Concert Reviews
Mac Sabbath attack Pittsburgh
Can a band be a bit creepy, profound, and enigmatic while offering insightful commentary on our grotesque feeding habits and our society’s behaviors buried under theatrical costumes, stunts, and heavy metal riffs? Mac Sabbath, fronted by Ronald Osborne, provides a twist to a slew of classic Black Sabbath songs. Bringing these masterful metal riffs back to life are guitarist Slayer MacCheeze, bassist Grimalice, and pulling drum duty is a half Hamburgler, half Peter Criss character known as the Cat Burglar.
Mac Sabbath has been crisscrossing the United States for the last few months on the “More Than Meats The Eye” tour with the band of Transformers known as The Cybertronic Spree, along with Playboy Manbaby, who are taking a brief break from their jobs in the fast food industry.
As the band prepared to perform, the air hung heavy with the scent of fried mystery meat and the distant echo of deranged laughter. The intro music began to play, which was coupled with the sounds of hooves of stampeding cattle pounding the ground and long, woeful mooing. The scene was set for a descent into a gastronomic hallucination. The stage was flanked by two larger-than-life plastic Ronald McDonald heads with glowing red eyes that were ripped from the top of a set of exterior trash cans at McDonald’s chain restaurants in the mid-80s.
The four horsemen of the fast food apocalypse emerged onto the stage and blasted into the haunting opening riffs of “Organic Funeral” a parody of Black Sabbath’s “Electric Funeral”. A full minute and forty-five seconds into the song, the groups of fast-food mascots were joined on stage by vocalist Ronald Osborne, clad in a straitjacket. He spent several moments gyrating in an effort to free himself from the confines of the white straitjacket that was stained with greasepaint and what one could only assume was ketchup.
The leader of the culinary renegades of rock stepped up to the mic with a manic energy that was equal parts terrifying and exhilarating. His eyes, wide and wild, scanned the crowd as if searching for souls to devour. He began bellowing the lyrics, “Asparagine in the fries warns you of synthetic food dyes. Warm numbing feeling inside from the poisons that are fried ammonium sulfate. Monosodium glutamate, Monsanto run FDA, ONLY LEGAL IN THE USA!”
As the unholy communion of music and madness continued, the band played “Sweet Beef” (Black Sabbath “Sweet Leaf”) and The Lizard (Black Sabbath “The Wizard”). In this surreal circus of sonic excess, reality and absurdity collided, creating a dimension where the boundaries between fast food and heavy metal dissolved like a cheeseburger in a vat of hot oil. Ronald proceeded to douse the audience with water from squeezable ketchup and mustard bottles.
As the kaleidoscope of characters laid down the songs “In Dreams” (Roy Orbison), “Bread” (KISS “Beth”), and “Love Buns” (KISS “Love Gun”), one began to realize that the experience was not just a concert; it was a psychedelic trip through the greasy underbelly of rock and roll, a journey into the heart of a culinary carnival where the only rule was to embrace the madness and savor the high calorie content of the chaos.
As the carnival of parody and homage wound down, the lead singer, in his carnivalesque regalia, reached out to the crowd like a mad preacher, exhorting the congregation to embrace the madness as the band marched through the tracks “Supersize” (Black Sabbath “Supernaut”), “Chicken for the Slaves” (Black Sabbath “Children of the Grave”), and “Frying Pan” (Black Sabbath “Iron Man”). Ronald shouted, “Cows, we’re going to grind. Hope your stomach is well lined. Do I have the gall? Chopping onions makes me bawl, to the tune of Iron Man.
As the final notes reverberated into the ether, the crowd knew there was more to the orchestrated psychedelic feast for the senses. Mac Sabbath returned to the stage for a two-song encore that featured a collaboration with members of The Cybertronic Spree on the track “Hallowiener Schnitzel” (Misfits “Halloween”), followed by “Pair-a-Buns” (Black Sabbath “Paranoid”), which left an indelible mark on the collective consciousness of all who bore witness to their peculiar brand of musical alchemy.
FULL SET LIST:
Organic Funeral(Black Sabbath “Electric Funeral”)
Sweet Beef (Black Sabbath“Sweet Leaf”)
The Lizard (Black Sabbath“The Wizard”)
Grilled by Death (Motörhead“Killed by Death”)
Drive Thru the Void(Black Sabbath “Into the Void”)
In Dreams (Roy Orbison)
Bread (KISS “Beth”)
Love Buns (KISS “Love Gun”)
Supersize (Black Sabbath “Supernaut”)
Chicken for the Slaves (Black Sabbath “Children of the Grave”)
Frying Pan (Black Sabbath “Iron Man”)
Hallowiener Schnitzel (Misfits “Halloween”) with members of The Cybertronic Spree
Pair-a-Buns (Black Sabbath “Paranoid”)
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MURDER TO THE LEFT…MURDER TO THE RIGHT. HORRAY FOR WEDNESDAY 13, STITCHED UP HEART AND DEAD RABBITS
The Dead Rabbits opened up and started the show off with great music, awesome rabbit masks, and “Escape The Fate” singer Craig Mabbit’s birthday. This was my first time being able to see the band live, and they put on a great show. With songs like “Dead by Daylight,” “Dead Again,” and “Deer in the Headlights,” Dead Rabbits got the crowd pumped for a good time.
Stitched Up Heart was up next, and it had been a while since they played in Maryland. The band has always put on a hell of a show, and singer Mixi always brings such energy and fun to the shows as well. She’s always talking to fans and being genuinely an amazing person. When she’s on the stage, you can tell she’s in her element. The crowd was really getting into them, and the band even got to have a little mosh pit. With songs like “To the Wolves,” “Catch Me When I Fall,” and “Sick Sick Sick,” Stitched Up Heart always puts on a hell of a show and gets the crowd pumped.
