Concert Reviews

SHINEDOWN: DANCE,KID,DANCE TOUR:PITTSBURGH REVIEW

Published

7 months ago

July 28, 2025

As the summer concert season winds down in these final days of July, a few major tours are still delivering powerhouse performances. Among them is Shinedown’s “Dance Kid Dance Tour,” which is showing no signs of slowing down, thanks in no small part to the formidable support from Morgan Wade and Bush.

Kicking off the night was Morgan Wade, the rising artist from Floyd, Virginia. Since her acclaimed 2021 debut, Reckless, she has built an impressive catalog. Her set was a compelling mix of her own fan favorites like “Roses” and “The Night,” punctuated by a stunning cover of Radiohead’s “Creep.” The Pittsburgh date on July 22nd was marked by the sad news of Ozzy Osbourne’s passing. Wade honored the “Prince of Darkness” by weaving a guitar solo into her closing song, “Wider Days,” and wearing a tribute shirt. For those unfamiliar with her work, Morgan Wade is an artist well worth discovering.

I’ll admit it might be an unpopular opinion, but Bush had never been a band I sought out on my own. That changed completely after this performance. They played a set of blistering classics, including my personal favorites “Machinehead,” “The Land of Milk and Honey,” and the inevitable, crowd-thrilling “Glycerine.” The spectacle reached its peak when frontman Gavin Rossdale went rogue, vaulting the barricade and moving through the entire floor crowd to reach the first-tier balcony—a moment you truly had to see to believe. On a special note, drummer Robin Goodridge brought an incredible, infectious energy that was written all over his face. The band also paid their respects to Ozzy, closing their set with a tribute performance of “Flying High” and “You Can’t Kill Rock and Roll.”

Then, the headliners took over. Shinedown opened with a brilliantly theatrical bit: stagehands brought out a figure with a television for a head, flipping through channels before the screen cut to static. From there, frontman Brent Smith emerged at the front of the stage to launch into the tour’s titular anthem, “Dance Kid Dance.” What followed was a masterclass in arena rock, spanning their entire career with hits like “Cut the Cord,” “The Crow and the Butterfly,” and “Monsters.” The night featured a tour debut for “Dead Don’t Die” and a poignant cover of Lynyrd Skynyrd’s “Simple Man,” during which bassist Zach Myers seamlessly incorporated a snippet of Ozzy Osbourne’s “Mama, I’m Coming Home.” As a photographer, I must also applaud their use of pyrotechnics, which kept the crowd’s energy at a fever pitch. Any time Shinedown is in town, I’ll be first in line for a ticket.

To close, on behalf of both myself and my Empire Extreme family, I extend our deepest condolences to the Osbourne family. We wish them peace and comfort, and I, for one, will never stop playing Ozzy’s music loud and proud.

About Author

Shelby Tyce

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Concert Reviews

DARK WINTER TOUR:BALTIMORE SHOW REVIEW

Published

1 month ago

January 26, 2026

Ron

LORD OF THE LOST AND WEDNESDAY 13 CAME INTO BALTIMORE MARYLAND OR AS LORD OF THE LOST SINGER CHRIS HARMS CALLED IT BALTIMOST..

WEDNESDAY 13 opened and had a killer set. It’s tough when you have such a great spanning career to choose which songs to play, but Wednesday nailed it. From new to old, the band played a ton of great songs and got the crowd hyped and ready for a night of kick-ass music. When between band breaks,outside, I was outside and a guy who has never seen Wednesday 13 before was like “I’ve never seen an opening band, with so much energy and having the crowd pumped up like that before”. We got to see Wednesday throw out some plastic spiders from a Halloween pail,say… and this time his umbrella didn’t break when he performed “I Love to Say..Fuck”.

Lord of the Lost came to Baltimore last year and was super amazing and such a great show that I was excited to see them again. They did have a member of the band missing; their bassist was taking time away from the band to focus on his own mental health, which I applaud because in a world of music and entertainment we lose too many people who are afraid or ashamed to work on their mental health. This was the first day of the tour, and not knowing what song was gonna be played was kinda thrilling, but I knew that at one point that Wednesday 13 would come back on stage and play “I Hate People” which is the latest single from Lord of the Lost. The band sounded amazing, and I loved their cover of “She’s Got the Look.”

