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Primus/Mastodon Baltimore Show Review

Ron

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HERE THEY COME…HERE COMES MASTODON AND PRIMUS

On June 2nd 2018 at the newly named MECU Pavillon(formerly Pier Six) Primus and Mastodon rolled into town with a massive summer tour. I haven’t seen Mastodon since 2013 Mayhem Fest and Primus since the Antipop tour in 1999.

Opening up the show was All them Witches who are from Nashville Tennessee. Opening up with Dirt Preachers, All them Witches had a very interesting sound, sort of a mix of stoner rock and blues. I didn’t know much of this band but was surprised by them, they sounded amazing and all blended well with each other. All them Witches is a band to watch out for.

 

 

Mastodon was up next, if you haven’t seen Mastodon before you have for sure missed a great live band. Singer/guitarist Brent Hinds, Singer/Bassist Troy Sanders, Singer/drummer Brann Dailor and Guitarist Bill Kelliher are a force to be reckoned with. Mastodon music could be described as Sludge Metal with a little Progressive Metal mixed in. Opening up with Sultan’s Curse, Mastodon would be killing it all night playing 17 songs. Troy was a mad man on stage swinging his bass around and at one time was biting it, and Brent loves to play for the crowd and just shreds on the guitar. Most of the set was comprised from the latest album 2017’s Emperor Of Sand with songs like Steambreather, Show Yourself and Precious Stones. Mastodon also played fan favorites like Megalodon, and Sleeping Giants, they also pulled out the old school track from their first album Mother Puncher. Mastodon killed it and showed why they won the Grammy for Best Hard Rock Performance. At the end of the set, Brann came to the front of the stage and talked to the audience some and threw out drum sticks, when the show ended he was out by the busses taking photos with the fans.

Primus was up now and just Incase you haven’t heard Primus Sucks(don’t worry this is a saying that Primus has incorporated into meaning that you actually like Primus) opening up with the music from PeeWee Herman’s Big Adventure Clown Dream Scene, just set the tone before the band even hit the stage. Les Claypool came out and the crowd went nuts. Those Damned Blue-Collar Tweekers was on first and would get the crowd into even more. Primus coming off a new album The Desaturating Seven which is based off the children’s book The Rainbow Goblins. Primus played the full album in its entirety. Les wearing a cloak and rams head, and drummer Tim Alexander dawning a monks robe would play while in the background were illustrations of goblins and all types of fantasy elements. This album being a much different sound had mixed reactions from the crowd, some just sat down and enjoyed the music while others were still up and rocking out. The album is only 7 songs deep and about 35 minutes or so, but at times it did seem a little odd with how the night was, but with Les you know he’s going to be doing that anyway. At the end of those set of songs, Les would frolic off stage.

Primus then would get back to what the crowd wanted more heavier songs and more of Les playing the bass like a crazy man. Primus would go on to play a few of my favorite songs in a row, starting with Welcome to this World, which always makes me think of the movie Brainscan with Edward Furlong. Of course it can’t be a Primus show if the don’t play My Name is Mud, which just makes the crowd go into a frenzy and mosh and bounce around. Then came Jerry was a Race Car Driver which makes me just want to lose all control, probably one of my favorite songs. Primus would leave the stage and then come back on for a short encore of Here Come the Bastards, then just like that Primus and company left the stage and the lights came on.

Overall it was a great night of music, it seemed a little odd having Mastodon and Primus Tour together but somehow it worked and did well. I’m looking forward to seeing what these two bands will bring in the future and hope I’ll be there to witness it.

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Collective Soul “7EVEN YEAR ITCH” Greatest Hits 1994-2001 Vinyl 

Ron

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I’ve always been a big fan of Collective Soul and have been lucky to have seen them a few times. This band has always been in my music mixes since the 1990s.

The vinyl release is exactly what you would want for a greatest-hits album. All the best songs that collective soul had from 1994–2001 If you were a teenager or an adult in the 90s, you can’t tell me that you didn’t jam out to songs like “Shine,” “Gel,” and “December.”

With other great songs like “Heavy,” “Run,” “The World I Know,” and “Forgiveness,” This greatest hit album sounds amazing on vinyl as well. Craft Recordings has done a really great job of keeping the magic and sound of these amazing songs.

The sleeve cover has some cool photos of the band throughout the years. This vinyl just came out in Collective Soul fashion in December, and is ready to be part of your vinyl collection, and just brings you back to a great time in life. 

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Otep – Hydra 10th Anniversary Vinyl

Ron

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I received a copy of the album, and when I first opened it, the artwork struck me first. Otep has always been a great visual artist, with her amazing drawings and characters. I even have one of them tattooed on myself. When you see the artwork on this vinyl release, you will really be drawn in and appreciate the artistry.

The sound of this vinyl is amazing. It’s been years since I’ve listened to anything on vinyl and forgot how much I loved the sound of the medium compared to CDs and digital releases. I love the songs on this album because, as with all Otep albums, it has such raw power and emotions, mixed with the anger and beauty of Otep’s poetry. Otep is one of the greats.

The album starts off with the track “Rising,” and this initial song sets the tone for what you’re about to hear from the balance of the album. The standout tracks on this album have to be “Necromantic,” “Apex Predator,” “Voyeur,” and “Feral Game.” Over all, the album as a complete piece of art is amazing. I would encourage you, if you’re a fan of Otep or a collector of vinyl, to add this vinyl to your collection.

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WEDNESDAY 13: Performs Muderdolls Lititz PA Show Review

Ron

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Wednesday 13 came into Lititz, PA, on November 18th, bringing the music, or The MurderDolls, with him. Continuing the legacy of Joey Jordison and Ben Graves.

Wednesday 13 is on a tour now; that’s all MurderDolls. 21 years have passed since Beyond the Valley of the MurderDolls came out, and 13 years have passed since Women and Children Last was released. Wednesday and his bandmates are sharing the stage with Infected Rain and Gemini Syndrome on this tour.

The show was amazing; this was our first time covering a show at Mickey’s Black Box. The venue, the staff, and our media contact were so hospitable. The venue was amazing, with a cool balcony on the second floor to watch the show as well.

We got to hear a full set of 20 MurderDolls songs, which was pretty much every song on both albums. There were some songs I haven’t gotten to hear in a long time, like “Grave Robbing USA”, “Drug Me To Hell”, and “Summertime Suicide”. Of course, it wouldn’t be a MurderDolls show if they didn’t play “I Love to Say Fuck” and finish the night with “Dead in Hollywood.”

It’s always a blast to see Wednesday 13 in concert, and I was so excited for the band that a lot of these shows were sold out. It was also a special night because it was my GF’s “50th” birthday and my buddy’s GF’s birthday the next day. We got the MC of the show, Don Jamieson, to give them a little birthday shout-out.

Although it’s sad that Joey and Ben are no longer with us, I’m sure Joey is loving that Murderdolls is still kicking ass after all those years, and I know that Wednesday 13 is so appreciative of what MurderDolls has done for his career.

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