The Duke of Spook. MR. MOTHERFUCKING13. WEDNESDAY 13 was up next, and the crowd was ready to be shocked and rocked. Playing a good mix of Muderdolls In the Valley of the MurderDolls and Wednesday 13’s first “solo” album, Transylvania 90210. You know when you go to a Wednesday 13 show you’re gonna hear some fun songs, you’re gonna hear some great songs, and you’re just gonna have fun. I was excited to hear a few songs that I haven’t gotten to hear in a while, like “Ghost of Vincent Price,” “Rambo,” and “God is a Lie.” We also got to hear a few songs off the new album that comes out on April 25th called “Mid Death Crisis,” songs like “When the Devil Commands,” “In Misery,” and “No Apologies.
With the new album coming out Wednesday, Wednesday 13 has a new addition to the band: guitarist Ashes (DevilDriver, Static X) has joined the WED13 camp. Which is awesome because not only is he a good friend, he’s a kick-ass guitarist and just an all-around badass and great guy. Wednesday and the band came out for an encore and gave us a few more songs to bang our heads to, like “Slit My Wrist” and “Love at First Fright,” and ended the night with “I Love to Say Fuck,” in which, during the end of the song, Wednesday broke his umbrella, looked at just the handle, laughed, and used it like he was leading an orchestra.
It was a great night of music and hanging out with great friends. We got to celebrate the lives of MurderDolls Joey Jordison and Ben Graves. And the show just happened to be on Paul Gray’s (Slipknot) birthday.
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A packed crowd gathered outside the Roxian Theater in Pittsburgh tonight for The Cursed Tour featuring Paleface Swiss, Stick to Your Guns, and Nasty. The crowd was lined up across the front of the venue and several blocks down the street, with all types ready to get out their weekly frustrations this Friday eve. Hardcore, deathcore, and beatdown will be the soundtrack to usher in the weekend for all in attendance tonight.
Nasty would kick off things; this band comes from Belgium and has a metalcore/beatdown sound to them. Nasty also released their latest EP on March 14th, called Black My Heart, which features a single with tourmates Paleface Swiss entitled ‘Talk.’ From the first note, Nasty cranked the energy to 11, heavy riffs and fast, heavy vocals coming right down the barrel. The pit was going hard and fast with bodies careening into each other for the whole set. The band was just as energetic, pacing the stage while performing and running across the stage; vocalist Mathias even jumped down into the crowd for a part of the set.
With the crowd now primed and firing, Stick to Your Guns took the stage next. This Californian hardcore outfit dropped an album in early 2025 entitled Keep Planting Flowers. Their high-energy set had this Pittsburgh crowd bouncing to every song. The pit kept turning as crowd surfers were starting to come over the barricade now. The band played through many of their hits, “Invisible Rain”, “Keep Planting Flowers”, and “Spineless”, before wrapping up.
Paleface Swiss took the stage in a fury of angst. As soon as the lights rose after Un Pobre Nino Murio finished, the venue was in chaos. Vocalist Marc Zelli Zellweger ripped right into “Hatred”, pacing the stage as the crowd whipped into a frenzy. The music was fast and heavy as security had their hands full with moshers, crowd surfers, and occasional injuries along the way. The band played through “Nail to the Tooth”, “The Gallow”, and “Rivers of Sorrow” before throwing the crowd into another gear with “Please End Me”. The pace was unrelenting as the band came back out for an encore, closing out with the single Love Burns.
If you are looking for a fast-paced, heavy show, mark off the calendar to see The Cursed Tour. These bands came to play their asses off, and you won’t be able to stand still the whole show.
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AUSTRALIA AND JAPAN COLLIDE TO BRING THE USA SOME KICK ASS MUSIC AND FUN.
Kim Dracula, alongside Hanabie and Crystal Lake, came into the Filmore in Silver Spring, Maryland, and brought the right kind of entertainment that we so needed.
Crystal Lake put on a super intense and chaotic live show. With super insane riffs and brutal drums, Crystal Lake opened up the show perfectly, getting the crowd into a frenzy. This was my first time seeing the band, and they brought the fierceness of the metal genre with them.
Hanabie was next, and this was my second time getting to see them. I saw them last year when they toured with Jinjer. They are a perfect mix of metal, K-pop, and all-around fun. These girls not only know how to entertain and put on a show, they also play their instruments with perfection. Such a great blend of vocals from sweet and innocent playfulness to guttural growls. The crowd was loving them, and they have such a huge following in America, and I only see them getting even bigger.
Kim Dracula was the headliner, and this was my first time seeing the band. I’m kinda new to the whole Kim Dracula scene but have jumped on board right away with their mix of music and odd and weirdness they bring to the stage. I’m an old head, so for the younger generation, the closest I could say is that Kim Dracula reminds me of Mr. Bungle with a new generation twist. The show was fun, and damn, Kim is such a phenomenal persona. Not only is it amazingly entertaining, but what an amazing voice! Kim Dracula goes from metal screams to deep voice talking to crazy fast raps to singing high chops like Rob Halford. I was surprised to hear not one but two covers. Pearl Jam’s “Even Flow” and Lady Gaga’s “Paparazzi.”
Not only do you get this amazing music and musicians on stage, but then all of a sudden the song breaks out into a saxophone solo. WHAT?? So I encourage everyone to go see Kim Dracula when they tour in your area; you won’t be disappointed.
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