Connect with us

Concert Reviews

Live Review: W.A.S.P. at Stage AE, Pittsburgh, PA

Published

on

A Night of Nostalgia and Power

Heavy metal titans W.A.S.P. unleashed a night to remember at Pittsburgh’s Stage AE, delivering a performance that was equal parts nostalgic and incendiary. The evening featured the band’s iconic 1984 self-titled debut album performed in full, followed by a fiery encore of fan favorites, cementing their legendary status in the metal world. Joined by Armored Saint as the opening act, the night became a powerhouse celebration of classic heavy metal.

Armored Saint: A Thunderous Opening Act

Setting the stage for an unforgettable night, Armored Saint delivered a blistering performance that electrified the crowd and set the perfect tone for the chaos to come. John Bush, the charismatic vocalist, commanded the stage with his powerful voice, a seamless blend of raw grit and soaring melody. Tracks like “March of the Saint” and “Can U Deliver” pulsed with intensity, each riff and drumbeat reverberating through the venue, igniting the crowd’s energy.

With their signature blend of melodic yet muscular metal, Armored Saint proved why they remain a revered force in the heavy metal world. Their performance was a thunderous reminder of their enduring legacy and a testament to their ability to shake the rafters, priming the audience for the monumental act to follow.

W.A.S.P.: Reliving the Birth of a Legend

When W.A.S.P. stormed the stage, the room exploded with electrifying energy. Frontman Blackie Lawless, an enduring icon of heavy metal, led the charge as the band launched into their groundbreaking self-titled debut album, performing it in its entirety. Joining him were longtime bassist Mike Duda, guitarist Doug Blair, and the drumming powerhouse Aquiles Priester. Together, this seasoned lineup forged a connection with the crowd that bridged decades of metal history.

The show opened with the explosive anthem “I Wanna Be Somebody”, sending the audience into a frenzy as they belted out every word. This 1984 hit encapsulated everything that made W.A.S.P. legendary: searing guitar riffs, thunderous rhythm, and Lawless’s magnetic stage presence. The band’s chemistry was undeniable, with Blair’s razor-sharp guitar licks, Duda’s commanding basslines, and Priester’s thunderous precision propelling the performance.

Tracks like “L.O.V.E. Machine” drew roars of recognition, its seductive groove and infectious riff a nostalgic throwback to the band’s early MTV appearances. The haunting “Sleeping (In the Fire)” highlighted Lawless’s raw vocal power, complemented by Blair’s emotive guitar solo that sent chills through the crowd. Slower yet equally powerful, the song underscored the band’s ability to balance intensity with emotional depth.

The rebellious spirit of “School Daze” brought youthful anarchy to life, while “Hellion” surged with primal energy, its relentless tempo whipping the crowd into a frenzy. “Tormentor,” famously featured in the cult 1984 horror film The Dungeonmaster, captivated the audience with its sinister edge and theatrical flair. By the time they reached “The Torture Never Stops,” steeped in heavy riffs and ominous overtones, the band had cemented their command over the audience.

This extraordinary set proved that their early material remains as potent and relevant as ever. Each note, riff, and lyric was delivered with precision and passion, celebrating the raw energy that first defined the band while reigniting the flames of their legacy. It was a performance that honored their roots, thrilled longtime fans, and reminded everyone why W.A.S.P. remains a towering force in heavy metal history.

Encore: A Theatrical Spectacle of Defiance and Nostalgia

After a brief pause, W.A.S.P. returned to the stage, igniting the crowd with an encore steeped in theatricality and a celebration of their expansive catalog. Kicking off with “The Big Welcome,” the dramatic prelude gave way to a medley of metal exuberance, blending “Inside the Electric Circus” (from their 1986 album), the raucous “I Don’t Need No Doctor” (a 1987 single), and the cinematic anthem “Scream Until You Like It” (featured in the Ghoulies II soundtrack). The medley was a whirlwind of 80s-era high-octane theatrics, and unrelenting energy.

