Concert Reviews

Bloodywood: Concert Review Pittsburgh, PA

Published

1 year ago

June 1, 2023

In a realm of modern music overflowing with musical genres, there are few bands that possess a unique sonic force that defies categorization while leaving listeners spellbound and yearning for more. One such band is Bloodywood. They are a musical force that blends cultural heritage with a relentless fusion of metal, hip-hop, and traditional Indian rhythms.

As a band, they are carving a distinctive path and leaving an indelible mark on the modern musical landscape. Their raw energy, cultural fusion, and a fearless spirit of rebellion is a testament to the transformative power of music, transcending boundaries and uniting people from all corners of the globe. With their infectious energy and thought-provoking lyrics, the band has built an ardent following, igniting a revolution that stretches far beyond the realm of music or the shores of any country.

Born in the vibrant streets of New Delhi, India, in 2016, Bloodywood showcases their unwavering commitment to pushing boundaries, both musically and socially, as they fearlessly tackle pressing issues and ignite conversations.

The sonic odyssey of Bloodywood graced the stage of the Roxian Theater in McKees Rocks, Pennsylvania, which is nestled in the shadow of Pittsburgh only a short distance down the Ohio River from the infamous Steel City.

The show opened with a blast of energy from the British duo WARGASM, whose stage presence was undeniable. Sam Matlock, Milkie Way, and company tore through an unadulterated set of nu-metal tracks tinged with punk and electronica that included “Super Fiend”, “D.R.I.L.D.O”, and “Rage All Over”. They followed up with the video sensation “Fukstar” and wound down the set with some crowd surfing and a cover of N*E*R*D’s “Lapdance” and closed out the set with the track “Spit”.

After a brief break in the mayhem, Vended made the stage rumble to life. Their agro-metal induced a great deal of similarity to early Slipknot, and that is not surprising given that frontman Griffen Taylor is the son of Slipknot’s Corey Taylor and Simon Crahan is the son of percussionist Shawn ‘Clown’ Crahan. The band sounded tight and featured competent song composition; however, the vocalist needed to learn how to work the stage. It was as if his shoes were nailed to the floor at center stage.

As stage lighting flickered to life, the crowd prepared to be immersed in a symphony of cultural fusion, electrifying riffs, and unapologetic lyrics. We all knew that we were about to experience something quite special. As the sonic saga began, drummer Vishesh Singh sat behind his kit, awash in blue and purple lights, as the anticipation grew more intense. The intro track for “Gaddaar” echoed throughout the theater before the bombastic bass, gnarly guitar riffs, and the thump of the drums shook the walls as the entire band burst onto the stage to metaphorically say, “Ladies and gentlemen, welcome to an electrifying evening filled with raw energy enshrined in a mesmerizing tapestry of sound that defies conventions.”

The crowd began losing themselves in the pounding intensity, their bodies moving in sync with each thunderous beat as Sarthak Pahwa wailed away on his dhol. The band seamlessly migrates from the thunderous “”Gaddaar” to “BSDK.exe” from their most recent release Rakshak that couples a more hip-hop vibe on the verses with a crushing guitar rhythm from Karan Katiyar throughout the rest of the track.

Adorned in their fusion of metal attire and traditional Indian clothing, twin vocalists Jayant Bhadula (vocals and growls) and Raoul Kerr (rap vocals) commanded a powerful presence as they ran through “Aaj” with its hypnotic flute licks and downright brutal lead vocals. The five minute long song pushed the audience into heightened frenzy before slapping them across the chin with “Dana Dan”. Which had Raoul Kerr rapping/screaming “I put a fist through the face of a rapist and yeah, I taped this. For the viewing pleasure of the nameless faces he disgraces.”

Up next was the more mellow and chill track “Jee Veerey” that featured more of Karan Katiyar’s enigmatic flute playing along with a more melodic yet still intense vocal delivery from Jayant Bhadula as he sang in his native tongue.

The track “Zanjeero Se” was followed by “Machi Bhasad (Expect a Riot)” which truly showcased the rhythmic prowess of drummer Vishesh Singh and dhol master Sarthak Pahwa. It was so enthralling to watch Sarthak perform on such a simplistic instrument and to make it so vibrant and energetic. His playing transports Bloodywood’s music to a completely different level.

As the set reached its crescendo, it was obvious that the sweat-drenched band had poured their hearts and souls into every note. Wrapping up their set was the sing-along inducing “Ari Ari” that left the crowd breathless and drenched in the passion that radiated from the stage.

But… There is more. As an encore, the band jumps back in to the opening track “Gaddaar” thus cranking up the mosh-pit’s intensity to eleven, causing every person down front to expel every ounce of remaining energy from their bodies.

It was incredibly refreshing to see a band that, in some magical way is able to unite people regardless of age, background, or nationality. To see people connected by their love of the music and a band. The shared experience created an atmosphere of camaraderie and acceptance, where strangers become friends, and barriers dissolve in the face of the music.

Unfortunately, this was the last stop on Bloodywood’s North American tour, save some festival dates. Hopefully, they will be returning to the states soon. If you have the opportunity to see them live, do not sleep on it. I promise you will not be disappointed.

In the meantime you can get more info at: www.bloodywood.net/

About Author

Josh Drespling

Josh is the Publisher and creator of Empire Extreme and it’s sister publication Kingdom Extreme Magazine. He is an accomplished writer, photographer and graphic designer. He is always conjuring up new ideas and has a amazing passion for the music industry and all the things that surround it.

