For an artist who first built a following online before launching onto major touring stages, Jeris Johnson has quickly proven he knows exactly how to command a live crowd. After sharing massive stages with bands like Falling in Reverse, Johnson brought that same arena-ready intensity to Jergel’s Rhythm Grille for a night that celebrated both rising talent and the kind of explosive energy modern rock thrives on.

What made this stop particularly notable wasn’t just Johnson’s growing draw, but the lineup he chose to bring with him. The evening featured an impressive run of female-fronted openers—LYLVC, Eva Under Fire, and Butcher Babies—each bringing their own sound, style, and stage presence to an already packed room. It’s the kind of thoughtful curation that doesn’t always happen on tour bills, and it gave the night a sense of momentum long before the headliner even stepped on stage.

Opening the evening, LYLVC wasted no time pulling early arrivals closer to the stage. Frontwoman Alyse Zavala balanced sleek electronic textures with a sharp alternative edge, creating a sound that felt both modern and infectious. By the end of their set, the once-scattered early crowd had grown noticeably denser at the barricade.

Detroit rockers Eva Under Fire followed with one of the evening’s most vocally commanding performances. Frontwoman Eva Marie delivered soaring melodies with a strength and clarity that filled every corner of the venue. Her voice carries a powerful balance of grit and polish—equally capable of pushing through hard-hitting rock choruses or leaning into more melodic moments that show the emotional weight behind the band’s music. 

Then came the sonic storm of Butcher Babies. With Heidi Shepherd now leading the charge as the band’s sole vocalist, the set felt raw, relentless, and completely electrifying. Shepherd commands the stage like a force of nature, delivering the band’s signature guttural screams with razor-sharp precision while stalking the stage and whipping the crowd into a frenzy. The room shifted instantly—mosh pits opening, heads banging. It was the kind of performance that didn’t just warm up the crowd; it detonated it.

One of the most impressive things about the evening was how many fans showed up early, specifically for the openers. Each band had their own dedicated supporters scattered through the venue, but by the end of each set, it was clear their audiences had grown, earning them new fans.

By the time Jeris Johnson took the stage, Jergel’s Rhythm Grille was packed shoulder to shoulder and buzzing with anticipation. Johnson has developed a reputation for pulling in crowds that cut across genre lines, and the diversity in the room proved it—fans who first discovered him through viral hits standing right beside seasoned rock and metal show regulars.

From the moment the first notes hit, Johnson proved exactly why his momentum keeps growing. His set moved effortlessly between explosive, high-energy anthems and slower, more emotional songs that bordered on rock ballads.

One of the most memorable moments of the night came when Johnson performed his reloaded version of Kryptonite, originally by 3 Doors Down. Johnson shared with the crowd that the band’s vocalist, Brad Arnold, who recently passed after a battle with cancer, had personally permitted him to release his heavier interpretation of the song. Playing it live became both a tribute and a celebration, as fans instantly recognized the iconic melody and embraced Johnson’s modern rock twist on the classic.

But the quieter moments elsewhere in the set revealed something equally compelling. Johnson’s ability to slow things down and connect. Those passionate, melodic songs created a brief pause in the chaos, with the crowd swaying and singing along before the next surge of energy inevitably kicked back in.

By the end of the night, the energy in the room hadn’t faded. Rather, it had only grown stronger. With three powerhouse female-fronted bands igniting the stage before him and Johnson delivering a performance that balanced adrenaline with genuine emotion, the night felt less like a standard tour stop and more like a full-scale ode to modern rock’s evolving sound.

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Kylie Thomas

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LORD OF THE LOST AND WEDNESDAY 13 CAME INTO BALTIMORE MARYLAND OR AS LORD OF THE LOST SINGER CHRIS HARMS CALLED IT BALTIMOST..

WEDNESDAY 13 opened and had a killer set. It’s tough when you have such a great spanning career to choose which songs to play, but Wednesday nailed it. From new to old, the band played a ton of great songs and got the crowd hyped and ready for a night of kick-ass music. When between band breaks,outside, I was outside and a guy who has never seen Wednesday 13 before was like “I’ve never seen an opening band, with so much energy and having the crowd pumped up like that before”. We got to see Wednesday throw out some plastic spiders from a Halloween pail,say… and this time his umbrella didn’t break when he performed “I Love to Say..Fuck”.

Lord of the Lost came to Baltimore last year and was super amazing and such a great show that I was excited to see them again. They did have a member of the band missing; their bassist was taking time away from the band to focus on his own mental health, which I applaud because in a world of music and entertainment we lose too many people who are afraid or ashamed to work on their mental health. This was the first day of the tour, and not knowing what song was gonna be played was kinda thrilling, but I knew that at one point that Wednesday 13 would come back on stage and play “I Hate People” which is the latest single from Lord of the Lost. The band sounded amazing, and I loved their cover of “She’s Got the Look.”

Overall this was a great day for music and such a great show. Go out and check it when they come to your city and just enjoy seeing live music.

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Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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DC’s Hometown Hero’s Darkest Hour came to the Filmore in silver spring Maryland to celebrate 30 years and not only did they kick some ass the made us go back in time to a killer lineup of bands. 

God Forbid celebrating the anniversary of “Constitution of Treason” opened up the show and got the crowd rowdy. It’s been years since I’ve seen God Forbid but I remember all those tours and ozzfests when they played and always kicked so much ass. The band still sounds great and singer Byron Davis still looks and sounds amazing. We got to hear songs like “The End of the world” “The lonely dead” and “under this flag”. 

Bleeding Through was next up and they were celebrating the anniversary of “The Truth” and throwing a few extra songs from previous albums and new material. Brandan still puts on a hell of a show and always finds a way to hurt himself at shows I’ve seen him perform. In Pittsburgh years ago he stepped on a water bottle and fucked up his ankle and 2 seconds into this show he almost fell straight off the stage. But that didn’t stop him from getting off the stage jumping in the crowd and killing such a great set. Then you add bad ass keyboardist Marta to the mix and this is why I’ve always loved this band. We got to hear songs like “Love in slow motion” , “Line in the sand” and “Love lost in a hail of gunfire “ the crowd went crazy. 

It’s been years since I’ve seen Darkest Hour too, I always remember those tours and seeing them with so many kick ass bands, it’s crazy to think they they have been together for 30 years and still bring it to the stage. I loved the energy and fun the band has on stage, loved the intro from a guy in a tux and also loved that the fans were engaged the whole set. I got to hear some great tunes like “The Sadist Nation”, “ Sound the surrender” and “Knife in a safe room”. 

This small 3 date tour was great and put me back into the days when I was younger and listened to some great metal. 

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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