Concert Reviews
Live Review: W.A.S.P. at Stage AE, Pittsburgh, PA
A Night of Nostalgia and Power
Heavy metal titans W.A.S.P. unleashed a night to remember at Pittsburgh’s Stage AE, delivering a performance that was equal parts nostalgic and incendiary. The evening featured the band’s iconic 1984 self-titled debut album performed in full, followed by a fiery encore of fan favorites, cementing their legendary status in the metal world. Joined by Armored Saint as the opening act, the night became a powerhouse celebration of classic heavy metal.


Armored Saint: A Thunderous Opening Act
Setting the stage for an unforgettable night, Armored Saint delivered a blistering performance that electrified the crowd and set the perfect tone for the chaos to come. John Bush, the charismatic vocalist, commanded the stage with his powerful voice, a seamless blend of raw grit and soaring melody. Tracks like “March of the Saint” and “Can U Deliver” pulsed with intensity, each riff and drumbeat reverberating through the venue, igniting the crowd’s energy.
With their signature blend of melodic yet muscular metal, Armored Saint proved why they remain a revered force in the heavy metal world. Their performance was a thunderous reminder of their enduring legacy and a testament to their ability to shake the rafters, priming the audience for the monumental act to follow.


W.A.S.P.: Reliving the Birth of a Legend
When W.A.S.P. stormed the stage, the room exploded with electrifying energy. Frontman Blackie Lawless, an enduring icon of heavy metal, led the charge as the band launched into their groundbreaking self-titled debut album, performing it in its entirety. Joining him were longtime bassist Mike Duda, guitarist Doug Blair, and the drumming powerhouse Aquiles Priester. Together, this seasoned lineup forged a connection with the crowd that bridged decades of metal history.




The show opened with the explosive anthem “I Wanna Be Somebody”, sending the audience into a frenzy as they belted out every word. This 1984 hit encapsulated everything that made W.A.S.P. legendary: searing guitar riffs, thunderous rhythm, and Lawless’s magnetic stage presence. The band’s chemistry was undeniable, with Blair’s razor-sharp guitar licks, Duda’s commanding basslines, and Priester’s thunderous precision propelling the performance.
Tracks like “L.O.V.E. Machine” drew roars of recognition, its seductive groove and infectious riff a nostalgic throwback to the band’s early MTV appearances. The haunting “Sleeping (In the Fire)” highlighted Lawless’s raw vocal power, complemented by Blair’s emotive guitar solo that sent chills through the crowd. Slower yet equally powerful, the song underscored the band’s ability to balance intensity with emotional depth.


The rebellious spirit of “School Daze” brought youthful anarchy to life, while “Hellion” surged with primal energy, its relentless tempo whipping the crowd into a frenzy. “Tormentor,” famously featured in the cult 1984 horror film The Dungeonmaster, captivated the audience with its sinister edge and theatrical flair. By the time they reached “The Torture Never Stops,” steeped in heavy riffs and ominous overtones, the band had cemented their command over the audience.
This extraordinary set proved that their early material remains as potent and relevant as ever. Each note, riff, and lyric was delivered with precision and passion, celebrating the raw energy that first defined the band while reigniting the flames of their legacy. It was a performance that honored their roots, thrilled longtime fans, and reminded everyone why W.A.S.P. remains a towering force in heavy metal history.


Encore: A Theatrical Spectacle of Defiance and Nostalgia
After a brief pause, W.A.S.P. returned to the stage, igniting the crowd with an encore steeped in theatricality and a celebration of their expansive catalog. Kicking off with “The Big Welcome,” the dramatic prelude gave way to a medley of metal exuberance, blending “Inside the Electric Circus” (from their 1986 album), the raucous “I Don’t Need No Doctor” (a 1987 single), and the cinematic anthem “Scream Until You Like It” (featured in the Ghoulies II soundtrack). The medley was a whirlwind of 80s-era high-octane theatrics, and unrelenting energy.
One of the encore’s most captivating moments was their cover of The Who’s “The Real Me,” from their 1989 The Headless Children album. Doug Blair’s blistering guitar work added a sharp edge to the classic track, while Blackie Lawless’s powerful vocals roared with intensity, paying homage to the rock legends who inspired them.