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Concert Reviews

The Nothing That Is Tour

Published

3 days ago

November 18, 2024

George Archibald

Another fall evening in the Burgh, the air was crisp and cool, setting the mood for a great night for metal. The Roxian in McKees Rock, PA, hosted The Nothing That Is Tour tonight, featuring Fit For An Autopsy. Bodysnatcher, Distant, Sylosisand, and Judiciary. Fit For An Autopsy brought some of the heaviest and nastiest together to throw down for all of you. An eclectic banding of hardcore and deathcore acts that are making waves in the metal community.

Judiciary kicked things off, their music a blend of hardcore, thrash, and punk. Their songs had thrash riffs with hardcore rhythms and breakdowns, with an occasional solo thrown in. With horns raised in the air, the crowd gave these Texas natives a well-received welcome. This band was a great start to the night, bringing the energy in the room up quickly.

Sylosis came out to a fury. Their vocalist ripped at the crowd from the start, asking for a circle pit as they kicked off. This band had moshers and crowd surfers amped up as waves of bodies started coming over the front barricade. Throughout the set, the energy never let up, as this band kept pushing the crowd. This energy came to a high when their newest single, “The Path,” was performed. High-paced hardcore mayhem throughout the set, this band had a vast amount of tricks in their bag, from solos to even groove to bring to the party.

At the midpoint of the show, Distant took the stage. This band is over-the-top heavy, riding low-tuned grooves into devastating breakdowns. The vocalist has a wide range, from high-pitched screams and growls to bottom-of-the-barrel gutturals. Distant announced their newest album, Tsukuyomi: The Origin, is a week away from coming out. Which kicked off the single “Torturous Symphony.” At this point, no one was standing still on the floor as moshers were on the move. Bodies colliding into each other until the band finally stopped, at this point the crowd was completely warmed up.

Deathcore veterans Bodysnatcher took the stage next to show Pittsburgh how to throw down. This band rides a low groove while keeping the energy high, accompanied by the unrelenting low growls of vocalist Kyle Medina. The band kicked off with “King of Rats” and went right into “Dead Rabbit.” The floor was swimming with bodies as the band raged on. Other standout songs were “Take Me to Hell” and “Black of My Eyes” before closing out on “Murder8.”

Headliners Fit For An Autopsy took the stage with a fury, kicking off with “Lower Purpose” into “A Higher Level of Hate” for a nasty one-two punch out of the gate. Seasoned veterans now in their careers, the band looked very polished and primed. FFAA just released their newest album, The Nothing That Is. The band played through several hits, “Black Mammoth”, “The Sea of Tragic Beasts”, and “Hellions”, before diving back into their latest album with “Hostage”. The crowd stayed up and moving through the set as Fit For an Autopsy is a Pittsburgh favorite, having visited the city several times during their tenure.

The Nothing That Is tour showcases some of the heaviest bands touring right now. Fit For An Autopsy have updated their live show and look ready to take the world fresh off the new album. If you are looking to release some steam or to hear some new music, The Nothing That Is tour will not disappoint.

About Author

George Archibald

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Concert Reviews

STRYPER ON A SUNDAY. YES PLEASE

Published

1 week ago

November 13, 2024

Ron

STRYPER was just in Baltimore the other day on the 40 years of Stryper tour. Playing 2 sets spanning those 40 years. I’ve only ever seen Stryper play at M3 so it was amazing to get to see a full on set then another full on set right after.

For the 1st set we got the 1984-1990 set which included songs like “Loud N Clear”, “Soldiers under Command” and “To Hell with the Devil”.

The second set we got 1986, 2004-2024 with songs like “No More Hell to Pay”, “This i Pray” and ending the night with “Sing along Song”.

It was a great night for Music and sadly more then likely the last show at RamsHead Live I’ll be ever to attend as the are closing their doors (hopefully will be open again with a new venture) but the show was amazing to see Stryper play on the stage. Such great guys and a great band. I love that Stryper is fully engaged with the fans and the show is always amazing. I love that they put their religious beliefs 100% on display but the show never feels preachy or judgmental. If you get a chance to see Stryper play in your city I fully recommend it such a great time and a great band to see play live.

About Author

Ron

Ron has keen eye for new talent, a love for the underground, and a tremendous passion for music of any genera. You’ll probably bump into him at a horror convention or some seedy club checking out the next need-to-know band.

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Concert Reviews

King Diamond brought the Halloween party to Silver Spring MD

Published

3 weeks ago

November 2, 2024

Ron

King Diamond who’s on tour now with Overkill and Night Demon.

Overkill always puts on a great show and shows that face pace thrash metal is still kick ass. Led by NJ’s Bobby “Blitz” Ellsworth Overkill has that distinctive sound with Bobby’s high pitched and raspy vocals. With songs like “Scorched”, “ Rotten to the Core” and “Hello From the Gutter”, Overkill got the crowd into a frenzy and warmed up the stage before the king.

You know it’s gonna be a good night when it’s 3 days before Halloween and you get to see a kick ass set from King Diamond. King Diamond who’s 68 right now still commands that stage and sounds amazing with his insanely falsettos. The stage show at a King Diamond show is always such a great sight to see. With a multilayer setup of stairs and little pieces of elaborate set all over it’s such a great view and perfect setting to watch a King Diamond set.

The set list was amazing too we got to hear songs from such a great career like “A Mansion in the Darkness”, “Halloween “, “Spider Lilly”, “Welcome Home”, and “Eye of the Witch” and of course ending the night with “Abagail”.

If you’re a fan of King Diamond or just a fan of great music that adds that Halloween haunted asylum themed stage performances then you need to go out and check this tour now. King Diamond never disappoints and always puts on one hell of a show.