CD Reviews
Zakk Wylde – Book of Shadows II (review)
Zakk Wylde – Book of Shadows II (review)
By JJ Ulizio
Zakk Wylde has progressively become a more and more of prominent figure through the first couple of decades in the 21st century; however his music has increasingly become more and more of the same old, same old. When I discovered that he had released a “sequel” to his original 1996 Book of Shadows album I was extremely excited. The original Book Of Shadows is an album that I still listen to on occasion to this day. But alas my hopes rose too high and were smashed to the ground, because this album is sadly not very impressive.
The album begins with the track “Autumn Changes.” Oddly enough, it is reminiscent of something out of the Pearl Jam songwriting hand book. Not exactly a note by note rip-off or anything of that nature, but it definitely, at least the intro and first verse, remind me of Pearl Jam’s “Yellow Ledbetter” or “Black”. Before turning into the watered down southern rock that becomes the blueprint for the entire album. It flows along with Zakk’s low vocal tone with clean guitars with a guitar solo before rolling itself out for the second track.
The entire album follows the same cookie cutter pattern from Zakk, watered down southern rock tunes, organs, choir like choruses, and clean sounding guitar solos interspersed with the atypical Zakk speed solo in certain songs.
If you are interested in southern rock from Zakk then I must recommend the 1994 self-titled album from Pride and Glory. For more of the mellow music then I highly recommend the original Book of Shadows album or the 2004 Black Label Society album Hangover Music Vol. VI which is more of Book of Shadows II than Book of Shadows II is.
It’s not entirely bad. There are plenty of musicians who would kill to write an album like this; however I don’t see this lackluster effort going down in history as an amazing Zakk Wylde album. Considering where he is in his musicianship and career, I expected much more from him. The album is good for a listen, but forgettable past that.
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CD Reviews
ALICE IN CHAINS “BLACK GIVES WAY TO BLUE” VINYL REVIEW
Alice In Chains have Re-Released the 2009 album on vinyl. This album was the first Alice In Chains in 14 years and the first album with guitarist/singer Willam DuVall after Layne Staley passed away in 2002.
I was a huge Alice In Chains fan and was a big fan of both Layne and Jerry. When this album first came out I remember sorta pushing it the side only cause of sadness about Layne but after hearing “Check My Brain” I gave it a chance and was so glad that I did. This album is amazing and really put Alice In Chains back into the mainstream.
The vinyl not only looks super awesome but sounds amazing. If you’re a fan of Alice In Chains and into collecting Vinyl, this album is a must in your collection. It’s a great packed vinyl with 2 vinyls included.
Side A: All Secrets Known, Check My Brain and Last of My Kind. Side B: Your Decision, A Looking in View. Side C: When The Sun Rose Again, Acid Bubble, Lesson Learned. Side D: Take Her Out, Private Hell, Black Gives Away To Blue
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VENDED: Album Review
9/20/24 sees the independent release of the full-length, self-titled debut album from Des Moines, Iowa natives Vended. Featuring vocalist Griffin Taylor, Simon Crahan on drums, Jeremiah Pugh on bass, Cole Espland on lead guitar, and Connor Grodzicki on rhythm guitar.
On this album they have taken more abrasive elements of nu metal as seen in the late 90s from bands like Slipknot and Soulfly and utilized elements of metalcore to slap a fresh coat of paint on the style. There are elements that remind me of the more modern and spastic styles of nu metal, similar to a band like Tallah.
Griffin’s vocal styling showcases mid-range screams as the main driving force bending the vocals. True to the nu metal elements, the rage and anger perceived from the screams are offset by the occasional catchy riff or fast talking, almost rapping stylized lyrics.
Crahan shows an impressive command of rhythm with his double bass drum. Driving each track forward with a machine gun-like purpose, which makes the more groove-oriented parts hit much harder. Crahan, in addition to the rest of the rhythm section (Espland and Pugh), all really work together well to keep the momentum moving forward while not sacrificing said groove.
While I wouldn’t call it album of the year or anything. It’s definitely worth checking out. Standout tracks: “Nihilism” and “The Far Side”.
Vended can be found on the usual socials. And the album is available on all streaming platforms. And physical copies can be purchased though https://www.officialvended.com
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DevilSkin “Surfacing” EP
It’s been 4 years since Devilskin’s last album, “Red.” The New Zealand band has followed up with their new EP, “Surfacing.”
This 6-song EP starts off with “Whale Song,” which just rocks and puts you right in the mood for what Devilskin is going to bring. I love Jennie Skulander’s voice; it works perfectly with the tone and grittiness of the album.
The EP has two covers on it. “Barracuda,” which we reviewed before and is a great cover song. The band also takes a swing at Dio’s “Holy Diver.” I am pretty critical about anyone covering Dio. Most bands try too hard to sound like Ronnie, which doesn’t always work out. However, I like this cover because the band takes their own path when covering it and makes it their own.
“Let Me Breathe,” “Insects,” and “Unborn” round up the rest of the EP. Which makes the EP a great listen from beginning to end. There has been a great resurgence of bands coming from New Zealand that kick ass. DevilSkin is on top of that list of bands. I hope that they make it over to the US soon so we can get a chance to check them out live. If you’re into a great rock EP and want to listen to something new and fresh, I recommend checking out this EP.
THIS IS A SPONSORED REVIEW BROUGHT TO YOU BY TAG PUBLICITY
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