Concert Reviews

Live Review: W.A.S.P. at Stage AE, Pittsburgh, PA

Published

1 year ago

November 25, 2024

A Night of Nostalgia and Power

Heavy metal titans W.A.S.P. unleashed a night to remember at Pittsburgh’s Stage AE, delivering a performance that was equal parts nostalgic and incendiary. The evening featured the band’s iconic 1984 self-titled debut album performed in full, followed by a fiery encore of fan favorites, cementing their legendary status in the metal world. Joined by Armored Saint as the opening act, the night became a powerhouse celebration of classic heavy metal.

Armored Saint: A Thunderous Opening Act

Setting the stage for an unforgettable night, Armored Saint delivered a blistering performance that electrified the crowd and set the perfect tone for the chaos to come. John Bush, the charismatic vocalist, commanded the stage with his powerful voice, a seamless blend of raw grit and soaring melody. Tracks like “March of the Saint” and “Can U Deliver” pulsed with intensity, each riff and drumbeat reverberating through the venue, igniting the crowd’s energy.

With their signature blend of melodic yet muscular metal, Armored Saint proved why they remain a revered force in the heavy metal world. Their performance was a thunderous reminder of their enduring legacy and a testament to their ability to shake the rafters, priming the audience for the monumental act to follow.

W.A.S.P.: Reliving the Birth of a Legend

When W.A.S.P. stormed the stage, the room exploded with electrifying energy. Frontman Blackie Lawless, an enduring icon of heavy metal, led the charge as the band launched into their groundbreaking self-titled debut album, performing it in its entirety. Joining him were longtime bassist Mike Duda, guitarist Doug Blair, and the drumming powerhouse Aquiles Priester. Together, this seasoned lineup forged a connection with the crowd that bridged decades of metal history.

The show opened with the explosive anthem “I Wanna Be Somebody”, sending the audience into a frenzy as they belted out every word. This 1984 hit encapsulated everything that made W.A.S.P. legendary: searing guitar riffs, thunderous rhythm, and Lawless’s magnetic stage presence. The band’s chemistry was undeniable, with Blair’s razor-sharp guitar licks, Duda’s commanding basslines, and Priester’s thunderous precision propelling the performance.

Tracks like “L.O.V.E. Machine” drew roars of recognition, its seductive groove and infectious riff a nostalgic throwback to the band’s early MTV appearances. The haunting “Sleeping (In the Fire)” highlighted Lawless’s raw vocal power, complemented by Blair’s emotive guitar solo that sent chills through the crowd. Slower yet equally powerful, the song underscored the band’s ability to balance intensity with emotional depth.

The rebellious spirit of “School Daze” brought youthful anarchy to life, while “Hellion” surged with primal energy, its relentless tempo whipping the crowd into a frenzy. “Tormentor,” famously featured in the cult 1984 horror film The Dungeonmaster, captivated the audience with its sinister edge and theatrical flair. By the time they reached “The Torture Never Stops,” steeped in heavy riffs and ominous overtones, the band had cemented their command over the audience.

This extraordinary set proved that their early material remains as potent and relevant as ever. Each note, riff, and lyric was delivered with precision and passion, celebrating the raw energy that first defined the band while reigniting the flames of their legacy. It was a performance that honored their roots, thrilled longtime fans, and reminded everyone why W.A.S.P. remains a towering force in heavy metal history.

Encore: A Theatrical Spectacle of Defiance and Nostalgia

After a brief pause, W.A.S.P. returned to the stage, igniting the crowd with an encore steeped in theatricality and a celebration of their expansive catalog. Kicking off with “The Big Welcome,” the dramatic prelude gave way to a medley of metal exuberance, blending “Inside the Electric Circus” (from their 1986 album), the raucous “I Don’t Need No Doctor” (a 1987 single), and the cinematic anthem “Scream Until You Like It” (featured in the Ghoulies II soundtrack). The medley was a whirlwind of 80s-era high-octane theatrics, and unrelenting energy.

One of the encore’s most captivating moments was their cover of The Who’s “The Real Me,” from their 1989 The Headless Children album. Doug Blair’s blistering guitar work added a sharp edge to the classic track, while Blackie Lawless’s powerful vocals roared with intensity, paying homage to the rock legends who inspired them.

The mood shifted with “Forever Free,” a poignant ballad that showcased the band’s introspective side. This reflective moment seamlessly transitioned into the epic title track of The Headless Children, an apocalyptic anthem with complex arrangements and evocative imagery, illustrating W.A.S.P.’s evolution beyond their glam metal origins.

The night reached its fiery climax with “Wild Child,” from their 1985 album The Last Command. Its sultry swagger and rebellious energy had the crowd singing along in unison. Finally, they launched into the quintessential party anthem, “Blind in Texas,” bringing the performance to an electrifying conclusion.

SET LIST:
I Wanna Be Somebody

L.O.V.E. Machine

The Flame

B.A.D.

School Daze

Hellion

Sleeping (in the Fire)

On Your Knees

Tormentor

The Torture Never Stops

Encore:

The Big Welcome

Inside the Electric Circus / I Don’t Need No Doctor / Scream Until You Like It

The Real Me (The Who cover)

Forever Free / The Headless Children

Wild Child

Blind in Texas

About Author

Josh Drespling

Josh is the Publisher and creator of Empire Extreme and it’s sister publication Kingdom Extreme Magazine. He is an accomplished writer, photographer and graphic designer. He is always conjuring up new ideas and has a amazing passion for the music industry and all the things that surround it.

