Concert Reviews

Jeris Johnson: Tour in the USA

Published

5 months ago

March 7, 2026

For an artist who first built a following online before launching onto major touring stages, Jeris Johnson has quickly proven he knows exactly how to command a live crowd. After sharing massive stages with bands like Falling in Reverse, Johnson brought that same arena-ready intensity to Jergel’s Rhythm Grille for a night that celebrated both rising talent and the kind of explosive energy modern rock thrives on.

What made this stop particularly notable wasn’t just Johnson’s growing draw, but the lineup he chose to bring with him. The evening featured an impressive run of female-fronted openers—LYLVC, Eva Under Fire, and Butcher Babies—each bringing their own sound, style, and stage presence to an already packed room. It’s the kind of thoughtful curation that doesn’t always happen on tour bills, and it gave the night a sense of momentum long before the headliner even stepped on stage.

Opening the evening, LYLVC wasted no time pulling early arrivals closer to the stage. Frontwoman Alyse Zavala balanced sleek electronic textures with a sharp alternative edge, creating a sound that felt both modern and infectious. By the end of their set, the once-scattered early crowd had grown noticeably denser at the barricade.

Detroit rockers Eva Under Fire followed with one of the evening’s most vocally commanding performances. Frontwoman Eva Marie delivered soaring melodies with a strength and clarity that filled every corner of the venue. Her voice carries a powerful balance of grit and polish—equally capable of pushing through hard-hitting rock choruses or leaning into more melodic moments that show the emotional weight behind the band’s music.

Then came the sonic storm of Butcher Babies. With Heidi Shepherd now leading the charge as the band’s sole vocalist, the set felt raw, relentless, and completely electrifying. Shepherd commands the stage like a force of nature, delivering the band’s signature guttural screams with razor-sharp precision while stalking the stage and whipping the crowd into a frenzy. The room shifted instantly—mosh pits opening, heads banging. It was the kind of performance that didn’t just warm up the crowd; it detonated it.

One of the most impressive things about the evening was how many fans showed up early, specifically for the openers. Each band had their own dedicated supporters scattered through the venue, but by the end of each set, it was clear their audiences had grown, earning them new fans.

By the time Jeris Johnson took the stage, Jergel’s Rhythm Grille was packed shoulder to shoulder and buzzing with anticipation. Johnson has developed a reputation for pulling in crowds that cut across genre lines, and the diversity in the room proved it—fans who first discovered him through viral hits standing right beside seasoned rock and metal show regulars.

From the moment the first notes hit, Johnson proved exactly why his momentum keeps growing. His set moved effortlessly between explosive, high-energy anthems and slower, more emotional songs that bordered on rock ballads.

One of the most memorable moments of the night came when Johnson performed his reloaded version of Kryptonite, originally by 3 Doors Down. Johnson shared with the crowd that the band’s vocalist, Brad Arnold, who recently passed after a battle with cancer, had personally permitted him to release his heavier interpretation of the song. Playing it live became both a tribute and a celebration, as fans instantly recognized the iconic melody and embraced Johnson’s modern rock twist on the classic.

But the quieter moments elsewhere in the set revealed something equally compelling. Johnson’s ability to slow things down and connect. Those passionate, melodic songs created a brief pause in the chaos, with the crowd swaying and singing along before the next surge of energy inevitably kicked back in.

By the end of the night, the energy in the room hadn’t faded. Rather, it had only grown stronger. With three powerhouse female-fronted bands igniting the stage before him and Johnson delivering a performance that balanced adrenaline with genuine emotion, the night felt less like a standard tour stop and more like a full-scale ode to modern rock’s evolving sound.

About Author

Kylie Thomas

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Concert Reviews

THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

Published

2 weeks ago

July 25, 2026

Ron

It has been nine years since Stabbing Westward played in Baltimore, and I was thrilled to see them return to perform my favorite album. They brought along Acumen Nation and Priest as supporting acts. Both Acumen Nation and Priest put on an incredible show, and I loved how they energized the crowd. It’s fantastic to have a band like Acumen Nation, which has been around since 1988, alongside Priest, a newer band, and the fans truly enjoyed both sets.

