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King’s X – Three Sides of One

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Album review by: Josh Drespling

Three Sides of One is the newest effort by the immensely influential and long-running King’s X. The twelve track release is the first from the band since their 2008 XV album. With a September 2022 release date it will have been over 14 years since the band have had a formal release of new music.

At first listen, I was taken aback and frankly did not like much of anything I heard on this album. It quickly became background music and I lost interest. To set the stage, I am a long-time fan of King’s X. Gretchen Goes to Nebraska sits firmly on my list of desert –island albums, along with the bulk of the tracks from Faith Hope Love, and Out Of The Silent Planet. I loved that they had a hybrid mix of heaviness, melody, and just enough mathiness to keep it interesting. Not to mention the wonderfully produced vocals and guitar licks.

Being unwilling to so quickly dismiss a new album, I dove in and gave it multiple in depth listens. With each run through Three Sides of One slowly began to latch itself into my consciousness, It’s bathed in honesty and purity, with each and every track it dives deeper and deeper in your soul. On the surface the album could be described as a stripped down version of the band, however the album swoons with grit and is laden with the odd time signatures we have grown to love and respect from King’s X. With music existing between the notes, one may say that Three Sides of One sound is equal parts grunge, Beatles and punk rock laden with gospel and metal overtones.

The album opens with the riff heavy “Let It Rain”, that gives the visual of a scene from a movie where the cool kid is introduced. He pulls up in a vintage sports car as dust flies. A low camera angle shows his leather boot hit the dirty pavement as the school or wherever he is heading is out of focus in the background.

Track two entitled “The Flood Part 1” starts with a crunchy guitar rhythm. Vocalist dUg Pinnick exclaims “I used to say that all we needed was love, now I’m thinking that what we need is a flood.” Referring the Beatles’ song penned by John Lennon and Paul McCartney about peace and love, and how juxtaposed with our current climate we may be in need of a biblical style flood to cleans the planet. But that;s just my interpretation.

May of the tracks have Evangelical and/or religious buzz words scattered thorough. The previous song “Flood” not withstanding, there are various other subtle lyrical references to spirituality and god or God if you will.

“Nothing But The Truth” enters the mix as the third track on the album. It is a more simple balled style song with clean picking of the guitar cords and the low rumble of the bass in the background. Dug croons and raises the energy as he exclaims “I want to hear from you. No spin, no lies.” As he soulfully layers in backing vocals that remind you of his gospel music roots. At the 3:40 mark the song fades, until the squeal of guitar feedback brings the track back to life and guitarist Ty Tabor lays down a blistering solo that fills out the remainder of the six minute song.

Another standout track is “Give It Up” starts with a bluesy intro lick and has a crazy break mid-song with fun, yet wacky production. “All God Children” has a lucid feel with lyrics that seem to be pointed at misguided Christians. When asked about his thoughts on the song and subject material, Tabor, simply answered;“I have nothing to say about it. The song is what I have to say about it”.

“Festival” is a track that sees King’s X breaking form while still putting out a top quality track. This song would be the envy of nearly any pop-punk band from th main stage or the last incarnation of Warped Tour. Not to be out done “Swipe Up” gives off a straight ahead sludge rock / stoner metal feel reminiscent of Mastodon or Queens of the Stone Age. The lyrics seem to be a commentary on our social media obsessed society.

Over all this outing by a legendary and immensely respected band is a top quality and fits nicely with their existing catalog. Hopefully the next installment will not take 14 years.

Check back with Empire Extreme for our interview with singer and bassist dUg Pinnick.

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Phasers Engage: A deep dive into the debut album of inter-dimensional travelers  and the music they make.  

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Departure Initiated” is the debut album of Phasers Engage.  It’s a fun instrumental jam from outer space . 

I’ve never been a huge fan of instrumental bands. There are a few I enjoy, like John 5 and the Creatures and Apocalyptica, and even with those bands, I can only listen to a little at a time or see them live. I feel like Phasers Engage would be a great band to see live. 

There are parts of the album that I super dug, the heavier, darker, and spookier parts and the lighthearted, fun, and whimsical parts as well. This album reminds me a lot of Mr. Bungle, minus the vocals. The album has seven songs and feels like it conveys an interesting story via sounds and codes. I feel like if they would have added some vocals, even silly, nonsensical lyrics, it would have heightened the album much more, in my opinion. 

The band is very good, and the instruments are played with precision, and you could tell the band was having fun making the album. It’s for sure an album to check out. If you’re into instrumental inter-dimensional sound waves and jams, then this album is right up your alley. 

 

Check the band out on Facebook :https://www.facebook.com/PhasersEngage?mibextid=eQY6cl

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SCAREFIELD DEBUT ALBUM “A QUIET COUNTRY”. 

Ron

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Newcomers SCAREFIELD just released their debut album, “A Quiet Country.” Inspired by 80s horror movies, I thought that this sounded right up my alley, also combining the love of thrash and heavy metal. 

Opening up the album with “Ancient Evil,” this track sets the tone for the album. Thrashy guitars, killer drums, and power metal vocals. 

The album has 11 tracks. Each track is delightfully titled with a horroresque feel. Songs like “Altar of Fear,”  “Child of the Corn,”  “Primitive Shadows,” and “Shiver”. 

I really dug the album as a whole; I loved the concept, the artwork, and the guitars shred on this album. The shreds remind me of old-school metal, and in a good way. My favorite tracks would be “Altar of Fear,”  “God of Terror,”  “Always,”  and I also loved their version of “House of the Rising Sun.”. 

My only criticism of the album is that at times the vocals are too clean for me as a thrash/horror themed album, which is understandable since the singer, MARKUS KRISTOFFERSSON is from Sweden, and you know the Swedes love their power metal, but they also love to have their vocals a lot cleaner. That doesn’t mean that I didn’t enjoy the vocals; I actually love his voice, and at times throughout the album, it gets heavy and gnarly, which was amazing. 

Overall, I think it’s a very successful album and is worthy of being in anybody’s collection who is a fan of this type of metal. I look forward to seeing what SCAREFIELD does in the future. Hopefully we can get an American tour, with the resurgence of the youth getting into this style of metal, I feel that American mosh pits will be going crazy for those fast guitars and drums. I would love to see them play with The Burning Witches. 

Buy the album here: https://hypeddit.com/scarefield/aquietcountry

Check them out here: https://www.scarefield.com

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Alestorm – Voyage of the Dead Marauder

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Another solid (most likely plundered) offering from the pirate metal scalawags known in these parts as Alestorm. The five-song EP Voyage of the Dead Marauder washes up on these shore on March 22, 2024, via Napalm Records. This new effort is produced by Lasse Lammert of LSD-Studios, who has worked alongside genre mates Gloryhammer and Wind Rose.

With the new release, ALESTORM is “Scraping the (bottomless) Barrel” for the fifth time for what is their eighth album , following the international success of the previous Seventh Run of a Seventh Rum album that was released in June 2022.

If you’re an existing fan of their trademark pirate-style metal, then Voyage of the Dead Marauder is a batch of good new stuff. If you’re not a fan, well, maybe you should listen until you are. (This is how I learned to like country music, by the way.)

The first track is the title track and features German hurdy-gurdy musician Patty Gurty sharing vocal duties with vocalist and keytar player Christopher Bowes. The song is in the same vein as “Captain Morgan’s Revenge” from the previously mentioned Seventh Run of a Seventh Rum album. Patty sounds great, but I’m willing to bet she was the only sober one.

Apparently, you can be a pirate anywhere, including the desert and the Great White North. Alestorm proves this with the song “Uzbekistan” as they reminisce about the time they invaded the lands of shifting sands and ultimately turn the President of said land against them. Next up is the tale of a simple farmer who was forced to become a pirate due to governmental tyranny in “The Last Saskachewan Pirate.”

“Sea Shanty 2” is an instrumental offering and would fare well with a watering can full of tequila at one of Alestorm’s live shows (see the lengthy list below if you the need to fulfill this desire).

“Cock” is the last track, and I can hear all of you snickering jut from the title, but wait until you listen to it you immature bastards. The second time you hear it, you’ll be singing along to the tale of an enchanted dream about a Leprechaun who pulls out his schlong.

ALESTORM are:
Christopher Bowes – vocals, keytar
Gareth Murdock – bass
Mate Bodor – guitar
Peter Alcorn – drums
Elliot Vernon – keyboard

ALESTORM Live 2024:
UK & Ireland Tour 2024
w/ Korpiklaani & Heidevolk
21.02.24 UK – London / O2 Forum Kentish Town
22.02.24 UK – Norwich / LCR UEA
23.02.24 UK – Nottingham / Rock City
24.02.24 UK – Bournemouth / O2 Academy
25.02.24 UK – Bristol / O2 Academy
27.02.24 UK – Belfast / Limelight
28.02.24 UK – Dublin / Academy
29.02.24 UK – Cardiff / SU
01.03.24 UK – Birmingham / O2 Academy
02.03.24 UK – Oxford / O2 Academy
03.03.24 UK – Glasgow / O2 Academy
05.03.24 UK – Manchester / O2 Victoria Warehouse
06.03.24 UK – Liverpool / O2 Academy
07.03.24 UK – Leeds / O2 Academy
08.03.24 UK – Newcastle / NX
09.03.24 UK – London / O2 Forum Kentish Town

“Tour Of The Dead Marauder”
w/ Elvenking & Glyph
19.03.24 US – Cincinnati, OH / Bogart’s
20.03.24 US – Grand Rapids, MI / Elevation
22.03.24 CA – Toronto, ON / The Concert Hall
23.03.24 CA – Montreal, QC / MTELUS
24.03.24 US – New Haven, CT / Toad’s Place
26.03.24 US – Pittsburgh, PA / Stage AE
27.03.24 US – Detroit, MI / The Majestic
29.03.24 US – Milwaukee, WI / The Rave
30.03.24 US – Omaha, NE / The Admiral
02.04.24 CA – Winnipeg, MB / Park Theatre
03.04.24 CA – Saskatoon, SK / Coors Event Centre
05.04.24 CA – Edmonton, AB / Midway Music Hall
06.04.24 CA – Calgary, AB / The Palace Theatre
08.04.24 CA – Vancouver, BC / Commodore
09.04.23 US – Spokane, WA / Knitting Factory
10.04.24 US – Boise, ID / Knitting Factory
12.04.24 US – Sacramento, CA / Ace of Spades
13.04.24 US – Santa Ana, CA / The Observatory
15.04.24 US – Tucson, AZ / Rialto Theatre
16.04.24 US – Albuquerque, NM / Sunshine Theater
18.04.24 US – Oklahoma City, OK / Diamond
19.04.24 US – St. Louis, MO / Red Flag
20.04.24 US – Indianapolis, IN / Old National
21.04.24 US – Nashville, TN / Marathon

Festivals 2024
28.06.24 FI – Sulvilahti / Tuska
05.07.24 DE – Rock Harz / Ballenstedt
11.07.24 HU – Dunaújváros / Rockmaraton
12.07.24 CZ – Vizovice / Masters of Rock
13.07.24 AT – Area 53 / Leoben
14.07.24 NL – Pirate Metal Party / Helmond

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