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Puscifer: Baltimore Show Review

Ron

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Puscifer brings the weird to Baltimore. 

On June 1st, Puscifer and Nightclub invaded The Lyric in Baltimore. Night Club opened, and it’s been a while since I’ve gotten to see them, but they always put on such a great show. Emily is a fireball on stage, and being in an opera theater makes it hard for her to interact with the crowd as much as she loves to. NightClub was a great way to get this night of music started off right.

Puscifer were the headliners this evening. I’ve had the opportunity to see and photograph every band that Maynard is currently a part of (Tool and A Perfect Circle), however this was my first chance to see and photograph Puscifer. Of course, it wouldn’t be a Maynard show without the signs all over the theater saying that the use of phones during the show is prohibited. I love it, though; people are enjoying watching the show and living in the moment.

Nothing can prepare you for a Puscifer show; I know they like to change the stage show every tour. This year we got a very cool scaffolding-type construction with the drummer at the bottom of it. The band members would work their way up and down all the varied levels.

I’m used to Maynard always being in the back of the stage for his other bands, but he came out front and center and was just so entertaining. I feel that visually and even vocally, Puscifer might be my favorite of the three bands now. Carina Round has a huge part in that; her vocals blended in with Maynard’s are a perfect harmony of bliss. 

In between a few songs and opening up the set, we got to watch some crazy videos giving history lessons about spam, celebrity cloning, and everything in between. The full stage show was a sight to see; it really draws you in, and Puscifer makes it easy to not have your phone in your hand while they play. The other “agents” that were on stage were also entertaining; the way they danced and everything else was amazing; they reminded me of the aliens from the 1980s movie Monster High.

I really had a great time at the show. It’s such a visually stunning tour to watch and I can’t wait to see Puscifer again in the future.    

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Collective Soul “7EVEN YEAR ITCH” Greatest Hits 1994-2001 Vinyl 

Ron

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I’ve always been a big fan of Collective Soul and have been lucky to have seen them a few times. This band has always been in my music mixes since the 1990s.

The vinyl release is exactly what you would want for a greatest-hits album. All the best songs that collective soul had from 1994–2001 If you were a teenager or an adult in the 90s, you can’t tell me that you didn’t jam out to songs like “Shine,” “Gel,” and “December.”

With other great songs like “Heavy,” “Run,” “The World I Know,” and “Forgiveness,” This greatest hit album sounds amazing on vinyl as well. Craft Recordings has done a really great job of keeping the magic and sound of these amazing songs.

The sleeve cover has some cool photos of the band throughout the years. This vinyl just came out in Collective Soul fashion in December, and is ready to be part of your vinyl collection, and just brings you back to a great time in life. 

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Otep – Hydra 10th Anniversary Vinyl

Ron

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I received a copy of the album, and when I first opened it, the artwork struck me first. Otep has always been a great visual artist, with her amazing drawings and characters. I even have one of them tattooed on myself. When you see the artwork on this vinyl release, you will really be drawn in and appreciate the artistry.

The sound of this vinyl is amazing. It’s been years since I’ve listened to anything on vinyl and forgot how much I loved the sound of the medium compared to CDs and digital releases. I love the songs on this album because, as with all Otep albums, it has such raw power and emotions, mixed with the anger and beauty of Otep’s poetry. Otep is one of the greats.

The album starts off with the track “Rising,” and this initial song sets the tone for what you’re about to hear from the balance of the album. The standout tracks on this album have to be “Necromantic,” “Apex Predator,” “Voyeur,” and “Feral Game.” Over all, the album as a complete piece of art is amazing. I would encourage you, if you’re a fan of Otep or a collector of vinyl, to add this vinyl to your collection.

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WEDNESDAY 13: Performs Muderdolls Lititz PA Show Review

Ron

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Wednesday 13 came into Lititz, PA, on November 18th, bringing the music, or The MurderDolls, with him. Continuing the legacy of Joey Jordison and Ben Graves.

Wednesday 13 is on a tour now; that’s all MurderDolls. 21 years have passed since Beyond the Valley of the MurderDolls came out, and 13 years have passed since Women and Children Last was released. Wednesday and his bandmates are sharing the stage with Infected Rain and Gemini Syndrome on this tour.

The show was amazing; this was our first time covering a show at Mickey’s Black Box. The venue, the staff, and our media contact were so hospitable. The venue was amazing, with a cool balcony on the second floor to watch the show as well.

We got to hear a full set of 20 MurderDolls songs, which was pretty much every song on both albums. There were some songs I haven’t gotten to hear in a long time, like “Grave Robbing USA”, “Drug Me To Hell”, and “Summertime Suicide”. Of course, it wouldn’t be a MurderDolls show if they didn’t play “I Love to Say Fuck” and finish the night with “Dead in Hollywood.”

It’s always a blast to see Wednesday 13 in concert, and I was so excited for the band that a lot of these shows were sold out. It was also a special night because it was my GF’s “50th” birthday and my buddy’s GF’s birthday the next day. We got the MC of the show, Don Jamieson, to give them a little birthday shout-out.

Although it’s sad that Joey and Ben are no longer with us, I’m sure Joey is loving that Murderdolls is still kicking ass after all those years, and I know that Wednesday 13 is so appreciative of what MurderDolls has done for his career.

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