Concert Reviews

Seether Live Review Pittsburgh, PA

Published

1 year ago

September 30, 2024

With Skillet, Tim Montana, and Royale Lynne

The sun dipped behind the silhouette of Pittsburgh’s legendary Mount Washington, leaving Stage AE, PNC Park, and Acirsure Stadium (forever known as Heinz Field) in the long shadows of the first full day of fall. The line of fans waiting to enter Stage AE wrapped around the building and down the entire block as the anticipation rose.

The powerhouse rock band Seether plowed through Pittsburgh tonight, fresh off the release of their ninth studio album, The Surface Seems So Far, which dropped on September 20. The album’s electrifying opening track, “Judas Mind,” has already climbed to No. 5 on the rock radio charts, showcasing the band’s ability to consistently deliver hard-hitting anthems.

Originally hailing from Pretoria, South Africa, Seether has forged a legacy in the world of rock radio with hits like “Broken,” “Fake It,” and “Words as Weapons.” Over their more than 20-year career, the band has earned five gold and platinum albums while dominating the Billboard Rock Airplay charts with over two dozen Top 10 hits, including an astounding 20 No. 1 singles on U.S. radio. Their influence extends beyond music, as the rock quartet founded the annual Rise Above Fest, which ran for nearly a decade, raising awareness for suicide prevention and mental health advocacy.

Also sharing the stage tonight was the fiery Christian rockband Skillet, hailing from Memphis, Tennessee, known for their high-energy performances, pyrotechnics, and stage show. Support acts for the evening included Tim Montana and Royale Lynne rounding out the evening of unforgettable music and raw passionate performances.

SKILLET:

With their upcoming November 1st, 2024 release date for the new album “Revolution” on the horizon Skillet commanded the attention of their fans. The crowd were given a captivating light show and frontman/bassist John Cooper’s use of some Cryo Cannons made sure the audience were “Awake and Alive.” Delivering hit songs such as opener “Invincible” and “Monster” the band showcased favorites of their catalog. Never ones to shy away from their faith the band delivered a sometimes “Unpopular” opinion of their “Hero” with a message of unity and hope between songs and focused on how music brings us all together. Korey Cooper (guitar), Jen Ledger (drums) and Seth Morrison (guitar) each delivered a high energy performance that the band has become known for. With 11 albums under their belt that have garnered Grammy nominations, multi platinum sales and numerous awards there is no doubt the upcoming new album will provide another solid track list.

SEETHER:
As Seether took the stage it was bathed in shadow, only to erupt into a blaze of backlights and video screens as the opening riff of “Gasoline” ignited the night. The audience, clad in a sea of band tees, and raised fists, swayed and shouted in sync with Shaun Morgan’s raw vocals. The grinding guitars pierced the venue, setting the tone for what would be an electrifying performance.

As the final note of “Gasoline” rang out, Morgan the acoustic strumming of “Fine Again” floated over the crowd. The song, an anthem of resilience, from the bands 2000 album Fragile hit harder than ever, with the crowd belting out every lyric, their voices merging with Morgan’s in a powerful chorus of survival and hope.

Next, the lights dimmed even further as Seether transitioned into their haunting ballad “Broken,” a track that still tugs at the heartstrings nearly two decades after its release. Phones lit up the crowd like stars as fans swayed, as they relived memories tied to this timeless hit.

Without missing a beat, Seether cranked the energy back up with “Country Song,” its infectious groove sending the audience into a frenzy. As the band seamlessly moved into “Wasteland,” the crowd’s energy never wavered, the gritty, distorted chords and pounding drums driving the momentum forward.

Midway through the set, Morgan took a moment to share a few words about the personal meaning behind “Rise Above This.” The song, dedicated to his late brother, has long served as a beacon of hope for fans struggling with mental health, and the crowd’s reverence during the performance was palpable. The collective voices lifted the chorus like a battle cry, giving the song even more emotional weight.

As the band unleashed “Nobody Praying for Me,” its dark, brooding tones echoed throughout the venue, setting a somber mood, but it was quickly shattered by the adrenaline-pumping “Dangerous.” The new hit from Seether’s latest album The Surface Seems So Far.

Then the band unleashed the heavy-hitting single from their newest album “Judas Mind,” which has already rocketed up the charts. The relentless riff reverberated through the crowd who chanted along to the chorus, as if reclaiming their own inner battles.

Seether wasn’t done yet. The mega-hit “Fake It” exploded through the speakers next, its rebellious energy and unforgettable chorus igniting the crowd into a frenzied sing-along. As the band shredded through the final notes, the fans roared for more, and Seether delivered one last knockout punch with their iconic closer, “Remedy.” The air was thick with adrenaline as the crowd gave their all, headbanging and shouting the lyrics at the top of their lungs, feeding off the sheer intensity of the band’s performance.

By the end of the set, the night felt electric and alive with the lingering energy of a band that had poured their heart and soul into every note. Seether had returned to Pittsburgh, not just to play a show, but to remind the crowd why their music continues to resonate so deeply, leaving a lasting impression that would be felt long after the last chord faded into the night.

About Author

Josh Drespling

Josh is the Publisher and creator of Empire Extreme and it’s sister publication Kingdom Extreme Magazine. He is an accomplished writer, photographer and graphic designer. He is always conjuring up new ideas and has a amazing passion for the music industry and all the things that surround it.