Stabbing Westward is one of those bands that really resonated with me at a pivotal time in my life. This album was released during my junior year and fit my experiences perfectly. It’s one of those albums I would listen to from start to finish, and then I would just start it over again. I’m excited that the band is releasing a new version of this album, reflecting how they would have approached it if they had the freedom to mix it and create without outside interference.

What we got to hear was amazing. I loved the fresh sound to it but still keeping the core of what that album meant to them and to the fans. Coming out on stage with my 3 favorite songs on the album, “I Don’t Believe,” “What Do I Have To Do,” and “Falls Apart.” But hearing some of the other tracks on that album brought back so many memories of the past, like “Shame,” “So Wrong,” and even hearing the cure cover “Burn” and “Dawn” from the Escape From LA Soundtrack.

The concert was amazing. We were supposed to have an interview with Chris, but because of the Canadian fires, he was saving his voice for the show and meet ‘n greets, but we will have that interview soon for you.

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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Concert Reviews

THE EX-FACES ROCKED THE REVERB STAGE

Published

2 weeks ago

July 22, 2026

Ron

I’ve been incredibly excited about the Ex-Faces show since it was first announced. I’m a huge Mushroomhead fan and love that the members of this group have come together to enjoy the music.

It was incredible to see J-Man, Waylon, Stitch, and Lil Dan together again. Adding Gravy and Mr. Murdernickel to the mix—especially since I never got to see him play live despite being a Mushroomhead fan near Cleveland since ’96—made it even better. I love that the guys genuinely looked like they were enjoying being on stage together, celebrating their time in this band and their experiences with Mushroomhead.

Hearing classic songs like “Bwomp,” “These Filthy Hands,” and “Sun Doesn’t Rise” was fantastic, but getting to experience deep cuts like “Eternal,” “1200,” and even the cover of “Crazy” was incredible. The Ex-Faces played 16 songs and could have kept going; the crowd definitely wouldn’t have minded.

I know this band and project are more than likely temporary, but I’m fully down for a few more tours and maybe even some more ex-members joining the trek. Even though I was sad that our stop didn’t have Pig Benis, I was super stoked that we had his OG brother Murdernickel. Go out and see this tour while you can, and let’s all get a little crazy and never let it go.

About Author

Ron

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Concert Reviews

ICP’s Dark Carnival Brings A Night of Faygo, Fireworks, and Family to Pittsburgh

Published

1 month ago

June 28, 2026

Josh Drespling

Whoop Whoop, Pittsburgh! The long-awaited day arrived on June 27th, 2026, when the Dark Carnival made its way to Stage AE on Pittsburgh’s North Shore. And let me tell you, not even a rainy Pittsburgh afternoon could dampen the spirits of the Juggalo faithful. The skies may have been grey, but inside that venue, it was a pure, unadulterated party for the entire gambit of the Juggalo family. There were guys like Butch Shipton (seen in the photo to the right) who is anticipating attending his 25th Gathering of the Juggalos this summer. Alongside him were fresh-faced fans who have become the next generation of Juggalos thanks to outlets like TikTok and Instagram. I witnessed grandparents enjoying the time of their lives with their children and grandchildren.

The weather didn’t matter one bit to the night of chaos and celebration. Neither did the fact that the city was absolutely buzzing with activity. While we were getting down with the clowns, the Pittsburgh Pirates were battling the Reds just down the road, Nelly and Three Doors Down were rocking Point State Park, and drone shows were lighting up the sky over the Point. But for the Juggalos packed into Stage AE, there was only one show that really mattered.

As the rain subsided and the Faygo began flying, they kicked off the evening with “The Show Must Go On”, setting the tone for a night that would feature a near-perfect mix of old-school Juggalo flavor.

