for us.

EE: So lets go back to the beginning when you first started. What was your biggest musical influence?

RHH: Well in the sixties I’m an old guy I remember the Beatles when they were on the Ed Sullivan show and I heard all the girls screaming I though that was pretty cool and I wanted to do that you know and really its kind of crazy that Monday morning after the Beatles were on Ed Sullivan on Sunday night that next day there was an explosion of guitar sales. Ever kid was like mom, mom, mom I want a guitar, or dad, dad, dad I want a guitar. So that was the beginning rise of the music equipment industry. 

EE: Did you follow suit with the trend as well?

RHH: My parents got me a super cheap Stella Guitar because I was very young, I was only like five years old when the Beatles played, but I was like six or seven when they gave me that Stella Guitar. But other than the Beatles there was Top Forty Radio back then it was a great mix of Country, R&B, then Rock so you would hear a song by The Doors, then Buck Owens or Merle Haggard then you’d hear a song by Diana Ross, I mean it was just everything you know at the time a lot of country was crossing over. So that’s what influenced me songs like the Fight Inside Of Me, I got a tiger by the tail, that was big song is anyone going to San Antione, King of the road. Then there was Light my fire by The Doors. When I heard that song it was like crazy so there was that. I had a cousin that went to Viet Nam and I remember him saving his money for a new Camaro. When he came home on leave to visit he had an Eight Track player with Johnny Cash Live at Folsom Prison and when I heard that song and the way the prisoners were reacting to the lyrics and that was a turning point in my life. Lyrics and there meaning and how they can effect people. To me it was just an excuse to sing and play guitar.

EE: what was your first guitar?

RHH: The Stella acoustic guitar. so I cut lawns and saved a hundred bucks and my dad told me if I can learn the song Halisco he would help me get and electric guitar. So he got me the record and I learned it the same day, that same afternoon. So they pitched in another hundred bucks and we bought a 1958 Les Paul TV model that is now worth 15 to 18 thousand dollars. 

EE: do you still have it?

RHH: Of course not, that’s why I don’t like to talk about this stuff.

EE: what has been your favorite tour so far?

RHH: I like it now more then I did back then, the playing music, and that’s kind of unusual at my age. Now I like playing music NOW a lot more than I did back when I was younger. But the traveling and the whole beyond playing music is challenging. You know back in the day I used to enjoy that more the traveling and the traveling and the late night and the clubs and all that stuff. You know its just not me anymore and I want to focus on being and artist. We had some great tours back then yaknow, but one of the best ones was the Cramps, because they were so entertaining. We would play our gig and watch them every night and it was always just crazy funny and off the hook! 

EE: What do you like to listen too? Is there a certain artist?

RHH: Well big Sandy just bought me a Jimmy Rivers album that is really killer, and I’m not that familiar with him and some of the other hot guitar players in that era I am really thrilled, and I can really connect with Jimmy Rivers, western swing, Steel. But as far as new stuff, and I don’t get to listen a lot to new stuff I’m too busy trying to make new music. But I Really love JD McPherson he is really great. There’s this guy a lot of people don’t know of but there is this album called Roll by Lance Lipinski and its great, you know at some point in my life I was just focusing on this Rockabilly, mis 50’s Rock N Roll Rockabilly think and this guy Lance Lapinski can do the Jerry Lee Lewis style of piano playing really, really well. And the Delta Bombers who are with us now.

EE: if you were to have a Theme song what would it be?

RHH: If I was given my own theme song, (he tried to sing it and well yeah). I wrote my own theme song. I can’t sing it write now And I am glad this isn’t for radio, now if I had my guitar, I could play you my theme song lick but you know that’s a good question. I have actually thought of that and your jamming my frequencies I have thought of having my own before and I think every music person thinks of crazy stuff. But you know sometimes when I am walking around its either The Good the Bad And The Ugly, Or The Way I walk by Jack Scott.   

EE: What comes to mind when people call you the Godfather of Psychobilly?

RHH: well that I’m not, I just latched on a type of music that I love, I’m grateful for that and in some ways I am. Because but only in a couple ways. One thing we worked so hard when we started touring and started playing around sine 86 to 89 to when Jimbo joined in 89 Jimbo was gung-ho to play any gig. To this day our manager doesn’t even call us to ask if we want to play this gig, he just books it we just ask where we are going and we are like okay. That made it to where we were playing all over America, and writer all over were asking what is Rockabilly? They did even know what Rockabilly was. The First 5 to 10 years of my career was to answer in interviews and one of the man things I had to do was to explain what Rockabilly was. And these music writers had no idea what it was. Then I wrote the song Psychobilly Freak Out, and you know in some ways i brought Psychobilly to America. But Psychobilly is a big thing in Europe. There are serious about it too, there are Psychobilly gangs that are like our biker gangs here. And one time someone threatened to kill me probably because I was drunk. But all I wanted was the Reverend Horton Heat to be was a Rockabilly band.

Well guys its been a pleasure to sit with this amazing legend in the Rockabilly Genres. He paved the way for young artists that love that swing slap bass style that keeps your legs moving and toes tapping. 

Reverend thanks for the sit down and I look forward to seeing you again. So I had a great time and heard some great tunes. The Delta Bombers were amazing and Big Sandy thanks for the help. The Staff at the Historic Ashland Armory needs a shout out they are all volunteers and they help keep music going in southern Oregon and the Coat Check ladies as well!

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EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

Ron

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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