One of the encore’s most captivating moments was their cover of The Who’s “The Real Me,” from their 1989 The Headless Children album. Doug Blair’s blistering guitar work added a sharp edge to the classic track, while Blackie Lawless’s powerful vocals roared with intensity, paying homage to the rock legends who inspired them.

The mood shifted with “Forever Free,” a poignant ballad that showcased the band’s introspective side. This reflective moment seamlessly transitioned into the epic title track of The Headless Children, an apocalyptic anthem with complex arrangements and evocative imagery, illustrating W.A.S.P.’s evolution beyond their glam metal origins.

The night reached its fiery climax with “Wild Child,” from their 1985 album The Last Command. Its sultry swagger and rebellious energy had the crowd singing along in unison. Finally, they launched into the quintessential party anthem, “Blind in Texas,” bringing the performance to an electrifying conclusion.

SET LIST:
I Wanna Be Somebody

L.O.V.E. Machine

The Flame

B.A.D.

School Daze

Hellion

Sleeping (in the Fire)

On Your Knees

Tormentor

The Torture Never Stops

Encore:

The Big Welcome

Inside the Electric Circus / I Don’t Need No Doctor / Scream Until You Like It

The Real Me (The Who cover)

Forever Free / The Headless Children

Wild Child

Blind in Texas

About Author

Concert Reviews

WEDNESDAY 13:THERES NO SUCH THINGS AS MONSTERS MARYLAND SHOW REVIEW

Ron

Published

on

By

MURDER TO THE LEFT…MURDER TO THE RIGHT. HORRAY FOR WEDNESDAY 13, STITCHED UP HEART AND DEAD RABBITS

The Dead Rabbits opened up and started the show off with great music, awesome rabbit masks, and “Escape The Fate” singer Craig Mabbit’s birthday. This was my first time being able to see the band live, and they put on a great show. With songs like “Dead by Daylight,” “Dead Again,” and “Deer in the Headlights,” Dead Rabbits got the crowd pumped for a good time.

Stitched Up Heart was up next, and it had been a while since they played in Maryland. The band has always put on a hell of a show, and singer Mixi always brings such energy and fun to the shows as well. She’s always talking to fans and being genuinely an amazing person. When she’s on the stage, you can tell she’s in her element. The crowd was really getting into them, and the band even got to have a little mosh pit. With songs like “To the Wolves,” “Catch Me When I Fall,” and “Sick Sick Sick,” Stitched Up Heart always puts on a hell of a show and gets the crowd pumped.

The Duke of Spook. MR. MOTHERFUCKING13. WEDNESDAY 13 was up next, and the crowd was ready to be shocked and rocked. Playing a good mix of Muderdolls In the Valley of the MurderDolls and Wednesday 13’s first “solo” album, Transylvania 90210. You know when you go to a Wednesday 13 show you’re gonna hear some fun songs, you’re gonna hear some great songs, and you’re just gonna have fun. I was excited to hear a few songs that I haven’t gotten to hear in a while, like “Ghost of Vincent Price,” “Rambo,” and “God is a Lie.” We also got to hear a few songs off the new album that comes out on April 25th called “Mid Death Crisis,” songs like “When the Devil Commands,” “In Misery,” and “No Apologies.

With the new album coming out Wednesday, Wednesday 13 has a new addition to the band: guitarist Ashes (DevilDriver, Static X) has joined the WED13 camp. Which is awesome because not only is he a good friend, he’s a kick-ass guitarist and just an all-around badass and great guy. Wednesday and the band came out for an encore and gave us a few more songs to bang our heads to, like “Slit My Wrist” and “Love at First Fright,” and ended the night with “I Love to Say Fuck,” in which, during the end of the song, Wednesday broke his umbrella, looked at just the handle, laughed, and used it like he was leading an orchestra.

It was a great night of music and hanging out with great friends. We got to celebrate the lives of MurderDolls Joey Jordison and Ben Graves. And the show just happened to be on Paul Gray’s (Slipknot) birthday.

