Reviews
Hatebreed live review Cleveland, Ohio 2016
Hatebreed live review
The Odeon Concert Club Cleveland, Ohio on Friday, May 13, 2016
By Alexa Linger
Empire Extreme Staff Writer
The Connecticut metalcore band Hatebreed stormed the scene in 1994. Known for its hardcore style of metal, Hatebreed, composed of Jamey Jasta (lead vocals), Chris Beattie (bass guitar), Wayne Lozinak (guitar), Matt Byrne (drums) and Frank Novinec (guitar), began their current US tour in The Flats of Cleveland, Ohio on Friday, May 13, 2016. Namely, they took over the stage of The Odeon Concert Club, which reopened its doors on May 1, 2015 after nine years of being closed.
It was my first time at The Odeon, so I was excited to be somewhere that was such an important part of Cleveland’s rich history, with its peeling paint and creaky doors that made it feel like you were in a time capsule (in a good way). It was also cool that I was seeing Hatebreed on their tour promoting The Concrete Confessional, their seventh studio album, which covers social issues, such as the rise of terrorism, police brutality, moral decay, and the fading American Dream. Joining them were Devil You Know (Howard Jones’ – formerly of Killswitch Engage – new band) and Devildriver.
The warehouse-like club, which boasted good sightlines (due to its raised stage), was filled to its 1,000 person capacity (there were people of all ages, including a few kids) – it was a sold out show. It felt like it was 190 degrees and the club was so jam-packed you could barely move. Anticipation rippled through the crowd… everyone was waiting for Hatebreed. (The show, as a whole, began nearly two hours late).
Then, the lights turned off and it was pitch black.
Hatebreed appeared onstage.
White strobe lights (which changed throughout the set) cut the darkness and music began pulsating against Jamey Jasta’s deep growls and guttural vocals.
The backdrop for their set was an enormous banner of the artwork for The Concrete Confessional and Matt Byrne’s signature metallic, fire-engine red drum kit.
Jamey Jasta brought incredible energy to the stage by jumping up and down and fist-pumping, hyping up the already wild crowd.
When they performed “Looking Down the Barrel of Today” from The Concrete Confessional, there was a surge of energy and it felt as though the concrete floors were vibrating in synch with the beat of the drums.
A huge circle pit formed (something Hatebreed is infamous for) and I saw a man come out, dripping blood, which he wiped on his shirt.
During the fourth song, “This is Now,” Jasta thanked Hatebreed fans for “so many great years.”
Then, in a very sweet moment that you don’t see at many metal shows, he told the story of a fan, named Dennis Guyot, whose dying wish was to have his ashes spread on stage at a show. Jasta did so by raising the urn of ashes and pouring them during the song “As Diehard as They Come,” which they dedicated to Guyot.
After performing a mix of twenty-one songs from the course of their career (with crowd favorites like “Perseverance” and “In Ashes They Shall Reap”), Hatebreed ended the first night of their tour with an encore of “I Will Be Heard.”
But what was more impressive than their music was the atmosphere it created: there was a genuine sense of community in The Odeon that night. Hatebreed truly made the fans feel appreciated and shared stories of past performances and shows – it was like seeing and talking to an old friend. Also, when people were knocked down in the pit, they were helped back up. People made friends with strangers. People truly came together and helped each other. (I witnessed a man collapse while standing outside and everyone banded together and tried to help, including a man and woman who were a paramedic and nurse, respectively). But that’s the kind of thing their music inspires: we’re all in this together and, no matter who you are or where you’re from, you’re welcome and embraced.
Overall, Hatebreed put on one hell of a show and you can feel that they truly love what they do; their passion for music and their fans just emanated from the stage. Further, they kept the energy up and peppered in loud, fast guitar work and drum solos throughout their set, which is what I think fans have come to love and expect from them. The show ended with the electrifying energy it began with, which I’d say is the key to their longevity – that and their unwavering focus on their music and a straightforward, no nonsense, no frills performance style. They truly delivered on the promise of a great, fun, and memorable show.
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Announcement/News
W.A.S.P. Album One Alive 2024 US Tour
Hollywood, CA (August 20, 2024) — It is 2024, and W.A.S.P. is celebrating 1984! 40 years ago, the landmark debut album from W.A.S.P. was released on August 17, 1984, and the metal world was knocked on their ass!
The W.A.S.P. “Album ONE Alive” Tour celebrates the debut album by playing the album in its entirety, from start to finish.
To give the fans something every week to celebrate W.A.S.P. is giving away…
• 10 pairs of tickets a week for the length of the US tour.
• Silver Award – Blackie is also giving away each week of the tour two personal meet and greets in his dressing room. In HIS dressing room!
• Gold Award – One lucky fan will win Blackie’s personal certified RIAA award for the debut album.
• Platinum Award – And the Grand Prize, one fan and a guest will be provided airfare and a luxury Hollywood hotel to the final show in Los Angeles, meet the band and stay for the after show, end of tour party.
W.A.S.P. can only celebrate 1984 once and they want to do it big!
