Concert Reviews
The Pain Remains Tour:Pittsburgh Review
As the packed crowd waited to enter The Roxian Theater in McKees Rocks on the last US date of The Pain Remains tour you could feel an energy in the air. People were lined up and down the block eagerly awaiting a chance to see their favorite bands perform tonight. What a show they will see, a list of all killers for the night with headliners Lorna Shore, and guests Aborted, Ingested, Angelmaker, and Ov Sulfur; it would be a headbangers and moshers paradise for the night. Each band has their own distinctive take on death metal and deathcore; from heavy slams to intricate melodies, and even blistering solos, all ends of the spectrum would be covered tonight.

Ov Sulfur took the stage first. Lead by Vocalist Ricky Hoover, formally of the band Suffokate brought their style of blacken deathcore to the Pittsburgh crowd. A few technical issues cut into the first songs of their set but that didn’t stop the crowd from throwing down during the set. Heavy lows and screaming highs set the background as the band’s music had a relentless grind throughout the set. A standout during the set was the performance of their newest single “Stained in Rot”, released in late October; the song is a barn-burner churning away as moshers were starting to get their bearings for the night.

Angelmaker took the stage and demanded the crowd’s attention from the first minute. This Canadian outfit has a duo vocalist assault with Mike Greenwood, and Casey Tyson- Pearce belting out everything from gutturals to high pitched screams. Paired with three guitarists in veterans Matt Perrin and Colton Bennett and newest addition Johnny Ciardullo of Carcosa, who joined the band in early 2020. Angelmaker throws everything at you from heavy breakdowns, the fast grinds, to soaring melodies, and even the kitchen sink. Live the band dominates the stage, putting on one of the best performances of the night. Vocalist Casey Tyson- Pearce even spanned the photo pit to get in with the crowd standing on top of the barricade during the set. This band continues to raise expectations every time I see them live and delivers tenfold with their performances.

Ingested took the stage next, their sigil was marked across the stage and backdrop as the Slam King from Slamchester held court this night. Vocalist Jason Evans was ever the presence this night, pacing the stage utilizing every inch to engage with the crowd. Even demanding a “Wall of Death” during the set which saw the crowd part and slam back together as the band kicked in. Notably on this tour the band was joined by Miles Dimitri Baker of Voidbringer/Interloper on guitar. He is one of the best in the business and was a well-deserved addition to their live set. The band set was scattered with songs from their newest album Ashes Lie Still which was released earlier this November.

Aborted was up next, following all these heavy hitters these seasoned veterans brought their own blend of cosmic gore and horror to the masses. Their set showcased the best of their previous releases from Retrogore through ManiaCult. Their stage dressing had two cabinets of curiosities, which held what I could only describe as David Cronenberg inspired monstrosities. The music is blazing fast and very technical, guitar solos and grinds in abundance. The band not to be outdone by Ingested, asked for their own wall of death which saw the venue collide amongst itself before the band kicked into ManiaCult. Vocalist Sven de Caluwe got into the action ramping up the crowd as he paced the stage and even at points mimicked a machine gunner chopping down the crowd as a cascade of crowd surfers were coming over the barricade.

Headliners Lorna Shore closed out the night, the success of this tour is coming off the back of their latest and highly celebrated release Pain Remains that has been charting since its release on October 14th, having seen every show sold out. This is a pivotal success not only for deathcore but metal in general as it shows the genre still has a huge listening pool and continues to push against the grain of what is popular music today. Many in the crowd careened to get closer to see vocalist Will Ramos belt out his distinct style of gutturals. Paired with the intricate guitar styling of Adam De Micco and Andrew O’Connor and the blistering drumming of Austin Archey, the band was a force to be reckoned with onstage. The music paired with fog and quick light changes were a over stimulation of the senses as the audio assault played on. The band played through several notable singles, including “Sun//Eater” and “To the Hellfire” before an encore of “Pain Remains” parts 1 through 3 to close out their set.
This being the last night of the US tour, the bands will continue into Canada to finish out. If you were able to attend this tour, you were in for some very special moments. Each band on the bill is unique on their own but this collaboration was one of the best tours I have witnessed. If you are a fan of heavy music I high suggest you check out all of these bands for you are sure to find something new and fantastic to spark your ears.












