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LS Dunes Pittsburgh Show Review

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Review/Photos:Kylie Thomas

It’s one thing to get to see a member of one of your favorite bands at a small venue on a solo project. But it’s even better when you get to see five members from some of the biggest bands in the world all in one solo project. Believe it or not, that’s just what fans experienced at Mr. Smalls Theatre on July 20 with headliner L.S. Dunes and opener Pinkshift. 

L.S. Dunes is a powerful post-hardcore band made up of members of the bands My Chemical Romance, Circa Survive, Coheed and Cambria, and Thursday. These four bands have had such a hold on the hardcore scene for the past 20 years, but L.S. Dunes brings a blend of all the projects unlike anything seen before. Singer Anthony Green from Circa Survive uses his unique vocal style to blend with these talented musicians, who put their all into every show.

Since these are all experienced live musicians, they’re able to put on a show with the most chaotic energy. Frank Iero from My Chemical Romance is on lead guitar and kills it with every solo. Tim Payne from Thursday creates the craziest melodic bass lines. Tucker Rule from Thursday keeps the driving force behind all the energy on his drums. Travis Steven complements Iero’s lead guitar with his own rhythmic passion. And of course, Anthony Green towers over the crowd with a loving spirit.

It’s not just L.S. Dunes that made this show outstanding, a lot of that is owed to their choice of opener, Pinkshift. Pinkshift are a female-fronted post-hardcore band that will literally tear your face off. Their combination of modern hard rock with classic post-hardcore riffs made them the perfect opener for fans of L.S. Dunes. The band started the show off with crazy energy and a true connection to the crowd.

It’s easy to say this is one of the most audience-involved and energetic shows I’ve been to in a long time. L.S. Dunes and Pinkshift both do their part to bring on an energy like no one else. At the end of the show, you’re going to be dead from moshing, but you’ll be leaving with the biggest smile on your face.

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Concert Reviews

NEVER EARLY FESTIVAL BALTIMORE MD SHOW REVIEW

Ron

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Never Early Fest in downtown Baltimore at Power Plant Live was a great experience and fun event that was held on May 31st. Having 5 stages, the main stage in power plant live , one stage at the old tin roof, one stage at angels rock bar, another stage at PBF and one at the Beer Garden. 

Never Early Fest had a good mix of all types of genres. If you’re into punk rock, ska, metal core, rock, acoustic sets and everything in between, this was the place to be in Baltimore. 

Some of the highlights were the headliners Deep Blue Something and Sumo Cyco( both of which I got to interview. Check out Below)

Sponge was great, along with Bikini Trill and The PieTasters on the main stage. 

At Nutter Stage (Tin Roof) I really enjoyed The Upside, Skitzo Calypso, Tristan Tritt and Emily Wolfe. 

Empire Tattoo Stage (PBR) highlights were When the Sun Sets, Act109 and Keep Flying. Punk Rock Saves Lives stage (Beer Garden) I enjoyed Distance to Dawn with an acoustic set, and LoveBoxx.  

Dark Stage (Angels rock back) was probably  my favorite stage only because it had the most metal/rock bands that I enjoyed. With Allswell, Lives Lost, Devil in Disguise, Awake at Last , A skylit drive and Sumo Cyco all killing it on that stage. 

Overall I thought the fest was fun. We had a little rain that went by quick then some nice sunny weather with occasional crazy winds.  The band were all great, the food and food trucks were great. The fans from all walks of life were enjoying the diversity of the music. 

Huge shout to Nic Rappolla and His Team for putting on a great event. 

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Concert Reviews

JET 930Club DC Show Review

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Last night, the 9:30 Club got a full-force blast of rock ‘n’ roll straight from the Gold Coast — JET touched down in D.C., and they did not come to play. They came to remind us why they dominated the early 2000s and why rock will never die as long as they’re around.

You know the hits: “Are You Gonna Be My Girl,” “Cold Hard Bitch,” and “Look What You’ve Done.” But hearing them live? It’s a whole different beast. JET brought every ounce of raw power and swagger they’re known for, and the crowd was right there with them — screaming every lyric, fists in the air, living for that gritty garage-rock goodness.

Opening the night was U.K. trio Band of Skulls, and they didn’t hold back either. With tracks like “Death by Diamonds and Pearls,” they delivered a moody, grungy set that set the tone perfectly — dark, loud, and ready to erupt.

And let’s be real: JET flying all the way from Australia to give us this show? That’s commitment. These guys don’t tour the States often, so when they do, it’s a big deal — and they made sure this night was unforgettable. The guitar riffs were sharp, the vocals hit just right, and the energy? Off the charts.

If you weren’t there, you seriously missed out. And if you were there… you might’ve spotted me in full glitter mode, rocking my mermaid sequin pants and repping Empire Extreme loud and proud. Not to flex too hard, but I even got a shout-out from JET’s lead singer mid-show. Iconic behavior all around

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Concert Reviews

Ministry brings the squirrelly years to Baltimore Soundstage 

Ron

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Ministry on tour now with Die Krupps and Nitzer EBB stopped into Baltimore to bring us the early years of Ministry. 

German industrial band Die Krupps opened up the show and got the crowd pumped and ready. With a good mix of synth , guitars and booming bass, Die Krupps was a great opener. With songs like Metal Machine Music, Robo Sapien, and Bloodsuckers. 

Nitzer EBB was up next. Armed with just vocalist Bon Harris and his keyboardist , Nitzer EBB set was full of energy and life, Bon was all over the stage dancing and just living his best life. With songs like Blood Money, Hearts and Minds, and Join in the Chant, Nitzer got the goth crowd up and moving. 

Ministry was up next and it was gonna be a fun and weird night. I’ve seen Ministry many times but this would be the first time I’ve seen them without them playing either Thieves or NWO. That’s because we got blasted back into the in 1983 and 1986 with albums “With Sympathy” and “Twitch”.

The band sounded and looked amazing with AL supporting a disco fever fuzzy hat and glasses. Now like I’ve said I’ve seen Ministry many times and they have been heavy as all hell, but apparently the old school set with much bass in it was too much for Soundstages speakers as the band blew them out many times during the set. 

The fans didn’t care they stuck in full force and watched one of the most fun Ministry shows. It was great to hear all the old songs with a little bit of a modern twist to them. If you get to go and see this tour I encourage you to do so.   

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