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Jim Breuer: Put your comedy horns up!

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Jim Breuer: Put your comedy horns up

An interview with comedy legend Jim Breuer

By Josh Drespling

Jim Breuer The Loud & Rowdy

Jim Breuer The Loud & Rowdy; Songs From The Garage

Comedy legend and the perpetually-stoned-looking-dude, Jim Breuer has further infiltrated the rock/metal community with his hilarious and exceptionally relatable album Songs from the Garage. On this album of old school metal and thrash Jim and his band, The Loud & Rowdy take on subjects such as raising girls and dreams of being a rock star. In addition to crafting comical and rockin’ songs the Saturday Night Live alum has guest spots by rock god Brain Johnson of AC/DC fame along with guitar and production by Rob Caggiano of Volbeat and Anthrax. Jim compliments the album with a stunning impersonation of Ozzy that makes you wonder if it really is Ozzy.

Breuer and his band have been touring the country doing a mix of music festivals and comedy clubs in support of the Songs from the Garage album. Empire Extreme was able to catch up with Jim and got the chance to chat with him about music, the album, paint, and Five Finger Death Punch.

JD: Congratulations on the new album, Songs from the Garage. You guys have been playing some of the big rock festivals, like Wacken and Rock on the Range, that has to be great for you as a rock and metal fan. How does it feel to be a part of those festivals being a comedian/ musician?

JB: It’s a serious adrenaline rush. It’s awesome seeing the other bands, especially when they are on the side of the stage watching you. Then you come off, and you got Ivan from Five Finger Death Punch, saying how awesome it was. That stuff is freaking awesome. We got a bunch of other shows to do. The more people are aware of it, the more they love it, and it’s just going to keep growing, and growing, and growing.

JD: How’s it feel to you being on those stages, or even a smaller venues, where you have kids or fans singing your lyrics back to you; some crazy thing you wrote in your bedroom at home?

JB: That has been one of the greatest feelings I ever had.  When I see someone mouthing every lyric to every song, which has happened recently in the last two weeks, that is such…. I can’t describe that feeling. They are running around, dancing around; it’s such an exciting feeling. I think I am hooked forever.

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Jim Breuer: photo by Nathaniel Shannon

JD: How did you hook up with Rob Caggiano of Volbeat, formerly of Anthrax? How did that come to be?

JB: It was a total freak of nature. I didn’t know about him and Anthrax. What had happened was I was looking for producers, his management company came up. I just started looking at pictures of all the people Rob produced, and all I did was look at his head shot. Look at this guy with his knit hat, goatee, and it said he was born in the Bronx, and I was like this guy is going to get me! I didn’t look him up or nothing, just get me this guy, he is going to get me, and that’s how it all started.

JD: And he’s produced a ton of people, a lot of big named things and stuff…

JB: Yea, he is a brilliant producer, and I gave him full blown trust. If he wouldn’t have produced this album, it would have been a disaster. There’s no way anyone would have put in the time and the effort; and he still does. Every time he is done with a Volbeat (song) or a tour; he calls, he comes to the shows and tells me, ‘you need more of this, you need to do this, your guitar player needs to do this.’ He is so involved, and loves the album, and the project. I can’t thank him enough.

JD: That’s got to be a godsend. The Brian Johnson (AC/DC) thing, you had to of been in heaven when that fell into place? Can you give me the back story on that?

JB: I didn’t believe it; he came to see me in Florida, I believe it was last March. He said he wanted to be on the album. He said, ‘Seriously I want to be on the album.’ So I told him, I will call him and we will talk about it. I didn’t call him up. A couple months later he called and said ‘Come to New York I want to talk about the songs, I want to do this song.’ We were already in preproduction, and he came in the studio, we talked about doing the song. Then three months later we were in Florida, we were recording, and he showed up with a handheld microphone. He did it (his take) in the control room, he wouldn’t go into the recording room with all the glass, the way most singers do it. He didn’t even want to wear head phones. He stood there in front of two speakers in the control room, and sang like he was in concert. I think it took his part like twenty-five minutes and it took me like forty. It was unbelievable to watch him the way he recorded, it was like learning from a legend. It was unreal. I can’t put it into words, I can’t even describe it.

JD: Wow, that’s got to be an experience, something you will never forget?

JB: Yea, and he doesn’t want anything from it. He just wants me to prevail, and he wants me to just shine. That’s just the type of person that Brian is. He’s giving, he’s funny, he’s just such a great guy.

JD: That’s awesome. I read a little story about you getting James Hetfield’s approval on that thrash video, can you give me the story on that?

JB: When I sent it to him, he went immediately “This is awesome! Do I have permission to show all my family and friends?” I told him “Not yet, family yes, but just that since it wasn’t official just yet.” So I knew when he liked it, I was definitely on to something.


JD: The one song, “Be a Dick 2nite”, has been around forever. Can you tell us how it changed from back in the day to now the album version? How everything all came about?

JB: Well, it started many years ago. I used to tour with a band, I would stand up and rock, and I had these hooks that were mostly based on comedy. Then with that song, if I ever had a problem or a heckler, I would naturally go into lyrics of what that guy was doing, and what he was being that night. He was being a Dick. We played Shiprock, and Five Finger Death Punch was on, and I did Ivan from FFDP going over the rules of a ship, as the captain. We improved that song like being a D..I..C..K, and we just knew, we had to put one kind of funny song out there, and I just knew that this would be the one. The big jam, the big live piece, the big live anthem going on, it goes over very well live.

JD: Going back to the thrash video, was that your garage in the video or is that a stage set?

JB: Yea, that’s all my friends, some family, and everyone we knew, just got together. They all chipped in and made that video. It was nice and simple, just keep it in the garage, just the way I envisioned the song.

 

JD: Has anybody ever gotten mad about your impersonation of them?

JB: No, no rock guys, but Joe Pesci back in the day was a little grumpy about it, but he turned the corner once he saw I was a big fan. Besides that, the rock guys seem to love it, of all the rock guys; I never heard a major complaint. Lars Ulrich is cool… James Hetfield, I haven’t heard from Ozzy but everyone has been great.

JD: Can you tell me a little bit about The Breuer Unleashed on Sirius? What that show is all about?

JB: That was years ago, we don’t do it anymore. Now it’s podcast, it’s called Metal and Me Podcast. The Breuer Unleashed was 2004 to 2008 maybe. Although it was pretty revolutionary, because it was me and the friends I grew up with, and a comedian Pete Correale, we were best friends. It was kind of like Entourage, the real life Entourage.

JD: With a comedy twist right?

JB: Yea, and we would do bands, we would have metal bands on. It was pretty awesome.

JD: Growing up I heard you worked at Sears selling paint; do you have any anecdotes about that, from working in retail and dealing with people?

JB: Well yea, there’s a killer one go to the YouTube video of This Is Not Happening, it’s on Comedy Central. There’s a huge famous story of me calling in an accidental bomb threat.  It is huge, it’s on YouTube, just punch in, Jim Breuer long lived Sears paint story.

JD: One more question and then we will wrap up. What was your biggest metal or music moment? Was there a song, or something where you were like, ‘yes that’s it’ kind of moment?

JB: Umm… You Got Another Thing Coming by Judas Priest, was my gateway to everything. That was my anthem as a teenager, and I never looked back.

JD: So you are a Priest fan through and through?

JB: Huge Priest fan yea.

JD: Do you have anything else going on, any other projects you want to put out there?

JB: Yes… the album, the album, the album. The more people hear it, the more they love it. This is the number one thing, my biggest passion going on for me is this album. I love it, I love when people discover it, and I have so much confidence in it when people hear it.

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EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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