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Concert Reviews
THIS IS WHERE IT FALLS APART… STABBING WESTWARD CELEBRATES 30 YEARS OF WITHER, BLISTER, BURN AND PEEL IN BALTIMORE

It has been nine years since Stabbing Westward played in Baltimore, and I was thrilled to see them return to perform my favorite album. They brought along Acumen Nation and Priest as supporting acts. Both Acumen Nation and Priest put on an incredible show, and I loved how they energized the crowd. It’s fantastic to have a band like Acumen Nation, which has been around since 1988, alongside Priest, a newer band, and the fans truly enjoyed both sets.







Stabbing Westward is one of those bands that really resonated with me at a pivotal time in my life. This album was released during my junior year and fit my experiences perfectly. It’s one of those albums I would listen to from start to finish, and then I would just start it over again. I’m excited that the band is releasing a new version of this album, reflecting how they would have approached it if they had the freedom to mix it and create without outside interference.









What we got to hear was amazing. I loved the fresh sound to it but still keeping the core of what that album meant to them and to the fans. Coming out on stage with my 3 favorite songs on the album, “I Don’t Believe,” “What Do I Have To Do,” and “Falls Apart.” But hearing some of the other tracks on that album brought back so many memories of the past, like “Shame,” “So Wrong,” and even hearing the cure cover “Burn” and “Dawn” from the Escape From LA Soundtrack.
The concert was amazing. We were supposed to have an interview with Chris, but because of the Canadian fires, he was saving his voice for the show and meet ‘n greets, but we will have that interview soon for you.
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Concert Reviews
THE EX-FACES ROCKED THE REVERB STAGE

I’ve been incredibly excited about the Ex-Faces show since it was first announced. I’m a huge Mushroomhead fan and love that the members of this group have come together to enjoy the music.





It was incredible to see J-Man, Waylon, Stitch, and Lil Dan together again. Adding Gravy and Mr. Murdernickel to the mix—especially since I never got to see him play live despite being a Mushroomhead fan near Cleveland since ’96—made it even better. I love that the guys genuinely looked like they were enjoying being on stage together, celebrating their time in this band and their experiences with Mushroomhead.





Hearing classic songs like “Bwomp,” “These Filthy Hands,” and “Sun Doesn’t Rise” was fantastic, but getting to experience deep cuts like “Eternal,” “1200,” and even the cover of “Crazy” was incredible. The Ex-Faces played 16 songs and could have kept going; the crowd definitely wouldn’t have minded.





I know this band and project are more than likely temporary, but I’m fully down for a few more tours and maybe even some more ex-members joining the trek. Even though I was sad that our stop didn’t have Pig Benis, I was super stoked that we had his OG brother Murdernickel. Go out and see this tour while you can, and let’s all get a little crazy and never let it go.
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Concert Reviews
ICP’s Dark Carnival Brings A Night of Faygo, Fireworks, and Family to Pittsburgh

Whoop Whoop, Pittsburgh! The long-awaited day arrived on June 27th, 2026, when the Dark Carnival made its way to Stage AE on Pittsburgh’s North Shore. And let me tell you, not even a rainy Pittsburgh afternoon could dampen the spirits of the Juggalo faithful. The skies may have been grey, but inside that venue, it was a pure, unadulterated party for the entire gambit of the Juggalo family. There were guys like Butch Shipton (seen in the photo to the right) who is anticipating attending his 25th Gathering of the Juggalos this summer. Alongside him were fresh-faced fans who have become the next generation of Juggalos thanks to outlets like TikTok and Instagram. I witnessed grandparents enjoying the time of their lives with their children and grandchildren.



