Interviews
An Order of Dischord An Interview with Coma Cluster Void
An Order of Dischord. An Interview with Coma Cluster Void members: Sylvia Hinz, Chris Burrows, Mike DiSalvo, Austin Taylor and John Strieder
An Order of Dischord
An Interview with Coma Cluster Void members:
Sylvia Hinz, Chris Burrows, Mike DiSalvo, Austin Taylor and John Strieder
Interviewed by: George Archibald
I first heard of Coma Cluster Void through a few extended range guitar groups on Facebook. Many people talking about them as they were going to change the scene of metal. This only added up the anticipation for CCV’s first full length Mind Cemeteries, released on August 26th. Mind Cemeteries, showcased a new take on what could be heavy and how music can flow. At times the band seemed to have a free flow take on the writing process, then to bring it back while hitting its listeners on the head with a sonic sledgehammer. I was very fortunate to have been contacted by the band to conduct an interview with all of them (Sylvia Hinz – Bassist, Chris Burrows – Drummer, Mike DiSalvo – Vocals, Austin Taylor – Vocals, and John Strieder– Guitars). I was very amazed at how much one band could be involved with so many different facets of music. Read for yourself, and you will understand what has made Coma Cluster Void what it is today.
GA: First off congratulations on the release of Mind Cemeteries. How has the reception of the new album been?
John: Thanks! The reactions were totally overwhelming. Also, to see that other great bands dig our stuff. and post about us. or congratulate us in messages … all in all, a great feeling!
GA: Coma Cluster Void has members that hail from Canada, USA and Germany, do you find it difficult to be able to work together due to the travel distances between members. How do you guys make it work especially for writing like Mind Cemeteries?
Chris: It isn’t difficult at all for us to communicate online. We are all passionate, driven, and easy going people that respect the overall objective of the music as well as each other’s talents.
John: This band also feels more like a family, and we can openly speak and criticize each other. For example, if I write riffs that suck, Sylvia kicks my ass, and if Chris writes drums that suck, I kick him. It’s a lot of kicking.
GA: The band has such an eclectic sound, what influences do you have that kind of helped to forge the path of Coma Cluster Void musically?
John: There might be a deep connection between my childhood and how I perceive art and music. My “parents” were cruel control freaks; they didn’t allow me any instruments, or other ways to spend time with music. My downtrodden past life made me see music as the only way to be free. If I see a “weird” Instrument, I don’t ask “why”, I want to make music with it. You can do music with anything. My first instrument, around 1997, was perhaps the first “djent stick” in history … made from a roof lath, an old wounded guitar string, two screw joints, matches as frets and a walk-man earphone glued to the wood as pick-up …
I remember as kid not liking the music that was on the radio, and the first music I ever liked was Techno (I think it was around the year 1990), especially the Detroit-Stuff. Music with a much darker vibe, and not tonal, and not consonant; created by just adding cool layers of sounds, without giving a f about 17th/18th century music theory.
Around the age of 16, I got to know almost at the same time Pantera, and Arnold Schoenberg. From then on, I discovered more and more extreme metal, and more and more avant-garde, and that’s where my heart lays. I became a composer, wrote pieces for fantastic musicians, and got premieres all over the planet. But in 2013, the time was right in my life to start a metal band!
Chris: Our eclectic sound is probably a result of each band member’s incredibly diverse influences and open mindedness. Perhaps partly responsible for our excellent online communication between myself and John, is our mutual interest for electronic music. We respond quickly through midi programming for drums, and bring a percussive edge akin to breakbeat to some of our riffs.
Sylvia: Being open to a lot of different styles in music – classical and non-classical – helps in finding a personal taste and mad sounds. Get inspired by your favorites, together with the idea of a perfect sound in your head, mix it up, put some spice on it, play it on your instrument – voilà!
John: I like to joke, that Coma Cluster Void is like the combination of Pantera and Schoenberg. Although there’s certainly quite some truth in that, it’s more like what those sparks have become during 20 years of making music.
In general, everything can be inspiring. The music of other cultures can be deeply inspiring, like the Banda Polyphony from Central Africa, or the electronic music of our own time, like Venetian Snares. I learned from the great composer György Ligeti, that you can strip the intellectual idea (or the “essence”) out of music and make it your own, without creating a stylistic copy or insulting “exotism”.
GA: Do you have any plans for touring or strings of shows in the future?
John: There are no plans yet. Bringing together five people from Oregon, Michigan, Montreal, and Berlin, each with their own commitments, on one stage seems to be an impossible task as of now … but never say never 😉
Chris: I’ve always considered live performance the most inspiring aspect of being a musician. I’ve taught drumlines for over 7 years, and love sharing my ideas and creative process.
I’d be more than happy to do drum clinics in the Detroit area, or anywhere that would have me!
GA: What other projects are the band members engaged in?
Sylvia: I have several ensembles, the most active ones are XelmYa (https://www.youtube.com/sylviahinzrecorder), (a trio with me on recorders, Alexa Renger on violin and guests on violoncello), and Umbratono (a mexican-german collaboration, consisting of me, and Antonio Rosales on bass clarinet, as well as guests on violin and violoncello). XelmYa can be heard on the ‘Prologue’, ‘Interlude’ and ‘Epilogue’ on Mind Cemeteries. I also do solo recitals, master classes, conducting, and other projects …
Chris: I drum for Detroit metal band, Thoren (https://thoren.bandcamp.com/album/brennenburg), whose second LP “Brennenburg” was mixed masterfully by John; also, XelmYa plays the last piece on this record, btw! 😀 I also have my own YouTube channel ( https://www.youtube.com/am3p1234 ) that I’m working on bringing more educational drumming material to as well as producing electronic pop in Wonderbox.
Right now, I’m working on “Steps to Falling Down“, a YouTube lesson series focused on ideas that help you sound like you don’t know how to play your instrument 😉
Mike: I am also in a Montreal based band called Akurion (https://www.youtube.com/watch?v=BakfZNGm4lY) with Rob Milley from Neuraxis, Tommy McKinnon from Conflux, and Oli Pinard from Cryptopsy. I have also recently participated in the collaborative band Conflux (https://www.youtube.com/watch?v=K4K7gRxYW50) with Tommy McKinnon and Chase Fraser from Decrepit Birth, and an array of Montreal based vocalists.
I am also doing another side project of acoustic based tunes with my wife Genevieve DiSalvo and Rob Milley playing acoustic guitars. Real somber, dark singer/songwriter tunes created on the spot, literally everything; lyrics, vocals, music, arrangements. The project is called Fireside Sessions.
John: Genevieve DiSalvo is also being heard on Coma Cluster Void, she did the spoken words in ‘Prologue’, ‘Iron Empress’, ‘Interlude’ and ‘Epilogue’. 😉
Austin: I make some other heavy sounds in projects called Dimensionless (https://dimensionless.bandcamp.com) and Selfdestructionist (https://selfdestructionist.bandcamp.com/releases).
John: Besides my writing of dissonant art music (https://www.youtube.com/johnstrieder), I focus completely on Coma Cluster Void. 😉
GA: What gear are you currently using for your main rig? If you have endorsements, please include them.
Sylvia: I play a Yamaha 5-String Bass, upside down due to being left-handed. I use DR Strings. I became aware of their brand through their Geezer Butler testimonial; who praised them because with these strings, he doesn’t get blisters anymore. I have super thin skin on my fingers, because my main instrument is the recorder, and for a classically trained musician, to practice is key. Well, that’s a lot instruments, from the small sopranino recorder up to the 2,45m high sub double bass recorder. 😉
John: I switched many years ago, to working in-the-box. The Agile 10-String is the only guitar I play. I’ve used Vovox protect cables, Focusrite audio interfaces and on Mind Cemeteries, La Bella strings, and most importantly damn cool looking Instrumental Pickups STFY3s for clarity on chords made of 7 or more different notes 😉
Chris: My main kit is a Pearl VBL Birch 5-Piece, equipped with Tama Iron Cobras, various hardware brands, Evans drumheads, Zildjian cymbals, Vic Firth sticks, Presonus FP10 and Shure microphones.
As I extend the search to look for new and interesting percussive tones, I am open to using different brands / endorsements. I suppose the brake drum I use is off a Ford! 😀
GA: What are your thoughts on the current metal scene with bands constantly thriving for the next ‘Heavy’ sound or thing? Where does CCV fit in with being what many call the next evolution of what is heavy?
Chris: Often I feel metal bands rely on tropes that become stale, and rearrange them instead of focusing on good songwriting. Even though I can respect the extremes, metal musicianship can reach, it often falls deafly on my ears if I can’t sense a dynamic flow.
John: Hard to say, we just want to make the best music we can 😉
Sylvia: I don’t listen to music which doesn’t catch me.
GA: What is next for Coma Cluster Void? Any plans for 2017 that you are looking forward to?
John: We are writing already on new material, and 2017 shall see the EP “Thoughts from A Stone”, which begins were “Mind Cemeteries” ended, and continues the story arc about the world of the “Iron Empress”!
GA: Anything you guys would like to add?
Sylvia: Thanks for the interview! Stay tuned for more CCV madness! 😉
I want to thank the band for such a great interview. I look forward to hearing new Coma Cluster Void in 2017!!
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Interviews
EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.
ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?
ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.
Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.
HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?
MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go.
WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?
MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?
ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!
In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?
MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.
As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.
The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?
ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.
MARK: The Prodigy and Peter Gabriel
FAVORITE GAME OF THRONES CHARACTER?
MARK: Don’t know, but I like the soundtrack.
ASRUNN: Bree Van De Kamp.
IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE?
MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.
ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE
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Interviews
INTERVIEW WITH KURT DEIMER

EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews
Inferious—Interview
by Josh Drespling
I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.
This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.
Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:



Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.
Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.
Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.
Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?
Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.
Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?
Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.
Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.
Shaun: We were just at the Grog Shop [outside Cleveland].
Cody: We were at the New Foundry not too long ago.
Empire: Oh, yeah, like upstairs?
Shaun: No, it is Foundry’s new location.
Empire: I’ve not been there.
Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?
Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.
Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.
Empire: So, it’s just like a big hang for you guys.
Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.
So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.
Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.



Empire: So do you currently have an album out? Where do you guys stand with that?
Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!
Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.
Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?
Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.
Empire: Cool. Filth tour, what’s after that?
Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.
You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.
Empire: I understand. Is this your first time in Pittsburgh?
Shaun: We’ve actually played Preserving. This is at least the fifth time.
We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.
Empire: AJ is great.
Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?
Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.
Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.
Kyle: I mean, it was my sister’s first time seeing us live.
Empire: What did she have to say? I mean, I’m sure she knew the style.
Kyle: Oh, yeah, she’s conditioned to it.
Empire: She’s not like a Britney Spears fan at a hardcore show?
Kyle: No, no, she’s by far not a normie, but close to it.
Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.
Shaun: See you next time.


Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.
That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.
What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.
That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.
Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.
Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.
You never know which opening band is going to blow your doors off.
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