Concert Reviews
W.A.S.P Pittsburgh: Photos and Review
WASP’s 40th Anniversary World Tour 2022 – Pittsburgh PA
By Josh Drespling with additional photos by Ron S.
The winged assassins, W.A.S.P. made their way to the blue collar town of Greensburg Pennsylvania which sits just outside of Pittsburgh. For one night only they took up residence in the over one hundred year old majestic Palace Theater.

What was dubbed “The 40th Anniversary World Tour” saw the band set foot in the United States for the first time in over a decade. There were rumors that front man and W.A.S.P. mastermind, Blackie Lawless swore to never tour in the US again due to the logistics and financial ramifications. He spun the new tour, touting the influence of the fans and their action to make promoters realize that bringing W.A.S.P. to any given town was a viable decision.


In reference to the world tour that kicked off in Milan, Italy on March18th of this year, Blackie had this to say “For the W.A.S.P. 40th Anniversary World Tour we’re going back to the beginning. We’re taking the show back to where it all started. Complete with all the fire and all the blood that shocked the world the first time. We only did this type of show on the first world tour and never did it again…until now! I’m gonna scream and I’m gonna bleed, cause I wanna be somebody! We’re taking everybody back…back to the beginning!”
For the sold out show in Greensburg, Armored Saint held down the opening slot duties with their signature brand of metal. Despite vocalist John Bush being under the weather they plowed through a set that spanned their entire career including the track “Chemical Euphoria” from their 1987 release Raising Fear along with “Can U Deliver” from the band’s first full length, 1984’s March of Saints. The band also performed “Standing on the Shoulders of Giants” from their mid-pandemic release, Punching the Sky.


WASP proudly took to the stage following an intro comprised of small clips of some of the band’s most memorable numbers mashed together into a whirlwind of chaotic sound. Blackie Lawless was clad in a black WASP t-shirt with added arm coverings, paired with his signature white leather fringed boots and knee pads. The balance of the band: bassist Mike Duda, guitarist Doug Blair, and drummer extraordinaire Aquiles Priester preceded Blackie on the stage. With his fist raised triumphantly in the air he pointed to the sky as the band broke into the opening riff of “On Your Knees” from W.A.S.P.’s 1984 self-titled debut album.
Every voice in the theater shouted along to every single word of a medley of the classics “On Your Knees”, “The Flame”, “The Torture Never Stops” and “Inside the Electric Circus”. The voices in the crow overpowered much of the vocals coming from the stage. Despite the thousand back-up singers, Blackie’s voice cut through the mayhem and his signature gravely voice sounded better than I could ever imagined. In fact, I might suggest that some of these other aging rock stars embrace whatever vocal exercises Blackie has been performing. We will gloss over the moment that bassist Mike Dude took a step backward and tripped over a wire, his own feet, or a shadow and landed on his rear-end. Guitarist Doug Blair was quick to the rescue and lent him a hand up as they both laughed off the comical incident in an otherwise “serious” rock show.


Without missing a beat W.A.S.P. pummeled the audience with another crowd pleasing number in the iconic classic “L.O.V.E. Machine” also from their debut release as the MTV era music video played on large screens behind the band. Moving ahead to “Wild Child, the lead track from 1985’s The Last Command. The band also performed amid the music video projected on the screens making up part of their backdrop.

Once the crowd had been properly whipped into a frenzy, Blackie announced that “In addition to it being the 40th anniversary of the band, it is also the 30th anniversary of The Crimson Idol album. We are going do do a few songs from that album right now.” They began with “The Idol”, who’s lush and extended guitar solo exhibited what an amazing guitar player Doug Blair is. He mesmerized the entire crowd with his playing of the nearly four-minute solo. Falling is order were “The Great Misconceptions of Me” and “Chainsaw Charlie (Murders in the New Morgue)” which saw the band bathed in bans of blue light and atmospheric smoke.