The weather didn’t matter one bit to the night of chaos and celebration. Neither did the fact that the city was absolutely buzzing with activity. While we were getting down with the clowns, the Pittsburgh Pirates were battling the Reds just down the road, Nelly and Three Doors Down were rocking Point State Park, and drone shows were lighting up the sky over the Point. But for the Juggalos packed into Stage AE, there was only one show that really mattered.
As the rain subsided and the Faygo began flying, they kicked off the evening with “The Show Must Go On”, setting the tone for a night that would feature a near-perfect mix of old-school Juggalo flavor.


Violent J and Shaggy wasted no time diving into the classics. Hitting hard with “Hokus Pokus” from their 1997 platinum album The Great Milenko. They had the crowd losing their minds and soaked with Faygo after just a few notes. That track actually went gold in 2022, selling over 500,000 units, and it was easy to hear why: that infectious “Streets of Cairo” melody had everyone bouncing from the front barricade to the fence at the back of the lawn.
“Birthday Bitches” and “My Axe” kept the energy sky-high before they dropped “Fuck the World”. There was not a person in the crowd who was not singing along to every word of the classic tracks. After a quick Faygo break (because you’ve got to stay hydrated for the mayhem), they launched into “Tilt-A-Whirl”, followed by “The Neden Game”, a notorious gameshow track that’s become a fan favorite. Then came “Boogie Woogie Wu”, a dark classic from The Great Milenko that describes multiple murders over a creepy, slick beat. It’s horrorcore at its finest, childishly describing mayhem in a way that only ICP can pull off.




DJ Clay took center stage for a solo to give J and Shaggy a breather before they brought back the wickedness with “Play With Me” and “Stomp” along with another Faygo break (the crowd was getting thirsty), and then they hit us with “Let’s Go All the Way” and “In My Room”.
One of the highest energy moments came when they did their version of the Geto Boys’ classic “Assassins”, a nod to the horrorcore roots that run deep in hip-hop history.
“Down With the Clown” brought the energy to a fever pitch before they closed with the epic “Pass Me By”. This track, also from The Great Milenko, is one of the more thoughtful Joker’s Card closers. It paints a picture of what it’s like to make it to the Carnival after death, hanging with Jimi Hendrix, Selena, and Eazy-E, with Faygo on tap and no more worries. It’s a song about finding peace, and the message of the Dark Carnival shines through lyrics like “We all gonna die, but I’m not gonna fry.” The crowd filled the stage and commenced drowning Pittsburgh in its own Faygo Armageddon. As the Faygo flew from the front to the back of the venue, fireworks exploded overhead, welcoming the Juggalos to Shangri La.

It was a glorious, sticky, sugary mess that you had to see to believe. The wicked clowns brought it proper to the Steel City and showed fans, both young and old, why they have remained a main stage in the music industry for decades. They delivered a fun-filled night of great music and excitement.
Here’s the best part, ninjas. The Carnival keeps rolling; the Pittsburgh show was just one stop on the Clowns’ massive 2026 tour, and the insanity is far from over. The boys are hitting cities coast to coast, so if you missed this one, you’ve still got plenty of chances to get down with the clown.
Not to mention the 26th Annual Gathering of the Juggalos is just around the corner. August 19th through 22nd will see the Gathering moving to a brand-new “river-infused realm of dopeness” at Mother Nature’s Riverfront Retreat in Macks Creek, Missouri. That’s right, after years in Thornville, Ohio, the family reunion is heading to the Lake of the Ozarks area for a four-day epic festival with music, wrestling, and enough Faygo to fill the Mississippi.








There are several dates remaining on the current tour until the group veer off course for the Gathering and multiple festival shows, and then they hit the road again for a slew of dates leading up to the infamous hometown Hallowicked show in Detroit.
So what are you waiting for, ninja? Grab your tickets, grab your hatchet, and get your face paint ready for the Gathering. The Dark Carnival never stops—it evolves, changes shape, and reconfigures into something so unexpectedly dope that it’ll blast the ghost right out of your body. This is the sign you’ve been waiting for.
See you in the pit, Juggalos. Whoop Whoop!



















































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