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Bloodywood: Concert Review Pittsburgh, PA

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In a realm of modern music overflowing with musical genres, there are few bands that possess a unique sonic force that defies categorization while leaving listeners spellbound and yearning for more. One such band is Bloodywood. They are a musical force that blends cultural heritage with a relentless fusion of metal, hip-hop, and traditional Indian rhythms.

As a band, they are carving a distinctive path and leaving an indelible mark on the modern musical landscape. Their raw energy, cultural fusion, and a fearless spirit of rebellion is a testament to the transformative power of music, transcending boundaries and uniting people from all corners of the globe. With their infectious energy and thought-provoking lyrics, the band has built an ardent following, igniting a revolution that stretches far beyond the realm of music or the shores of any country.

Born in the vibrant streets of New Delhi, India, in 2016, Bloodywood showcases their unwavering commitment to pushing boundaries, both musically and socially, as they fearlessly tackle pressing issues and ignite conversations.

The sonic odyssey of Bloodywood graced the stage of the Roxian Theater in McKees Rocks, Pennsylvania, which is nestled in the shadow of Pittsburgh only a short distance down the Ohio River from the infamous Steel City.

The show opened with a blast of energy from the British duo WARGASM, whose stage presence was undeniable. Sam Matlock, Milkie Way, and company tore through an unadulterated set of nu-metal tracks tinged with punk and electronica that included “Super Fiend”, “D.R.I.L.D.O”, and “Rage All Over”. They followed up with the video sensation “Fukstar” and wound down the set with some crowd surfing and a cover of N*E*R*D’s “Lapdance” and closed out the set with the track “Spit”.

After a brief break in the mayhem, Vended made the stage rumble to life. Their agro-metal induced a great deal of similarity to early Slipknot, and that is not surprising given that frontman Griffen Taylor is the son of Slipknot’s Corey Taylor and Simon Crahan is the son of percussionist Shawn ‘Clown’ Crahan. The band sounded tight and featured competent song composition; however, the vocalist needed to learn how to work the stage. It was as if his shoes were nailed to the floor at center stage.

As stage lighting flickered to life, the crowd prepared to be immersed in a symphony of cultural fusion, electrifying riffs, and unapologetic lyrics. We all knew that we were about to experience something quite special. As the sonic saga began, drummer Vishesh Singh sat behind his kit, awash in blue and purple lights, as the anticipation grew more intense. The intro track for “Gaddaar” echoed throughout the theater before the bombastic bass, gnarly guitar riffs, and the thump of the drums shook the walls as the entire band burst onto the stage to metaphorically say, “Ladies and gentlemen, welcome to an electrifying evening filled with raw energy enshrined in a mesmerizing tapestry of sound that defies conventions.”

The crowd began losing themselves in the pounding intensity, their bodies moving in sync with each thunderous beat as Sarthak Pahwa wailed away on his dhol. The band seamlessly migrates from the thunderous “”Gaddaar” to “BSDK.exe” from their most recent release Rakshak that couples a more hip-hop vibe on the verses with a crushing guitar rhythm from Karan Katiyar throughout the rest of the track.

Adorned in their fusion of metal attire and traditional Indian clothing, twin vocalists Jayant Bhadula (vocals and growls) and Raoul Kerr (rap vocals) commanded a powerful presence as they ran through “Aaj” with its hypnotic flute licks and downright brutal lead vocals. The five minute long song pushed the audience into heightened frenzy before slapping them across the chin with “Dana Dan”. Which had Raoul Kerr rapping/screaming “I put a fist through the face of a rapist and yeah, I taped this. For the viewing pleasure of the nameless faces he disgraces.”

Up next was the more mellow and chill track “Jee Veerey” that featured more of Karan Katiyar’s enigmatic flute playing along with a more melodic yet still intense vocal delivery from Jayant Bhadula as he sang in his native tongue.

The track “Zanjeero Se” was followed by “Machi Bhasad (Expect a Riot)” which truly showcased the rhythmic prowess of drummer Vishesh Singh and dhol master Sarthak Pahwa. It was so enthralling to watch Sarthak perform on such a simplistic instrument and to make it so vibrant and energetic. His playing transports Bloodywood’s music to a completely different level.

