Concert Reviews
COLD: 25 YEARS OF 13 WAYS TO BLEED ON STAGE/20 YEARS OF A DIFFERENT KIND OF PAIN TOUR


COLD came back into Baltimore to bring us an anniversary of 2 amazing albums, “13 ways to bleed” and “a different kind of pain. Bringing along with them Thrower, University Drive, and September Mourning.




Thrower opened up and this was my first time seeing this band from Texas. The best way I can describe them is a good mix of 90s grunge with a little modern rock. They had a really cool sound and had a great vibe on stage. The band did a really cool eerie rendition of Blue Oyster Cults “Don’t Fear the Reaper”.






University Drive was up next and this was also my first time seeing the band, even though they have toured with Cold a few times, I just haven’t got the chance to see them. UD has 3 members of Cold in the band making them have double duty on tour. I thought UD were really great, I loved the sound and the stage energy. The music is also different from Cold, so it makes a good combo with the band. Having 3 guitarists was crazy on stage but seemed to work so perfectly.




September Mourning was up next, and after an early van issue on tour, they were able to come back and rock out for the crowd. September knows how to get the fans ready and eager to have some fun and listen to some theatrical metal. I loved the tv screens on each side showing you some art and lyrics and all things September Mourning while the band played .



Cold was up next and everyone in the house was ready to sing, to laugh, to cry, to remember when and where these songs were a huge part of our lives. It’s crazy that 13 ways to bleed is 25 years old and Different kind of pain is 20, where does the time go? Cold always takes us on an emotional rollercoaster when they come to play, but this time it was different. We got to hear 25 songs from both albums that both played a huge role in my life and the lives of the fans at the show. I love seeing Cold play, and seeing the crowd cause everyone knows the lyrics, sings to the top of their lungs and show so much emotion for a rock/metal concert.



I love the combo of both these albums. They both take you on a journey of life, with all kinds of feelings along the way. Feelings of hope, depression, fear, pain, sadness, anger , having no faith to having faith again, to drug use and suicide. Ya that sounds a lot like Emo music, but Cold was this way before Emo was a thing, plus the music is way better. I love that Scooter takes times to tell the fans about certain songs and the meaning and inspirations around the lyrics, I also love that everyone has their own opinion about the lyrics and how they mean to them. It was great to hear these albums in full because normally you may hear a few of the tracks but it’s great to hear songs you haven’t heard Live in years or ever.

Cold just doesn’t compare to any other bands out there. Not only is Scooter one of the best lyricists and poets of the 90s-2000s but also is such a great man, loving father and truly a gem within the world of musicians that let their ego take control. Scooter and the band are truly for the fans, they always make sure to take time to meet the fans, take photos, sign autographs and talk about how the songs of the band have impacted them personally. I’ve got to hang out with my friends with the Kid Dreadful camp and got to see how excited and truly interested that the band are into her life and her art. It’s just makes you love this band anymore.

I can’t wait till they come back again and maybe in 2028 we can get the 30 year anniversary of the “Self Titled” album and get to hear the songs that first got me into the band. It’s crazy that I’ve been going to see Cold for 25 years. The one thing that’s been the same in those 25 years is my love of this band. This band has honestly saved my life many times and helped many others too.
THANK YOU COLD.
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Concert Reviews
Ministry brings the squirrelly years to Baltimore Soundstage


Ministry on tour now with Die Krupps and Nitzer EBB stopped into Baltimore to bring us the early years of Ministry.




German industrial band Die Krupps opened up the show and got the crowd pumped and ready. With a good mix of synth , guitars and booming bass, Die Krupps was a great opener. With songs like Metal Machine Music, Robo Sapien, and Bloodsuckers.





Nitzer EBB was up next. Armed with just vocalist Bon Harris and his keyboardist , Nitzer EBB set was full of energy and life, Bon was all over the stage dancing and just living his best life. With songs like Blood Money, Hearts and Minds, and Join in the Chant, Nitzer got the goth crowd up and moving.







Ministry was up next and it was gonna be a fun and weird night. I’ve seen Ministry many times but this would be the first time I’ve seen them without them playing either Thieves or NWO. That’s because we got blasted back into the in 1983 and 1986 with albums “With Sympathy” and “Twitch”.





The band sounded and looked amazing with AL supporting a disco fever fuzzy hat and glasses. Now like I’ve said I’ve seen Ministry many times and they have been heavy as all hell, but apparently the old school set with much bass in it was too much for Soundstages speakers as the band blew them out many times during the set.
The fans didn’t care they stuck in full force and watched one of the most fun Ministry shows. It was great to hear all the old songs with a little bit of a modern twist to them. If you get to go and see this tour I encourage you to do so.
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Concert Reviews
M3 2025 SHOW REVIEW