The mood shifted with “Forever Free,” a poignant ballad that showcased the band’s introspective side. This reflective moment seamlessly transitioned into the epic title track of The Headless Children, an apocalyptic anthem with complex arrangements and evocative imagery, illustrating W.A.S.P.’s evolution beyond their glam metal origins.
The night reached its fiery climax with “Wild Child,” from their 1985 album The Last Command. Its sultry swagger and rebellious energy had the crowd singing along in unison. Finally, they launched into the quintessential party anthem, “Blind in Texas,” bringing the performance to an electrifying conclusion.
SET LIST:
I Wanna Be Somebody
L.O.V.E. Machine
The Flame
B.A.D.
School Daze
Hellion
Sleeping (in the Fire)
On Your Knees
Tormentor
The Torture Never Stops
Encore:
The Big Welcome
Inside the Electric Circus / I Don’t Need No Doctor / Scream Until You Like It
The Real Me (The Who cover)
Forever Free / The Headless Children
Wild Child
Blind in Texas





































































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Concert Reviews
BRISTOW VIRGINIA TOOK A TRIP ON THE WILD SIDE… SHOUTED AT THE DEVIL. AND ENJOYED THE GIRLS GIRLS GIRLS.

MOTLEY CRUE CAME BACK INTO TOWN BRINGING WITH THEM TESLA AND EXTREME FOR THE RETURN OF CARNIVAL SINS TOUR.





Extreme opened up, and not only did they kick ass, but they also took some names, too. Gary sounded amazing on vocals, and of course, Nuno not only rocked the guitar; he gave all the ladies out there heart problems. We got to hear “More Than Words,” “Get the Funk Out,” and “Hole Hearted”.







Tesla was next, and the band always puts on an amazing show. It’s just a good ole rock and roll fun time. We got to hear “Modern Day Cowboy,” “Mama’s Fool,” and “Little Suzi.”







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I have seen Motley Crue a few times now, but this time I was so close to the stage it was insane. Doing this press gig does come with some perks, and we get to see great bands and get tickets, but this was next level with how close to the stage my tickets were. It gave me such a great experience, not only just being that close and jamming out to songs that I grew up to, but also being with all the Crue fans and just seeing everyone getting excited and rocking out. They were all there for a good time and some kick-ass rock n’ roll.
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Concert Reviews
THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

It has been nine years since Stabbing Westward played in Baltimore, and I was thrilled to see them return to perform my favorite album. They brought along Acumen Nation and Priest as supporting acts. Both Acumen Nation and Priest put on an incredible show, and I loved how they energized the crowd. It’s fantastic to have a band like Acumen Nation, which has been around since 1988, alongside Priest, a newer band, and the fans truly enjoyed both sets.







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What we got to hear was amazing. I loved the fresh sound to it but still keeping the core of what that album meant to them and to the fans. Coming out on stage with my 3 favorite songs on the album, “I Don’t Believe,” “What Do I Have To Do,” and “Falls Apart.” But hearing some of the other tracks on that album brought back so many memories of the past, like “Shame,” “So Wrong,” and even hearing the cure cover “Burn” and “Dawn” from the Escape From LA Soundtrack.
The concert was amazing. We were supposed to have an interview with Chris, but because of the Canadian fires, he was saving his voice for the show and meet ‘n greets, but we will have that interview soon for you.
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Concert Reviews
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I’ve been incredibly excited about the Ex-Faces show since it was first announced. I’m a huge Mushroomhead fan and love that the members of this group have come together to enjoy the music.





It was incredible to see J-Man, Waylon, Stitch, and Lil Dan together again. Adding Gravy and Mr. Murdernickel to the mix—especially since I never got to see him play live despite being a Mushroomhead fan near Cleveland since ’96—made it even better. I love that the guys genuinely looked like they were enjoying being on stage together, celebrating their time in this band and their experiences with Mushroomhead.





Hearing classic songs like “Bwomp,” “These Filthy Hands,” and “Sun Doesn’t Rise” was fantastic, but getting to experience deep cuts like “Eternal,” “1200,” and even the cover of “Crazy” was incredible. The Ex-Faces played 16 songs and could have kept going; the crowd definitely wouldn’t have minded.





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