As the set reached its crescendo, it was obvious that the sweat-drenched band had poured their hearts and souls into every note. Wrapping up their set was the sing-along inducing “Ari Ari” that left the crowd breathless and drenched in the passion that radiated from the stage.

But… There is more. As an encore, the band jumps back in to the opening track “Gaddaar” thus cranking up the mosh-pit’s intensity to eleven, causing every person down front to expel every ounce of remaining energy from their bodies.

It was incredibly refreshing to see a band that, in some magical way is able to unite people regardless of age, background, or nationality. To see people connected by their love of the music and a band. The shared experience created an atmosphere of camaraderie and acceptance, where strangers become friends, and barriers dissolve in the face of the music.

Unfortunately, this was the last stop on Bloodywood’s North American tour, save some festival dates. Hopefully, they will be returning to the states soon. If you have the opportunity to see them live, do not sleep on it. I promise you will not be disappointed.

In the meantime you can get more info at: www.bloodywood.net/

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Concert Reviews

King Diamond brought the Halloween party to Silver Spring MD

Ron

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King Diamond who’s on tour now with Overkill and Night Demon.

Overkill always puts on a great show and shows that face pace thrash metal is still kick ass. Led by NJ’s Bobby “Blitz” Ellsworth Overkill has that distinctive sound with Bobby’s high pitched and raspy vocals. With songs like “Scorched”, “ Rotten to the Core” and “Hello From the Gutter”, Overkill got the crowd into a frenzy and warmed up the stage before the king. 

You know it’s gonna be a good night when it’s 3 days before Halloween and you get to see a kick ass set from King Diamond. King Diamond who’s 68 right now still commands that stage and sounds amazing with his insanely falsettos. The stage show at a King Diamond show is always such a great sight to see. With a multilayer setup of stairs and little pieces of elaborate set all over it’s such a great view and perfect setting to watch a King Diamond set. 

The set list was amazing too we got to hear songs from such a great career like “A Mansion in the Darkness”, “Halloween “, “Spider Lilly”, “Welcome Home”, and “Eye of the Witch” and of course ending the night with “Abagail”. 

If you’re a fan of King Diamond or just a fan of great music that adds that Halloween haunted asylum themed stage performances then you need to go out and check this tour now. King Diamond never disappoints and always puts on one hell of a show. 

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ITS TIME TO GET YOUR BODY BEAT AND LET THE BLOOD FLOW

Ron

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Combichrist came into Lovedrafts in Mechanicsburg with an old school electronic  set and the return of PA’s own DeathMaschine. 

Combichrist took the dark stage armed with Eric on the synths/sampler and Andy on Vocals and an open stage to rampage on. I got to hear some killer kick ass songs I haven’t heard in a while like “Today I woke to the rain of blood”, “This is My Rifle” and This shit will fuck you up”.  

The crowd were super excited to watch the set and everyone was having a good time, dancing to the beats, and singing all the songs and having an amazing time. I’ve been wanting to see Combichrist do these old school sets and have always loved that era of the band. We also got to hear “Like to Thank My Buddies” and “Shut up and Swallow”. We also got a super rare treat for an encore Andy went back even further in his musically roots and pulled out an Icon of Coil song “Dead Enough For Life”, which got the crowd in a frenzy. 

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Concert Reviews

LUDACRIS : THE HALL AT LIVE

Ron

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ATL IS IN THE HOUSE. 

Ludacris came into Maryland at the Hall in Live Casino and brought with him the masses that were ready for a good time, good fun and good tunes. 

Ludacris said it’s been a long time since he’s been back to Maryland and DC area. I loved that he just came out with his dj and his hype man and himself nothing else was needed when you entertain like Ludacris does. Whether  you’re a fan from back in the day or a fan of his movies, Ludacris made everyone happy and made sure they were fully entertained. 

Of course Ludacris played some of his hits songs like “Act a Fool”, “Move Bitch”, “What’s your fantasy”, “Get Back” and “Area Codes” but he also played some old school tracks and a few covers like “Holiday Inn” and “Yeah”. The crowd was hitting that good weed as well and threw some blunts up to the stage during “BlueBerry Yum Yum”. 

Ludacris made a statement that his first album came out in 2000 and this next year is the 25th anniversary of the album. It was a great night and a great time, Ludacris knows how to keep the fans engaged and entertained all night. He’s very fan friendly and charismatic which makes sense that he’s also a great actor. 

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