Connect with us

Interviews

One-Eyed Doll Interview

George Archibald

Published

on

One-Eyed Doll

An interview with One-Eyed Doll’s Kimberly Freeman and Jason Rufuss Sewell

By George Archibald

One-Eyed Doll By Andrew Bastion

One-Eyed Doll By Andrew Bastion

I met up with One-Eyed Doll at the Cleveland stop of the And Bloodshed For All… tour with Wednesday 13. This two-piece group infuses anything from punk, metal, industrial to rock to make their own brand of music, while putting on a very interactive and visual live performance. The band has been around since 2006 working hard, and playing with other well-known acts such as Otep, and Mushroomhead, they are getting their music to the masses. This being my first time seeing them live I was in for quite a treat. I was able to speak with Kimberly Freeman and Jason Rufuss Sewell before they were set to take the stage later that evening.

GA: Hi guys! I know you are from Texas, why don’t we start with a little about the band and then we can get into the other questions?
OED: Kimberly: We are a two-piece rock band, we pretty much rock, and have fun and make happy music. I play guitar, my name is Kimberly. This is Jason, he is a salamander, he also plays the drums. I also sing so we obviously sound like Smurfs. It’s just pretty simple rock and roll; and we have fun and flail around a little bit. We love to perform live. We also love to be in the studio.

GA: You have quite an eclectic sound. I definitely noticed it on your last album Witches. The band jumps from metal to a bit of industrial. You even incorporate a little bit of a traditional folk sound with the addition of the mandolin, fiddle and banjo. So what was some of the inspiration behind the sound and the latest album?
OED: Kimberly: Well… story wise, I had done a little research on the Salem witchcraft hysteria of 1692. I kind of happened upon a story of this lady named Mary. She was executed for witchcraft. I wrote her a song on the album called, A Rope for Mary. I wanted to know more, so I researched more and more about the hysteria and the people involved. I also read the court documents, and everything I could find on it. Then the album Witches kind of wrote itself, it just happened really quickly. It was very much inspired by the historical research. At That time, we had been jamming a lot of banjo and mandolin stuff, since we were between tours, and we had the bus parked in the redwoods. We were just jamming away, and that music was still sort of on our minds when I started writing all these lyrics about the hysteria.  It all came together like that. It wasn’t really on purpose it sort of happened that way.

One-Eyed Doll by Andrew Bastion

One-Eyed Doll by Andrew Bastion

GA: The sound is very awesome on the album; it keeps it interesting to listen to.
OED: Kimberly: Thank you. We don’t really go for a particular sound; we just make the music that we are feeling. So that’s why a lot of times on our albums you hear the different instruments that we play as well as our different styles. We are not trying to be like some kind of subgenre, we are just sort of emoting, and it comes out the way it comes out. We really never know what the next album is going to be like.

GA: Touching on that, with the multiple instruments; I read that on the new album that Kimberly wrote some of the drums, and that you guys swapped instruments or something.
OED: Jason: I have a ARP Odyssey I was playing around with, and she got on the drums, and that’s how   the riff for “Witch Hunt” came about. We were jamming and we wrote the whole song that way. That’s why that song has the grooviest drum beat on the whole album.

GA: Who was doing the mandolin, banjo, etc. on the album?
OED: Jason: I played the mandolin, Kimberly played the banjo. Our friend Damien played the fiddles. Kimberly: There is a bit of pump organ that was Jason. It’s cool because part in the album where that organ comes in is on “Sorrow”, and if you listen you’ll notice that its slightly flat compared to the other songs. This is because that organ was made in the 1800s and the tuning was different in those days, it was just a little bit lower than what we play in. So I had to tune my guitar down to that, and we just kind of jammed that. That jam of what we were doing is on the album. It was the first time I played those notes and sang those lyrics, it was also the first time that Jason hit those keys. It was really cool how it came out.  The album is all standard tuning, and then it drops down a little for this song, then we go back up again. That ended up being a producer’s call, Jason saying we are keeping this. I was like ‘wait, no, I have to really sing it’, and he was like ‘no, no, it’s perfect. This is what it should be.’

