Concert Reviews
Mac Sabbath attack Pittsburgh
Can a band be a bit creepy, profound, and enigmatic while offering insightful commentary on our grotesque feeding habits and our society’s behaviors buried under theatrical costumes, stunts, and heavy metal riffs? Mac Sabbath, fronted by Ronald Osborne, provides a twist to a slew of classic Black Sabbath songs. Bringing these masterful metal riffs back to life are guitarist Slayer MacCheeze, bassist Grimalice, and pulling drum duty is a half Hamburgler, half Peter Criss character known as the Cat Burglar.
Mac Sabbath has been crisscrossing the United States for the last few months on the “More Than Meats The Eye” tour with the band of Transformers known as The Cybertronic Spree, along with Playboy Manbaby, who are taking a brief break from their jobs in the fast food industry.
As the band prepared to perform, the air hung heavy with the scent of fried mystery meat and the distant echo of deranged laughter. The intro music began to play, which was coupled with the sounds of hooves of stampeding cattle pounding the ground and long, woeful mooing. The scene was set for a descent into a gastronomic hallucination. The stage was flanked by two larger-than-life plastic Ronald McDonald heads with glowing red eyes that were ripped from the top of a set of exterior trash cans at McDonald’s chain restaurants in the mid-80s.
The four horsemen of the fast food apocalypse emerged onto the stage and blasted into the haunting opening riffs of “Organic Funeral” a parody of Black Sabbath’s “Electric Funeral”. A full minute and forty-five seconds into the song, the groups of fast-food mascots were joined on stage by vocalist Ronald Osborne, clad in a straitjacket. He spent several moments gyrating in an effort to free himself from the confines of the white straitjacket that was stained with greasepaint and what one could only assume was ketchup.
The leader of the culinary renegades of rock stepped up to the mic with a manic energy that was equal parts terrifying and exhilarating. His eyes, wide and wild, scanned the crowd as if searching for souls to devour. He began bellowing the lyrics, “Asparagine in the fries warns you of synthetic food dyes. Warm numbing feeling inside from the poisons that are fried ammonium sulfate. Monosodium glutamate, Monsanto run FDA, ONLY LEGAL IN THE USA!”
As the unholy communion of music and madness continued, the band played “Sweet Beef” (Black Sabbath “Sweet Leaf”) and The Lizard (Black Sabbath “The Wizard”). In this surreal circus of sonic excess, reality and absurdity collided, creating a dimension where the boundaries between fast food and heavy metal dissolved like a cheeseburger in a vat of hot oil. Ronald proceeded to douse the audience with water from squeezable ketchup and mustard bottles.
As the kaleidoscope of characters laid down the songs “In Dreams” (Roy Orbison), “Bread” (KISS “Beth”), and “Love Buns” (KISS “Love Gun”), one began to realize that the experience was not just a concert; it was a psychedelic trip through the greasy underbelly of rock and roll, a journey into the heart of a culinary carnival where the only rule was to embrace the madness and savor the high calorie content of the chaos.
As the carnival of parody and homage wound down, the lead singer, in his carnivalesque regalia, reached out to the crowd like a mad preacher, exhorting the congregation to embrace the madness as the band marched through the tracks “Supersize” (Black Sabbath “Supernaut”), “Chicken for the Slaves” (Black Sabbath “Children of the Grave”), and “Frying Pan” (Black Sabbath “Iron Man”). Ronald shouted, “Cows, we’re going to grind. Hope your stomach is well lined. Do I have the gall? Chopping onions makes me bawl, to the tune of Iron Man.
As the final notes reverberated into the ether, the crowd knew there was more to the orchestrated psychedelic feast for the senses. Mac Sabbath returned to the stage for a two-song encore that featured a collaboration with members of The Cybertronic Spree on the track “Hallowiener Schnitzel” (Misfits “Halloween”), followed by “Pair-a-Buns” (Black Sabbath “Paranoid”), which left an indelible mark on the collective consciousness of all who bore witness to their peculiar brand of musical alchemy.