Violent J and Shaggy wasted no time diving into the classics. Hitting hard with “Hokus Pokus” from their 1997 platinum album The Great Milenko. They had the crowd losing their minds and soaked with Faygo after just a few notes. That track actually went gold in 2022, selling over 500,000 units, and it was easy to hear why: that infectious “Streets of Cairo” melody had everyone bouncing from the front barricade to the fence at the back of the lawn.

“Birthday Bitches” and “My Axe” kept the energy sky-high before they dropped “Fuck the World”. There was not a person in the crowd who was not singing along to every word of the classic tracks. After a quick Faygo break (because you’ve got to stay hydrated for the mayhem), they launched into “Tilt-A-Whirl”, followed by “The Neden Game”, a notorious gameshow track that’s become a fan favorite. Then came “Boogie Woogie Wu”, a dark classic from The Great Milenko that describes multiple murders over a creepy, slick beat. It’s horrorcore at its finest, childishly describing mayhem in a way that only ICP can pull off.

DJ Clay took center stage for a solo to give J and Shaggy a breather before they brought back the wickedness with “Play With Me” and “Stomp” along with another Faygo break (the crowd was getting thirsty), and then they hit us with “Let’s Go All the Way” and “In My Room”.

One of the highest energy moments came when they did their version of the Geto Boys’ classic “Assassins”, a nod to the horrorcore roots that run deep in hip-hop history.

“Down With the Clown” brought the energy to a fever pitch before they closed with the epic “Pass Me By”. This track, also from The Great Milenko, is one of the more thoughtful Joker’s Card closers. It paints a picture of what it’s like to make it to the Carnival after death, hanging with Jimi Hendrix, Selena, and Eazy-E, with Faygo on tap and no more worries. It’s a song about finding peace, and the message of the Dark Carnival shines through lyrics like “We all gonna die, but I’m not gonna fry.” The crowd filled the stage and commenced drowning Pittsburgh in its own Faygo Armageddon. As the Faygo flew from the front to the back of the venue, fireworks exploded overhead, welcoming the Juggalos to Shangri La.

Insane Clown Posse perform live at Stage AE in Pittsburgh PA June 27, 2026. Photos by Josh Drespling for Empire Extreme.

It was a glorious, sticky, sugary mess that you had to see to believe. The wicked clowns brought it proper to the Steel City and showed fans, both young and old, why they have remained a main stage in the music industry for decades. They delivered a fun-filled night of great music and excitement.

Here’s the best part, ninjas. The Carnival keeps rolling; the Pittsburgh show was just one stop on the Clowns’ massive 2026 tour, and the insanity is far from over. The boys are hitting cities coast to coast, so if you missed this one, you’ve still got plenty of chances to get down with the clown.

Not to mention the 26th Annual Gathering of the Juggalos is just around the corner. August 19th through 22nd will see the Gathering moving to a brand-new “river-infused realm of dopeness” at Mother Nature’s Riverfront Retreat in Macks Creek, Missouri. That’s right, after years in Thornville, Ohio, the family reunion is heading to the Lake of the Ozarks area for a four-day epic festival with music, wrestling, and enough Faygo to fill the Mississippi.

There are several dates remaining on the current tour until the group veer off course for the Gathering and multiple festival shows, and then they hit the road again for a slew of dates leading up to the infamous hometown Hallowicked show in Detroit.

So what are you waiting for, ninja? Grab your tickets, grab your hatchet, and get your face paint ready for the Gathering. The Dark Carnival never stops—it evolves, changes shape, and reconfigures into something so unexpectedly dope that it’ll blast the ghost right out of your body. This is the sign you’ve been waiting for.

See you in the pit, Juggalos. Whoop Whoop!

About Author

Josh Drespling

Josh is the Publisher and creator of Empire Extreme and it’s sister publication Kingdom Extreme Magazine. He is an accomplished writer, photographer and graphic designer. He is always conjuring up new ideas and has a amazing passion for the music industry and all the things that surround it.

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