To enter all you have to do is visit and enter your email address:
https://forms.gle/WU5wE3K4BbmaBSQv9
It was recently announced that Armored Saint will be replacing Death Angel on the tour. W.A.S.P. issued the following statement: “W.A.S.P. is pleased to announce that Armored Saint will now be joining the “Album One Alive” Fall 2024 U.S. Tour. Due to unforeseen circumstances, Death Angel will no longer be able to be a part of this tour. We all wish them the best going forward.”
Tickets and VIP packages available at WASPnation.com/tour
THE ALBUM ONE ALIVE WORLD TOUR 2024 DATES:
10/26/24 San Luis Obispo, CA @ Fremont Theater*
10/28/24 Portland, OR @ Roseland Theater
10/29/24 Seattle, WA @ Moore Theatre
10/30/24 Vancouver, BC @ Vogue Theatre
11/01/24 Calgary, AB The Palace Theatre
11/02/24 Spokane, WA @ Knitting Factory
11/03/24 Boise, ID @ Knitting Factory
11/04/24 Salt Lake City, UT @ The Depot
11/05/24 Denver, CO @ Paramount Theatre
11/07/24 Minneapolis, MN @ The Fillmore
11/08/24 St Charles, IL @ The Arcada Theatre
11/09/24 St Charles, IL @ The Arcada Theatre
11/10/24 Detroit, MI @ Royal Oak Music Theatre
11/11/24 Toronto, ON @ History
11/13/24 Montreal, QC @ MTELUS
11/14/24 Quebec City, QC @ Theatre Capitole
11/15/24 Boston, MA @ Orpheum Theatre
11/16/24 New York, NY @ Hammerstein Ballroom At Manhattan Center
11/17/24 Philadelphia, PA @ Franklin Music Hall
11/19/24 Cleveland, OH @ The Agora Theater
11/20/24 Pittsburgh, PA @ Stage AE
11/21/24 Stroudsburg, PA @ The Sherman Theater
11/22/24 Silver Spring, MD @ The Fillmore
11/23/24 Charlotte, NC @ The Fillmore
11/24/24 Orlando, FL @ The Plaza Live
11/26/24 Nashville, TN @ Ryman Auditorium
11/27/24 Atlanta, GA @ The Eastern
11/29/24 Houston, TX @ House Of Blues
11/30/24 San Antonio, TX @ Aztec Theatre
12/01/24 Dallas, TX @ The Factory in Deep Ellum
12/03/24 Little Rock, AR @ The Hall
12/04/24 Wichita, KS @ The Cotillion
12/06/24 Albuquerque, NM @ REVEL
12/07/24 Tempe, AZ @ The Marquee Theatre
12/09/24 Tucson, AZ @ The Rialto Theatre
12/10/24 San Diego, CA @ House Of Blues
12/11/24 Reno, NV @ Grand Sierra Resort and Casino
12/12/24 Las Vegas, NV @ Brooklyn Bowl
12/13/24 San Francisco, CA @ The Warfield
12/14/24 Los Angeles, CA @ Hollywood Palladium
* No support acts.
About W.A.S.P.
Few bands in the history of rock n roll have ever incited the love, the hate, and the raw emotional effect this band has had on the world. From the very beginning, in the small venues of Los Angeles, California, and later to the numerous countries worldwide that banned these Winged Assassins from performing live, the band’s unique style of shock and rock caused religious organizations, local city councils, parliaments, and the Washington D.C. Senate to hold hearings in an effort to bar this group from selling records and trashing stages everywhere they played.
The band’s founding member, frontman Blackie Lawless, has led the group as its lead vocalist and primary songwriter since its beginning. His unique brand of visual, social, and political comment took the group to worldwide heights and sold millions of records alongside a legacy of sold-out shows across the globe for 4 decades.
https://www.facebook.com/W.A.S.P.Nation
https://www.facebook.com/groups/waspnationofficialgroup/
https://twitter.com/waspofficial
https://instagram.com/waspnationofficial
https://youtube.com/@WASPNationOfficial
https://www.threads.net/@waspnationofficial
https://www.bandsintown.com/a/7553
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CD Reviews
Them Damn Kings “Shown With A Fist”
Them Damn Kings from NJ just released a new single “Shown With a Fist”.
If you like your music in your face with a touch of old school rock and roll this is the band for you. It’s got gritty vocals and pounding drums adding in some killer guitar shreds.
It’s a song that you listen to when you want to get into a bar fight or want to drive your car really fast down the highway.
It’s worth a listen, check out the lyric video below with a little bonus guitar mortal kombat shred off.
THIS IS A SPONSORED REVIEW BROUGHT TO YOU BY TAG PUBLICITY
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CD Reviews
Ashes to Omens “Feed Me More”
Ashes To Omens are a band from Georgia who’s latest single “Feed Me More” has a great sound to it. It reminds me of bands around the mid to late 2000s. They have a good mixture of sound. The song is a perfect blend of hard rock and metal with the vocals very crisp and delivered with passion.
The song “Feed Me More” has a great melody and works well with the bands style and genre of music. It also is a great title to a song because after listening to it I wanted more of the band.
Some will say that it’s very radio rock/metal and sometimes I do have issues with that but I felt that this song even though it does have that feel to it, isn’t just a radio rock song for the sake of being a radio rock song. I think this single is worth a listen to and could possibly be a track that might make your playlist.
THIS IS A SPONSORED REVIEW BROUGHT TO YOU BY TAG PUBLICITY
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