FULL SET LIST:
Organic Funeral(Black Sabbath “Electric Funeral”)
Sweet Beef (Black Sabbath“Sweet Leaf”)
The Lizard (Black Sabbath“The Wizard”)
Grilled by Death (Motörhead“Killed by Death”)
Drive Thru the Void(Black Sabbath “Into the Void”)
In Dreams (Roy Orbison)
Bread (KISS “Beth”)
Love Buns (KISS “Love Gun”)
Supersize (Black Sabbath “Supernaut”)
Chicken for the Slaves (Black Sabbath “Children of the Grave”)
Frying Pan (Black Sabbath “Iron Man”)
Hallowiener Schnitzel (Misfits “Halloween”) with members of The Cybertronic Spree
Pair-a-Buns (Black Sabbath “Paranoid”)
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Concert Reviews
King Diamond brought the Halloween party to Silver Spring MD
King Diamond who’s on tour now with Overkill and Night Demon.
Overkill always puts on a great show and shows that face pace thrash metal is still kick ass. Led by NJ’s Bobby “Blitz” Ellsworth Overkill has that distinctive sound with Bobby’s high pitched and raspy vocals. With songs like “Scorched”, “ Rotten to the Core” and “Hello From the Gutter”, Overkill got the crowd into a frenzy and warmed up the stage before the king.
You know it’s gonna be a good night when it’s 3 days before Halloween and you get to see a kick ass set from King Diamond. King Diamond who’s 68 right now still commands that stage and sounds amazing with his insanely falsettos. The stage show at a King Diamond show is always such a great sight to see. With a multilayer setup of stairs and little pieces of elaborate set all over it’s such a great view and perfect setting to watch a King Diamond set.
The set list was amazing too we got to hear songs from such a great career like “A Mansion in the Darkness”, “Halloween “, “Spider Lilly”, “Welcome Home”, and “Eye of the Witch” and of course ending the night with “Abagail”.
If you’re a fan of King Diamond or just a fan of great music that adds that Halloween haunted asylum themed stage performances then you need to go out and check this tour now. King Diamond never disappoints and always puts on one hell of a show.
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ITS TIME TO GET YOUR BODY BEAT AND LET THE BLOOD FLOW
Combichrist came into Lovedrafts in Mechanicsburg with an old school electronic set and the return of PA’s own DeathMaschine.
Combichrist took the dark stage armed with Eric on the synths/sampler and Andy on Vocals and an open stage to rampage on. I got to hear some killer kick ass songs I haven’t heard in a while like “Today I woke to the rain of blood”, “This is My Rifle” and This shit will fuck you up”.
The crowd were super excited to watch the set and everyone was having a good time, dancing to the beats, and singing all the songs and having an amazing time. I’ve been wanting to see Combichrist do these old school sets and have always loved that era of the band. We also got to hear “Like to Thank My Buddies” and “Shut up and Swallow”. We also got a super rare treat for an encore Andy went back even further in his musically roots and pulled out an Icon of Coil song “Dead Enough For Life”, which got the crowd in a frenzy.
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LUDACRIS : THE HALL AT LIVE
ATL IS IN THE HOUSE.
Ludacris came into Maryland at the Hall in Live Casino and brought with him the masses that were ready for a good time, good fun and good tunes.
Ludacris said it’s been a long time since he’s been back to Maryland and DC area. I loved that he just came out with his dj and his hype man and himself nothing else was needed when you entertain like Ludacris does. Whether you’re a fan from back in the day or a fan of his movies, Ludacris made everyone happy and made sure they were fully entertained.
Of course Ludacris played some of his hits songs like “Act a Fool”, “Move Bitch”, “What’s your fantasy”, “Get Back” and “Area Codes” but he also played some old school tracks and a few covers like “Holiday Inn” and “Yeah”. The crowd was hitting that good weed as well and threw some blunts up to the stage during “BlueBerry Yum Yum”.
Ludacris made a statement that his first album came out in 2000 and this next year is the 25th anniversary of the album. It was a great night and a great time, Ludacris knows how to keep the fans engaged and entertained all night. He’s very fan friendly and charismatic which makes sense that he’s also a great actor.
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