Breaking the more subdued tone of the Crimson Idol section of the set was the iconic drinking anthem “Blind in Texas” which once again had the entire venue singing along to every word before the band exited the stage.
After a brief pause Blackie and his fellow musicians returned to the stage and preformed the controversial and cartoon-like “Animal” one of the most famous W.A.S.P. songs, but without a doubt one of the most lack luster selections in the band’s expansive catalog. This was a shortened version on the song they transformed into “The Real Me”, The Who cover song from the bands most underrated release The Headless Children.


At this point Blackie stepped up to Elvis, his mic-stand monument made of a cold steel spinal column topped with a skull and crossbones and two arms with human skeleton hands holding what appear to be motorcycle handlebars. He proceed to profess how thankful he was for the fans and explained how promoters did not believe that WASP could still sell tickets. He said that “Tonight is sold out, last night was sold out, and many more of the dates on this tour are sold out.” He continued “It is all because of you the fans. You guys got on social media. It was not hundreds of you, but thousands of you and I’m grateful for that” With that he shouted “I WANNA BE SOMEBODY!” as the band broke into the signature song of the same name. While the band played photos and the names on every past and present member of WASP were projected on the screens behind them along with a list of thank yous of people who helped make WASP “somebody”.
As the song wound down, Blackie climbed on top of “Elvis” and threw his hands up, shouting “We Love You. Thank you!” He stepped down and spoke into he mic; saying “Good night. We will see you next time.” Thus lighting the flame of hope for them returning for another tour.

Few bands in history have generate such a catalog of rebellious sing-a-long anthems and managed to mature into a band that produced epic concept albums and straight ahead rockers that have moved multiple generations of fans. Despite the loss of several key members over the years (Chris Holmes, Randy Piper, the late Frankie Banali, and Johnny Rod) Blackie has been able to steer the freight train that is WASP towards musical perfection time and time again.
The 40th Anniversary World Tour will soon be winding down, but hopefully due to the success of this leg of the tour they will consider scheduling more dates in the US and abroad. If you have the opportunity I encourage you to catch the show, it is undoubtedly a memorable one.








































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Concert Reviews
KITTIE 30 YEARS LATER STILL ROCKS BALTIMORE

KITTIE CAME BACK INTO BALTIMORE SINCE AROUND 2012. ON TOUR WITH THEM IS GORE AND KINGDOM OF GIANTS.





Gore opened the show, energizing the crowd with crowd surfing and moshing. This Texas metalcore trio kicked off the party in style. I really enjoyed the vocals of their singer, Haley. While I found the music to be quite basic, I know many people in the crowd truly loved it.





Kingdom of Giants was up next, and this band, hailing from Sacramento, California, took the energy of moshing and crowd surfing to a whole new level. The metalcore band truly engaged the audience. While I have never been a huge fan of the genre, I always respect others’ tastes in music. The band exuded a lot of energy, and the singer was particularly animated, moving around and getting the crowd pumped up.







KITTIE was performing now, and I hadn’t seen them since Blue Ridge Fest ’22. I remember watching them in 2000 at Ozzfest and have seen them many times over the years, always enjoying their performances. I was really excited about this show.







Morgan, Mercedes, and Tara are incredibly badass and put on an amazing clinic. Rachel, filling in for Ivy on bass, added that extra spark. Playing 20 songs, Kittie pulled out tracks from different eras of the band. Hearing songs like “Cut Throat,” “Oracle,” “Spit,” “What I’ve Always Wanted,” “Suck,” and “Mouthful of Poison” was a real treat. They ended the set with their first single that made them famous, “Brackish,” and the song that brought them back together, “Eyes Wide Open.”






The show was incredible and truly demonstrated why, after 30 years, KITTIE is still a phenomenal band that deserves to be riding the waves of rock and roll success.
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Concert Reviews
Wicked Clowns Take Over The Steel City
Whoop Whoop Pittsburgh! The day we’ve all been waiting for is almost here. On June 27th, 2026, the Dark Carnival featuring none other than the Wicked Clown duo Violent J and Shaggy 2 Dope are coming to town and they’re bringing their dark ride to Stage AE located in Pittsburgh’ s North Shore. Yes, you heard me Insane Clown Posse (The most evil motherfuckers to ever rhyme) are bringing their Juggalo-covered, warpaint-stained, Faygo-drenched traveling ceremony of psychosis to Pittsburgh.
Calling this show a concert would be a disservice. This is a family reunion, a final boss on a lifelong quest and a “gathering” of like-minded souls. I’ve spoken to numerous steel city Juggalos and this is what they look forward to all summer. This spiritual experience is your opportunity to boogie with the clown and join the most loyal, most crazy and fun loving tribe there is: The Juggalos. Whether you been down since “The Carnival of Carnage” (Fuck that “Dog Beats”) or you are a clean-cut virgin ready to get your war paint stained we’ve got you covered.

The Wicked Clowns Are Coming!
For those who may not know, the Insane Clown Posse is a famous horror-core duo from Detroit. For over three decades, Violent J and Shaggy 2 Dope have created a unique musical story. This saga, known as the Dark Carnival, judges the wicked and rewards the good. They have sold millions of records and released classic songs like “Chicken Huntin’,” “Hokus Pokus,” “Let’s Go All the Way,” and of course “Homies,”. They have built an empire based on independence and authenticity. What started as a group called Inner City Posse changed after the duo encountered a supernatural Carnival Spirit. This spirit instructed them to spread the message of the Dark Carnival. They fulfilled their duty through a series of “Joker’s Cards.” It’s not only music, but also an elaborate mythology that has helped push their career and showcase their independence. The group founded Psychopathic Records built on Faygo, horror-infused lyrics, and a dedicated fan base known as Juggalos. ICP have achieved significant commercial success, earning two platinum albums and five gold albums. The group has sold over 6.5 million units in the US and Canada alone. Their story has continued with a second deck of Joker’s Cards, featuring albums like 2021’s Yum Yum Bedlam and last year’s The Naught.

What to Expect: A Sensory Assault!
Stepping into an ICP show feels like entering a different world. It’s an overwhelming experience for the senses. The stage resembles a theatrical masterpiece, with elaborate props and costumed characters that bring the Dark Carnival to life. But let’s be honest, you’re really there for the main event: the Faygo Shower.
If you’ve never seen it, imagine this: you’re surrounded by a sweaty, excited crowd, chanting along with Violent J and Shaggy. Suddenly, bottles of Faygo start flying from the stage like gifts from the clown gods. Grape, Orange, Rock & Rye—you’ll be soaked in the sticky, sweet drink of the Dark Carnival. You won’t just leave with memories; you’ll take home a permanent reminder in your clothes and hair. It’s a rite of passage, a glorious mess that brings everyone together in a shared, sugary frenzy.
Pittsburgh’s Juggalo History
This isn’t the first time the Clowns have made an impact in the Steel City. The Juggalos have strong ties here. The Wicked Clowns have a history of performing in Pittsburgh. We remember them at Metropol, Laga, The Ice Garden, Club Zoo, Rock Jungle, and even one unforgettable night with GWAR and Twiztid back in ’98 at the Crane Building. Let’s not forget their in-store appearances at Eide’s and the many fan sites like WPAJ.com (Western PA Juggalos) that celebrated the band and all things associated with them. The Pittsburgh crowd is sure to bring that legendary energy!


Controversy and the FBI
Of course, you can’t mention ICP without talking about the controversies that have served to fuel the loyalty of their fans. The most notable is their long-running fight with the FBI. In 2011, the FBI classified the Juggalo fanbase as a “loosely-organized hybrid gang” in their National Gang Threat Assessment. This designation as a gang, led to accusations of profiling and discrimination from venues and promoters. Fans claimed they were harassed and even had their rights violated simply for being part of the Juggalo family.
ICP, with the help of the ACLU, sued the federal government, arguing their First Amendment right to peaceably assemble was under attack only to have the case dismissed. In a major victory, the lawsuit was reinstated by an appeals court, proving the Clowns aren’t just about fun and games; they’ll fight for their family against a Goliath like the government. However, a federal judge dismissed the case for a second time but just know when you’re throwing your hatchet up at Stage AE, know you’re part of a movement that the Man couldn’t crush.

2026 Gathering: A New Realm
Now for the biggest news in the Juggalo universe: the 26th Annual Gathering of the Juggalos. This year, the Dark Carnival is on the move! After a long run in Thornville, Ohio, the family reunion is setting up shop in a brand-new location: Mother Nature’s Riverfront Retreat in Macks Creek, Missouri.
For the first time in its history, the Gathering is heading to the Show-Me State, happening August 19th-22nd. The Clowns themselves are hyping it up as a brand-new “river-infused realm of dopeness” nestled in the Lake of the Ozarks area. Imagine four days and nights of epic music, wrestling, and, of course, enough Faygo to fill the Mississippi. The official lineup is still under wraps, but if history’s any indication, it’s going to be legendary. Consider the Pittsburgh show your official warm-up for the main event!

2026 Schedule Full of Chaos
The Steel City show is a key stop their 2026 tour. The Clowns will be hitting cities from coast to coast before and after the Gathering. Here’s a look at the madness to come:
Spring Warm-Up: The tour kicked off in April with shows in places like Las Vegas, Los Angeles, Dallas, and Houston.
Summer of Faygo: June has them tearing through the Midwest, with stops in Cleveland, Pittsburgh, and Cincinnati.
The Main Event: Then it’s time for the 26th Annual Gathering of the Juggalos in Macks Creek, Missouri, from August 19-22.
Fall Wickedness: The tour continues into the fall with shows in Denver, multiple cities in California, and a string of East Coast dates in October, including an appearance at the Aftershock Festival in Sacramento.
Don’t Get Left Out in the Cold!
So, what are you waiting for? Grab your tickets, grab your hatchet, and get your face paint ready. This is the sign you’ve been waiting for. The Dark Carnival is coming to Stage AE in Pittsburgh, PA, on Saturday, June 27th, 2026. It’s all-ages, so bring the whole fam and just be ready to explain the sticky clothes later.
This is going to be a night of pure, unadulterated, wicked fun. See you in the pit, Juggalos! Whoop Whoop!

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Concert Reviews
North American Duel Tour featuring Jinjer w Crystal Lake and Entheos
Another warm start of summer as the crowd packs into the Roxian Theater in Pittsburgh to bang their heads and get out some aggression. Tonight is the North American Duel Tour featuring Jinjer with special guests Crystal Lake and Entheos. Tonight marks Jinjer’s 4th trip to the Burgh, having last been to the city in 2024.





Entheos kicked things off; draped in all black, vocalist Chaney Crabb commanded the audience’s attention from the start. Ripping through All For Nothing, the crowd moshed and thrashed as Chaney went through a full range of deep growls to high screams. Drummer Navene Koperweis was solid behind the kit, accompanied by Scott Carstairs and Michael Stancel on guitars. Entheos put on a high-energy set performing such hits as “Absolute Zero,” “I Am the Void,” and “Return to Me.”




Japanese native Crystal Lake took the stage next. The band recently had a vocalist change prior to this tour and had Myke Terry of Volumes and x-Fire From the Gods on the microphone tonight. Kicking off with “Everblack” and into “Bludgod,” the band was extremely high energy. The band never stood still during the whole set, from head-banging to running back and forth across the stage. Even the drummer would occasionally stand up and continue playing during the set. The whirlwind of a stage show saw their performances on such hits as “Aeon,” “Dystopia,” and “The Weight of Sound.”





Ukrainian natives Jinjer closed out the show with a light show production. LED screens and projected backdrops showed all types of scenes fitting of their songs as the band performed. Vocalist Tatiana Shmayluk sang through “Duel,” “Fast Draw,” and “Vortex” showing her vocal prowess to the Pittsburgh crowd. During the set, bassist Eugene Abdukhanov has a standout part under the spotlight, showcasing his musical abilities. Many in attendance were banging their heads or moshing as the band ripped through “Hedonist,” “Someone’s Daughter,” and “Rogue.”
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