Concert Reviews
Mac Sabbath attack Pittsburgh
Can a band be a bit creepy, profound, and enigmatic while offering insightful commentary on our grotesque feeding habits and our society’s behaviors buried under theatrical costumes, stunts, and heavy metal riffs? Mac Sabbath, fronted by Ronald Osborne, provides a twist to a slew of classic Black Sabbath songs. Bringing these masterful metal riffs back to life are guitarist Slayer MacCheeze, bassist Grimalice, and pulling drum duty is a half Hamburgler, half Peter Criss character known as the Cat Burglar.
Mac Sabbath has been crisscrossing the United States for the last few months on the “More Than Meats The Eye” tour with the band of Transformers known as The Cybertronic Spree, along with Playboy Manbaby, who are taking a brief break from their jobs in the fast food industry.
As the band prepared to perform, the air hung heavy with the scent of fried mystery meat and the distant echo of deranged laughter. The intro music began to play, which was coupled with the sounds of hooves of stampeding cattle pounding the ground and long, woeful mooing. The scene was set for a descent into a gastronomic hallucination. The stage was flanked by two larger-than-life plastic Ronald McDonald heads with glowing red eyes that were ripped from the top of a set of exterior trash cans at McDonald’s chain restaurants in the mid-80s.
The four horsemen of the fast food apocalypse emerged onto the stage and blasted into the haunting opening riffs of “Organic Funeral” a parody of Black Sabbath’s “Electric Funeral”. A full minute and forty-five seconds into the song, the groups of fast-food mascots were joined on stage by vocalist Ronald Osborne, clad in a straitjacket. He spent several moments gyrating in an effort to free himself from the confines of the white straitjacket that was stained with greasepaint and what one could only assume was ketchup.
The leader of the culinary renegades of rock stepped up to the mic with a manic energy that was equal parts terrifying and exhilarating. His eyes, wide and wild, scanned the crowd as if searching for souls to devour. He began bellowing the lyrics, “Asparagine in the fries warns you of synthetic food dyes. Warm numbing feeling inside from the poisons that are fried ammonium sulfate. Monosodium glutamate, Monsanto run FDA, ONLY LEGAL IN THE USA!”
As the unholy communion of music and madness continued, the band played “Sweet Beef” (Black Sabbath “Sweet Leaf”) and The Lizard (Black Sabbath “The Wizard”). In this surreal circus of sonic excess, reality and absurdity collided, creating a dimension where the boundaries between fast food and heavy metal dissolved like a cheeseburger in a vat of hot oil. Ronald proceeded to douse the audience with water from squeezable ketchup and mustard bottles.
As the kaleidoscope of characters laid down the songs “In Dreams” (Roy Orbison), “Bread” (KISS “Beth”), and “Love Buns” (KISS “Love Gun”), one began to realize that the experience was not just a concert; it was a psychedelic trip through the greasy underbelly of rock and roll, a journey into the heart of a culinary carnival where the only rule was to embrace the madness and savor the high calorie content of the chaos.
As the carnival of parody and homage wound down, the lead singer, in his carnivalesque regalia, reached out to the crowd like a mad preacher, exhorting the congregation to embrace the madness as the band marched through the tracks “Supersize” (Black Sabbath “Supernaut”), “Chicken for the Slaves” (Black Sabbath “Children of the Grave”), and “Frying Pan” (Black Sabbath “Iron Man”). Ronald shouted, “Cows, we’re going to grind. Hope your stomach is well lined. Do I have the gall? Chopping onions makes me bawl, to the tune of Iron Man.
As the final notes reverberated into the ether, the crowd knew there was more to the orchestrated psychedelic feast for the senses. Mac Sabbath returned to the stage for a two-song encore that featured a collaboration with members of The Cybertronic Spree on the track “Hallowiener Schnitzel” (Misfits “Halloween”), followed by “Pair-a-Buns” (Black Sabbath “Paranoid”), which left an indelible mark on the collective consciousness of all who bore witness to their peculiar brand of musical alchemy.
FULL SET LIST:
Organic Funeral(Black Sabbath “Electric Funeral”)
Sweet Beef (Black Sabbath“Sweet Leaf”)
The Lizard (Black Sabbath“The Wizard”)
Grilled by Death (Motörhead“Killed by Death”)
Drive Thru the Void(Black Sabbath “Into the Void”)
In Dreams (Roy Orbison)
Bread (KISS “Beth”)
Love Buns (KISS “Love Gun”)
Supersize (Black Sabbath “Supernaut”)
Chicken for the Slaves (Black Sabbath “Children of the Grave”)
Frying Pan (Black Sabbath “Iron Man”)
Hallowiener Schnitzel (Misfits “Halloween”) with members of The Cybertronic Spree
Pair-a-Buns (Black Sabbath “Paranoid”)
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AUSTRALIA AND JAPAN COLLIDE TO BRING THE USA SOME KICK ASS MUSIC AND FUN.
Kim Dracula alongside Hanabie and Crystal Lake came into the Filmore in SilverSpring Maryland and brought the right kind of entertainment that we so needed.
Crystal Lake put on a super intense and chaotic live show. With super insane riffs and brutal drums Crystal Lake opened up the show perfectly getting the crowd into a frenzy. This was my first time seeing the band and they brought the fierceness of the metal genre with them.
Hanabie was next and this was my second time getting to see them, I saw them last year when they toured with Jinjer. They are a perfect mix of metal, k pop, and all around fun. These girls not only know how to entertain and put on a show, they also play their instruments with perfection. Such a great blend of vocals from sweet and innocent playfulness to gutteral growls. The crowd was loving them and they have such a huge following in America and I only see them getting even bigger.
Kim Dracula was the headliner and this was my first time seeing the band. I’m kinda new to the whole Kim Dracula scene, but have jumped on board right away with their mix of music and odd and weirdness they bring to the stage. I’m an old head so for the younger generation the closest I could say is that Kim Dracula reminds me of Mr Bungle with a new generation twist. The show was fun and damn is Kim such a phenomenal persona. Not only just amazingly entertaining but also what an amazing voice. Kim Dracula goes from metal screams, to deep voice talking, to crazy fast raps, to singing high chops like Rob Halford. I was surprised to hear not one but two covers. Pearl Jam’s “Even Flow” and Lady Gaga’s “Paparazzi”.
Not only do you get this amazing music and musicians on stage but then all of a sudden the song breaks out into a saxophone solo. WHAT?? So I encourage everyone go see Kim Dracula when they tour in your area, you won’t be disappointed.
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Terrifying North America Tour featuring Aborted,Ingested, Peeling Flesh and Extermination Dismemberment at Preserving in New Kensington Pa 3-2-2025
It was a bitter cold Sunday, a biting cold as death metal fans lined the sidewalk in front of the old church which is Preserving Records in New Kensington Pa. Tonight the Terrifying North America tour brings death metal veterans Aborted back to the Burgh. Aborted have frequented the Pittsburgh area over the last few years having played the Roxian, and buildinf a solid fan base within the city. Along with Aborted is English death metal act Ingested. Also a season veteran in the genre, Ingested returns to the states with new vocalist Josh Davies and new guitarist Andrew Virrueta. Also opening up the tour is Extermination Dismemberment and Peeling Flesh, two bands making thjer rise in the scene.
Extermination Dismemberment kicked off the show. This band didn’t waste anytime, grinding and slamming out of the gate, the pit was churning immediately. The band welcomed everyone for coming and made everyone aware they came from Belarus to kick their asses. The songs were filled with double bass, snare blasts, and fast paced grinds; enough to make any hardcore enthusiasts ears perk. When the band kicked into Corpsepit the crowd was jumping up and down in unison before breaking out into chaos. The band closed out their set with Omnivore.
Peeling Flesh was up next, this band has been gaining quite a bit of attention in the scene lately. Having appeared on the Garza Podcast and hitting the road hard has helped in growing their following. Another slam from the start and count the bodies later band, Peeling Flesh came out in a fury. Pit churning, limbs flying as straight out the game the band was bringing heat. Mr. Nasty Time, 12 Gauge Autopsy, and Bodega Bloodbath really got the crowd moving. The band will throw samples and hip hop beats in at times, then like whiplash head into another slamming breakdown. Snare bombs going off, and bodies careening, it islike watching a car crash unfold.
UK death metal veterans Ingested took to the stage opening things up with Titanomachy. New Vocalist Josh Davies is full of energy and fits well into the shoes of former vocalist Jason Evans. The band sounded mean, slams and fast paced breaks kept the crowd on its toes. These veterans know how to work a crowd, as surfers we now making their way onto the stage. Newest single Alter of Flesh, really got the bodies moving, the band kept up the energy ripping through Invidious,and CrematedExistence, before closing with a wall of death on Skinned and Fucked.
Closing out the night was Aborted. The crowd was all fired up and eagerly have been awaiting these masters of macabre to take the stage. Vocalist Sven De Caluwe, paced the stage as a mad man, known for his high energy live shows, this crowd wouldn’t get a rest during the set. The bands set list was filled with heavy hitters, Retrogore, Dreadbringer and Death Cult made the pit sway and churn. The band continued the mayhem playing through The Shape of Hate before ending with Hecatomb.
Pittsburgh was such a gracious host for the Terrifying North America tour. The crowd was enthusiastic and the energy never dropped. If you are looking for a heavy death metal show to get the blood moving, this is the tour for you.
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Marty Friedman is on tour right now with his Live Drama 2025 and he brought Patrick Kennison and Nikki Stringfield on tour with them.
Nikki and Patrick opened up the show with an amazing acoustic set, I’ve got to see both of them many times with their other bands but this was the first time seeing them perform together and it was magical. I loved the way they not only complemented each other vocally with harmonies and more but just the feeling of love on the stage as well. We got to hear some great songs like “Where Demons Lie” and “Numbered” which is about addiction issues and dedicated to Layne Staley. We also got to hear an Iron Maiden cover “Aces High”.
Marty and his band came out on stage and if you’re into high energy and some mind blowing shreds, this is a tour for you. I love that Marty’s band is backed by some amazing Japanese musicians and probably one of my favorite drummers Chargeee, (he’s Insane while playing the drums: he’s like the live action version of Animal from the muppets)
I loved that Marty is from the area and was talking to his band mates about it and the laurel area. There was one time when Marty’s guitar player Naoki played the lead that Marty was supposed to play then they had an argument all in Japanese (the one time I wish subtitles was a real thing) the other band mates gave him the finger then Marty started to shred.
I just the energy that’s on the stage it doesn’t stop and it’s so infectious. The crowd at rams head on the stage were in full capacity for the show and ready to rock and roll with Marty.
We got to hear some of the softer more romantic side of Marty and the band when they played a few songs off the “Drama” album which was fun as well.
It’s insane to watch someone like Marty shred in a small intimate venue, you really get to see how amazing he really is and the passion he has for his craft.
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