Overall this was a great day for music and such a great show. Go out and check it when they come to your city and just enjoy seeing live music.

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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Concert Reviews

Let’s go back to 2000’s Ozzfest with Darkest Hour, Bleeding Through and God Forbid.

Published

3 months ago

December 19, 2025

Ron

DC’s Hometown Hero’s Darkest Hour came to the Filmore in silver spring Maryland to celebrate 30 years and not only did they kick some ass the made us go back in time to a killer lineup of bands.

God Forbid celebrating the anniversary of “Constitution of Treason” opened up the show and got the crowd rowdy. It’s been years since I’ve seen God Forbid but I remember all those tours and ozzfests when they played and always kicked so much ass. The band still sounds great and singer Byron Davis still looks and sounds amazing. We got to hear songs like “The End of the world” “The lonely dead” and “under this flag”.

Bleeding Through was next up and they were celebrating the anniversary of “The Truth” and throwing a few extra songs from previous albums and new material. Brandan still puts on a hell of a show and always finds a way to hurt himself at shows I’ve seen him perform. In Pittsburgh years ago he stepped on a water bottle and fucked up his ankle and 2 seconds into this show he almost fell straight off the stage. But that didn’t stop him from getting off the stage jumping in the crowd and killing such a great set. Then you add bad ass keyboardist Marta to the mix and this is why I’ve always loved this band. We got to hear songs like “Love in slow motion” , “Line in the sand” and “Love lost in a hail of gunfire “ the crowd went crazy.

It’s been years since I’ve seen Darkest Hour too, I always remember those tours and seeing them with so many kick ass bands, it’s crazy to think they they have been together for 30 years and still bring it to the stage. I loved the energy and fun the band has on stage, loved the intro from a guy in a tux and also loved that the fans were engaged the whole set. I got to hear some great tunes like “The Sadist Nation”, “ Sound the surrender” and “Knife in a safe room”.

This small 3 date tour was great and put me back into the days when I was younger and listened to some great metal.

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Ron

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Concert Reviews

All Time Low: EVERYBODYS TALKING TOUR

Published

3 months ago

November 30, 2025

Kylie Thomas

The appropriately named “Everybody’s Talking” tour from All Time Low featuring Mayday Parade, Four Year Strong, and The Paradox was one of true pop-punk nostalgia. The stop over at UPMC Events Center on November 19 was a must for any fan of the year 2005. Being able to see some of the top names in this genre all with a room full of old-school emo kids is a blessing on its own.

Opening the show first was newer band The Paradox, a mix of core pop-punk anger and modern hip hop nuances. Think heavy riffs over more melodic vocals that float over top.

Four Year Strong, a band more on the hardcore side, follows this up with a pit for the ages. It’s a time for moshing to begin as the members take the audience through years of heavy breakdowns. These guys are a throwback for the ones who always went to Warped Tour.

The third opener, Mayday Parade has the power to pull together an entire crowd just by playing their hits “Jersey” and “Jamie All Over.” This band has been around the scene for a long time and there’s no doubt you’ve heard a song or two of theirs on the radio. Their energy is infectious from singer Derek Sanders to guitarist Brooks Betts and all the rest, too.

At the end of the day though, it’s obvious this crowd is here to see all eras of All Time Low come to life. After 22 years together, there are many layers to this band but their set manages to hit on them all. Whether you’re there for the songs from the beginning years like “Time-Bomb” or brand new ones like “SUCKERPUNCH,” you’re bound to hear something you like. One of the best parts of an All Time Low concert though is the party vibe. Alex Gaskarth, Jack Barakat, Zack Merrick, and Rian Dawson all carry an energy that’s similar to walking down Fremont Street in Vegas. It’s all flashy lights, big personalities, and good times. But, don’t be led astray, there are tender moments as well. It all creates a story of love and heartbreak alongside the highs and lows of life.

The “Everybody’s Talking” tour from All Time Low is one that chronicles their history. It’s a show that reminds audiences of their place in pop-punk and a chance for these audience to disappear back to high school again when all that mattered was eyeliner, CDs, and hair dye.