About Author

Continue Reading

Concert Reviews

Paleface Swiss Pittsburgh Show Review

George Archibald

Published

on

A packed crowd gathered outside the Roxian Theater in Pittsburgh tonight for The Cursed Tour featuring Paleface Swiss, Stick to Your Guns, and Nasty. The crowd was lined up across the front of the venue and several blocks down the street, with all types ready to get out their weekly frustrations this Friday eve. Hardcore, deathcore, and beatdown will be the soundtrack to usher in the weekend for all in attendance tonight.

Nasty would kick off things; this band comes from Belgium and has a metalcore/beatdown sound to them. Nasty also released their latest EP on March 14th, called Black My Heart, which features a single with tourmates Paleface Swiss entitled ‘Talk.’ From the first note, Nasty cranked the energy to 11, heavy riffs and fast, heavy vocals coming right down the barrel. The pit was going hard and fast with bodies careening into each other for the whole set. The band was just as energetic, pacing the stage while performing and running across the stage; vocalist Mathias even jumped down into the crowd for a part of the set.

With the crowd now primed and firing, Stick to Your Guns took the stage next. This Californian hardcore outfit dropped an album in early 2025 entitled Keep Planting Flowers. Their high-energy set had this Pittsburgh crowd bouncing to every song. The pit kept turning as crowd surfers were starting to come over the barricade now. The band played through many of their hits, “Invisible Rain”, “Keep Planting Flowers”, and “Spineless”, before wrapping up.

Paleface Swiss took the stage in a fury of angst. As soon as the lights rose after Un Pobre Nino Murio finished, the venue was in chaos. Vocalist Marc Zelli Zellweger ripped right into “Hatred”, pacing the stage as the crowd whipped into a frenzy. The music was fast and heavy as security had their hands full with moshers, crowd surfers, and occasional injuries along the way. The band played through “Nail to the Tooth”, “The Gallow”, and “Rivers of Sorrow” before throwing the crowd into another gear with “Please End Me”. The pace was unrelenting as the band came back out for an encore, closing out with the single Love Burns.

If you are looking for a fast-paced, heavy show, mark off the calendar to see The Cursed Tour. These bands came to play their asses off, and you won’t be able to stand still the whole show.

About Author

Continue Reading

Concert Reviews

KIM DRACULA/Hanabie SilverSpring Maryland Show Review

Ron

Published

on

By

AUSTRALIA AND JAPAN COLLIDE TO BRING THE USA SOME KICK ASS MUSIC AND FUN.

Kim Dracula, alongside Hanabie and Crystal Lake, came into the Filmore in Silver Spring, Maryland, and brought the right kind of entertainment that we so needed.

Crystal Lake put on a super intense and chaotic live show. With super insane riffs and brutal drums, Crystal Lake opened up the show perfectly, getting the crowd into a frenzy. This was my first time seeing the band, and they brought the fierceness of the metal genre with them.


Hanabie was next, and this was my second time getting to see them. I saw them last year when they toured with Jinjer. They are a perfect mix of metal, K-pop, and all-around fun. These girls not only know how to entertain and put on a show, they also play their instruments with perfection. Such a great blend of vocals from sweet and innocent playfulness to guttural growls. The crowd was loving them, and they have such a huge following in America, and I only see them getting even bigger.

Kim Dracula was the headliner, and this was my first time seeing the band. I’m kinda new to the whole Kim Dracula scene but have jumped on board right away with their mix of music and odd and weirdness they bring to the stage. I’m an old head, so for the younger generation, the closest I could say is that Kim Dracula reminds me of Mr. Bungle with a new generation twist. The show was fun, and damn, Kim is such a phenomenal persona. Not only is it amazingly entertaining, but what an amazing voice! Kim Dracula goes from metal screams to deep voice talking to crazy fast raps to singing high chops like Rob Halford. I was surprised to hear not one but two covers. Pearl Jam’s “Even Flow” and Lady Gaga’s “Paparazzi.”



Not only do you get this amazing music and musicians on stage, but then all of a sudden the song breaks out into a saxophone solo. WHAT?? So I encourage everyone to go see Kim Dracula when they tour in your area; you won’t be disappointed.

About Author

Continue Reading

Things You May Have Missed

%d bloggers like this: