Concert Reviews
BARONESS: SWEET OBLIVION TOUR PITTSBURGH SHOW REVIEW


As fans began to line up out front of the Roxian Theater in McKees Rocks, Pa., one could think that after the turkey festivities of Thanksgiving and the super-sale shopping of Black Friday, a rock show would be the best way to shake off the cold of fall and warm the body up on a Saturday evening. The Sweet Oblivion tour rolled into Pittsburgh, featuring Baroness, hot off their latest album release, Stone, which came out in September. Baroness, hailing from Georgia, have been touring and performing since 2003. These seasoned veterans are no strangers to the Steel City and are looking to put on another memorable show.



The opening band, Spotlights, was up first. This band is a mix of melodic rock and folk; it reminds me a lot of Russian Circles at first listen, with somber vocals. This band sets up the groove with drums and heavy bass and isn’t afraid to build an atmosphere out of the riff. At points during the set, the band felt primal, with chants and screams accompanied by a driving drum rhythm. The band’s stage performance is stripped down and minimal, placing the band in a shroud of darkness, with the only lighting coming from LEDs that are mounted to the band’s amplifiers.






Next up was punk rock outfit Soul Glo. This band comes with all the attitude of a high-energy hardcore punk band, with a bit of Lo Fi thrown in. Fast-paced and furious is the music, filled with rampant vocal lines that rip right through the crowd. Vocalist Pierce Jordan even jumped down into the photo pit to get closer to the crowd as their music played on. This quintet continued to push the envelope live while pacing the stage like a caged animal let free.








Baroness came out swinging right out of the gate with Isak. This Pittsburgh erupted into a sing-along, ripping through the lines as fast as vocalist John Baizley could belt them out. A fan favorite, the band really got the crowd going as they kicked into “A Horse Called Golgotha.” As heads in the crowd bobbed along to the music, the twin guitars of Baizley and Gina Gleason brought the shred. Other notable songs performed were “Tourniquet,” “Shock Me,” and “Chlorine and Wine,” before coming back to finish things out with an encore of “Take My Bones Away.”
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Concert Reviews
NEVER EARLY FESTIVAL BALTIMORE MD SHOW REVIEW

Never Early Fest in downtown Baltimore at Power Plant Live was a great experience and fun event that was held on May 31st. Having 5 stages, the main stage in power plant live , one stage at the old tin roof, one stage at angels rock bar, another stage at PBF and one at the Beer Garden.
Never Early Fest had a good mix of all types of genres. If you’re into punk rock, ska, metal core, rock, acoustic sets and everything in between, this was the place to be in Baltimore.
Some of the highlights were the headliners Deep Blue Something and Sumo Cyco( both of which I got to interview. Check out Below)
Sponge was great, along with Bikini Trill and The PieTasters on the main stage.
At Nutter Stage (Tin Roof) I really enjoyed The Upside, Skitzo Calypso, Tristan Tritt and Emily Wolfe.
Empire Tattoo Stage (PBR) highlights were When the Sun Sets, Act109 and Keep Flying. Punk Rock Saves Lives stage (Beer Garden) I enjoyed Distance to Dawn with an acoustic set, and LoveBoxx.
Dark Stage (Angels rock back) was probably my favorite stage only because it had the most metal/rock bands that I enjoyed. With Allswell, Lives Lost, Devil in Disguise, Awake at Last , A skylit drive and Sumo Cyco all killing it on that stage.
Overall I thought the fest was fun. We had a little rain that went by quick then some nice sunny weather with occasional crazy winds. The band were all great, the food and food trucks were great. The fans from all walks of life were enjoying the diversity of the music.
Huge shout to Nic Rappolla and His Team for putting on a great event.



























































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Concert Reviews
JET 930Club DC Show Review

Last night, the 9:30 Club got a full-force blast of rock ‘n’ roll straight from the Gold Coast — JET touched down in D.C., and they did not come to play. They came to remind us why they dominated the early 2000s and why rock will never die as long as they’re around.
You know the hits: “Are You Gonna Be My Girl,” “Cold Hard Bitch,” and “Look What You’ve Done.” But hearing them live? It’s a whole different beast. JET brought every ounce of raw power and swagger they’re known for, and the crowd was right there with them — screaming every lyric, fists in the air, living for that gritty garage-rock goodness.
Opening the night was U.K. trio Band of Skulls, and they didn’t hold back either. With tracks like “Death by Diamonds and Pearls,” they delivered a moody, grungy set that set the tone perfectly — dark, loud, and ready to erupt.
And let’s be real: JET flying all the way from Australia to give us this show? That’s commitment. These guys don’t tour the States often, so when they do, it’s a big deal — and they made sure this night was unforgettable. The guitar riffs were sharp, the vocals hit just right, and the energy? Off the charts.
If you weren’t there, you seriously missed out. And if you were there… you might’ve spotted me in full glitter mode, rocking my mermaid sequin pants and repping Empire Extreme loud and proud. Not to flex too hard, but I even got a shout-out from JET’s lead singer mid-show. Iconic behavior all around










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Concert Reviews
Ministry brings the squirrelly years to Baltimore Soundstage


Ministry on tour now with Die Krupps and Nitzer EBB stopped into Baltimore to bring us the early years of Ministry.




German industrial band Die Krupps opened up the show and got the crowd pumped and ready. With a good mix of synth , guitars and booming bass, Die Krupps was a great opener. With songs like Metal Machine Music, Robo Sapien, and Bloodsuckers.





Nitzer EBB was up next. Armed with just vocalist Bon Harris and his keyboardist , Nitzer EBB set was full of energy and life, Bon was all over the stage dancing and just living his best life. With songs like Blood Money, Hearts and Minds, and Join in the Chant, Nitzer got the goth crowd up and moving.







Ministry was up next and it was gonna be a fun and weird night. I’ve seen Ministry many times but this would be the first time I’ve seen them without them playing either Thieves or NWO. That’s because we got blasted back into the in 1983 and 1986 with albums “With Sympathy” and “Twitch”.





The band sounded and looked amazing with AL supporting a disco fever fuzzy hat and glasses. Now like I’ve said I’ve seen Ministry many times and they have been heavy as all hell, but apparently the old school set with much bass in it was too much for Soundstages speakers as the band blew them out many times during the set.
The fans didn’t care they stuck in full force and watched one of the most fun Ministry shows. It was great to hear all the old songs with a little bit of a modern twist to them. If you get to go and see this tour I encourage you to do so.
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