Another M3 has come and gone and we are still rocking out to what an amazing weekend it was.
M3 this year was a lot of fun. We had some big surprises in the acts that played, and we had some really great nights of rock and roll.
On Friday, Sebastian Bach rocked the hell out of the crowd, and we got to hear some great Skid Row songs by the voice behind the song.
Saturday was another kick-ass day. Child’s Play rocked thee, and then I helped my buddies at the Metal Summit with an interview with John Allen. Adler killed it again, and with The Metal Summit, we interview Ari once again. Slaughter and Winger rocked it; it was sad to know that Winger wasn’t going to be touring anymore. Accept made us rock out and get our balls to the wall with some German metal. Check out my interview with Wolf Hoffman below. The big surprise for Saturday was the return of Diamond Dave, or David Lee Roth to those that don’t know. Damn, he blows me away! It was great hearing all those Van Halen songs sung by the man himself. David sounded great, his band was amazing, and his backup singers were awesome. David would have to be a top 5 favorite band to play M3 ever, and that’s saying a lot.
Sunday was another great day of bands and interviews. Opening up with Spread Eagle, who I joined with my guys in The Metal Summit for another kick-ass interview. Vixen and Lita Ford showed everyone that women kick just as much ass as the guys do. My big jaw-dropping moment of M3 was that I got the approval to sit down and talk to Lita Ford herself for a quick interview. Lita is a legend and such an amazing person. Check out the interview below. Great White and Warrant kicked ass. Ace Frehley was great and brought his smoking guitar to blow all of our minds. And ending the night, it was great to see Pearcy and DeMartini back on stage together and rocking all the dirty RATT rock ‘n roll.
All in all, it was a great M3 again; the rain and thunderstorms kept themselves in check and gave us a good weekend of killer rock ‘n roll. I’m looking forward, as always, to seeing what bands M3 will bring next year. I love that they posted an online survey to see what bands they have had in the past that people would like to see and some bands that haven’t played before. But in my opinion, good rock ‘n roll doesn’t matter who’s on the stage; we go to M3 to listen to some kick-ass bands and hang out with our family of rockers for a weekend—that’s what it’s all about.





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Concert Reviews
MAC SABBATH 10 YR ANNIVERSARY TOUR PITTSBURGH SHOW REVIEW


A drummer who looks like a cross between Peter Criss in Kiss and the Hamburglar—a guitarist with a huge, cartoon-looking burger head featuring long, silver tusks—a bassist, quite literally, in a gigantic, slightly terrifying Grimace costume, and a singer sporting a yellow and red striped jumpsuit featuring long strips of fabric hanging from the arms, bright red hair, and a clown makeup look with an uncanny resemblance to Ozzy Osbourne. That’s the summary of what you’d see walking into Jergel’s on April 29 during Mac Sabbath’s show.
To explain Mac Sabbath, you need to know a little about this extraordinary band’s backstory. I spoke with Mike the Manager, the manager for this fast-food-themed act, who took the band from performing in restaurant basements to stages at festivals around the world. He gave us a bit of insight into where the group came from and how their relationship came to be.
After a period of owning an oddities shop, Mike was used to receiving strange phone calls requesting him to come see something that would change his life. When he got another one of these calls, which required him to meet at a local burger franchise (which shall remain anonymous), he would’ve never expected that statement would actually be true.
“It was like a fight club sort of secret situation where all these people from this organization were there and weren’t supposed to be there. They were all against the organization, even though they worked for it. Everybody was waiting for this red and yellow curtain, stuffed between packages of hamburger buns and boxes of condiments. Then, the curtain drops, and it’s these mutated mascots doing these Black Sabbath riffs and screaming about MSG and GMOs. It was like radical performance art.”
So, after years of playing small shows, the band went on to open for bands like Kiss and Mötley Crüe and even meet Ozzy, the Prince of Darkness, himself. If you’ve ever seen anything online about the band, you probably know their silly antics, but their live show is really beyond what you would expect. Rather than just presenting a concert, Mac Sabbath aims to create an experience that leaves you pondering the intentions of the government.
“It’s something you really have to experience live because it’s more like a play. There’s a beginning, a middle, and an end. It’s an entire arc that you cannot appreciate by watching videos. There’s comedy, there’s magic, and then there’s also a social message. It’s very important for Ronald to keep it family-friendly to get the message to the kids because when a country is specifically poisoning its people on purpose, it starts with the children’s food. So everything Mac Sabbath does is tangible and appeals to the child in us all.”
And appeal to the child in us all they do. Like many others, I thought I knew what I was in for when arriving at the Mac Sabbath concert in Warrendale, PA. I figured I’d see a few “Fast Food” inspired characters making up Black Sabbath parodies much like Weird Al. Well, boy, was I wrong.
With two laser eyes, Ronald heads adorning each side of that red and yellow curtain Mike mentioned earlier, a crowd suddenly packs against the stage. What’s most interesting to me is I’ve never seen a crowd get so excited over a curtain drop. Immediately their vision clung to the stage as if they were children watching a cartoon show. And no wonder why; you’d be in a trance too if four fast-food mascot-looking musicians took the stage with ketchup and mustard bottles, flaming frying pans, chicken nuggets, larger-than-life straws, and a wacky cast of guest characters.
If you want to throw yourself into this adventure with Ronald Osbourne, the Catburglar, Grimalice, Slayer MacCheeze, think of the show as an alternate universe. This is an alternate universe where Ozzy Osbourne has a passion for the toxins of fast food and joins a cast of mascots to bring the man down from the inside. There is no Black Sabbath; there is only Mac Sabbath. And honestly? After hearing songs like Sweet Beef (Sweet Leaf), where ketchup and mustard (water) are squirted into the crowd’s mouth, or More Ribs (War Pigs), where a bucket of beer turns into confetti, I’m pretty okay with that universe.
Needless to say, if you want to understand this review in totality, you need to go to a Mac Sabbath show yourself. Between the characters and the music that’s familiar yet completely new, there are a lot of reasons to press full-send and buy that ticket. Even Ozzy’s seen Mac Sabbath, so why haven’t you?









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