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Concert Reviews

DARK WINTER TOUR:BALTIMORE SHOW REVIEW

Published

1 month ago

January 26, 2026

Ron

LORD OF THE LOST AND WEDNESDAY 13 CAME INTO BALTIMORE MARYLAND OR AS LORD OF THE LOST SINGER CHRIS HARMS CALLED IT BALTIMOST..

WEDNESDAY 13 opened and had a killer set. It’s tough when you have such a great spanning career to choose which songs to play, but Wednesday nailed it. From new to old, the band played a ton of great songs and got the crowd hyped and ready for a night of kick-ass music. When between band breaks,outside, I was outside and a guy who has never seen Wednesday 13 before was like “I’ve never seen an opening band, with so much energy and having the crowd pumped up like that before”. We got to see Wednesday throw out some plastic spiders from a Halloween pail,say… and this time his umbrella didn’t break when he performed “I Love to Say..Fuck”.

Lord of the Lost came to Baltimore last year and was super amazing and such a great show that I was excited to see them again. They did have a member of the band missing; their bassist was taking time away from the band to focus on his own mental health, which I applaud because in a world of music and entertainment we lose too many people who are afraid or ashamed to work on their mental health. This was the first day of the tour, and not knowing what song was gonna be played was kinda thrilling, but I knew that at one point that Wednesday 13 would come back on stage and play “I Hate People” which is the latest single from Lord of the Lost. The band sounded amazing, and I loved their cover of “She’s Got the Look.”

Overall this was a great day for music and such a great show. Go out and check it when they come to your city and just enjoy seeing live music.

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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Concert Reviews

Let’s go back to 2000’s Ozzfest with Darkest Hour, Bleeding Through and God Forbid.

Published

3 months ago

December 19, 2025

Ron

DC’s Hometown Hero’s Darkest Hour came to the Filmore in silver spring Maryland to celebrate 30 years and not only did they kick some ass the made us go back in time to a killer lineup of bands.

God Forbid celebrating the anniversary of “Constitution of Treason” opened up the show and got the crowd rowdy. It’s been years since I’ve seen God Forbid but I remember all those tours and ozzfests when they played and always kicked so much ass. The band still sounds great and singer Byron Davis still looks and sounds amazing. We got to hear songs like “The End of the world” “The lonely dead” and “under this flag”.

Bleeding Through was next up and they were celebrating the anniversary of “The Truth” and throwing a few extra songs from previous albums and new material. Brandan still puts on a hell of a show and always finds a way to hurt himself at shows I’ve seen him perform. In Pittsburgh years ago he stepped on a water bottle and fucked up his ankle and 2 seconds into this show he almost fell straight off the stage. But that didn’t stop him from getting off the stage jumping in the crowd and killing such a great set. Then you add bad ass keyboardist Marta to the mix and this is why I’ve always loved this band. We got to hear songs like “Love in slow motion” , “Line in the sand” and “Love lost in a hail of gunfire “ the crowd went crazy.

It’s been years since I’ve seen Darkest Hour too, I always remember those tours and seeing them with so many kick ass bands, it’s crazy to think they they have been together for 30 years and still bring it to the stage. I loved the energy and fun the band has on stage, loved the intro from a guy in a tux and also loved that the fans were engaged the whole set. I got to hear some great tunes like “The Sadist Nation”, “ Sound the surrender” and “Knife in a safe room”.

This small 3 date tour was great and put me back into the days when I was younger and listened to some great metal.

About Author

Ron

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Concert Reviews

All Time Low: EVERYBODYS TALKING TOUR

Published

3 months ago

November 30, 2025

Kylie Thomas

The appropriately named “Everybody’s Talking” tour from All Time Low featuring Mayday Parade, Four Year Strong, and The Paradox was one of true pop-punk nostalgia. The stop over at UPMC Events Center on November 19 was a must for any fan of the year 2005. Being able to see some of the top names in this genre all with a room full of old-school emo kids is a blessing on its own.

Opening the show first was newer band The Paradox, a mix of core pop-punk anger and modern hip hop nuances. Think heavy riffs over more melodic vocals that float over top.

Four Year Strong, a band more on the hardcore side, follows this up with a pit for the ages. It’s a time for moshing to begin as the members take the audience through years of heavy breakdowns. These guys are a throwback for the ones who always went to Warped Tour.

The third opener, Mayday Parade has the power to pull together an entire crowd just by playing their hits “Jersey” and “Jamie All Over.” This band has been around the scene for a long time and there’s no doubt you’ve heard a song or two of theirs on the radio. Their energy is infectious from singer Derek Sanders to guitarist Brooks Betts and all the rest, too.

At the end of the day though, it’s obvious this crowd is here to see all eras of All Time Low come to life. After 22 years together, there are many layers to this band but their set manages to hit on them all. Whether you’re there for the songs from the beginning years like “Time-Bomb” or brand new ones like “SUCKERPUNCH,” you’re bound to hear something you like. One of the best parts of an All Time Low concert though is the party vibe. Alex Gaskarth, Jack Barakat, Zack Merrick, and Rian Dawson all carry an energy that’s similar to walking down Fremont Street in Vegas. It’s all flashy lights, big personalities, and good times. But, don’t be led astray, there are tender moments as well. It all creates a story of love and heartbreak alongside the highs and lows of life.

The “Everybody’s Talking” tour from All Time Low is one that chronicles their history. It’s a show that reminds audiences of their place in pop-punk and a chance for these audience to disappear back to high school again when all that mattered was eyeliner, CDs, and hair dye.