GA: The album Witches, has a bit of a horror theme with the Salem Witch trials, and your previous albums have a bit of horror themes throughout; can we expect another concept album in the future or collective like your previous works?
OED: Kimberly: I don’t actually consider Witches horror; I consider it more historical. The previous stuff I don’t really consider it horror, maybe it is. It just comes out like it does for me. To me Wednesday 13 is horror, they are all about the horror, they are doing the horror thing.

GA: You have kind of a tongue in cheek approach to it.
OED: Kimberly: We are just what we are, we are just silly.

one_eyed-doll-002

One-Eyed Doll by Andrew Bastion

GA: Correct me if I am wrong here but I read from one of your earlier interviews that you wanted to tour incognito kind of. Like touring as a local act to stay under the radar, if so how was that, and any bands you would like to mention?
OED: Jason: Something I like to do is book a lot of local bands when we tour. We headline and play all over the country, and rather than bring out 3 other bands with us. On the Witches tour we said no other bands are going to tour with us, we want to have three or four locals on the bill.
Kimberly: That was because that was our first headlining tour with the agency, so we wanted to access where we were at. We wanted to see how it would go without the other touring acts contributing to the draw. We wanted to see what our draw was, and we had more sold out shows on that tour than ever before. It went really well. We asked promoters to book some really awesome local bands and we will be there.

We love all of the bands that we worked with. Wednesday 13 is our headliner on this tour and they have been really, really, cool. Their music is fantastic and the visual stage show is glorious, I love it. I am really looking forward to Avatar tonight. Open Your Eyes are really awesome, we also toured with them on the Visions tour with Eyes Set to Kill.
Jason: We toured with a lot of bands over the years; Stitched Up Heart, Otep, Mushroomhead, Cold.
Kimberly: Mushroomhead. We did four tours with them, it was like 200 shows and I learned a lot from them. We up’d our production after touring with them, because we learned so much. They have a really great stage show. They were very influential on our stage show. We try to have a bigger production now because we were so inspired by them.

GA: Being you are a very visual band live, how do you come up with the ideas behind what is made and presented to the crowds?
OED: Kimberly: I don’t know, we just kind of mess around and write things out.
Jason: We get in the rehearsal studio and try things out. We think about what would be cool.
Kimberly: We ask our friends that have been with us. Last tour we had Mike on a lot of the production stuff, he was doing the lights so he would contribute ideas on how to set up the stage.  We kind of collaborate with our friends on what we should do too.
Jason: Our friend Ben is a stage manager, and he is really into scary props and stuff.  So when we do a Halloween tour like this, he is all about making sure we have lots of skulls and cool things.
Kimberly: He’s a lot of fun and has a great sense for aesthetics, because I can’t go out there and set everything up without sort of giving myself away. So I know he is going to go out there and make everything really cute.

GA: What is one thing you would want one of your fans to take away from a One Eyed Doll performance? Any special feelings or messages to convey to them?
OED: Kimberly: I just want them to smile, forget their worries for a few minutes and have a good time. That’s all it really means to us.

GA: I just talked to John from Avatar earlier and he said, ‘We are here to entertain, and we want our crowds to leave here feeling entertained.”
OED: Kimberly: That’s it totally.

GA:  What Kind of gear do you guys actually use? I like the tone you have on your amp.
OED: Kimberly: Thank you. It’s a Blackstar HT 100 Metal. My guitar is made by Tregan Guitars, it’s a boutique guitar company out of Pennsylvania. I have been with them for a long time, this is my signature line. It comes with Seymour Duncan Invader pickups. I use D’Addario strings.
Jason: I use Crush Drums, and Evans heads.
Kimberly: All of our endorsed gear is really awesome right now.

GA: The video you have for “Committed”, was that actually filmed in Centralia, PA? The back drop in it was awesome.
OED: Kimberly: Yes! It was freezing that day; it was right in the middle of December when we filmed.

GA: I bring this up because one of our photographers posted something on Facebook about wanting to take a trip to Centralia and it had a video. When I watched the video, it has a portion about the Graffiti road on there. Then when I was checking out your band’s videos I saw you filmed there, so figured it would be cool to ask about.
OED: Kimberly: We actually had to film very specifically so we wouldn’t get any phalluses in the shot, but a couple of them made it in there anyway. It’s just graffiti and whatever people put in there, we didn’t add to it at all. We left it as it was.

GA: So what’s next for One-Eyed Doll after this tour?
OED: Kimberly: Studio!!! I can’t wait to get back into the studio. We had a bunch of music pretty much ready to go when I made Witches happen, that is there. We had another album lined up to be released when Witches happened. We ended up putting Witches up front, so that one we are going to go back and reassess all of that. I also got all sorts of new material, so we are going to have to figure out how everything is going to go. We just have so many songs that haven’t even been recorded yet, so I want to spend winter in the studio. Off the road in a studio, and then we will have something fresh for you all shortly thereafter.

Andrew Bastion, Empire Extreme photographer extraordinaire chimes in: That would seem to be the safest route to go instead of traveling the states in the snow.
Kimberly: We don’t like to tour in the winter, it’s not safe. A lot of people get in bus wrecks, from what I have seen. So we really try to do spring, and fall tours, unless something big happens. That seems to be the best time for weather around the US. Summer is a bit hard as well because our AC always seems to want to go out, and we have to worry about vehicles overheating. We are kind of spoiled now that we have a bus with AC and bunks. So I’m not complaining by any means, but we like to play it safe, and stay safe while out on the road.

GA: Anything you would like to add?
OED: Kimberly: I hope you enjoy the show.
Jason: We still have over a month left on this tour with Wednesday 13, so I hope you all come and see us. We are going to be playing all over the country.

 

A big thank you to Kimberly and Jason for allowing us to talk with them. It was awesome to chat and meet such a talented group. I wish you well on the road and hope that you make it home safely. You can catch One-Eyed Doll on tour now with Wednesday 13 and Open Your Eyes, also be sure to check out their website www.oneeyeddoll.com for details on what is upcoming for the band.

About Author

Interviews

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

Published

on

By

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

About Author

Continue Reading

Interviews

INTERVIEW WITH KURT DEIMER

Ron

Published

on

By

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

About Author

Continue Reading

Empire Interviews

Inferious—Interview

Published

on

Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




About Author

Continue Reading
Interviews6 days ago

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Concert Reviews3 weeks ago

BRISTOW VIRGINIA TOOK A TRIP ON THE WILD SIDE… SHOUTED AT THE DEVIL. AND ENJOYED THE GIRLS GIRLS GIRLS. 

Concert Reviews1 month ago

THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

Concert Reviews1 month ago

THE EX-FACES ROCKED THE REVERB STAGE

Concert Reviews2 months ago

ICP’s Dark Carnival Brings A Night of Faygo, Fireworks, and Family to Pittsburgh

PGH Pride in the Pit Logo
Concert Reviews2 months ago

PGH Pride in the Pit: A Celebration of Community, Music, and Alt-Queer Culture

Concert Reviews2 months ago

KITTIE 30 YEARS LATER STILL ROCKS BALTIMORE 

Concert Reviews2 months ago

Wicked Clowns Take Over The Steel City

Concert Reviews2 months ago

North American Duel Tour featuring Jinjer w Crystal Lake and Entheos

Concert Reviews2 months ago

COLD WAS BACK IN BALTIMORE BUT THE HEAT HAD OTHER PLANS 

Concert Reviews3 months ago

L.A. GUNS COME BACK TO MARYLAND AND ROCK THE CROWD ONCE AGAIN.

Concert Reviews3 months ago

THE NORWEGIAN WITCHES INVADE BALTIMORE 

Concert Reviews3 months ago

MARYLAND HAS GOT THE MOVES

Concert Reviews3 months ago

Infected Rain brings the fun back into Baltimore 

Interviews4 months ago

INTERVIEW WITH KURT DEIMER

Concert Reviews4 months ago

Resistor – Live Review

Inferious preform live at Preserving Underground April 2026 By Josh Drespling
Empire Interviews4 months ago

Inferious—Interview

Concert Reviews4 months ago

THE MAINE: I LOVE YOU BUT I CHOSE: PITTSBURGH SHOW REVIEW

Announcement/News4 months ago

M3 2026 Preview

Concert Reviews4 months ago

40 YEARS OF HELLOWEEN SILVER SPRING MD SHOW REVIEW 

Interview4 months ago

SUCKERS FOR PUNISHMENT TOUR HARRISBURG PA 

Concert Reviews5 months ago

THE ZENITH TOUR

Things You May Have Missed

%d bloggers like this: