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Scattered Hamlet Interview with Adam Joad AKA the Appalachian Apostle

Alcohol fueled, boot stomping, southern style, hard rock drenched in blues and distorted guitar riffs performed by a crew of the most likable and guys you ever could meet. Empire Extreme chatted with Adam Joad (vocals, harmonica & guitar) about all thing Shatter Hamlet and this is how it went.

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Scattered Hamlet

Scattered Hamlet Interview with Adam Joad AKA the Appalachian Apostle.

By Josh Drespling

1459203_10152895067696018_7211976684859933349_n

Alcohol fueled, boot stomping, southern style, hard rock drenched in blues and distorted guitar riffs performed by a crew of the most likable and guys you ever could meet. Empire Extreme chatted with Adam Joad (vocals, harmonica & guitar) about all thing Shatter Hamlet and this is how it went.

Josh: Scattered Hamlet recently released the video for Swamp Rebel Machine. That was kind of the story of the band. Can you elaborate on that being your story?
Adam: Yeah. It’s kinda all [of] our stories. You know, we all came from small towns across the U.S. and we travel around – 100 shows a year – and tour. We refer to ourselves sort of as the Swamp Rebel Machine, you know? A lot of the lyrics are autobiographical reference things we have done, places we have been and that kind of stuff, you know. (Laughs).

Josh: Cool, cool. The album is coming out this fall… sort of, kind of… is that time frame?
Adam: That’s the plan, buy always subject to change.
2100820_origJosh: (Laughs). It’s been about three years since the previous one. Why so long? What’s the delay? Come on, guys!
Adam: You know, well, it was just one of those things. We had the tunes out for a while; the album’s been recorded for probably a year. We are trying to make good business decisions. So, yeah, we’ve been pouring a lot into it and we didn’t want to put the album out there and get hurt. We wanted to make sure it got to the most people as possible. If that meant waiting a little bit that’s what we were gonna do.

Josh: Awesome. That’s what you gotta do man, right?
Adam: Yeah, yeah. It’s weird.  The industry is weird right now. We got to work with a lot of really good folks and do something we’re extremely proud of and we didn’t want to go ‘Here it is.’ We wanted to make sure we got it out their properly. That’s all.

Josh: You were mentioning the people you worked with. I know you worked with Jay on this one and who else was involved?
Adam: Yeah, Jason Donaghy and Jake Delling Le Bas. They were the two main producers. Jay and our drummer, Jacob, go way back. They both actually grew up in Ireland and they have been friends for a long time. Jay and Jake they’re kind of a like a production team. They work out of a studio called Corporate Sound. It’s up in the Hollywood Hills. They wanted to help us capture what we do live, ‘cuz we felt we really had to capture that live experience and so they basically made sure we had everything at our disposal to do it right.  We got to record the main tracks of the album live at a place called NRT Studios, which is where they did the last Motorhead, the last Lamb of God. So, yeah, you know, we had everything we possibly needed. If the album is bad, it’s 100% our fault.(laughs) We had everything at our disposal to make a great record. 

Josh: So, how does the new, yet to be released, album differ from Skeleton Dixie?
Adam: It’s a natural progression for us? We’ve all been playing together for a long time now. There’s synergy between the band members, the songs are tighter, the musicianship is better – like it’s a lot better. You know, that’s how I see it.
Josh: (Laughs).
Adam: But it’s a logical progression, too. It’s not like someone’s gonna hear it and go ‘it’s a total different – it’s different than the last one.’ I mean, we do what we do, we’re just getting better at it.

10514572_10152724046421018_900488746217454797_nJosh: It sounds good so far from the one song I heard. It’s tighter sounding – it’s just – I hate to say, it’s more mature. Now that’s the typical journalist kinda thing, but it’s just a fuller sound. You know what I mean?
Adam: Yeah, it’s more accurate. We turned it down a bit. We learned a lot of stuff. We always knew how to be a live band, we just didn’t know how to be a studio band. We turned down the distortion and worked more on the sound. I actually recorded the vocals at my house in Houston, PA.  They flew out there, I stayed at the casino. (Laughs). Worked with me at the little bunker there. It was cool – much more comfortable for me.