See author's posts

Concert Reviews

DARK WINTER TOUR:BALTIMORE SHOW REVIEW

Published

1 month ago

January 26, 2026

Ron

LORD OF THE LOST AND WEDNESDAY 13 CAME INTO BALTIMORE MARYLAND OR AS LORD OF THE LOST SINGER CHRIS HARMS CALLED IT BALTIMOST..

WEDNESDAY 13 opened and had a killer set. It’s tough when you have such a great spanning career to choose which songs to play, but Wednesday nailed it. From new to old, the band played a ton of great songs and got the crowd hyped and ready for a night of kick-ass music. When between band breaks,outside, I was outside and a guy who has never seen Wednesday 13 before was like “I’ve never seen an opening band, with so much energy and having the crowd pumped up like that before”. We got to see Wednesday throw out some plastic spiders from a Halloween pail,say… and this time his umbrella didn’t break when he performed “I Love to Say..Fuck”.

Lord of the Lost came to Baltimore last year and was super amazing and such a great show that I was excited to see them again. They did have a member of the band missing; their bassist was taking time away from the band to focus on his own mental health, which I applaud because in a world of music and entertainment we lose too many people who are afraid or ashamed to work on their mental health. This was the first day of the tour, and not knowing what song was gonna be played was kinda thrilling, but I knew that at one point that Wednesday 13 would come back on stage and play “I Hate People” which is the latest single from Lord of the Lost. The band sounded amazing, and I loved their cover of “She’s Got the Look.”

Overall this was a great day for music and such a great show. Go out and check it when they come to your city and just enjoy seeing live music.

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

See author's posts

Concert Reviews

Let’s go back to 2000’s Ozzfest with Darkest Hour, Bleeding Through and God Forbid.

Published

3 months ago

December 19, 2025

Ron

DC’s Hometown Hero’s Darkest Hour came to the Filmore in silver spring Maryland to celebrate 30 years and not only did they kick some ass the made us go back in time to a killer lineup of bands.

God Forbid celebrating the anniversary of “Constitution of Treason” opened up the show and got the crowd rowdy. It’s been years since I’ve seen God Forbid but I remember all those tours and ozzfests when they played and always kicked so much ass. The band still sounds great and singer Byron Davis still looks and sounds amazing. We got to hear songs like “The End of the world” “The lonely dead” and “under this flag”.

Bleeding Through was next up and they were celebrating the anniversary of “The Truth” and throwing a few extra songs from previous albums and new material. Brandan still puts on a hell of a show and always finds a way to hurt himself at shows I’ve seen him perform. In Pittsburgh years ago he stepped on a water bottle and fucked up his ankle and 2 seconds into this show he almost fell straight off the stage. But that didn’t stop him from getting off the stage jumping in the crowd and killing such a great set. Then you add bad ass keyboardist Marta to the mix and this is why I’ve always loved this band. We got to hear songs like “Love in slow motion” , “Line in the sand” and “Love lost in a hail of gunfire “ the crowd went crazy.

It’s been years since I’ve seen Darkest Hour too, I always remember those tours and seeing them with so many kick ass bands, it’s crazy to think they they have been together for 30 years and still bring it to the stage. I loved the energy and fun the band has on stage, loved the intro from a guy in a tux and also loved that the fans were engaged the whole set. I got to hear some great tunes like “The Sadist Nation”, “ Sound the surrender” and “Knife in a safe room”.

This small 3 date tour was great and put me back into the days when I was younger and listened to some great metal.

About Author

Ron

See author's posts

Concert Reviews

All Time Low: EVERYBODYS TALKING TOUR

Published

3 months ago

November 30, 2025

Kylie Thomas

The appropriately named “Everybody’s Talking” tour from All Time Low featuring Mayday Parade, Four Year Strong, and The Paradox was one of true pop-punk nostalgia. The stop over at UPMC Events Center on November 19 was a must for any fan of the year 2005. Being able to see some of the top names in this genre all with a room full of old-school emo kids is a blessing on its own.

Opening the show first was newer band The Paradox, a mix of core pop-punk anger and modern hip hop nuances. Think heavy riffs over more melodic vocals that float over top.

Four Year Strong, a band more on the hardcore side, follows this up with a pit for the ages. It’s a time for moshing to begin as the members take the audience through years of heavy breakdowns. These guys are a throwback for the ones who always went to Warped Tour.

The third opener, Mayday Parade has the power to pull together an entire crowd just by playing their hits “Jersey” and “Jamie All Over.” This band has been around the scene for a long time and there’s no doubt you’ve heard a song or two of theirs on the radio. Their energy is infectious from singer Derek Sanders to guitarist Brooks Betts and all the rest, too.

At the end of the day though, it’s obvious this crowd is here to see all eras of All Time Low come to life. After 22 years together, there are many layers to this band but their set manages to hit on them all. Whether you’re there for the songs from the beginning years like “Time-Bomb” or brand new ones like “SUCKERPUNCH,” you’re bound to hear something you like. One of the best parts of an All Time Low concert though is the party vibe. Alex Gaskarth, Jack Barakat, Zack Merrick, and Rian Dawson all carry an energy that’s similar to walking down Fremont Street in Vegas. It’s all flashy lights, big personalities, and good times. But, don’t be led astray, there are tender moments as well. It all creates a story of love and heartbreak alongside the highs and lows of life.

The “Everybody’s Talking” tour from All Time Low is one that chronicles their history. It’s a show that reminds audiences of their place in pop-punk and a chance for these audience to disappear back to high school again when all that mattered was eyeliner, CDs, and hair dye.