Concert Reviews
Mac Sabbath attack Pittsburgh
Can a band be a bit creepy, profound, and enigmatic while offering insightful commentary on our grotesque feeding habits and our society’s behaviors buried under theatrical costumes, stunts, and heavy metal riffs? Mac Sabbath, fronted by Ronald Osborne, provides a twist to a slew of classic Black Sabbath songs. Bringing these masterful metal riffs back to life are guitarist Slayer MacCheeze, bassist Grimalice, and pulling drum duty is a half Hamburgler, half Peter Criss character known as the Cat Burglar.

Mac Sabbath has been crisscrossing the United States for the last few months on the “More Than Meats The Eye” tour with the band of Transformers known as The Cybertronic Spree, along with Playboy Manbaby, who are taking a brief break from their jobs in the fast food industry.
As the band prepared to perform, the air hung heavy with the scent of fried mystery meat and the distant echo of deranged laughter. The intro music began to play, which was coupled with the sounds of hooves of stampeding cattle pounding the ground and long, woeful mooing. The scene was set for a descent into a gastronomic hallucination. The stage was flanked by two larger-than-life plastic Ronald McDonald heads with glowing red eyes that were ripped from the top of a set of exterior trash cans at McDonald’s chain restaurants in the mid-80s.


The four horsemen of the fast food apocalypse emerged onto the stage and blasted into the haunting opening riffs of “Organic Funeral” a parody of Black Sabbath’s “Electric Funeral”. A full minute and forty-five seconds into the song, the groups of fast-food mascots were joined on stage by vocalist Ronald Osborne, clad in a straitjacket. He spent several moments gyrating in an effort to free himself from the confines of the white straitjacket that was stained with greasepaint and what one could only assume was ketchup.
The leader of the culinary renegades of rock stepped up to the mic with a manic energy that was equal parts terrifying and exhilarating. His eyes, wide and wild, scanned the crowd as if searching for souls to devour. He began bellowing the lyrics, “Asparagine in the fries warns you of synthetic food dyes. Warm numbing feeling inside from the poisons that are fried ammonium sulfate. Monosodium glutamate, Monsanto run FDA, ONLY LEGAL IN THE USA!”



As the unholy communion of music and madness continued, the band played “Sweet Beef” (Black Sabbath “Sweet Leaf”) and The Lizard (Black Sabbath “The Wizard”). In this surreal circus of sonic excess, reality and absurdity collided, creating a dimension where the boundaries between fast food and heavy metal dissolved like a cheeseburger in a vat of hot oil. Ronald proceeded to douse the audience with water from squeezable ketchup and mustard bottles.
As the kaleidoscope of characters laid down the songs “In Dreams” (Roy Orbison), “Bread” (KISS “Beth”), and “Love Buns” (KISS “Love Gun”), one began to realize that the experience was not just a concert; it was a psychedelic trip through the greasy underbelly of rock and roll, a journey into the heart of a culinary carnival where the only rule was to embrace the madness and savor the high calorie content of the chaos.

As the carnival of parody and homage wound down, the lead singer, in his carnivalesque regalia, reached out to the crowd like a mad preacher, exhorting the congregation to embrace the madness as the band marched through the tracks “Supersize” (Black Sabbath “Supernaut”), “Chicken for the Slaves” (Black Sabbath “Children of the Grave”), and “Frying Pan” (Black Sabbath “Iron Man”). Ronald shouted, “Cows, we’re going to grind. Hope your stomach is well lined. Do I have the gall? Chopping onions makes me bawl, to the tune of Iron Man.
As the final notes reverberated into the ether, the crowd knew there was more to the orchestrated psychedelic feast for the senses. Mac Sabbath returned to the stage for a two-song encore that featured a collaboration with members of The Cybertronic Spree on the track “Hallowiener Schnitzel” (Misfits “Halloween”), followed by “Pair-a-Buns” (Black Sabbath “Paranoid”), which left an indelible mark on the collective consciousness of all who bore witness to their peculiar brand of musical alchemy.

FULL SET LIST:
Organic Funeral(Black Sabbath “Electric Funeral”)
Sweet Beef (Black Sabbath“Sweet Leaf”)
The Lizard (Black Sabbath“The Wizard”)
Grilled by Death (Motörhead“Killed by Death”)
Drive Thru the Void(Black Sabbath “Into the Void”)
In Dreams (Roy Orbison)
Bread (KISS “Beth”)
Love Buns (KISS “Love Gun”)
Supersize (Black Sabbath “Supernaut”)
Chicken for the Slaves (Black Sabbath “Children of the Grave”)
Frying Pan (Black Sabbath “Iron Man”)
Hallowiener Schnitzel (Misfits “Halloween”) with members of The Cybertronic Spree
Pair-a-Buns (Black Sabbath “Paranoid”)















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Concert Reviews
THE NORWEGIAN WITCHES INVADE BALTIMORE
WITCH CLUB SATAN THE NORWEGIAN BLACK METAL TRIO CAME TO BALTIMORE AND NOT ONLY DID THEY SLAY THEY TOOK NO MERCY ON THE CROWD WITH THEIR ENTICING MUSIC.





THIS WAS THEIR FIRST TIME TOURING AMERICA AND THEY WERE AWESOME. ADDING FOLKLORE,WITCHCRAFT AND VISUAL ENTERTAINMENT, WCS BARES IT ALL FOR THE CROWD. I LOVED THE DIFF STYLES OF MUSIC FROM SPOKEN WORD TO DEATH METAL TO TRASH METAL THE BAND REALLY BLEW ME AWAY.





SONGS LIKE WILD WHORES, I WAS MADE BY FIRE, BLACK METAL IS KRIG, FRESH BLOOD/FRESH PUSSY AND SOLACE SISTERS. WCS PUT ON A SHOW THAT WILL BE REMEMBERED, WITH SOME BANDS USING THEATRICS AND GIMMICKS AS AN EXCUSE FOR MUSICIANSHIP, THIS BAND IS LEGIT AND TAKES YOU ON A JOURNEY FROM HIGH TO LOW. YES AT TIMES IT COULD BE SHOCKING WITH BLOOD AND SATANIC IMAGES AND NUDITY BUT THEN AGAIN THATS ALSO WHAT MAKES THE MESSAGE EVEN MORE POWERFUL.





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Concert Reviews
MARYLAND HAS GOT THE MOVES
Electric Callboy came into the Maryland/DC area at the MGM Harbor and brought fans of all ages—from old to young—along for the ride. They were joined on this tour by Scene Queen and Polaris.





Scene Queen delivered a seriously fun set. She’s fully embraced what she’s coined as “bimbocore,” and I absolutely love it—and so do the fans. The crowd was already moshing and crowd surfing early on, and they kept that energy going all night long.







Polaris, from Australia, brought the metal. This was my first time seeing them, and they absolutely brought the kind of raw energy that drove the crowd wild. They played a killer set and are definitely a band to keep your eyes on.





Electric Callboy was the headliner, and they brought the rabid fans with them. Lots of people were dressed up in signature Callboy attire, and it’s been a while since I’ve seen so many young kids in a metal show crowd. Between all the costume changes, confetti, and streamers, Callboy delivered a killer set. They always put on a hell of a show—and always leave me questioning Germany: why haven’t you chosen them as your Eurovision entry?





We got to hear songs like “Hypa Hypa,” “We Got the Moves,” “Pump It,” “Hurrikan,” and many more. They also had an intimate moment during the set, right in the middle of the crowd, with a piano—performing acoustic versions of “Fuckboi” and a cover of “Everytime We Touch.”





The entire show was amazing—such a fun and wildly entertaining spectacle. I can’t wait to see them again.
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Concert Reviews
Infected Rain brings the fun back into Baltimore

Infected Rain is now on tour with Stitched Up Heart and Blackwater Drowning and made a stop at Zen West with local kick ass band Anoxia.









The night crackled with electric energy and thrummed with unforgettable music. I loved that every band on the lineup featured powerful female vocalists—each with her own distinct style and stage presence, yet all of them fierce, commanding, and absolutely a force to be reckoned with.







It was an absolute thrill to see Lena and Infected Rain again. I love how they continue to evolve as a band and as a core of incredible artists every time I catch them live. I’ve been a fan for many years, and I always relish watching them perform—especially the way Lena connects with the crowd and her fans, which goes far beyond what most musicians ever offer. I would love to see them chosen as Moldova’s Eurovision entry, because we desperately need more rock and metal represented on that stage.





If this tour is rolling into your city, do yourself a favor and go check it out. It’s a phenomenal live show—the bands don’t just kick ass on stage, but they also happen to be some of the nicest, coolest people you’ll ever meet. You will not be disappointed. Plus, they’ve got some seriously killer merch that you absolutely need to snag while you’re there.
