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Lacuna Coil w/ Andrea Ferro (Interview)

Lacuna Coil interview with Andrea Ferro.

Ron

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Lacuna Coil  – Andrea Ferro (Interview)

By Ron Senyo
w/ Kaely Smith

andi-bio-lp947fyvno4bdh1x98jjrdm4u8evdfa7aksohvs6aaEmpire Extreme talked with Andrea Ferro of Lacuna Coil before the show at RamsHead Live in Baltimore MD. Lacuna Coil is back in the states after a run in Asia in support of their new album, Delirium, which is the eighth studio album from the band who hails from Milan, Italy.

Empire Extreme sat down and discussed the new album and how it compares to the band’s previous releases. We also learned who some of the biggest influences are to their music, and the writing methods that Lacuna Coil employed to write the new material, which the band believes to be their heaviest album yet.

Aside from touring and the new album, Andrea talked about which pop-star Lacuna Coil would consider touring with, and why, and some of their latest pop song covers.

Empire: How are you doing today?

Andrea: I’m pretty good. Pretty excited for the show tonight.

E: How’s the tour going so far?

A: So far, so good. We’ve been in the US for a couple of weeks now. We were in Asia right before. We played China and Philippines at some festivals. It’s nice to come back to the States after a while. it’s been cool so far. People have been coming to the shows and bought a lot of merch.. They are really excited about the coming record, they’ve bought a lot of the pre-cards to buy the album. Right now it’s all about building for the new record, introducing new songs, and getting people excited to listen to the full thing.

12794414_10153366844422344_863730710099427295_nE: What can fans expect from the new album?

A: They probably have understood by the first couple of tracks that have come out. It’s kind of a heavier album for us. There are a lot of dark atmosphere and melody as is our signature sound. We tried to go a little more free, without thinking too much about what Lacuna Coil is today. We wanted to go back to when we did records like Comalies and Karmacode. When we were a bit more naïve and we didn’t have the same experience. We tried to stay away from the sound that people expect us to sound like. We tried to do more of what we want to sound like. We have always tried to do what we like, but unconsciously you condition yourself or force yourself into a state of mind. You know, the “We need to have a radio single” mentality. This time around we focused on what the vibe was for the music. If the song was calling for a double bass part or girl vocals we would just go for it. Overall, it’s probably the heaviest album for us. Even if every song isn’t heavy like that, because there is quite a variety of songs, but in general it’s our heaviest album for sure.

bandE: What’s the difference between U.S. fans vs. European Fans?

A: There is not a massive difference. I would say maybe in America there’s more a mixed crowd. We see different people you wouldn’t expect at a metal concert, but the way they react to the music is very similar. While in Europe it’s a bit more specific crowd that goes to a metal show and some different ones that go to a rock show. It’s not as mixed as it is in the States.

E: Where would you say was the best crowd that you have experienced in the States?

A: So far California has been really good both LA and SF, Flint, Michigan was really good and sold out. We have good shows wherever we go, obviously the bigger cities you can have more people, but in general it’s all been positive.

andreaE: What bands influenced you to do the type of music that you do?

A: When we started we were listening to a lot of bands like Type O Negative, Paradise Lost, The Gathering. Those kind of band pushed us more towards the darker and slower side of metal. Then the more we grew, the more we have been traveling and opening up to and exposing ourselves to different kind of music we incorporated more groovy and heavy parts. The basic has always been the 3 elements that forge our sound has always been metal, rock, and dark or goth music. Those elements are always in every record. Sometimes we push more toward rock, like on Shallow Life or more into metal like this new one, or the goth like we did on Comalies. Those three elements are the key. Then you can play and push towards the heaviest.

E: What singers or bands more inspired you?

A: Definitely, Paradise Lost and James Hetfield from Metallica. I like Mike Patton from Faith No More, his range is so big. I also listen to a lot of death metal like Chris Barnes from Cannibal Corpse. I like to be very open. I love all rock and metal.

1533743_10151849159142344_1493637519_nE: Since you have two vocalists how does the writing for the songs work? Is it 50/50?

A: Usually Marco writes all the music, so we get demos from him. Then me and Christina work separately on our own ideas. We then meet in Marco’s home studio. We listen to the ideas and we pick out what’s best for the songs. We don’t have to be 50/50 or “This is more my idea”. We really don’t care about that. We throw a lot of stuff on the table, then we start the writing and rework it. It’s very open with the three of us. We learn how to balance it and work with everybody. It’s very democratic process. Everybody brings ideas. Whatever works best for the songs. Sometimes Christina can modify a part that I wrote and sing it or the other way around. We are very open in this process.

1930110_25357222343_4308_nE: I know you have done a few Italian songs on the records. Have you ever thought to doing a full album in Italian or maybe even half?

A: No, we never thought about it, because Italian is a very good language for melodic music but it’s hard to fit into the heavy stuff. So when it fits it’s great, but if it doesn’t, we don’t want to force it. People have asked us in Italy to do 2 versions of the album. One version completely in Italian and one in English, but so far we really haven’t thought about it. Maybe one day, I don’t want to say no, never. We don’t have any preconception about doing it. We just don’t want to force it, because we are Italian. If it works great. If it doesn’t, like on this record then there’s none. On the last album it had had one italian song, maybe the next one will too. It’s not easy to let the language feed the atmosphere.

E: Do you guys have any plans to do more covers?

A: There is one on this album, but it’s not. It’s a bonus track. It’s a cover of Madonna’s “Live to Tell”. Another song from the 80s, this is almost a doom version of the song. It’s very dark and atmospheric with heavy guitars. It’s very cool, very different, and a lot less poppy.

1240525_10151574427732344_1987066991_nE: Is there any bands you would like Lacuna Coil to do a cover of but just haven’t had the chance?

A: There is a lot. It would be kind of weird but Depeche Mode would be one for sure with all the electronic stuff or something more country. There is a guy on YouTube that did a version of “Heavens a Lie”. Lady Gaga would be great. We love to do a tour with Lady Gaga, because it such a mix and she’s the only pop star that is so metal oriented, even if her music isn’t. Shes the only pop artist we would like to tour with.

E: I know that you guys are huge Dario Argento fans being from Italy and from that generation of movies. How do you feel about his daughter Asia?

A: I think, because you’re the daughter of somebody doesn’t mean you have the same talent. She’s always tried to do stuff that wasn’t so ordinary, that I can appreciate for sure. To me her dad is the genius. She is a nice girl and does interesting stuff, but it’s not on the same level. She does cool stuff too, but because your dad is a genius [doesn’t mean] that you will be too.

E: Have you heard that Suspiria is being remade?

A: I’ve heard about it, but don’t know when it was being done. I usually don’t like remakes a lot. You can’t recreate the atmosphere of the movies from the 70s or 80s. It was all about the history or political moment of the country. Plus they always worry about CG, when those movies were more about the thrilling and the right music at the right moment. American horror was always Freddy Kruger, Jason, Pinhead, where in Italian movies the characteristics were the atmosphere not the one character.

E: You have a lot of Goblin influence in your music, with the styling and eeriness?

A: Ya, especially for the keyboards. We are actually friends with Claudio Simonetti. He is the main man from Goblin. We have talked about doing something together. Maybe in the future doing something special together. There is surely an influence.

E: Anything else you like to say to the fans?

A: We just want to thank everybody who’s been listening to us so far and will check out the new album. Hopefully they like it. For us it’s a great return to form. It’s a heavy album but has a lot of interesting melodies. Hopefully they like it and come see us next time we coming around.

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EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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