10689920_10152895058491018_3556964443655701101_nJosh: You mentioned playing live. You just did some shows with Blackfoot and even one with Quiet Riot. How was that?
Alex: Well, Quiet Riot canceled. That was –
Josh: Oh, really?
Alex: You know, that wasn’t very awesome.
Josh: (Laughs).
Adam: You know, when that happens, that’s where you lose all the money. (Laughs).
Josh: Yeah. Was it the day of that they canceled? Or at least you had some notice?
Adam: Yeah, yeah, yeah. The day before, it was really the night before. That was pretty awesome. I don’t know if it was twenty-four hours. It sucked. That was a very… you know… yeah. Bigger bands have a luxury of doing that. For us younger bands that are on a smaller level cancellations really sting.  And being a big fan of them, too, it was going to be a pretty cool experience. But Blackfoot, we got to play a few dates with them and that was pretty cool. Really nice guys. All their stage hands are all Skynyrd roadies and techs, so that’s pretty amazing.
Josh: I’m sure they had stories to tell, too.
Adam: Oh, yeah… yeah. It was good. They fed us really well and that was just a good experience all around.

Josh: Well, that is awesome. Could you tell me about the Hell Riders?
Adam: Yeah, that’s just something the fans started making. We as the band doesn’t have anything to do with that. People are calling like ‘I want to start a Hell Riders chapter.’ And I was like ‘cool – we’re not a biker club.’ We appreciate the support – that’s pretty cool. It’s flattering, it’s humbling, and it’s a cool thing, but they operate it completely independent from us.

Josh: It’s cool to have that built in network of fans across the country already.
Adam: Oh, yeah. It really is. Start out being like we have and not being packaging with too many bigger bands. We’ve been doing a lot by ourselves. We really built from the ground up there and it’s been pretty amazing so far. I think we sort of have a niche appeal that goes along with that.

Josh: Is there a back story to your band name? Where did that come from?
Adam: Yeah, it’s actually – I was reading a civil war book.
Josh: Ohhh.
Adam: It’s the title of a chapter. They’re small communities – mountain communities – little places called hamlets. So I named the band that. It fits the band, but at the same time, most people don’t get it. So, in hindsight, I probably should have done something more obvious. (Laughs). People are like ‘Is that a Shakespeare reference?’ No, not at all. It is what it is.  There are better band names and there are worse ones.

Josh: Ok you gotta level with me. Who in your band is the biggest drinker?
Adam: (laughing) Definitely not me. Jake our drummer, he will never pass out, even long after he should have. It’s fascinating. He becomes a completely different person that we named Bean Dip. So whenever Bean Dip comes out it’s pretty amazing. We even have fans come out and hold up Bean Dip 3:16 signs.
12965703_234194823602764_1012726083_nJosh: That’s too funny. I gotta know about all the nick names you have. Give me the stories behind them.
Adam: Oh. I’m just bad with names, so I make stuff up and they end up sticking for better or worse. I’m a outdoorsman kind of person, maybe like a mini Ted Nugent. People were always like “You’re the Appalachian Apostle”. I said “I’m taking that one!”

We also have The Old Kentucky Bastard, which is obviously a take on The Old Dirty Bastard from Wu Tang Clan. Jake is from Ireland, so we named him The Irish Thunder. Adam is from Ottawa Illinois so he got the name Chicago Bootlegger. Yeah, so I change them, it’s funny.

13895509_10154415476001018_4987186757144027784_nJosh: I saw a picture of you. It looked like you were backstage a KISS show. Looked like you were trying to steal some guitars.
Adam: Oh yeah! I got to wear Gene’s bass and play it. I got to check out all the guitars and stand back on the drum riser. For me, I was losin’ my shit. I was standing there and there was Paul Stanley. I know he was probably looking at me like “Who the fuck is this guy?” It was pretty awesome. You know people hate on Kiss but they are the blue print for the area rock and how it’s done. Kiss is what got me. They were the first thing I saw and I was like “I like everything about this.” I take a lot from Kiss, so I was pretty honored to go back there and hang out.
Josh: How did that come about?
Adam: On the first album, Skeleton Dixie we had three guitar players. You know, Skynyrd style. Our one guitar players stopped touring with us and now he is Gene Simon’s bass tech. We had a day off and were able to catch up with him and got to go back and see all the Kiss stuff. It was pretty rad.

Josh: You mentioned Kiss being an influence on you, but can you give those who have not heard the band a kind of description of what you sound like.
Adam: I say if your mixed Motorhead and Skynyrd. We’ve got that punk rock and aggression, but we like our guitar harmonies ala Southern rock. We call it Honkey Tonk Metal.
Josh: The one description I read was “Honkey Tonk metal like you took a handful of cheap trucker speed and headed out on the warpath.”
Adam: (Laughing) Yeah. That’s pretty much it. Again, that is one of our stories too. I started out on a conventional career path. At one point I just sort of lost it. I said fuck it; I’m not doing this anymore. This was back when you could get ephedrine over the counter. I took a handful of that and drove as long as I could until I gave out and ended up somewhere in the mid-west.
Josh: That’s awesome.
Adam:
(Laughing) I wouldn’t say it was awesome.
Josh: Ok, interesting then.
Adam: Yeah definitely, that is fair enough.
167545_10150122802511018_3171931_nJosh: Do you guys have any more project going on? Tour plans, videos coming out?
Adam: Yeah, when the album comes out we have a song with a video ready to go for it. It’s called “White Trash”. It’s just funny and a way to laugh at yourself. As you know were are not very P.C.. We thought about releasing that first, but everybody is uptight and there is a lot of tension right now. So we didn’t think that it was necessarily the tune to go with.
Josh: Its kind of funny that you mention that. One of my questions that I kind of skipped over was “Have you been following the election and what are your thoughts on all of that?”
Adam: Yeah man… ya know what. This is what I think right here. With all the people in the United States and those are the two people that we came up with. That is just fascinating to me. That just blows my mind.
I don’t really talk much about politics, but the country is so divided and I hate that.  We don’t see it as much on the road and I feel people are way more connected through music and similar things than the media would want you to believe. The media jumps on these stories and make it seem like everybody is fighting in the streets and that there is complete chaos. I have been to probably 25 states in the last three weeks and that’s not at all what’s going on.  But that’s what sells stories and makes people click.  We talk to people from all different demographic and they have way more in common than this separation.  Its just a cluster-fuck for lack of a better term.

Josh: Back to the original question about the video and tour plans etc.
Adam:
Yeah. We are at the point that we don’t know if we are going to sign to a label. We all grew up as punk-rockers so the whole Discord model is appealing to us. Then on the other hand we could go the conventional route and sign with a label.  All good problems to have, but we are just trying to make good decisions. Sometimes I don’t know what a good decision is, but I just want to get the music out there.

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Interviews

EIHWAR COME TO BALTIMORE TO BRING THE VIKING WAR TRANCE

Ron

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IVE BEEN SUPER EXCITED ABOUT THE UPCOMING TOUR FOR EIHWAR. I FOUND THEM ON THE INTERNET AND THEY BLEW ME AWAY WITH THEIR VIKING/FOLK/PAGAN MUSIC MIXED WITH ELECTRONIC. EIHWAR WILL BE COMING TO THE RECHER IN TOWNSON MARYLAND ON AUGUST 30TH. EMPIRE EXTREME GOT TO ASK THE DUO A FEW QUESTIONS BEFORE THE SHOW.

ARE YOU EXCITED ABOUT DOING YOUR FIRST AMERICAN TOUR? ANY AMERICAN THINGS OR PLACES YOU WANT TO EXPLORE?

ASRUNN: For now, I have to admit I’m still completely stunned. I’m not excited or imagining it yet at all. Right now, I feel like I’m about to go to a country that only exists in TV shows, so I’m still kind of wading through disbelief.

Once I’m actually there, though, I’ll probably start talking way too fast and way too loud, and I’ll want to go way too everywhere.

HOW DO YOU EXPLAIN VIKING WAR TRANCE AS A GENRE OF MUSIC?

MARK: Viking War Trance is basically what happens when you mix Nordic folk influences, tribal rhythms, electronic music and something much more primitive and aggressive. We wanted music that makes you want to dance, fight and enter some kind of trance at the same time. So instead of trying to fit into an existing genre, we just called it Viking War Trance. And about the word “war”: it’s not a war against others, but a war against ourselves. Against our rigidity, our limiting beliefs, our fears. Victory is letting go. 

WHAT CAN FANS EXPECT WHEN SEEING THE BAND LIVE?

MARK: Our concerts are much more physical than people sometimes expect from listening to the albums. We want people to dance, scream, jump, crowd surf and completely lose themselves for an hour. It’s somewhere between a concert, a rave and a pagan ritual, but with a lot of joy. “Joyful chaos” is the word that Asrunn often use.

WHAT WAS IT LIKE PLAYING HELLFEST AND WACKEN?

ASRUNN: It’s basically spending an entire hour on stage thinking, “Seriously, what the hell am I doing here? This makes absolutely no sense,” and then, the second it’s over, thinking, “Fuck, that was WAY TOO SHORT!”, hahahahaha!

In reality, it’s a mix of intense concentration and this explosion of joy inside when we manage to bring such a huge crowd into our madness with us. It’s as if, all of a sudden, we’re no longer men and women, but one human tribe, united by joy and raw energy.

HOW DO YOU FEEL THAT YOUR STYLE OF VIKING MUSIC AND IMAGE DIFFERS FROM OTHER VIKING AND FOLK METAL?

MARK: What sets us apart from folk metal is simply that we’re not metal. We don’t use distorted guitars or acoustic drums. As for pagan folk, I think the differences are pretty obvious too. Most pagan bands take a fairly ceremonial approach, resulting in atmospheric, ambient music. Some of them are even very serious. From our point of view, seriousness is a symptom of bad digestion. We prefer to fool around.

As for the peace you find in atmospheric ritual music, we don’t know much about it. Asrunn, our leader, is nothing like a priestess in a linen dress singing with butterflies in the forest. She’s living anger. Our music is joyful and brutal, primitive techno made to dance to until the end of the night.

The biggest difference is also, and perhaps above all, harmonic, in the musicological sense. With ancient instruments, it’s difficult to modulate frequently or to play every note in every octave. We use machines, and that gives us much more freedom to create melodies and chord progressions that evolve constantly and are far more pop-oriented than ancient instruments would normally allow.

DREAM TOUR: YOU CAN GO ON TOUR WITH ANY 2 OTHER BANDS, WHO DO YOU CHOOSE?

ASRUNN: MmmmdzgebhfugzFDBZueisfg that’s WAY too hard to choooooose HAAAAA! I’d say……….. NIN and… well, Sofia Isella, lately. She’s tooooooo good to be true.

MARK: The Prodigy and Peter Gabriel

FAVORITE GAME OF THRONES CHARACTER? 

MARK: Don’t know, but I like the soundtrack.

ASRUNN: Bree Van De Kamp.

IF YOU COULD RESURRECT ONE HISTORIC VIKING WHO WOULD IT BE? 

MARK: Honestly, my memories from that time aren’t clear enough for me to really know. But I was very fond of the monk Eadwig of Durham, and I’d be curious — and happy — to see him again.

ASRUNN: Lagertha, to prove to Mark that he’s wrong when he says she had bigger boobs than me.

IF YOU HAVEN’T BOUGHT UR TICKETS YET GET THEM HERE

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INTERVIEW WITH KURT DEIMER

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EMPIRE EXTREME GOT TO INTERVIEW KURT DEIMER ABOUT THE NEW ALBUM “A GROG IS BORN” HIM WORKING WITH GEOFF TATE AND JOSH TODD AND BEING KILLED BY MICHAEL MEYERS AND HORROR MOVIES

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Empire Interviews

Inferious—Interview

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Inferious preform live at Preserving Underground April 2026 By Josh Drespling

by Josh Drespling


I was at Preserving Underground to cover Filth and Resistor. I was all set with my photo pass and cameras at the ready. And then this young band exploded onto the stage. No grand entrance, no intro music, no flashy lights—just a wall of noise from the first guitar chord and a guttural growl that seemed to come from somewhere below the floorboards. I was blown away. Thoroughly impressed.

This band was Inferious, out of Dayton, Ohio. If you look up the word “inferious,” most dictionaries will tell you it means something low-status, submissive, or fit for sacrifice. But this Ohio metalcore outfit Inferious has spent the last several years proving that definition couldn’t be more wrong. Tonight in the basement of a converted church, Inferious delivered raw, sweat-soaked fury to all who were smart enough to show up early.

Before their set was even half over, I made up my mind that I had to talk to them and let our readers know about this band. Here is how it went:

Empire: This was the first time I have ever seen you guys. I’ve heard your name before but never had the chance to listen. The show tonight was freaking awesome. I loved it from the first few notes. The vocals and the guitar tone just hit ya right in the chest.

Since I am a new fan, can you give me the nickel tour of how you came together and I understand you are from Dayton, Ohio.

Shaun O’Shaughnessy – Guitarist: I live in Dayton, and the original band members all formed in Dayton, but it was kind of a collage of multiple band folks. People from the southwest Ohio area. Gabe [McQueen – vocals] and I were there at the beginning, and then through some line-up changes, this is our current and most solid touring line-up so far with Cody and Kyle. They also are from the area and have been in several bands. So they were always in the same circles, at the same shows, talking to the same people. It all worked out one day.

Empire: Given that, it seems like there is a healthy music scene in Dayton. Are there any good clubs, any fields to play in?

Shaun: It’s hard to say Dayton, Ohio, specifically so much as just southwest Ohio because of the way that Dayton, Columbus, and Cincinnati form like a little triangle. You’re only an hour apart from each other. So we can get into that larger music scene pretty easily. So Dayton itself has venues, but the whole collective area has stuff. There’s some house venues, like Gnome House, there’s Bob’s, but then Cincinnati has Madison Live, and Design Collective [DSGN CLLCTV] was doing shows for a while, but I think they got in trouble.
Cody: Yeah, it some code stuff.

Empire: I think there are a couple decent places in Akron, and even across the border is Huntington, WV?

Shaun: Yeah, that area still does have sick stuff. It’s just farther away from our personal local scene. Cleveland is kind of separate from us too.

Cody: That’s not necessarily our scene, but there is such a good underground local scene from the Huntington / Athens / Charleston area. Shout to Feverwar.

Shaun: We were just at the Grog Shop [outside Cleveland].

Cody: We were at the New Foundry not too long ago.

Empire: Oh, yeah, like upstairs?

Shaun: No, it is Foundry’s new location.

Empire: I’ve not been there.

Shaun: It looks basically like the old one, but it’s new.

Empire: You mentioned the Grog Shop. Were you guys there with Filth and Resistor?

Shaun: Yeah, we’ve been on tour with Filth and Resistor. The first half of the tour had Two-Piece on it; we missed them, but now Mono’s [Monochromatic Black] on for the second half, and they’re homies.

Gabe and I toured with them in Inferious a couple years ago with band called AMTAE, and Monochromatic Black. So, those are long-time homies as well. So, we’ve known Tanya [Elizabeth (Beickert) – Vocals] and Eddie [DeCesare – Drums] for a long time, and Pierce [Akers – Guitar] is our new best friend as well.

Empire: So, it’s just like a big hang for you guys.

Shaun: Yeah, all the homies are back. We’ve toured with Filth before too; we were out with them on the Oceano tour, and then actually a year ago, I think like right now, like today a year ago, we toured with Filth also. So, it’s Filth and Oceano, and then Filth again.

So, it’s been fun to have a full circle of friend hangs, and every night’s been sick. The show turnouts have been amazing, and then just hanging out with all our friends has been amazing.

Empire: That’s part of what makes it fun. Whether you have 50 people or 1000, you have that camaraderie and shared experience.

Empire: So do you currently have an album out? Where do you guys stand with that?

Gabe: We have music out everywhere, on all music platforms: Apple Music, Spotify, Google Play, and YouTube Music. Shit, if you even got to rip that shit, YouTube to MP4, do it, man!

Shaun: We got your back. We got three full lengths and an EP. We are working on a new EP with a label we’re signed to that we’ll announce here soon, but that’s going to be really exciting stuff, and just stoked to be able to get that out soon.

Empire: Cool. So don’t say the label name, but your deal is in place, and then the new album in the fall, winter, spring?

Shaun: Yeah, the EP should be coming out sometime this year, if all the schedules align and everything, but that’s in the works.

Empire: Cool. Filth tour, what’s after that?

Shaun: Finishing up the EP. Record release cycle, and then hopefully touring in support of that. Whether it’s co-headlining with somebody or doing some more support stuff, we’re down for whatever. Hopefully we can fill up the rest of the year.

You know, touring is hard financially, so while we’re able to still make ends meet on the road, it’s hard to pay all the bills, so we’ve got to go home, stack our bread back up, and then be ready to go back out again.

Empire: I understand. Is this your first time in Pittsburgh?

Shaun: We’ve actually played Preserving. This is at least the fifth time.

We played the DIY room, we played this room, this orientation, we played this room when it was facing the other direction. AJ, the owner, has been good to us. He is a rad dude.

Empire: AJ is great.

Shaun: The record shop and merch store upstairs is sick, I just bought a shirt, a Never Ending Game shirt, because we have to do a laundry soon, and I bought a shirt to extend one more day to get through.

Empire: Anything you guys want to add, anything going on? Shameless plugs?

Shaun: This has been a kind of sick tour, because I think we’ve all got to see family members. Gabe’s dad dropped him off, so we got to see Gabe’s dad. We got to go get breakfast with my mom and some family, I saw my aunt. Cody’s mom let us stay at her crib, and we got to hang out with her and his family. Kyle’s family came out last night and hung out, and that was pretty sick, so it’s been a good time.

Empire: Kyle hasn’t said anything, so tell me about your family coming out and seeing the show.

Kyle: I mean, it was my sister’s first time seeing us live.

Empire: What did she have to say? I mean, I’m sure she knew the style.

Kyle: Oh, yeah, she’s conditioned to it.

Empire: She’s not like a Britney Spears fan at a hardcore show?

Kyle: No, no, she’s by far not a normie, but close to it.

Empire: Thank you, gentlemen. That’s all I have today. Appreciate it, and thanks for the show. It was great; loved it.

Shaun: See you next time.

Before that night at Preserving Underground, I’ll be honest: Inferious was just a name on a show flyer. Another opening band before the acts I actually came to see.

That’s the thing about this level of heavy music. The headliners get the lights, the longer set, and the crowd that’s already warmed up. But the openers? They get twenty-five minutes, a soundcheck that barely counts, and a room full of people who are mostly looking at their phones. Inferious didn’t just overcome that. They incinerated it.

What struck me most, sitting down with Shaun, Gabe, Cody, and Kyle after the show, was how unpretentious they were. No egos. No rock-star posturing. Just four guys from southwest Ohio who’ve been grinding in the same circles, playing the same basement venues, and slowly building something real. They talked about the small venues with the same reverence other bands reserve for stadiums. They shouted out Feverwar. They bought merch from the shop upstairs to make it through one more day on the road.

That’s the part you don’t see from the crowd. The financial grind. The van trouble. The “stack our bread back up” reality of modern touring. And yet, here they were—genuinely stoked to have seen family members at shows, genuinely grateful for AJ at Preserving keeping the doors open for underground bands, and genuinely excited about an upcoming EP they couldn’t even name the label for yet.

Inferious may have a name that suggests something low-status, something sacrificial. But after watching them level a converted church in New Kensington, and after listening to them talk about their scene with the easy confidence of people who have nothing to prove, I think the definition needs an update.

Check them out on all the streaming platforms. Catch them when they roll through your town on the next tour. And for the love of God, show up early.

You never know which opening band is going to blow your doors off.




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